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Winners of the 2023 BigPicture Natural World Photography Competition

Winners of the 2023 BigPicture Natural World Photography Competition
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Entrants in this year’s contest—now in its tenth year—were invited to submit images showcasing life on Earth, and illustrating some of the many threats that our planet faces. These images originally appeared in bioGraphic, an online magazine about nature and regeneration and the official media sponsor for the California Academy of Sciences’ BigPicture Natural World Photography Competition. The organizers were once again kind enough to share some of the winners and finalists here. The captions were written by the bioGraphic editorial staff and edited for style.

Local artists’ sublime skills shine in ‘Treasure Coast Creates’

Local artists’ sublime skills shine in ‘Treasure Coast Creates’

The extraordinary talents of area artists are on full display at the Vero Beach Museum of Art in the juried fine art exhibition Treasure Coast Creates: A Tribute to Local Artists, on view through Sept. 3.

“This show stemmed from the immense popularity of Vero Collects, which we did last winter. And, as a result of seeing the level of talent that we have within our artistic community, there was this really strong feeling that we wanted to showcase that talent,” says Sophie Bentham-Wood, VBMA director of marketing and communications.

“It’s not going to be the first show of its kind. This is the beginning of a continued relationship and connection with our very lively artist community.”

The application process, which began in September, was extended to Indian River, Martin and St. Lucie county residents, and to museum members.

Ellen Roberts, the former senior curator of American Art at the Norton Museum of Art, was given the daunting task of choosing from more than 800 pieces submitted (only one per artist was selected).

“They asked me to pick 100, but they were such a strong group that we added 35. It was difficult to choose,” said Roberts. “I particularly am impressed by the great talent of this community in all of these different media.”

The hanging of the show came at a transitional time for Anke Van Wagenberg, then VBMA senior curator. Van Wagenberg was appointed effective June 1 to replace Roberts in an expanded capacity at the Norton as senior curator of American and European Art.

To best display the diversity of the works, Van Wagenberg and her curatorial staff hung the show in sections, categorized as cityscape, landscape and seascape; abstract; figurative; and photography; with sculpture, ceramic and other 3D pieces disbursed throughout the galleries.

“It’s a really nice mix. And I think they did a really nice job of grouping the pieces. It could feel very much disjointed, because there are so many different media, but because they chose to organize it by these different sections, it works better,” says Roberts.

Roberts conducted the juried process remotely, and judged the works the evening before the show’s opening reception on May 26, when winners were announced.

The show was judged in its entirety, as opposed to mediums, due to the diversity of works, from sculpture and paintings to drawings, photography and mixed media.

“They asked me to choose first, second and third prize overall. But I thought, it’s such a strong group, let’s choose some honorable mentions as well. So there’s also seven honorable mentions,” Roberts explains.

First Place was awarded to Jensen Beach artist Eduardo Gomez Rojas for “Mountain of Grief,” an exquisitely carved marble sculpture that clearly emotes sadness despite its beauty.

“There’s some great sculpture in the show, which is impressive to me, because these are very hard media to work with. I think this artist is very talented in terms of the ability to carve marble, which is very difficult, and also to convey this emotion just through this posture,” says Roberts.

Second Place was awarded to Danielle Deptula Pokrandt, a Vero Beach Art Club member, for “Fentanyl,” a thought-provoking mixed media artwork.

“This one is just very dark, about the fentanyl opioid epidemic, but I think it’s very powerful. To me they look like tombstones, but it’s like you’re looking through an arcade at this landscape. And, when you look closely, these are maps of certain places,” says Roberts, referencing the area behind each tombstone.

“I feel like the opioid epidemic is so much worse in certain places, so it’s kind of a nice way to highlight that whole aspect of it.”

Third Place was awarded to Torenzo Gann of Martin County for his acrylic painting “Breakthrough.”

“I love this one also. The artist has written a haiku about it, which I think helps you kind of see what they’re thinking about in terms of emerging from the ashes,” says Roberts of the haiku:

‘Out of the Ashes
After the Raging Battles
The Victor Rises’

“But also, it just says acrylic, but there’s a thickness to it and holes, so the surface is very interesting,” says Roberts.

Honorable Mentions were awarded to the following seven artists.

Dennis Bartholomew of Vero Beach received one for “Conflict,” a striking bronze sculpture of conjoined faces.

“I think this is a very strong sculpture,” says Roberts. “I love the fact that these two people in conflict are so close to each other. It kind of makes you realize how personal conflict is.

And the way he’s kind of distorted the forms of their faces really conveys that very effectively.”

Lawrence Behunek of Vero Beach received it for his mixed polymer abstraction “Boundaries.”

“I honestly had not realized until I saw it in person that it’s two different canvasses, immediately right next to each other. It’s called ‘Boundaries’ and it makes you really think about boundaries,” says Roberts.

“I love the fact that the two sides of it are so different, yet some elements have crossed into both sides, so it’s almost like a permeable boundary. Then you start thinking about, are any boundaries actually absolute?”

Bill Brody of Port St. Lucie received one for his woodcut “Begguyya.”

“I love this one. The title is a native Alaskan word, and it is the name of the mountain chain in Alaska. I love the way he’s used this woodcut medium to really kind of emphasize the dynamism of that landscape. It looks like it’s alive, to me,” says Roberts.

“Leaf Bird,” a mythical bird mélange drawn with Mars Lumograph pencil, earned one for Nancy Baur Dillen of Melbourne.

“This is kind of crazy. The artist is so talented in rendering these leaves and the bird’s feet.

It’s such a weird but fascinating piece. It’s a drawing but it packs a big punch,” says Roberts.

Israel Guevara of Port St. Lucie received it for “Abacu,” a colorful multi-piece installation featuring four rows of 10 acrylic works on wood, that greets viewers as they enter the Holmes Gallery. Bentham-Wood notes that the pieces were installed exactly to the artist’s specifications.

“I really love this piece,” comments Roberts. “It’s so interesting because of how it looks so different from all the different angles. I love the way it changes as you move around and the way the shadows become part of it.”

Vero Beach photographer Nicole Leiner received one for her whimsical “Sunny Side Up,” showcasing the head of a woman resting on plate, a sunny side up egg plastered to her cheek.

“I love, love this photograph. It just makes me laugh, because I feel like that’s how we all feel in the morning. We’re trying to be optimistic that it’s going to be a sunny side up day and instead you just want to go back to bed,” says Roberts.

Vero Beach artist Lori Rowe received it for her radiant oil painting “Summer Breeze.”

“I love the brilliant colors in this one. To me it kind of throbs, in an amazing way, just all the layers” says Roberts. “When you look at it, it seems very static at first glance, but it’s actually not. I think partially because the colors are so vibrant and also the lines are not quite straight. So it kind of gives you that throbbing sense of South Florida.”

“It really is a beautiful show,” says Roberts.

For more information, visit VBMuseum.org, where a full list of the show’s artists is available.

Photos by Joshua Kodis

Picture perfect: Winter Park hosting nature photography contest

Picture perfect: Winter Park hosting nature photography contest

WINTER PARK, Fla. — Winter Park is challenging you to capture the city’s non-invasive plants and wildlife in its city parks and green spaces.

The city is hosting a photography contest starting Thursday, which happens to be National Nature Photography Day.

>>> STREAM CHANNEL 9 EYEWITNESS NEWS LIVE <<<

To participate in the inaugural Nature Photography Contest, photos must be taken in public parks and spaces within Winter Park city boundaries.

The city said the goal is to promote the city’s natural beauty.

Read: Happening today: Winter Park asks for input on ‘smart city’ initiatives

You can click here for more information and to submit your photos.

Click here to download the free WFTV news and weather apps, click here to download the WFTV Now app for your smart TV and click here to stream Channel 9 Eyewitness News live.

Samsung New Bespoke Family Hub Refrigerator Doubles Down on Screen Size

Samsung New Bespoke Family Hub Refrigerator Doubles Down on Screen Size

The earliest versions of Samsung’s Family Hub refrigerators offered what many considered little more than a tablet inset into a refrigerator door experience. But remember, Samsung is the same company that lead the charge with super-sizing phones, nearly single-handedly creating the market for large screen mobile devices known then as “phablets.” No surprise Samsung is taking a similar committed route within the kitchen, maximizing their smart home dashboard and SmartThings ecosystem to an impressive extreme.

The new Samsung Bespoke 4-Door Flex Refrigerator with Family Hub+ is a smart home enabled appliance outfitted with an enormous 32-inch, bezel-less, full-HD screen designed to assist in everyday tasks: following recipes, scheduling/planning, monitoring myriad of smart home controls, or even just catching up on some streaming programming.

Samsung’s newest Family Hub+ powered fridge doubles the screen size of their previous model; it’s now nearly as large as one of the refrigerator doors. With support for Google Photos, users won’t have to clutter their fridge with paper and magnets.

New Samsung Bespoke refrigerator with 32-inch screen on left upper door staged in a contemporary kitchen setting with blue cabinetry.

Like other Samsung Bespoke refrigerators, this new Family Hub+ model will eventually allow customization of color and finishes to match the rest of your kitchen. Bespoke Family Hub+ is available in full depth ($4,999) and counter depth ($5,099) models.

Over the span of eight iterations Samsung has committed to making their line of Family Hub technology enhanced smart refrigerators a standard in the evolution of kitchen appliances, integrating ever larger and more capable app-powered displays right into the refrigerator doors.

Large open contemporary kitchen with marble backsplash, herringbone pattern wood flooring, and counters and green-gray cabinetry, with Samsung Bespoke refrigerator inset into cabinetry to the left.

One benefit of this much larger fridge screen is the option to check the contents within without even opening the door. Built-in AI cameras inside allow a peek inside to determine if you should even bother opening the fridge or get working on a new grocery list.

If you already bring a tablet or phone into the kitchen to view recipes, text friends/family, or stream content while cooking or eating, the utility of a 32-inch screen is going to be obvious. Daily tasks like meal planning, creating shopping lists, viewing family calendars, and monitoring connected smart home devices are made more easily accessible and legible. Samsung has integrated 190 Samsung TV Plus free channels to watch from the refrigerator screen (albeit with a vertical aspect ratio), with picture-in-picture (PIP) viewing as an option – such is the benefit of a screen nearly as large as a small 4K television nearly stretching the entire expanse of one of the fridge doors.

Detail shot of the Beverage Center, a hidden interior water dispenser and AutoFill Water Pitcher.

The sleek front of the fridge hides behind one of its doors a hidden interior water dispenser and AutoFill Water Pitcher, complemented by a Dual Auto Ice Maker offering both cubed ice or smaller bite-sized cubes.

Of course the benefits of this latest, or any of the Bespoke Family Hub+ powered refrigerators, is magnified if you’re already invested in Samsung’s own SmartThings ecosystem. Samsung hopes to entice users to buy into their whole range of connected devices – from Galaxy phones, to washers and dryers, smart watches, and this fridge. But even sans that degree of brand/app loyalty, the convenience and options proposed by a built-in 32-inch display is undeniably a unique proposition, one that may warrant reconsideration of what a fridge is capable of offering beyond what the appliances have always done.

The new Samsung Bespoke 4-Door Flex Refrigerator with Family Hub+ is available now for $4999 for Full Depth and $5099 for Counter Depth.

This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Photography + Review: City and Colour

Photography + Review: City and Colour

Posted: 19th May, 2023 by The Editor

City and Colour kicked off the summer on a high note by filling out venues across the country where Dallas Green and his accompanying band brought his latest album The Love Still Held Me Near to life. City and Colour took the stage around 9pm and kept the audience captivated for the entirety of their set.  Starting with “Meant to Be” from his latest album, he had the crowd singing along in no time. Between songs, audience members could be heard shouting endless adornments to which Dallas replied “Boston always yells the loudest”. Though this tour was promoting his latest album, Dallas didn’t shy away from playing the earlier songs that fans fell in love with such as “Little Hell” and “Hello, I’m In Delaware”. Before starting “We Found Each Other In the Dark”, a speech was given about how we no longer connect with people who see the world differently than us and that if we agreed with that ideology, the “exit signs are behind us”. After powering through a 14 song setlist, City and Colour exited the stage before returning for a four song encore. Included in this encore was a rendition of Alexisonfire’s “This Could Be Anywhere in the World” that satiated the fans calling out Dallas’ other work at random throughout the night. This was a remarkable performance on all fronts and we encourage everyone to see City and Colour on their next tour. Our photographer Kyle was at the Boston date to capture the night and you can check out his pictures below.


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Kyle Musser//


How Real Estate Photographers Can Use AI: Virual Staging AI App

How Real Estate Photographers Can Use AI: Virual Staging AI App

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Google’s Holographic Project Starline Adds a New Dimension to Working From Home

Google’s Holographic Project Starline Adds a New Dimension to Working From Home

Google recognizes many of us are still working remotely and suffering from the same longstanding issues related to working together while not being physically within the same space. In 2021 the company revealed Project Starline as a possible answer to this dilemma, a concept merging hardware and AI-enhanced software to create a “magic window” where users could “talk, gesture and make eye contact naturally with other people in life-size and in three dimensions.” The premise is sort of like a futuristic phone booth and photo booth, with some shades of the holographic communication technology from the Star Wars universe.

But that first 3D teleconferencing video booth required a room-sized setup. At this year’s Google’s I/O developer conference Google revealed they’ve been able to shrink Project Starline down to a much more manageable size, one comparable to a large computer display or flat screen television.

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Like the first iteration, the system uses advanced AI to conjure what is perceived as a photorealistic recreation of the person chatting with you. It does this using a light field display capable of producing perceptible elements of volume and depth that make the person seem “right there.” Instead of looking at a flattened image of a colleague, Project Starline produces a more convincing in-person view retaining the all-important element of eye contact sorely lacking during Zoom, Meet, and other video chat solutions currently available.

Google isn’t the only company making efforts to improve video chats; Logitech’s lounge-like Project Ghost video conferencing booth alsom invites a dimensional window-like gaze with other speakers.

Google says they’ve already gotten these prototypes into the corporate settings within Salesforce, T-Mobile, and WeWork, but the real test will be when they’re able to further simplify this multi-camera setup for home offices for remote workers, sans the necessity for IT expertise, a future that may supplement or supplant AR/VR glasses.

Read all about Project Starline at the Google Blog.

Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Heidi Gustafson’s ‘Book of Earth’ Embarks on a Visual Voyage Through the World of Natural Pigments

Heidi Gustafson’s ‘Book of Earth’ Embarks on a Visual Voyage Through the World of Natural Pigments

All photos © Heidi Gustafson unless noted, courtesy of Abrams, shared with permission

There’s quite a bit more to ochre than the deep, golden hue squeezed out of a tube of paint. “Color is tied to matter, as much as light,” Heidi Gustafson told Colossal in a recent interview. “In fact, in the ochres and Earth pigments, it tends to be the metal elements (iron, copper, lead, etc.) that are responsible for our color experience.”

The Washington-based artist and founder of the Early Futures Ochre Archive (previously) marvels at the diverse hues of naturally-occurring minerals beneath our feet. In her new Book of Earth, published by Abrams, she takes us on a journey through rare pigments and their landscapes in a celebration of the what she describes as the “behavior, capacities, being-ness, language, needs, and concerns” of the material.

Each chapter of Book of Earth is dedicated to an aspect of the Gustafson’s archive, which contains more than 600 samples. The volume elucidates the world of natural color, challenging our perceptions of terrain and the inanimate world, and includes practical advice and techniques for creating your own pigments. Find your copy on Bookshop.

 

A dry, desert landscape featuring naturally occurring ochres.

Photo by Chiara Zonca

A collection of natural Earth pigments arranged in small dishes.

A landscape featuring saturated hues of different colored ochres.

Photo by Sheena Callage

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Heidi Gustafson’s ‘Book of Earth’ Embarks on a Visual Voyage Through the World of Natural Pigments appeared first on Colossal.

Fritz Hansen Presents EXPRESSIONS of CHARACTER at 3daysofdesign

Fritz Hansen Presents EXPRESSIONS of CHARACTER at 3daysofdesign

At this year’s 3daysofdesign, Fritz Hansen presented a new exhibition, EXPRESSIONS of CHARACTER, located at Charlottenborg in the heart of Copenhagen. Visitors were treated to a diverse range of installations, featuring emblematic design elements designed to bring them face-to-face with both well-known and fresh artistic expressions.

The exhibit showcased the works of visionary design pioneers such as Poul Kjærholm and Arne Jacobsen, along with contemporary designers including Jaime Hayon, Sebastian Herkner, Cecilie Manz, Vico Magistretti, and KiBiSi. Patrons were invited to explore the newly launched outdoor furniture by Skagerak, a Fritz Hansen brand.

Marie-Louise Høstbo, the Creative Design Director at Fritz Hansen, shares her perspective on Danish design: “Danish design is formed from a dedicated consequence of purpose and space. In Danish we call furniture design; MØBELKUNST (literally “furniture art”) and the inherent connectedness to art through the Academy is unquestionable. Poul Kjærholm called himself a furniture architect and Arne Jacobsen wanted to be an artist.”

An exhibit displaying the works of visionary Danish designer, Poul Kjærholm

An exhibit displaying the works of visionary Danish designer, Poul Kjærholm

An exhibit displaying the works of visionary Danish designer, Poul Kjærholm

A room focused on Arne Jacobsen's most iconic pieces

A look inside one of the four interconnected rooms within the Charlottenborg building, showing a series of displays and cubic structures

A shot of a Skagerak outdoor lounge seating

A shot of a Skagerak outdoor daybed

Leo Lei translates his passion for minimalism into his daily-updated blog Leibal. In addition, you can find uniquely designed minimalist objects and furniture at the Leibal Store.