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Immigration Officer Exceeded Call Of Duty With Upskirt Photography. – The St Kitts Nevis Observer

Immigration Officer Exceeded Call Of Duty With Upskirt Photography. – The St Kitts Nevis Observer
Public domain photo. US immigration officers carry out a variety of duties including escorting undocumented immigrants overseas.

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A U.S. immigration officer is facing prison after being convicted of “interfering with flight crew” by taking up-skirt video of a flight attendant last year while he was on duty escorting a passenger who was going to be deported.

According to the U.S. Attorney General Office Southern District Florida, Billy Olvera, 48, was on the job, escorting a person to Miami for removal. Olvera now faces a maximum sentence of 20 years for interfering with flight crew enroute from Dallas – Fort Worth to Miami on November 6, 2023.

The crew member had noticed him holding his phone in a suspicious manner, pointing it up towards the cabin ceiling whenever she walked by. Another flight attendant recorded him doing it with a separate phone. They then informed the pilot, who arranged for law enforcement to meet the aircraft on arrival.

They found multiple up-skirt images on the Customs and Border Protection officer’s phone.

Sentencing is scheduled for August 16. In a statement from the man’s attorney, he ‘regrets his actions’ and seeks ‘forgiveness’ from all those affected by his actions. However, it is not thought likely that he would receive the maximum sentence.

From their earliest days of aviation, female flight attendants have had to deal with sexual harassment.

Harassment may be somewhat less common in the U.S. than it used to be since social norms have shifted away from the idea that flight crew exist to flirt with passengers and air travel itself is, for the most part, no longer ‘sexy’, but more similar to bus travel.

On the other hand, almost all passengers now carry smart cell phones with cameras.

Not long ago a flight attendant was caught taking video of young girls in an aircraft toilet,  and back in 2017 budget German airline Condor warned pilots to stop circulating videos of flight attendants having sex (presumably with pilots)–both inside airplanes and in hotel rooms.

HuffPost reported that Immigration officials did not immediately respond Friday to an email seeking comment about whether Olvera is still employed by ICE and whether he has a record of previous misconduct.

Sources: CBS news, HuffPost, news agencies, View From the Wing.

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Photographer Captures Surreal Landscapes Across Various Locations (70 Pics)

Photographer Captures Surreal Landscapes Across Various Locations (70 Pics)
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Today, we’d like to invite you to explore the surreal images created by Finnish photographer Juuso Hämäläinen. Besides his talent for capturing exceptional moments and stunning landscapes, Juuso is also a digital artist, 3D animator, composer, and musician, currently based in Vancouver, BC. As stated on Juuso’s website: “Through his art he wants to share the magical quality of life that is experienced when one stays present and perceives the world as it truly is and not through the concepts of the mind as most of us have unknowingly learnt to live.”

Scroll down to see a collection of astonishing photographs by Hämäläinen, and let us know in the comments which places you’d like to visit the most.

More info: Instagram | Facebook | juusohd.com

Pine Island photographer aims to inspire confidence through photos

Pine Island photographer aims to inspire confidence through photos

PINE ISLAND, Minn. — Nicole Mills started taking photos when her daughter was born 14 years ago and now she has found her calling photographing women.

Nicole Mills Photography is a photography business out of Pine Island. Mills has been taking photos for 14 years and has found her calling photographing women and girls.

“When she was born, I knew she was going to be my only one,” said Mills. “I was 40 when I had her. So I had a photograph of every waking moment of her life. My photographs are my memories.”

It took about two years for Mills to become confident in her photography skills. She started out small before eventually moving into a studio. She’s been in her current place for years now and is working on renovating a few things to add more natural lighting. She also wants to landscape her studio’s yard area and turn it into an outdoor shooting spot.

“I started shooting out in my garage and moved to my living room then went to the basement in our new house and then I rented my first studio down the street here, the original bank in town,” said Mills. “Then three years after that we bought this place, so now it’s been three and a half years since we’ve been here. I’ve given up my day job so now this is it.”

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Mills has spent the last 14 years fine-tuning her photography and editing skills. She is eager to learn and improve and has found her style that encapsulates a warm and creative undertone to the photo. She loves the creativity she has in her whimsical, almost painting-like photos and loves working with people who are willing to get creative and a little wacky.

Three years ago, Mills began a campaign photographing 40 women over 40. For her, this was a chance to show women how beautiful they are inside and out.

“When a woman loves her portrait so much, all of a sudden that money makes sense to her and that’s an investment in herself and it’s an heirloom that she’s going to hand down to her kids,” she said. “These aren’t just digital files that are going to end up in a drawer. I’m a print photographer. I believe in printing your artwork. I tell all the women when I hand them their artwork, whether it be an album or a folio, I say ‘This is for you now and it’s for them later.’”

Having a nice photo of a loved one can be special. Life can be unpredictable and that is also what makes photography special in her eyes.

“We didn’t know it at the time but I took this on my mom’s 75th birthday and she shortly after was diagnosed with Alzheimer’s,” said Mills. “Now her physical health has gone down but I’ll never have another portrait like this. We jokingly have to openly refer to it as her funeral and it will be because I will never get another portrait like that. So I tell people you never know.”

The 40 over 40 isn’t Mills’ original idea. A lot of photographers have done projects and campaigns around the same concept but Mills doesn’t mind. For her, this is an opportunity to remind older women that they are still beautiful no matter their age.

“I had no idea that it would be as popular as it was so I wasn’t thinking past the first year but I had ladies that wanted to keep signing up,” said Mills. “I love it because part of the reason why I wanted to focus on girls and women is because my daughter, I wanted to raise her with a positive body image, self-confidence, all the things that I lacked when I was younger.”

She encourages all her models to come in their favorite outfit or a pair of jeans that makes them feel confident and go from there. She has a large collection of big formal gowns for women and children and loves giving someone their glamor moment who might not have this opportunity again.

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“This year I added an element for every lady that signed up for the campaign,” said Mills. “They got to nominate a princess for her own little, mini shoot where we schedule five or six in one day. They come in back to back. They get half an hour to choose one gown and then we do a little session and then they get one image complimentary.”

In addition to her large dress collection, Mills also upcycles old dresses. She has refurbished many dresses to create new masterpieces, like ones made of ties or covered in sheet music. She doesn’t make them from scratch but takes old dresses people have donated or she has found and creates a new purpose for them. She also has a large jewelry, shoe and tiara collection for her shoots.

During her time doing the 40 over 40 project, Mills has only had two clients leave the session without loving their photos. The other 118 women over the last three years have fallen in love with their photos and even rebooked with Mills.

“They’ve been putting their husbands, their careers, their kids and their house first for so long, they don’t know how to put themselves first,” said Mills. “It’s hard, as an older woman especially, to put yourself first when you have kids.”

Mills is excited to continue this campaign going for as long as women are interested.

“It’s not about feeling beautiful, it’s about seeing their own value,” said Mills. “It’s not purely about them getting them to see themselves pretty but beauty is so much more than the looks. It’s about how you carry yourself and how confident you are and how kind you are. I try to encompass all of those things. I don’t want it to just be about pretty photographs.”

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Photos of Nicole Mills, her daughter, and her mother are shown hanging on the walls of her photography studio on Thursday, May 16, 2024, in Pine Island.

Maya Giron / Post Bulletin

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A photo of the first dress that Nicole Mills created is shown hanging on the walls of her photography studio on Thursday, May 16, 2024, in Pine Island.

Maya Giron / Post Bulletin

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Portraits taken by Nicole Mills are shown hanging on the wall of her photography studio next to spare jewelry on Thursday, May 16, 2024, in Pine Island.

Maya Giron / Post Bulletin

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A wardrobe full of dresses is shown at Nicole Mills Photography studio on Thursday, May 16, 2024, in Pine Island.

Maya Giron / Post Bulletin

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Nicole Mills, who is on her third year of her 40 over 40 photography campaign, poses for a portrait at her photography studio on Thursday, May 16, 2024, in Pine Island.

Maya Giron / Post Bulletin

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A dress that Nicole Mills weaved out of ties is shown in her photography studio on Thursday, May 16, 2024, in Pine Island.

Maya Giron / Post Bulletin

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Nicole Mills Photography studio is shown on Thursday, May 16, 2024, in Pine Island.

Maya Giron / Post Bulletin

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A dress that Nicole Mills weaved out of ties is shown in her photography studio on Thursday, May 16, 2024, in Pine Island.

Maya Giron / Post Bulletin

Sara Guymon is a Post Bulletin business reporter. Guymon grew up in New Ulm, Minnesota. She graduated from New Ulm Public High School and went on to attend college at the University of Minnesota Duluth. While at UMD, Guymon pursued a major in journalism and a double minor in photography and international studies. Prior to coming to the Post Bulletin, she worked as a staff writer for the Brainerd Dispatch. There she covered the City of Baxter and business.

High school sports photographers focus on action across Massachusetts

High school sports photographers focus on action across Massachusetts

With the final regular-season games being played this week, for some high school athletes these are the last opportunities to spend time on these fields, with this set of teammates and coaches. Thankfully, for many, state meets and tournaments will soon be on the calendar.

Some of the 50+ high school photographers involved in the Globe’s photojournalism program are showcased this week, as they have captured 20+ teams and seven sports for this week’s photo gallery.

Algonquin Regional junior Niamh McLaughlin (left) fights against a Belmont defender on a line out during their girls’ rugby game May 22, 2024. The visitors from Algonquin lost, 49-7, putting its record at 5-1.Laura White/Algonquin Regional High School
Tyler Smith warms up before Holliston’s 8-2 boys’ lacrosse victory against visiting Medway on May 23, 2024.Aryan Modi/St. John’s (Shrewsbury) High
Members of the Franklin varsity baseball team get their dance moves on before defeating host Natick, 8-6, as part of the Pedroli Tournament on May 24, 2024, at Mahan Field.Faisal Betti/Natick High School
Leominster catcher Zack Casey (right), third baseman Sawyer Corbin (left), and pitcher Alex Coco celebrate an 8-4 comeback victory over Wachusett for the Central Mass. Class A baseball title for the second straight year on May 22, 2024, at Tivnan Field in Worcester.Emily DelGiudice/Leominster High School
Melrose shortstop Mikey Thomas (left) and second baseman Tyler Garipay celebrate a 6-1 home win over Cambridge Rindge & Latin to close out the regular season with a 9-11 record on May 22, 2024.Daniel Murphy/Melrose High School
Jacob Almeida of Diman Regional readies his swing during a 10-0 victory over host Cohasset on May 21, 2024.Toby Carpenter/Cohasset High School
Natick sophomore Brauer Malcolm tries to outrun a throw home an 8-6 loss to the visiting Wellesley JV on May 22, 2024, at Wilson Middle School.Faisal Betti/Natick High School
North Middlesex pitcher Kyle Lewis celebrates after a great inning during a 5-1 win over visiting Triton, which upped the host’s record to 15-4 on May 23, 2024.Emily Olcott/Saint Bernard’s High School
Senior Hannah Lawrence high-fives her teammates during Senior Night festivities for the Natick girls’ lacrosse team at Memorial Field on May 20, 2024. Walpole would end up going home with a 14-7 victory.Faisal Betti/Natick High School
Lincoln-Sudbury senior Leif Reardon celebrates an 8-3 win over Hopkinton in the Pedroli Tournament at Mahan Field in Natick on May 24, 2024.Faisal Betti/Natick High School
Dennis-Yarmouth’s Lincoln Slade (2) and John Richard (24) wait to congratulate RJ Delcourt (11) and Jacob Bohlin (23) for making it home during a10-0 victory over visiting Nantucket on May 20, 2024.Hanna Thornton/Dennis-Yarmouth Regional High School
After giving the Fairhaven boys’ lacrosse team a lift with his first career goal, Nate Lewis (left) gets a lift from Jared Reardon during a 13-4 victory over visiting Greater New Bedford Regional Vocational Technical on May 14, 2024.Landon Borges/Fairhaven High School
Dennis Yarmouth’s Tanner Agurkis collects the ball in front of a player from visiting Old Rochester during a 14-1 loss on May 20, 2024.Hanna Thornton/Dennis-Yarmouth Regional High School
Belmont’s Amelia Ormond looks to steal second as Melrose’s Emi Judge winds up to pitch during a 3-1 victory by visiting Belmont at Pine Banks Park on May 20, 2024.Daniel Murphy/Melrose High School
Hopkinton pitcher Sean McCain lets fly during a game with Lincoln-Sudbury in the Pedroli Tournament at Mahan Field in Natick on May 24, 2024. Lincoln-Sudbury won the game, 8-3.Faisal Betti/Natick High School
Algonquin Regional senior Joe Lamburn runs the 2-mile race amid the raindrops at the Midland Wachusett Division A meet on May 18, 2024, at Shrewsbury High. Lamburn won the race in 9 minutes 44.41 seconds, a personal season best.Laura White/Algonquin Regional High School
Maynard’s Max Mandler (left) and Alex Mendez cheer for teammates during a 10-0 victory over visiting Narragansett on May 25, 2024.Ryan Guiel/Maynard High School
Natick seniors Kyle Koblenzer (left) and James Schnair pose for a picture in their final high school baseball game, a 4-3 loss to visiting Holliston as part of the Pedroli Tournament on May 26, 2024.Faisal Betti/Natick High School
Savannah Azoff rocks and fires during Dennis-Yarmouth’s 13-1 loss to visiting Falmouth on May 17, 2024.Hanna Thornton/Dennis-Yarmouth Regional High
Members of the defensive unit on the Natick boys’ lacrosse team pose for a picture during their 9-8 victory over visiting Framingham at Memorial Field on May 14, 2024.Faisal Betti/Natick High School
Senior Alexa Barboza looks for a good one during Dennis-Yarmouth’s 13-1 loss to visiting Falmouth on May 17, 2024.Hanna Thornton/Dennis-Yarmouth Regional High
Players and coaches from Lincoln-Sudbury (in blue) and Hopkinton shake hands after a game in the Pedroli Tournament at Mahan Field in Natick. Lincoln-Sudbury won the game, 8-3, on May 24, 2024.Faisal Betti/Natick High School

John Vitti can be reached at john.vitti@globe.com. Follow him @GlobeVitti.

Fantasy fashion photographer Newo Ikkin reveals her kit bag secret weapons

Fantasy fashion photographer Newo Ikkin reveals her kit bag secret weapons

Portraiture is a brilliant genre to get stuck into, whether it’s practicing on your friends and family or local models but it can be difficult to put a stamp on your headshots to make yours stand out from the crowd. 

That’s why we recently sat down with and caught up with Newo Ikkin who, transforms her fantastical ideas from thoughts to pro photos with the perfect combination of make-up, costume, photography, lighting and careful editing.

Based in Yorkshire, UK, Newo has a passion for all things dark, beautiful, stylized and Gothic. She runs one-on-one workshops for both creative portfolios and editing, details for which can be found on her website below. She was also a guest speaker at The Photography & Video Show 2024 back in March at the NEC.

Here she gives us an insight into her work, and reveals the essential kit she needs on shoots. Be sure to check out her Instagram and website for more inspiration.

“My photography journey began on the opposite side of the lens. I began assisting photoshoots with makeup and hair, with the occasional dabble into modeling for friends as an outlet for creativity. My passion was always creating beautiful characters, pulling styling together for beautiful yet otherworldly portraits.

Professional portrait photographer Newo Ikkin (Image credit: Newo Ikkin)

“One of my frustrations at the time was not having creative control over what was actually being shot – living in a small town in Northern England, the powerhouses of alternative photography tended not to be based near me, apart from a few whose time I couldn’t monopolize! I started shooting self-portraits to create exactly what I wanted in an image, and never looked back.

“As a total magpie, I love to use a lot of metallic elements in my photography, using them in tandem with gels and atmospheric elements to make for an interesting scene. Over the past few years I’ve also loved creating underwater portraiture, having partnered with underwater studio TankSpace many times.

“Fast forward a decade or so, I am fortunate enough to now routinely work with some of the most amazing people in the industry to create art. My passion is primarily for moody portraiture, bold colour use, and interesting characters for my models to embody. With a particular love for corsetry and highly stylized wardrobe, every shot is intended primarily for the female gaze and to celebrate alternative culture.”

Newo’s pro kit for portraits

1. Canon EOS 60D DSLR

(Image credit: Canon)

A lot of people are surprised when they realise I still shoot with this camera. Yes, it’s old, beaten up, cheap and cheerful – but it still does exactly what I need it to do, and I don’t overly worry about knocking it about while I’m working! My trusty little Canon EOS 60D comes everywhere with me, and has been responsible for most of my images to date – a testament to a hard working bit of kit.

See our guide to the best DSLRs 

(Image credit: Canon)

I wouldn’t be without this so-called ‘nifty fifty’. I can get the most beautiful look with the wide f/1.8 aperture that looks so dreamy. I especially love using it for portraits and close-ups to show off the talent of makeup artists or detailed jewelry pieces. Again, this Canon kit doesn’t break the bank, so it’s well worth having in your bag if you haven’t got one already!

See our guide to the best 50mm lenses

3. MicroFogger MF4 Pro

(Image credit: Micro Fogger)

This tiny machine is a staple in a lot of my work. I use two mini smoke machines from the MicroFogger range. They work similar to a vape, but in reverse, meaning I can create either a beautiful haze, or targeted areas of smoke to add atmosphere to an image. These are super handy to carry around, unlike a more traditional smoke machine and more ideal for location work.

4. Jake Hicks Gel Pack

(Image credit: Newo Ikkin)

Gels changed my photography style a lot, and my clients love more vibrant portraits. I tend to use gels on a bare studio flash, to create a very hard light and offset it slightly from the model, almost pointing towards the camera. You can get a fantastic hazy glow this way, especially when used with the smoke machines.

5. Lume Cube 2.0 LED

(Image credit: LumeCube)

Lume Cubes have been a bit of a revelation for me when considering what I could do to make a small travelling set-up that took up very little space. I often shoot from client’s houses or tiny front rooms and so on, where space is at a premium. In these places, I’ve found the small Lume Cube a great little light – and with them also being waterproof I’ve also been able to use them in underwater sets.

• See our guide to the best LED lighting panels

(Image credit: Wacom)

When editing, I use both Capture One and Photoshop CC and my Wacom graphics tablet is essential for my post-production work. I use the Wacom Intuos 5 Touch PTH-450, which is invaluable for detail work, such as highlighting round the eye waterline, or the ridge of the brow, almost digitally ‘painting’ detail on to the photo to add an otherworldly feel to an otherwise simple portrait.
• See our guide to the best Wacom tablets

You might also be interested in the best cameras for portraits and the best lenses for portraits.

An Egyptian Photographer’s Portraits of a Changing Sinai

An Egyptian Photographer’s Portraits of a Changing Sinai

An Egyptian Photographer’s Portraits of a Changing Sinai

A photo of a man lying on the ground with a flower in his mouth.

Photographs by Rehab Eldalil

In 2012, the Egyptian photographer Rehab Eldalil began photographing the Bedouin Jebeleya tribe, whose ancestors have lived in the foothills of Mt. Sinai, in Egypt, for more than a thousand years. The resulting series, “The Longing of the Stranger Whose Path Has Been Broken,” traces the relationship between the tribe and St. Catherine, the town where they live, which has often been undermined by outside forces: in the twentieth century, by British colonization and Israeli occupation, and, today, by urbanization. “I tried to depict a dance between the community and the land,” Eldalil told me recently. Her photographs portray St. Catherine and its residents as intimates. In one image, the outlines of footprints are drawn onto a rock, evoking the Bedouin practices of using footprints in marriage proposals and leaving markings that chart the path of a trek. Elsewhere, the silhouettes of figures flirt with the landscape, their jellabiyas casting long shadows on craggy paths.

Drawing on a large rock.
A person sitting with their face halflit by sunlight.

Eldalil was born in Cairo in 1989. In the late nineties and early two-thousands, she and her family lived in the United States while her father—a veteran who had been stationed in Sinai during the 1973 Arab-Israeli war—taught engineering at the University of Maryland. The summer after 9/11, amid growing Islamophobia, the family moved back home. When the Egyptian Revolution erupted, in 2011, Eldalil was a senior in college who planned to pursue nature-and-wildlife photography professionally; the revolution ignited an interest in cultural identity that led her to explore the possibility of photographing Bedouin communities in Sinai. Eldalil had grown up visiting the region with her father, who taught her about the Bedouins’ role in resisting occupation. The conception of the Bedouin which Eldalil inherited from her father diverged from the way the communities are represented in Egyptian society, which often casts them as traitors for having remained in Sinai during the occupation, or ridicules them for wearing traditional clothes in urban contexts.

Three people with their arms outstretched in a mountainous landscape.

In 2014, Eldalil settled in St. Catherine, where she would live for the next seven years. With the help of tribe elders, she established a community center that would grow into a volunteer-run clinic. She stayed because she felt, she said, a “spiritual connection” to the place. On one of her earliest trips alone, she spoke to an elder named Sheikh Jamil who was curious about her last name—the Arabic word for “guide.” Sheikh Jamil told her that, four generations ago, an Eldalil family had resided in Sinai before settling in Zagazig, a city north of Cairo, where her father was born. Initially, when Eldalil asked her father about the family’s origins, she was met with silence. “I come from a family with generational trauma: a grandfather imprisoned for years for advocating for Palestinian rights. A father, the eldest of six, was forced as a young boy to take over his father’s role in the family, and by the age of 20 went to war,” she writes in the introduction to the book edition of “Stranger.” Eventually, her father told her that his mother’s family came from Palestine, and that his father had Bedouin ancestry from Sinai—information that Eldalil took as an explanation for why she felt so deeply tied to St. Catherine. In the absence of documents that could attest to her family’s Bedouin heritage, Eldalil sought to reconnect with her ancestors through the community, and her project took on a semi-autobiographical quality. (As she admits, the “stranger” of her series’ title, drawn from a line in a poem by a Jebeleya poet, Mahmoud Abu Hussein, refers to herself.)

A person in a rocky landscape.

One of the central questions that lingers throughout Eldalil’s series is that of what it might mean to depict Indigenous people without resorting to visual tropes that are entangled with a history of violence. Some of Eldalil’s first photographs of the Jebeleya featured unintentional echoes of images taken by photographers who came from the West, such as the American Colony, a utopian Christian sect based in Jerusalem which was composed of religious pilgrims from the United States and Sweden. In the late nineteenth and early twentieth century, the group operated a lucrative photo service. Its pictures feature what would now be recognized as Orientalist stereotypes: Bedouin men feeding camels, women in their traditional dress. Eldalil’s earliest photographs of St. Catherine sometimes struck a similar chord, depicting distant figures walking across desert landscapes, women posing alongside their children, or making bread. (In reality, today it is more usual to find Jebeleya women than men graduating from high school, going on to higher education, and becoming financially responsible for their families by taking on careers like nursing and working as shepherds.)

Two people in traditional clothing in a mountainous landscape.

As Eldalil’s project grew, however, she began to be more conscious of ways to give her protagonists greater agency over how they were depicted. At first, many of the women Eldalil photographed were reluctant to have their images published because, in the past, Western tourists had taken photographs of them and posted the pictures online without their permission. (Bedouin women reserve the right to choose whether to reveal their faces to men outside of their tribe.) Eldalil ended up printing many of these women’s photographs on fabric and proposing that the women use embroidery—a traditional Bedouin craft—to reveal or conceal their faces as they desired.

An embroidered photograph of a woman.
An embroidered image of a man.
An embroidered image of a hand.

Eldalil’s images suggest that belonging to St. Catherine entails not just dwelling on its soil but also accepting its mercurial nature, sometimes withholding and sometimes bountiful. In 2020, during the onset of the pandemic, a fortuitous flood broke a drought and transformed the land. Barren gardens began to bloom, bringing Eldalil’s photographs of dried-out valleys and orchards that Bedouin women had embroidered over with flowers to life. A photograph from that April features a young man named Moussa AlGebaly, who, in 2015, was part of the first cohort of Bedouins who were permitted to serve in the Egyptian military. AlGebaly poses in a garden that he planted with the tea flower, which is boiled by Bedouin women as a remedy for labor and menstrual pain. “There was no shame when he explained to me how this plant was used. And there was no shame in planting it,” Eldalil told me. In the photograph, AlGebaly lies in the garden wearing a new jellabiya, the purple flower in his mouth, his eyes blissfully closed.

An praying mantis on a person's hand.
The back side of a leaf.

In recent years, the Bedouins’ place in the Sinai has been endangered by the Egyptian government’s urbanization schemes and by its ongoing military conflict with insurgent groups. In 2022, the city center of St. Catherine was razed. There are plans for a ten-story hotel, and roads are being constructed over unspoiled valleys nearby. For now, members of the Jebeleya community living outside of the town center have been spared eviction. “Their fate is intertwined with that of the land,” Eldalil said. “To be removed from it is to erase their identity.” In one of Eldalil’s photographs, three women stand on a mound of rocks with their backs turned to the camera. In the distance, a transmission tower and power lines are visible. The women’s arms are outstretched, as if they are holding the landscape in an embrace, and it is embracing them in return.

People walking up a large hill.

43 Otherworldly Landscape Photos By A Self-Taught Finnish Photographer (New Pics)

43 Otherworldly Landscape Photos By A Self-Taught Finnish Photographer (New Pics)
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Mikko Lagerstedt, a self-taught photographer from Kareva, Finland, describes his work as “Capturing the emotion of places through photography.” 

No matter if during the night, evening, or broad daylight, whether it’s a snowy landscape, a beautiful aurora, or a foggy forest, Mikko just has the eye and talent to perfectly capture the beauty of nature in all its glory. The photos have a magical feeling leaving us curious to see these places in real life. But before you go and look for them, let’s appreciate Mikko’s creative photography work.

More info: Instagram | mikkolagerstedt.com | Facebook