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The story behind the Metro Transit bus that honors Indigenous culture, and its first driver

The story behind the Metro Transit bus that honors Indigenous culture, and its first driver

MINNEAPOLIS — A vibrant acknowledgment of the place we call home is cruising all across the Twin Cities.

Metro Transit now has a bus covered from front to back in Native American artwork that was created by a local Native artist.

The story behind the colors and figures serves as a cultural history lesson, while the story of the driver who first got behind the wheel serves as a beautiful twist of fate.

A Metro Transit bus passing by probably wouldn’t have you doing a double take. They mostly look the same other than a variety of advertisements on the sides. That’s all the more reason why the carrying an entire pallet of colors is turning heads.

RELATED: Bison to roam tribal land near Shakopee this fall

“I didn’t want it to be too saturated, but also colorful enough so when people see it, they’re like, ‘whoa, I’ve never seen a pink and purple pastel bus in my life’,” said Marlena Myles.

Myles is the Spirit Lake Dakota artist who turned public transportation into a moving mural with a message. In large letters on the side of the bus it states: “We are on Dakota land.”

“I wanted to show that Dakota people, we’re still here. We’re a vibrant culture, the colors are to represent that,” she said.

The art was originally designed for signage at Ramsey County Parks, but Myles happily obliged Metro Transit’s request to have it wrapped on a bus.

“To Dakota people, we used to paint over our teepees and tell stories that wrapped around the tipi. So I figured, this is like a modern way of wrapping a design an object that we use every day,” Myles said.

The stories here include connections to wildlife, such as horses to represent how Native Americans used to travel. There are flowers in reference to plants being medicine and a learning tool. Tipis symbolize neighborhoods, while collections of colors showcase the vibrancy of different ethnicities and cultures working together.

Several drivers steer those stories across town, but Kevin Montry was one of the first to do so.

“This happened just by chance that I got this bus,” said Montry.

The bus was already sent out on a route that day in late spring, so he had to find it in St. Paul to make a swap.

“As soon as I drove up to it, it was this art and it was native and I… it just made me smile and touched me,” he said before pausing as emotions made his voice tremble. “I just felt like, of course, it’s me.”

Montry is Lakota and Anishinaabe. He drove it to a celebration event for the bus where Myles was waiting. He happily told her of his indigenous roots.

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“And she said ‘Of course you’re the one who brought the bus.’ Because in our Indian world ways, we don’t believe in coincidence,” he said.

Montry believes fate put him behind the wheel. It was an opportunity to honor his heritage that was a long time coming.

“I learned my (Native American) ways older in life. I never learned them as a kid because my mom and dad grew in the time to be ashamed of Indian and so it was time for me to have pride,” he said.

Montry is also a proud sun dancer.

“It was good for me to know too that the person driving this bus is feeling empowered because of it,” added Myles.

Her artwork combined with Montry’s energy feels like a match made in heaven. Or in this case, on the land their ancestors once called home.

“It was like we’re finally people that used to be invisible and now we’re visible,” he said through a smile.

If you want to see the bus, or learn which route it’s on for the day, click here to see the tracker. 

Chi Modu remembered for iconic pictures from golden age of Hip Hop

Chi Modu remembered for iconic pictures from golden age of Hip Hop

NEW YORK (WABC) — Chi Modu took some of the most prized, iconic images, captured during the golden age of Hip Hop.

Like, Mobb Deep in 1995.

“He remembers going out to Queensbridge and hanging with their whole crew,” said Sophia, Chi Modu’s widow.

Sophia’s late husband was renowned photographer Chi Modu.

“He wanted people to understand that just from looking at the photographs, that they were brilliant, brilliant individuals,” Sophia said.

He took photos of legendary artists like Tupac.

Chi took the photo in 1994. It was an outtake but would be one of his and the industry’s most acclaimed photos.

“Even though he always said, ‘I can do the regular studio shot, I kind of wanted to really bring the person out so when people are looking at it they feel like they know you,'” Sophia said.

In the 1990’s, Chi worked closely with the Source Magazine.

Born in Nigeria, he grew up in New Jersey and went to Rutgers where he met Sophia.

He would later perfect his craft at Manhattan’s International Center of Photography.

From his studio in Jersey City, Sophia told Eyewitness News that her husband’s work had a profound effect on people.

“He would hear stories of people just struggling in their young life, saying these images just made me keep going,” Sophia said.

A picture of Biggie in front of the Twin Towers was one of his proudest works.

“Everyone was like oh that music, that rap music, thing but he thought they were intelligent young men and they needed to be captured appropriately,” she said.

Sophia is busy cataloging thousands of images her husband took and is committed to protecting his work.

In 2021, Chi died from cancer. He was just 54 years old.

“As he’s looking down on all of this, what do you think he would say?” Eyewitness News asked.

“I picked the right one,” Sophia said.

ALSO READ | Tour group shares Hip Hop’s rich history in New York City with global fans

Watch our half-hour special ‘The Bronx and Beyond: 50 years of Hip Hop’ airing on Eyewitness News at 5:30 p.m. on Friday, August 11, followed by a one-hour extended look on Channel 7 at 1 p.m. on Sunday, August 13. Both editions will be made available to stream on-demand at ABC7NY.com or our ABC7NY app on Roku, FireTV, Apple TV and Android TV.

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High-speed shooter: AHS grad pursues career in sports photography

High-speed shooter: AHS grad pursues career in sports photography

Question: So what got you so interested in photography?

Answer: I have had a passion for photography for as long as I can remember and only just recently have started to take it seriously. I currently am building a motorsports photography business with hopes of doing it full-time and traveling the world covering a variety of different series. Superbike racing is my favorite sport to photograph. The athleticism of the riders and the proximity in which they ride to the ground makes for amazing photos.

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Van Horn2

Former Ashland Oredocker and 2021 graduate Jason Van Horn is no less involved with competitive sports than he was as a ‘Docker tennis player, trap shooter and skier, despite never donning the maroon and gold of his University Minnesota-Duluth’s Bulldogs. On pace to graduate in 2025, Van Horn is an avid photographer who has captured myriad professional-caliber photos at ABC Raceway and other sports venues. 




  

     

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Remembering an artist with unique creative roots

Remembering an artist with unique creative roots

The artwork of a former KGB agent is now part of the August highlights at Local Color’s Artists Cooperative in downtown Gloucester.

Larry Martin-Bittman, formerly known as Ladislav Bittman, made Cape Ann his home and moved to Rockport. When he retired as a journalism professor form Boston University, he turned to art full time and found a welcome community of artists here. While teaching, he was known for his specialty and a course titled “Disinformation and the Press.” He also authored books, including “The Deception Game,” and co-authored “The KGB and Soviet Disinformation.”

Disenchanted with the Soviets, he defected to the United States when the Soviet Union took over his beloved Czechoslovakia in 1968.

When he died at home in 2018, the New York Times obit stated: “Lawrence Martin-Bittman, 87, Master of Disinformation, Dies.” But on Cape Ann, he was known as a soft-spoken and pleasant friend to many, from those on the waterfront to the creative community.

He was an active member of Local Colors for more than a decade, and he left some of his work to the Unitarian Universalist Church in Rockport so that any proceeds from sales would benefit the church as well as local non-profit organizations. In this effort, Local Colors has collaborated with the church to offer his work for sale to the public this August.

There will be a public reception at the Gloucester gallery, at 121 Main St., this Thursday, Aug. 10, from 5 to 7 p.m. with refreshments. The event is part of Gloucester’s Culture Splash each Thursday.

Martin-Bittman’s work was often whimsical. His visions of Cape Ann and rooftop scenes of his native Prague both regularly sold and often made him one of the most popular artists at the gallery.

“His art was so intriguing that I asked him many years ago if his paintings had special meanings. He just looked at me and laughed, indicating with a smile that there was not necessarily any special meaning behind his paintings. I guess the public will just have to judge for themselves,” said Kathy Bucholska, a 33-year member of Local Colors.

Another longtime member, jeweler Ann Schlecht recalled how he became part of her “family”.

“I met Larry at Local Colors, and we became close friends. I remember sharing with him that he reminded me of my dad. He was so good to my boys and me, sharing many meals while listening to his amazing war stories,” said Schlecht. “He was a very special person.”

On display will be Bittman’s watercolors and acrylics of local scenes, abstracts including his interpretations of Picasso’s works, prints and collages.

Also featured for August is the artwork of members Mya Rae Nelson and Bessie Blum.

IAAM to host “When it Rains, It Shines” exhibit from SC native artist

IAAM to host “When it Rains, It Shines” exhibit from SC native artist

CHARLESTON, S.C. (Lowcountry Weekend) – The International African American Museum (IAAM) will host a special exhibition by Fletcher Williams III: “When It Rains It Shines.” The exhibition will open on Aug. 31 and will be on display through Dec. 3. The exhibition is made possible by support from Bank of America.

In “When It Rains It Shines,” Williams constructs a labyrinth of personal memories, rituals, and sacred hideaways using sculpture, sound, and light. It is both a dreamscape and a psychedelic vision of what it is to be in and of the South. Both disorienting and inviting, this immersive installation offers visitors an opportunity to interact with the South in new and thought-provoking ways.

An opening reception, hosted by IAAM, will be held on Aug. 30, from 7:00 p.m. to 9:00 p.m. This reception is free and open to the public, but registration is required. Those interested in attending can register here, or at iaamuseum.org/events.

On Oct. 11, from 6:30 p.m. – 8:30 p.m., the public is invited to join Williams at IAAM as he discusses his journey and the myriad personal and cultural landscapes that inform his first solo museum exhibition, “When It Rains It Shines.” Williams will be in conversation with award-winning journalist, art critic, and curator, Chase Quinn. Space is limited, register here or at iaamuseum.org/events.

Fletcher Williams III is a multi-disciplinary artist from Charleston, S.C. His work has been featured in multiple group shows and solo exhibitions throughout the country. His conceptual art-making practice is rooted in Southern vernacular. Williams earned a Bachelor of Fine Arts degree from the Cooper Union for the Advancement in Science and Art, where he studied drawing, painting, sculpture, print-making, and graphic design. While the core of Williams’ education focused on producing multimedia artwork, he devoted much time to studying social anthropology, the foundation of which continues to influence his work. Williams’ professional career began with a studio in the Long Island City neighborhood of Queens, N.Y., where he produced work for several solo and group exhibitions and worked as a freelance graphic designer. In 2013 Williams returned home to North Charleston, S.C., and re-introduced himself with a self-produced solo exhibition, Souvenir (2015).