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Empowering women through the art of photography

Empowering women through the art of photography

ESCANABA, Mich. (WLUC) – Empowering women through photography: welcome to a Hello shoot with Photographer Holly Nylund.

“Picture yourself being photographed as the cover story of a magazine and this is the photo shoot that goes along with that story,” says Nylund.

TV6′s Tia Trudgeon got in front of the lens to experience a Hello shoot for herself.

Nylund tells Trudgeon that photography can be a great tool to help women see the best in themselves.

TV6’s Tia Trudgeon chats with Photographer Holly Nylund about her mission to empower women through the art of photography.

The photoshoot included a hair and makeup appointment with Mckenna Pepin at Salon West.

Trudgeon was photographed in five outfits, in five different scenes at Nylund’s Studio Space in Downtown Escanaba.

The shoot wrapped up at Blackrocks in Marquette.

“So we’re gonna show all the sides of you. We’re gonna wear something extravagant, something out there and wild, but we’re also gonna show that stripped-down natural beauty,” Nylund tells Trudgeon. “We’re gonna show your soft side, your strong side, your fun side. However you dream of being photographed, I wanna make it happen so that you can see yourself the way other people see you.”

TV6’s Tia Trudgeon is the subject of a “Hello” photoshoot with Photography Holly Nylund.

Nylund is currently booking photo shoots into the fall. Her Studio Space is available for other photographers to rent.

You can check out her other offerings and book her services at hollynylund.com.

EA’s CMO reveals how he’ll keep the video game giant’s soccer franchise rolling without FIFA branding

EA’s CMO reveals how he’ll keep the video game giant’s soccer franchise rolling without FIFA branding
David Tinson

EA CMO David Tinson

EA


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  • EA’s “FIFA” series is a big revenue driver, but its next soccer video game won’t have that branding.
  • CMO David Tinson reveals his plan to drive fans to EA’s new soccer franchise EA Sports FC.
  • Losing FIFA branding gives EA opportunities to work with more brand partners than before.

Electronic Art’s marketing muscle is going to have to do some heavy lifting this year to build a new powerhouse brand around its soccer video game series.

“Our global football business is one of the biggest properties,” EA CMO David Tinson told Insider. “It’s our biggest business. It’s, frankly, one of the biggest pieces of sports or entertainment IP in the world.”

In 2022, EA and FIFA ended a licensing partnership that lasted nearly three decades and helped make the “FIFA” video game series the most popular sports franchise of all time. Its latest and last installment with the FIFA branding, “FIFA 23,” was the top seller in the franchise’s entire history, company CEO Andrew Wilson said during EA’s latest quarterly earnings call. And the “FIFA” franchise, which also includes mobile games, online services, esports leagues, and competitions, was a major revenue driver for EA.

This year, the tried-and-true branding is going away, and EA is going to release a new slate of soccer video games and services under a completely new brand: EA Sports FC.

“We’ve been building equity in the name of the game as “FIFA” for 30 some-odd years,” Tinson said. “And we’re making a branding switch now. So that’s going to be our constant challenge and our job as marketers: to help ensure that there is awareness of that change and that there’s a real affinity for what we’re delivering in the product itself.”

For nearly a year and a half, Tinson said, he and his team have been moving to establish this new brand, with the product launching under the new name this Fall. The most prominent offering will be EA’s next soccer video game, which is rumored to be coming out in late September, based on EA’s history releasing “FIFA” games around that time.

“From a pure go-to market standpoint, you’re seeing us introduce more about the brand earlier than we often would,” Tinson said. For instance, EA announced the new branding as early as April, when it unveiled some of the soccer stadiums that would be featured in the game, including FC Barcelona’s Camp Nou.

This is a key component to making sure fans of the “FIFA” franchise glom onto the new one.

“We’ve done extensive research and we’ve spent a ton of time with our community and understand that they want a great playing game, and they want a great game that’s authentic,” Tinson said.

Fans want the game to feature real stadiums, and they want to control real players and real clubs, like Real Madrid, Manchester United, and FC Barcelona, Tinson said. A lot of EA’s marketing is designed to solidify that even though the overall franchise has changed names. The players, teams, and stadiums will still be recognizable for fans.

“There’s a lot that we’re doing to reinforce the authenticity of the experience,” Tinson said.

At the same time, EA has been able to open up EA Sports FC to more brand partnerships which it hadn’t been able to do under FIFA’s licensing restrictions. For instance, EA announced a partnership with Nike in June, to sell Nike “digital goods” in EA sports games. “We’re able to collaborate in ways that we weren’t before,” Tinson said.

Still, Tinson is aware that much of EA’s fortunes will hinge on the success of the new, FIFA-less EA Sports FC franchise.

“This is a major moment for our whole company,” he said. “We had a small core group that looked at the business case for it and have navigated this complicated, but exciting and energizing move for the business.”

Months After Adding Nan Goldin to Its Roster, Gagosian Hires a Veteran Photography Curator in Newly Created Director Role

Months After Adding Nan Goldin to Its Roster, Gagosian Hires a Veteran Photography Curator in Newly Created Director Role

Gagosian Gallery is doubling down on photography, anointing a dedicated director—who comes with serious institutional credit—to a newly created role at the helm of that department.

Joshua Chuang, who will officially join the gallery this month, previously held curatorial and leadership positions at the New York Public Library, the Center for Creative Photography, and Yale University Art Gallery. In his new role, Chuang will oversee a global strategy for engaging with and exhibiting artists working with the photographic medium.

“With recent and upcoming presentations of the work of Richard Avedon, Roe Etheridge, Andreas Gursky, Sally Mann, Taryn Simon, and Jeff Wall, alongside the addition to our roster of artists including Nan Goldin, Deana Lawson, and the estate of Francesca Woodman, Joshs appointment comes at a particularly dynamic time for the gallery,” said Kara Vander Weg, the gallery’s senior director. “We are thrilled to welcome him.” 

In a phone interview with Artnet News, Chuang said he has been in discussions with the gallery for the past several months. “The gallery has represented some iconic photographers. I think it hasn’t, however, thought of the medium of photography as a program within its larger exhibition program, and when I began talking to them it seemed very clear to me that they wanted to change that.”

Goldin, one of the world’s most famous photographers, joined the gallery in late March, leaving her longtime representation at Marian Goodman Gallery.

What piqued Chuang’s interest “was also this larger conversation about what the gallery, with its platform, could do with the medium of photography at this present moment in time,” he said.

A number of artists in the existing gallery roster employ photography, Chuang noted. “Not only Taryn Simon, Roe Etheridge, and Sally Mann, but Michael Heizer made photographs. Ed Ruscha was a photographer,” he said.

Most recently, Chuang was the Miriam and Ira D. Wallach associate director for art, prints, and photographs, as well as the Robert B. Menschel senior curator of photography at the New York Public Library. His six years at the NYPL followed two years as the chief curator at the Center for Creative Photography in Tucson, Ariz., and nine years at Yale University Art Gallery in various curatorial positions. He has also produced photo books, and has worked with Steidl, Yale University Press, MACK, and Aperture to realize more than two dozen monographs.

While Chuang said his passion for highlighting the medium and its stars won’t change when he makes the leap from a curatorial and institutional context to a commercial gallery, but “obviously the resources” are more robust. “This machine is much more agile. It can respond more quickly to things going on in the world.”

Chuang will likely work out of Gagosian’s Madison Avenue branch but will also float as needed to oversee various shows. A major show of work by Richard Avedon continues through July 7 at the gallery’s 21st Street location in Chelsea.

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Influencer Criticizes Photographers For Not Taking Her Picture on Red Carpet

Influencer Criticizes Photographers For Not Taking Her Picture on Red Carpet

Red Carpet Photographers

An influencer has criticized photographers for not taking her picture on the red carpet because they didn’t think she was “hot enough.”

In a TikTok video, with over 8.5 million views, content creator Tiff Baira started a social media debate about photographers after she shared footage of her posing on the red carpet.

@tiffbaira WILL NEVER LET A MAN OR A CAMERA MAN STEEL MY CONFIDENCE BUT THIS WAS HUMBLING 😂! #fyp #redcarpet #nyc #embarassing #newyork #dating ♬ Oh No – Kreepa

In the video, Baira from New York City lingers on the red carpet, eagerly waiting for a photographer to take her picture.

The influencer, who has over 224,000 followers on TikTok, remains in front of the cameras in anticipation that her photograph will be taken.

However, when she eventually realizes that the photographers are not going to take her picture, Baira awkwardly laughs and starts to make her exit from the red carpet.

In the caption for the clip, Baira suggested that she was snubbed by photographers because she was not deemed attractive enough by the paparazzi.

“When you’re on a red carpet and nobody took a photo because I guess they didn’t think I was hot enough,” the influencer writes.

In a further comment accompanying her video, Baira recalled her embarrassment at not being photographed saying that she will never let a “cameraman steal my confidence” again.

‘You Deserve to Be Photographed’

The viral video fuelled a debate on social media about the role of photographers. Several TikTok users expressed their sympathy for Baira and called the photographers “mean” for not taking her picture on the red carpet.

Another viewer felt sorry for the “embarrassment” paparazzi caused Baira and declared that “she deserved to be photographed.”

Meanwhile, other influencers shared their similar negative experiences with photographers at events.

“Sadly this has happened to many of us. So disappointing,” a model comments.

Another influencer writes: “This happened to me at Beautycon six years ago. I almost died. I promise it gets better.”

Photographers Have a Job to Do

However, other viewers said that Baira’s suggestion that she was unfairly overlooked by photographers on the red carpet for not being “hot enough” was completely unfounded.

A viewer responded that Baira looked “fantastic” but photographers “can’t waste film by taking pictures of everyone.”

Other social media users said that event photographers had a job to do on the red carpet and they simply did not know who Baira is.

“It has nothing to do with your looks, they obviously just don’t know you are,” a viewer comments. “With only 224,000 followers, that’s honestly not a lot.”

Another social media user similarly writes: “It’s not because you’re not hot enough, it’s because you’re not well known.”

Other TikTok users attempted to advise Baira for future red carpet appearances. They suggested that she be accompanied by a publicist or assistant with a name card so that photographers knew to take her picture.

PetaPixel previously reported on a model who sparked a furious debate on social media regarding photoshoots in public spaces after she became enraged with people getting in the way of her shot in a busy train station.


Image credits: Header photo licensed via Depositphotos.

Sam Altman Is The Unofficial #1 On Forbes’ 2023 World’s Most Influential CMOs List

Sam Altman Is The Unofficial #1 On Forbes’ 2023 World’s Most Influential CMOs List

If AI doesn’t cause human extinction over the next few years, and, these days, who knows, it seems fair to posit that its influence on marketing and marketers will be massive, even if exactly how remains unknown. I recognize this isn’t news in and of itself.

But the November 2022 release of ChatGPT has provoked a speed and scale of conversation, experimentation, and adoption—of generative AI in particular—unlike anything this industry has witnessed before. For this reason, for the influence generative AI has, may, and will have on the art, science, and fundamental structure of marketing, for its influence on how the character and destiny of brands will be shaped, Sam Altman, CEO of OpenAI, is the Unofficial Number One on the 2023 Forbes World’s Most Influential CMOs list.

The release of his ChatGPT has done more to accelerate utilization, advances, collaboration, conversation, and a collective what-if-ing of the technology’s cultural and marketing applications at scale than anything preceding it.

Precisely how generative AI will revolutionize marketing and/or replace marketers is a tale still to be written, and there are more than a few marketers who think all this is just another distraction from the important work of today. That, yet again, and with empirical evidence, the marketing community confuses noise with signal, and is akin to a cat chasing a light bouncing across a room. I have thought this about more than a few “next big things” more than a few times over time. But this is different, and this is not yesteryear’s Metaverse or NFT conversation. To the contrary, today’s generative AI and its offspring seem certain to irrevocably change the inputs, outputs, and exercise of the CMO’s influence.

While acknowledging that the broader potential impacts of this technology would, should they come to pass, render questions of marketing (or anything else presupposing the continuance of the human race) irrelevant — for the purpose of this piece (and, optimism), we’ll stay in our lane.

And in this lane, we find that the alphabet soup of AI (GPT, LLM, ML, NLP, etcetera) will evolve how and with—or without—whom CMOs will decide to reach and influence audiences. Search and SEO are but two parts of the marketing mix being dramatically altered in real time, both raising new and fundamental questions about where and how marketers will reach audiences, only months since ChatGPT’s release and perhaps sooner than anyone expected. While humanity may be safe, for marketers this might be an existential threat of its own.

Among other things now known and not, the technology’s ability to “optimize” and create content en masse and in a moment, in text, image, video, iambic pentameter, haiku, or in a voice similar to David Ogilvy’s, is part of the great (r)evolution, and is not without its threats to and influences on CMOs, the internal and external teams that support them, and the work they put in the world.

What happens if, at scale, marketers start defaulting to the that offered by the machines? Will the promise of hyper-personalization at scale actually look more like hyper-commodification at scale?

Will we become so hyper-focused on “efficiency” that we continue ignoring “effectiveness”? And if all marketers find themselves relying on essentially the same inputs and data corpuses (and the last decade of data mining and application suggests that more or less we are and do), how will brand X and business Y differentiate from others? How will they matter more than others? The golden road to profitability is not paved with parity.

Perhaps the greatest irony and threat of AI’s rapidly evolving place in the marketing firmament, is that the best marketing has always appealed to our humanity, individually and/or collectively. It makes us feel something that either defies or reinforces reason. And it seems that unless (or until) the machines do become sentient, the empathy that has always been at the heart of the best and most influential marketing, is equally threatened. Because while AI may be able to “learn” from trillions of data points about human belonging, identity, need and want, can it ever do more than approximate them?

In 1978, British journalist Bernard Levin said of the silicon chip that it “will transform everything, except everything that matters. The rest will be up to us.” And so it is again, and the question then is what will we do? Time and technology will tell. But for this year, Sam Altman’s influence on marketers and marketing (to say nothing of humanity), makes him the unofficial number one on this year’s list.

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The 2023 Forbes CMO Hall Of Fame

The 2023 Forbes CMO Hall Of Fame

By Seth Matlins Managing Director, Forbes CMO Network


One year ago, and to mark the 10th Anniversary of the Forbes World’s Most Influential CMOs list, we created The Forbes CMO Hall of Fame, recognizing those chief marketers who have appeared, or would have, on the list at least five times since its inception. Each subsequent year, on what would be the fifth year of a CMO’s inclusion on the list, they too, will become part of The Forbes CMO Hall of Fame.

In 2022, the inaugural year, we inducted 17 CMOs, all titans of this community whose influence is measured in terms both qualitative and quantitative.

Induction recognizes a chief-marketer’s enduring influence and impact on the brands and businesses they steward, on our industry and, often, the cultural landscape itself.

In 2023, only one CMO was eligible for induction, having appeared previously 4 times. While past performance is no guarantee of present or future performance, we are honored to recognize and induct Morgan Flatley, EVP, Global Chief Marketing Officer, and Head of New Business Ventures at McDonald’s, into the Forbes CMO Hall of Fame 2023 Class.

For more on this year’s inductee and all of last year’s, please read on. We are grateful for their innumerable contributions to our community and the art and science of marketing.

Forbes CMO Hall of Fame: Class of 2023

Morgan Flatley

EVP, Global Chief Marketing Officer & New Business Ventures: McDonald’s

Since joining McDonald’s in 2017, Flatley has been the driving force behind some of the company’s most inspired marketing campaigns. In 2020, as U.S. Chief Marketing & Digital Customer Experience Officer, she led initiatives including the company’s “Fan Truths” strategy and its record-breaking “Famous Orders” collaborations, which resulted in dozens of creative excellence awards. Shortly before this story went to press, and for the second consecutive year, McDonald’s was recognized as one of the top 3 most effective marketers worldwide by the Effies, the industry’s standard for same.

Today, Flatley oversees McDonald’s marketing efforts globally, as well as new business ventures designed to extend the reach of the McDonald’s brand. Her tenure at McDonald’s followed nearly 13 years at PepsiCo, where her time included stints as both Gatorade’s CMO and CMO of the company’s Global Nutrition group. 2023 marks what would have been Flatley’s fifth year on the Forbes World’ Most Influential CMOs list, and thus her induction into the Forbes CMO Hall of Fame class of 2023. She is this year’s only inductee.

Forbes CMO Hall of Fame: Class of 2022

Leslie Berland

CMO: Peloton Interactive

Named CMO of Peloton in January, after six years as he CMO of Twitter, Berland first appeared on the Forbes World’ Most Influential CMOs list in 2017 and did each year following until her induction into the CMO Hall of Fame in 2022. Prior to her tenure as Twitter’s CMO she was EVP of global advertising, marketing, and digital partnerships at American Express.


Linda Boff

Global Chief Marketing and Communications Officer: GE

At GE for over 20 years, Boff has served as the company’s Chief Marketing and Communications Officer since 2015, with oversight over the GE’s global marketing, brand, content, digital and sponsorships, during a time of historic transformation for the company. Boff also serves as President of the GE foundation, manages GE’s global learning, and co-leads the GE Women’s Network. She first appeared on the Forbes World’ Most Influential CMOs list in 2017.


Chris Capossela

CMO: Microsoft

At Microsoft for over 30 years, Capossela has been CMO of both the consumer and commercial sides of the nearly $200 billion annual revenue business for the past 9 years. His oversight and influence extend across all Microsoft services and products, business planning, brand, advertising, events, communications, research, ad sales and Microsoft stores. He first appeared on this Forbes list in 2017.


Olivier Francois

Global CMO, Stellantis & Brand CEO: Fiat

For the past 15 years, Francois has been Global CMO of Stellantis across its brand portfolio, which includes, among others, Dodge, Fiat and Maserati and has been the Global President of the Fiat Group since 2011. The longtime automotive marketer first appeared on this list in 2014.


Julia Goldin

Global Chief Product & Marketing Officer: The Lego Group

The Global Chief Product and Marketing Officer for The Lego Group since 2015, this former Coca-Cola marketer and Revlon CMO is responsible for the Group’s product development, marketing, research and insights, licensing, partnerships, and the brand’s in-house creative agency. She first appeared on this list in 2018.


Kristin Lemkau

Chief Executive Officer: J.P. Morgan Wealth Management

Lemkau first appeared on the Forbes World’ Most Influential CMOs list in 2014, when she was CMO of JPMorgan. She held this title until 2019, where she led a global marketing team responsible for brand, media, analytics, and consumer communications. One of few CMOs to become chief executive, she has been CEO of J.P. Morgan Wealth Management for the past 3 1/2 years.


Ann Lewnes

(Retired) Formerly CMO and EVP, Corporate Strategy & Development: Adobe

For over a decade, Lewnes was Adobe’s CMO, driving the brand’s ties to creativity and the creative community, and its digital marketing and design. Joining from Intel in 2006, she pioneered the company’s digital shift and spearheaded its growth. She first appeared on this list in 2017 and retired in February 2023.


Antonio Lucio

Principal & Founder: 5S Diversity

The principal and founder of 5S Diversity, Lucio held Global CMO roles for Facebook, HP Inc., and Visa, as well as the role of Chief Innovation and Portfolio Transformation Officer for PepsiCo Inc. He first appeared on Forbes World’ Most Influential CMOs list in 2012, when he was CMO of Visa. He has appeared on the list as the CMO of each of three different companies.


Michelle Peluso

EVP & Chief Customer Officer, CVS Health & Co-President: CVS Pharmacy

Peluso joined CVS in 2021 and has been responsible for transforming CVS Health’s consumer experience across multiple touchpoints. She first appeared on Forbes’ World’ Most Influential CMOs list in 2012, when she was CMO for Citigroup. While there she oversaw all global marketing and brand experiences, digital sales, and the commercial business. She has appeared on this list as the CMO of both Citi and IBM.


Marc Pritchard

Chief Brand Officer: Procter & Gamble

Pritchard has been with Procter & Gamble for over 40 years, serving across the company. He has been P&G’s Chief Brand Officer since 2014, responsible for the company’s brand-building disciplines and marketing innovations worldwide. He first appeared on the Forbes World’ Most Influential CMOs list in 2013.


Raja Rajamannar

Chief Marketing & Communication’s Officer: MasterCard

Since 2013, Rajamannar has been MasterCard’s Chief Marketing and Communications Officer, and President of its Healthcare business. In this role he is responsible for all aspects of the brand’s marketing and has been a leader of its transformation. Rajamannar previously had stints at Citi, Diner’s Club and Unilever. He first appeared on Forbes World’ Most Influential CMOs list in 2015.


Phil Schiller

Apple Fellow: Apple

At Apple for over 30 years, Schiller was the company’s long-time SVP of Marketing, where he led the introduction of a portfolio of products that have since become cultural touchstones. He currently serves as an Apple Fellow, where he has responsibility for the App store and Apple Events. When the first Forbes World’s Most Influential CMOs List debuted in 2012, Schiller ranked No. 1.


Diego Scotti

Formerly EVP & CMO: Verizon

Recently announcing his departure from the company, the former EVP and CMO, Scotti had been with Verizon since 2014, overseeing all aspects of the brand’s marketing, experience design and communications. He joined Verizon from J. Crew, where he’d also served as CMO. He first appeared on this list in 2017.


Marisa Thalberg

Chief Marketing and Communications Officer: SeaWorld Parks & Entertainment

Joining SeaWorld in April 2023, Thalberg is responsible for brand and marketing strategies that increase visitation, drive revenue, and elevate the company’s conservation mission. Before SeaWorld, Thalberg was EVP, Chief Brand Marketing Officer for Lowe’s from 2020. She also served as Global Chief Brand Officer for Taco Bell, for almost five years. She has been recognized on this list for her work as CMO at both Lowe’s and Taco Bell, first appearing on it in 2017.


Lorraine Twohill

CMO: Google

Recently celebrating her 19th year with the company, Twohill has been Google’s CMO since 2009, and came to the position after six years as the company’s head of EMEA marketing. She currently manages a global team responsible for telling the evolving story of Google’s brand, driving revenue growth, and helping billions of users discover and make the most of Google’s products. She first appeared on Forbes World’s Most Influential CMOs list in 2014.


Deborah Wahl

(Retired) Formerly Global CMO: General Motors

Wahl stepped down from her tenure as General Motors’ Global CMO, in March 2023, a position she held since 2019. Prior to GM where her focus included driving transformation and growth as GM embraced the possibilities of an all-electric future. She had previously served as Cadillac’s Global CMO, joining the automotive company from McDonald’s, where she had been its CMO. She first appeared on Forbes’ World’s Most Influential CMOs list in 2018, as CMO of Cadillac.


Keith Weed

Independent Director

Weed was Chief Marketing and Communications Officer for Unilever from 2010-19, where he was responsible for Marketing, Communications and Sustainable Business functions across the company’s purpose-driven brand portfolio. He first appeared on the Forbes World’s Most Influential CMOs list in 2013, its second year.


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Native Hawaiians weigh in on federal funds, protections

Native Hawaiians weigh in on federal funds, protections

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Las Vegas >> Bipartisan staff of the U.S. Senate Committee on Indian Affairs were at the first Western Regional Native Hawaiian Convention held in Las Vegas to highlight that Congress has secured hundreds of millions of dollars in dedicated federal funding, the most ever, for Native Hawaiians and to seek input on amending legislation to extend protection to Native Hawaiian art and artists for the first time.

U.S. Sen. Brian Schatz of Hawaii, chairperson of the Senate Committee on Indian Affairs, was not at the convention but addressed attendees in a video Wednesday and told the Honolulu Star-Advertiser in an email, “Over the last few years, we delivered the largest amount of dedicated funding to the Native Hawaiian community ever.”

“In the Senate Committee on Indian Affairs, we’ve made historic, bipartisan progress to gain broad support for Native communities. And we’ve worked hard to make sure Native Hawaiians are heard and included in any bill that impacts their community,” Schatz said.

Schatz thanked colleagues in the Senate Appropriations Committee for helping to secure the historic funding, adding that it’s “a unique moment in history.”

“The way I look at the work we’re doing is to try to understand all the injustices that have occurred, and then to try to reverse them in a systematic way,” he said. “We have a president, the first-ever Native Interior Secretary, and the public recognizing the need to right historical injustices.”

The decision from the Council for Native Hawaiian Advancement, or CNHA, to hold the conference on the mainland also provided an opportunity for committee staff to meet with Native Hawaiian attendees and provide updates on Native Hawaiian equities in the 118th Congress, while garnering feedback on legislative efforts.

CNHA President and CEO Kuhio Lewis said the decision to host a mainland conference came because there are now more Native Hawaiians living outside of Hawaii and it’s important to unite the community for myriad reasons, including advocacy.

“There is strength in numbers,” Lewis said. “There are Native Hawaiians living in all 50 states. That’s a powerful tool; rather than just two senators, you now have 100.”

The conference drew about 2,000 attendees, some 65% from states outside of Hawaii, he said.

Schatz said, “Native Hawaiian issues are national issues. Our committee is at the convention this year to hear directly from the Native Hawaiian community and help us shape a number of bills this Congress, including 2023 Farm Bill reauthorization, the draft ARTIST Act and the Truth and Healing Commission on Indian Boarding Schools Act.”

Committee staff hosted a formal listening session Wednesday to get feedback from Native Hawaiians on the latest amendments to the Respect Traditional Indigenous Skill and Talent (ARTIST) Act of 2023, which if passed, would update the Indian Arts and Crafts Act.

IACA was first passed in 1935 as a “truth in advertising” federal law to protect Native American arts and crafts from counterfeit sales in the United States. IACA has been amended three times since its passage, and over the past four years the Senate Committee on Indian Affairs received testimony calling for reforms.

“The ARTIST Act is about protecting Native artists and their works against counterfeits and strengthening existing law to enforce these protections. Native Hawaiians aren’t currently covered by the Indian Arts and Crafts Act, which provides these protections to other Native artists,” Schatz said. “Hearing directly from the Native Hawaiian community on issues that directly impact them is critical, and that’s why our committee is at the convention this week. Comments we receive from the listening session will help us shape legislation and serve as a resource for future discussions.”

If ARTIST passes, the new amendments are expected to:

>> Add protection for Native Hawaiian-produced arts and crafts.

>> Expand enforcement and improve the ability of federal officers to arrest and prosecute violations.

>> Create a grant program to fund arts programs in schools.

Preliminary feedback during the session was favorable, although some testifiers said adequate enforcement would be critical, and that language in the bill must clearly define Native Hawaiian in a way that offers adequate protection, while not making ancestry impossible to prove.

Makalika Naholowa‘a, executive director of the Native Hawaiian Legal Corp. and president of the National Native American Bar Association, also noted a lack of legal resources with only about 20 Native attorneys nationwide practicing intellectual property law.

Kaleiheana Stormcrow, a Native Hawaiian artist, cultural practitioner and scientist, testified, “I think it’s super important that Native Hawaiians are included in this act. Our cultural and intellectual property has not been protected for far too long. It really hurts my heart to see non-Hawaiians benefiting from our cultural practices while many of us are unable to survive here on the islands.”

State Rep. Daniel Holt, co-chair of the state legislative Hawaiian caucus, said Native Hawaiian products must have the same protections afforded to Native Americans.

“Aloha is not for sale. Aloha is our way of life. I ask that you please show our lahui aloha by passing the ARTIST Act and giving Native Hawaiian-made products the protections that they deserve,” Holt said.

The conference follows several other recent Hawaiian equities actions taken by the Senate Committee on Indian Affairs. Last month, Schatz held a virtual meeting with Native Hawaiian farmers and producers from across the state to discuss the needs and priorities of the Native Hawaiian community in the 2023 reauthorization of the Farm Bill, which first passed in 1933 and only meaningfully addressed the unique needs of the Native producers for the first time in 2018.

Key Farm Bill priorities for Native Hawaiian producers, include:

>> Equity for Native Hawaiians in program access.

>> Grant navigation assistance.

>> Recognize traditional ecological knowledge.

>> Defray high shipping costs.

>> Cost share and match waivers.

>> Productive repurposing of unused agricultural lands.

Schatz and U.S. Sen. Lisa Murkowski, R-Alaska, vice chairman of the committee, earlier this month also led committee passage of S.1723, a bill to establish the Truth and Healing Commission on Indian Boarding School Policies in the United States, and for other purposes.

“The impacts of federal Indian boarding school policies led to some of the same outcomes for Native Hawaiians as for other Native communities, including the loss of language and culture. It’s important that the federal government continues to enact laws — like the Native American Language Resource Center Act and Durbin Feeling Native American Languages Act — to help right these historical wrongs,” Schatz said.

FEDERAL FUNDING

Federal funding for the Native Hawaiian community:

>> $200 million+: Native Hawaiian education, including $170 million for Native Hawaiian education program.

>> $69 million: Native Hawaiian health care.

>> $54 million: Native Hawaiian housing, including $5 million for emergency rental assistance and access to new programs at Treasury, including for homeowner assistance.

>> $2 million+: Federal funding to support Native Hawaiian cultural tourism opportunities.

Also includes new funding and programs for the Native Hawaiian community:

>> $90 million: New funding for broadband deployment on Hawaiian Home Lands.

>> $25 million: New Native Hawaiian climate resiliency and adaptation funds.

>> New public safety resources, including $3 million to establish a new Native Hawaiian Resource Center on domestic violence.

>> Technical fix to clarify that Native Hawaiian organizations have access to federal grants to serve survivors in their own communities.

>> New landmark Native language laws.

>> New behavioral health resources for Native committees.

Source: U.S. Senate Committee on Indian Affairs, bipartisan staff presentation

Vanessa Barragão’s Sprawling Biomorphic Textiles Evoke the Remarkable Textures of the Sea Floor

Vanessa Barragão’s Sprawling Biomorphic Textiles Evoke the Remarkable Textures of the Sea Floor

All images © Vanessa Barragão, shared with permission

Sprawling tufts of looped, wound, and crocheted yarn sprawl across walls and floors in Vanessa Barragão’s elaborate, nature-inspired textiles. The Portuguese artist (previously) draws inspiration from the textures of coral, rock pools, botanicals, and the cosmos to compose expansive fiber pieces.

Each piece can take upwards of three weeks to complete, as Barragão and a team of six studio assistants—including her mother, sister, with additional crocheted contributions from her grandmothers—collaboratively knot the yarn through every single hole in the jute canvas to create lush, biomorphic forms.

If you’re near Lisbon, you can find Barragão’s work in Morphosis at the Museu das Artes de Sintra, Portugal, alongside ceramicist Catarina Nunes, which opens June 29 and runs through October 1. Find more on the artist’s website and Instagram.

 

A large-scale tufted textile piece that abstractly resembles coral.

A large-scale tufted textile piece that abstractly resembles coral.

A large-scale tufted textile piece that abstractly resembles coral.

A large-scale tufted textile piece that abstractly resembles coral.

A large-scale tufted textile piece that abstractly resembles coral.

A large-scale tufted textile piece that abstractly resembles coral.

The artist working on a large-scale tufted textile piece that abstractly resembles coral.

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