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James H. Brutger

James H. Brutger
Jim Brutger, 90, of Duluth died peacefully on May 30th, 2023. He was born Oct. 10th, 1932, in Minneapolis to Madeline Berg and Philip Brutger. Jim grew up in Waite Park and graduated in 1950. He went on to graduate with a BS in Art Education from St. John’s in 1954, then earn his master’s degree at U of MN and a certificate at Zhejiang Academy of Fine Arts, China. Jim was married to his HS sweetheart, Marjorie Theisen, for 69 years. He joined the US Army 1954-1956. He taught art education for 45 years and was head of UMD’s Art Dept 1974-1984. He also led multiple art groups in China and England. Jim has received many awards for his art and leadership, and has served on many boards. Jim enjoyed photography, painting, printmaking, woodworking, and spending time with family at his cabin.

Ara Oshagan Photography and Installation Exhibit at Armenian Museum of America Explores Issues of Dislocation and Cultural Identity – The Armenian Mirror-Spectator

Ara Oshagan Photography and Installation Exhibit at Armenian Museum of America Explores Issues of Dislocation and Cultural Identity – The Armenian Mirror-Spectator
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WATERTOWN — The Armenian Museum of America (AMofA) recently announced the opening of its next contemporary art exhibition, “Ara Oshagan: Disrupted, Borders.” The show follows the AMofA’s blockbuster exhibit, “On the Edge: Los Angeles Art 1970s-1990s from the Joan and Jack Quinn Family Collection,” which received rave reviews and was viewed by thousands of visitors.

“Disrupted, Borders” at AMofA is an expanded version of what was previously exhibited at Stockton University Art Gallery in New Jersey, and the show is being curated by Ryann Casey. “This exhibition connects many of the diasporic and homeland entanglements that have occupied me over the past decade or more, from Los Angeles to Beirut to Artsakh,” stated Oshagan. “The works articulate a certain ‘diasporic liberation,’ as so well stated by Hyperallergic editor Hrag Vartanian in his introductory essay about the exhibit.”

The exhibition combines photography, collage, installation, and film, the last of which runs in the AMofA’s Rose and Gregory A. Kolligian Media Room. “The installation at Stockton was quite impressive in person and we knew this was something we wanted to bring to our Adele and Haig Der Manuelian Galleries,” said Executive Director Jason Sohigian. “Ara’s photography is from the diaspora in Los Angeles and Beirut, as well as Armenia and Artsakh so it connects many historical elements with contemporary issues facing Armenians today.”

More than 55 works are on display including a massive mural from Oshagan’s “Beirut Memory Project,” as well as six large medieval manuscripts printed on fabric and overlain with photographs of people from Shushi, Artsakh. Eighteen Armenian Hmayil prayer scrolls are also reproduced for an installation in the middle of the gallery space. The scrolls are created from the digitized collections of the Library of Congress and other institutions, and they are modified with “interventions” from Oshagan that reflect on travel, family, culture, and politics.

“Visitors will notice that some of the gallery walls are painted red. This color choice was intentional, and it is actually the color of the dye made by the Cochineal insect that is indigenous to the Ararat plain and Arax River Valley,” explained Sohigian. “Vordan Karmir is a familiar color in Armenian rugs, and Oshagan selected it with the curator to accent the exhibit. It adds another layer of meaning to the issues that Ara brings to this show around Armenian identity and culture.”

The mural and manuscript portraits on fabric, which are part of Oshagan’s Shushi series, are some of the largest works that have ever been exhibited in the AMofA galleries. “Ara’s innovative style allowed us to bring these larger-than-life images into the space so this installation offers many surprises from color to scale to medium, and a mix of time and place that will resonate with visitors,” added Sohigian.

2023 Mexico Design Fair’s Intimacy Belies Its Creative Reach

2023 Mexico Design Fair’s Intimacy Belies Its Creative Reach

It’s been a short while since I’ve returned from the sultry Oaxacan coastline of Puerto Escondido, Mexico, after attending the third annual Mexico Design Fair. Unexpected plumes of volcanic ash blanketing Mexico City delayed arrivals and departures, foiling plans professional and personal alike. In hindsight, the pause offered a opportune moment to reflect upon both the parts and the sum of an event devised to spotlight the best of contemporary Mexican design, one as warmly memorable as the Pacific sunset that played backdrop for the entirety of our stay.

Situated on a 20,000-square-foot stretch of private Oaxacan beach, Casa Naila presents the central exhibition stage for a design fair unlike any other, inviting guests to meander at a thoughtful pace from one “room” to another. Photo: Gregory Han

One of four main exhibition displays within Casa Naila curated by Carlos Torre Hütt photographed from above showing checkered round table, woven armchair and woven room divider.

One of four main exhibition displays within Casa Naila curated by Carlos Torre Hütt emphasizing the region’s use of woven traditions reinterpreted into contemporary forms, including Hütt’s own Biombo Z wicker screen in yellow, Zebra table by Pedro Friedberg, and Porset lounge chair by Clara Porset. Photo: Gregory Han

Overhead view of Casa Naila in Puerto Escondido, Mexico.

Casa Naila’s four volume residence designed by BAA’Q Architects offered a gallery-like setting for attendees to experience the designs in changing light throughout the day. Photo: Jaime Navarro

Staged across various venues of architectural pedigree – Casa Naila, a  beachside residence designed by BAAQ’s Alfonso Quiñones, Casa Malandra designed by Alberto Calleja, the newly revealed Meridiano gallery by architect Tatsuro Miki and Axel Vervoordt, not to mention a slew of destinations orbiting the fair such as Tadao Ando designed Casa Wabi, many deserving of an architectural pilgrimage themselves – MDF vacillates between the intimate and social, quiet and celebratory, obvious and revelatory against a dramatic coastal backdrop.

Side view of Mexico Design Fair press preview day installation with Casa Naila, Puerto Escondido.

Mexico Design Fair’s press preview offered media intimate access to the numerous installations staged within Casa Naila dramatically staged along Puerto Escondido’s coastline. From left to right: Wavy Bench, Bloom side table, and Ghost stool by Lyzbeth Lara and Prem Lorenzen, Kind Void Gray ceramic teapot collection by Lucila Rodarte, and Ajolote chair by Daniel Romero Valencia. Photo: Gregory Han

MDF is staged as a testament to the numerous talents of contemporary design working across Mexico City and beyond, a creative scene that isn’t always given its proper dues north of its borders. The event is in some sense curated to illuminate and inform all attendees across its three days of tours, talks, and festivities, but also celebrate knowingly of their own growing importance – a manifestation of IFYKYK.

First and foremost is the incomparable daydream residence of Casa Naila, a four structure home opened to the elements and guests during Mexico Design Fair. Orchestrated by MDF founder and chief curator Carlos Torre Hütt, the beachside escape was made into a loosely woven narrative of rooms showcasing traditions of materiality unique to Mexico. A few favorites below:

Photo by Gerardo Maldonado of Rainfall console table set outside on concrete floor against backdrop of tropical palm plants.

Photo by Gerardo Maldonado

All metal table console table with mirror-like polished top set on top of hundreds of thin metal legs.

The flawlessly polished metal surface of the Rainfall console by Lyzbeth Lara and Prem Lorenzen/STUDIO LINE BETWEEN dazzled with its evolving presence reflecting color, light, and its surroundings, day thru night. Photos: Gregory Han

The arching handles impart the “Kind Void Gray” ceramic teapot collection by Lucila Rodarte a delicate sculptural elegance of a swan neck. Photo: Gregory Han

Multicolor chromatic geometric design wool rug with a pair of wood chairs set across it.

The mesmerizing chromatic geometry of “Portal in Wool” rugs by Venezuelan artist Johanna Boccardo for ODABASHIAN set along a pair of wood chairs – “Ajolote II” and “Ajolote III” – by Daniel Romero Valencia, the recipient of the 2023 MDF Designer of the Year award. Photo: Gregory Han

Display of design objects including woven fans, terrazzo ceramics, and candle holders.

Casa Naila’s kitchen was converted into a showroom/gift shop for Guadalajara-based Albergue Transitorio,
displaying a range of design objects, crafts, accessories, and jewelry. Photo: Gregory Han

Set along to complement the main exhibition within Casa Naila, Fernanda Antillón and Mariano Rodea of the Leon based firm Casa Blanca Oficina worked with Javier Marín Foundation’s Fábrica de San Pedro in Uruapan, Michoacan to erect a shade structure that operated both as totem and refuge from the elements – soft architecture designed for temporary inhabitance, respectful of its imprint upon the site.

Striped pink and blue temporary shade structure installed on the beach at Casa Naila.

Activated by the gentlest presence of an ocean breeze, Casa Blanca Oficina’s fabric paneled wood framed shade structure flaps open, welcoming attendees into an intimate face-to-face seating interior. Photo: Gregory Han

Interior upward view within the striped pink and blue temporary shade structure installed on the beach at Casa Naila.

A glance upward revealing the structural framework of Casa Blanca Oficina’s thoughtfully constructed shade structure, engineered to withstand the ocean breeze.  Photo: Gerardo Maldonado

Striped pink and blue temporary shade structure installed on the beach at Casa Naila.

Photo: Jaime Navarro

Mexico City–based designer Daniel Romero Valencia was awarded Designer of the Year framed within the Escher-esque brutalist confines of architect Alberto Calleja’s Casa Malandra. Photo: Gregory Han

The 2023 Mexico Design Fair concluded with a literal bang, dazzling beachside guests and locals with a pyrotechnic show choreographed by Canadian artist Brendan Fernandes incorporating traditional Mexican handcrafted “castillos” (castles) and “toritos” (little bulls) set ablaze to music.

Pyramid shaped Mexican portablepyrotechnic frame structure with coastal sunset in the background and seabird silhouette flying in the foreground.

The pyramid frame centerpiece, a Mexican portable pyrotechnic structure that would later be set ablaze into an explosive conclusion complemented by a dance program choreographed by Canadian artist Brendan Fernandes. Photo: Gregory Han

Pyramid shaped Mexican portable pyrotechnic frame structure set ablaze at night for firework show at Mexico Design Fair.

Fernandes’ sculptural pyrotechnic installation “The Light Will Call” represents a collaboration with the Martínez family from Salamanca, Guanajuato, a team with generational experience handling fireworks so intimately. The pyramid was inverted at the start of the program, becoming a symbol of newness and a sign for Queer space and otherness, then dissolving into a slowly burning sphere, “representative of a new day and the beginning of a new tomorrow.” Photo: Jaime Navarro

Noting the growth of Mexico’s contemporary design scene, Mexico Design Fair’s imprint will continue to deepen globally. Yet in attendance the event’s organizers reveal a welcome appreciation in nurturing an intimate and natural ambiance where designers and collectors alike are allowed to organically develop an understanding of the who, how, where, and why behind each design – an opportunity often absent during larger and crowded traditional trade shows. Here along the Oaxacan coastline, each object’s material and form are given a valuable context tied to landscape, the craft/artisan culture, and history of Mexico itself, washing upon the mind in rhythm with the ever-present crashing of the waves.

Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

How To Become A Successful Photographer? Top Tips And Tricks

How To Become A Successful Photographer? Top Tips And Tricks

By HWM Partners

Photography can be a very rewarding and creative profession, providing you with an outlet to express yourself and the opportunity to make money from your art.

If you’re passionate about taking pictures and are considering starting a career as a photographer, you’ve come to the right place! In this blog post, we’ll share our expert tips on how to become successful in the photography field no matter what level of experience or equipment you have.

Understand the basics of photography and practice regularly

Photography can seem intimidating to those who haven’t tried it before, but the truth is that it’s an incredibly rewarding hobby to pursue. With some basic knowledge of camera settings, lighting, and composition, anyone can take stunning photographs. But like any skill, it requires practice to get the hang of it. The more often you take photos, the more comfortable you’ll become with your camera and the more you’ll learn about what works best for you. By experimenting with different angles, settings, and subjects, you’ll start to develop your own unique style and vision.

Invest in quality equipment and learn how to use it properly

The world of photography can be a fascinating journey for those interested in capturing life moments through a lens. However, to produce high-quality images, it is crucial to invest in quality equipment and learn how to use it effectively. As a photographer, your camera is your tool, and it is what separates you from other hobbyists. 

So, taking the time to research and purchase equipment that will elevate your skills is essential. If you’re looking to invest in quality equipment for your photography business, you can consider the best lenses for Nikon to capture a wide range of subjects with stunning clarity and detail. But don’t stop there! It’s also important to learn how to use your equipment correctly to get the most out of it. With practice and patience, you can master the techniques needed to create stunning images that will be appreciated and admired for years to come.

Develop a unique style that sets you apart from other photographers

Your style should be something that sets you apart and makes your work instantly recognizable. This doesn’t mean you have to completely reinvent the wheel – sometimes the smallest details can make a huge difference. Maybe it’s the way you use light or the way you frame a subject. Maybe you have a unique editing process that gives your photos a distinctive look. Whatever it is, take the time to experiment and find your own style. Not only will it make your work stand out, but it will also help you build a loyal following of clients who appreciate your unique vision.

Focus on learning the fundamentals of lighting, composition, and posing

Photography is an art form that requires a lot of technical skill and creative vision. To truly master it, one must focus on learning the fundamentals of lighting, composition, and posing. Lighting can make or break a photo, and understanding how it works and how to manipulate it can greatly enhance the final image. Composition is also crucial, as it involves the arrangement of subjects within the frame, choosing the right angles and perspectives, and knowing when to follow the rule of thirds. 

Finally, posing plays a vital role in creating a sense of mood, story, and personality within a photograph. It requires both direction and collaboration between the subjects and the photographer, and it can make a huge difference in the overall quality of the final product. By mastering these foundational elements, photographers can take their work to the next level and create truly stunning images.

Take advantage of online platforms

As a photographer, you’re always looking for new ways to showcase your work and reach new clients. Online platforms are the perfect solution. From social media networks like Instagram and Facebook to professional sites like Behance and 500px, there’s no shortage of places to share your work. These platforms offer an incredible opportunity to connect with potential clients who may not have discovered you otherwise. By sharing your best shots, interacting with your audience, and leveraging features like hashtags and search engine optimization, you can take your photography career to the next level.

Build relationships with other professionals in the industry

To be successful in any industry, it is important for professionals to establish relationships with their peers. This is particularly vital for photographers, as collaboration and recommendations play a significant role in expanding their business. By connecting with other photographers, you can benefit from a community of support, learn new skills and techniques, and even gain access to new clients. Relationships with other photographers can also lead to exciting projects and opportunities that you may not have otherwise encountered. Whether you attend networking events, join online groups, or simply reach out to individuals whose work you admire, investing time in building relationships with other photographers can be incredibly beneficial in both your personal and professional life.

Photography is an art form that requires a blend of technical skill and creative expression. With dedication and practice, there’s no limit to where your passions can take you. So don’t be afraid to dive deep into the world of photography – let your creativity be unleashed!


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A Key Biscayne Condo Building With a Lobby That Evokes Tranquility

A Key Biscayne Condo Building With a Lobby That Evokes Tranquility

Grand Bay Residences is a minimal residential building located in Key Biscayne, Florida, with a lobby designed by Hino Studio, with spaces that utilize natural tones and earthy hues to evoke a sense of tranquility and calmness throughout. Neutral patterns were threaded throughout the home to establish a seamless visual continuity. Materials such as linen and jute were used to create an organic touch that enhance the inherent warmth of the space.

A series of meticulously-crafted custom built-ins are featured within the residence. Detailed cabinetry and thoughtfully designed shelves are expressed through understated trim work and expert craftsmanship. Apart from aesthetic statements, these elements provide practical storage solutions as well.

Interspersed strategically, blackened steel details create bold counterpoints to the soft, muted tones surrounding them. This juxtaposition of industrial strength against delicate fabric establishes a compelling balance between the robust and the soft, introducing elements of contrast within the interior landscape.

High ceilings overhanging two lounger chairs

A close-up of the detailed custom millwork, showcasing the expert craftsmanship in the intricately designed built-in bench

A strategic incorporation of blackened steel details, offering a bold contrast against the neutral palette of the kitchen's cabinetry

A strategic incorporation of blackened steel details, offering a bold contrast against the neutral palette of the kitchen's cabinetry

A strategic incorporation of blackened steel details, offering a bold contrast against the neutral palette of the kitchen's cabinetry

Bright and airy living room with neutral-toned furnishings

Bright and airy living room with neutral-toned furnishings, accentuated by soft, natural jute rugs and linen curtains

Bright and airy living room with neutral-toned furnishings, accentuated by soft, natural jute rugs and linen curtains

A close-up of the detailed custom millwork, showcasing the expert craftsmanship in the intricately designed cabinetry

Lounge area with a sofa facing two lounge chairs

Artwork hung over a leather bench

Photography by Kris Tamburello.

Leo Lei translates his passion for minimalism into his daily-updated blog Leibal. In addition, you can find uniquely designed minimalist objects and furniture at the Leibal Store.

The best photography gifts for dads

The best photography gifts for dads

Dads love cameras, both as a way to capture special moments and just as fun gadgets. If your father wants to go beyond their smartphone, a new camera would certainly be a welcomed gift. The question is, what type does he need and how much should you spend? We found some of the best models with the latest tech, like fast shooting speeds, sharp video and incredible autofocus. Better still, they cover a wide range of prices, and we’ve also recommended some accessories to complement the gear your dear father already owns.

GoPro Hero 11 Black

GoPro Hero 11 Black

Will Lipman Photography for Engadget

GoPro Hero 11 Black

GoPro didn’t change the design on its latest model, but it has a larger sensor that enables a couple of cool features – Horizon Lock stabilization and Full Frame mode that makes it easier to shoot for, say, TikTok and YouTube at the same time.

GoPro didn’t change the design on its latest model, but it has a larger sensor that enables a couple of cool features – Horizon Lock stabilization and Full Frame mode that makes it easier to shoot for, say, TikTok and YouTube at the same time. Otherwise, the Hero 11 Black offers better video quality than ever (up to 5.3K 60p), Hypersmooth stabilization that’s still the best in the business (by far), battery life that’s improved by 40 percent over the last model, and more. The best action product on the market is not the cheapest – but if your dad is serious about filming his exploits, it’s well worth it.

Canon EOS M50 II and EOS R100

Canon EOS M50 Mark II

Canon

Canon EOS M50 Mark II

Canon’s EOS M50 II is three years old, but with current deals, it’s the best value camera you can give your dad right now.

Canon’s EOS M50 II is three years old, but with current deals, it’s the best value camera you can give your dad right now. It offers features like a 24.2-megapixel sensor, flip-out screen, tap-to-record and focus, plus 4K video with a 1.5x crop. Its light weight makes it a great travel camera, with the flip-out display allowing your father to shoot selfies or do some vlogging. If you want to pay less and your dad can wait an extra month, though, Canon just released the 24.2-megapixel R100. It has most of the features of the M50 II, but lacks a flip-out display. It’s priced at just $480 for the body only, or $600 with a 16-50mm lens, which makes it the cheapest mirrorless camera on the market. You can pre-order it now, but shipping is set for July.

Canon EOS R50

Canon EOS R50

Canon

Canon EOS R50

Still in the budget category but stepping up a notch is Canon’s 24-megapixel APS-C R50, which will suit your dad whether he does photography or video.

Still in the budget category but stepping up a notch is Canon’s 24-megapixel APS-C R50, which will suit your dad whether he does photography or video. It can shoot bursts at up to 15 fps in electronic shutter mode, and offers 4K 10-bit video at up to 30p with supersampling and no crop. It has a fully articulating display, and unlike other cameras in this price range, an electronic viewfinder. It uses Canon’s Dual Pixel AF with subject recognition mode, and even has a popup flash. The only drawback is the lack of in-body stabilization, but the electronic stabilization is very effective with the price of a slight crop.

Sony Alpha ZV-E10

Sony Alpha ZV-E10

Sony

Sony Alpha ZV-E10

If your father is a content creator, Sony’s 24.2-megapixel ZV-E10 APS-C camera is a strong budget option.

If your father is a content creator, Sony’s 24.2-megapixel ZV-E10 APS-C camera is a strong budget option. It can shoot sharp, downsampled 4K video at up to 30 fps with a 1.23x crop (or 1080p at 120 fps) and uses Sony’s fantastic AI-powered autofocus system with face and eye detection. It also has a few creator-specific features like Product Showcase and a bokeh switch that makes the background as blurry as possible so your subject stands out. Another nice feature is the high-quality microphone that lets you vlog without the need to buy an external mic. The main drawbacks are the lack of an EVF and rolling shutter.

Nikon Z5

Nikon Z 5

Nikon

Nikon Z 5

Nothing will enhance your father’s photos like the sweet bokeh of a full-frame camera, and the 24-megapixel Nikon Z5 is a stellar option.

Nothing will enhance your father’s photos like the sweet bokeh of a full-frame camera, and the 24-megapixel Nikon Z5 is a stellar deal right now. It’s mostly aimed at photographers, with features like hybrid phase-detect autofocus and Nikon’s excellent color science. And for such a budget option, it has desirable features like five-axis in-body stabilization, dual fast UHS-II card slots, a 3.69 million dot OLED electronic viewfinder and a tilting touch display. Video isn’t a strong point, but it can handle 4K 30p with a crop and 1080p at 60fps.

Canon EOS R8

Canon EOS R8

Canon

Canon EOS R8

Moving up in price, Canon’s EOS R8 is a better-rounded option if your dad likes shooting video as much as taking photos.

Moving up in price, Canon’s EOS R8 is a better-rounded option if your dad likes shooting video as much as taking photos. It has the company’s excellent Dual Pixel AF with subject recognition AI, and can shoot bursts at up to 40 fps. It’s equally strong with video, supporting oversampled 10-bit 4K at up to 60 fps. The R8 also offers a flip-out display, making it great for vloggers. The main drawback is a lack of in-body stabilization.

Panasonic Lumix S5 II and S5 IIX

Panasonic LUMIX S5II

Panasonic

Panasonic LUMIX S5II

For dads who take their content creation very seriously, check out Panasonic’s full-frame S5 II. It’s the company’s first camera with hybrid phase-detect AF designed to make focus “wobble” and other issues a thing of the past.

For dads who take their content creation very seriously, check out Panasonic’s full-frame S5 II. It’s the company’s first camera with hybrid phase-detect AF designed to make focus “wobble” and other issues a thing of the past. He can shoot sharp 4K 30p video downsampled from the full sensor width, or 4K 60p from an APS-C cropped size, all in 10-bit color. It even offers 5.9K 30p capture, along with RAW 5.9K external output to an Atomos recorder. It also has a flip-out screen for vlogging and updated five-axis in-body stabilization that’s the best in the industry. The main drawback is the slowish burst speeds, but it’s made for video more than photography. If you don’t mind spending an extra $200, the S5 IIX lets you record in the Apple ProRes format directly to an SSD, or in RAW modes (Apple or Blackmagic) via the external HDMI port.

Peak Design Everyday Messenger

Peak Design Everyday Messenger

Peak Design

Peak Design Everyday Messenger

With its rugged, practical design, Peak Design’s Everyday Messenger Bag is an ideal gift for adventurous or photo-shooting dads.

With its rugged, practical design, Peak Design’s Everyday Messenger Bag is an ideal gift for adventurous or photo-shooting dads. It’s built with a lightweight yet durable 100-percent waterproof recycled 400D shell with the ingenious Flexfold dividers in the main storage area. It also offers a pair of zipped pockets, two elastic side pockets and a compartment big enough for a 13- to 15-inch laptop. I own one myself and find it practical both for work and daily activities, letting me fit a camera, lens and laptop along with my wallet and keys. At $230, it’s not the cheapest bag out there, but your dad won’t have to buy another for a good while.

Magnus VT-4000 tripod

Magnus VT-4000 Tripod System

magnus

For dads serious about video, the Magnus VT 4000 is the best budget tripod option. It’s stout enough to handle a mirrorless camera and accessories weighing up to 8.8 pounds, more than the eight-pound weight of the tripod itself. That lack of heft makes it practical for travel, while the fluid head helps you tilt and pan smoothly. Other features include a middle spreader to keep things steady and legs that extend up to 64 inches so you can match the eyeline of your subjects. All of these features come for $199, a relative steal considering the quality.

Joby GorillaPod 3K mini tripod

Joby JB01507 GorillaPod 3K Kit

Joby

Joby JB01507 GorillaPod 3K Kit

The most useful accessories out there for vlogging dads are Joby’s famous mini-tripods, and the best one for the money is the GorillaPod 3K.

The most useful accessories out there for vlogging dads are Joby’s famous mini-tripods, and the best one for the money is the GorillaPod 3K. Attaching your camera couldn’t be easier thanks to the secure clip-in mounting plate with a built-in level. The flexibility also lets you set your camera anywhere to shoot, or even wrap it around a tree or other object. And, of course, you can bend them out for the ideal vlogging angle and steady out your shooting, to boot.

Lexar V60/V90 UHS-II SD cards

Lexar Professional 1667x 128GB SDXC UHS-II Memory Card

Lexar

Camera-loving dads can never get enough memory cards, but they can be a pretty pricey gift. One of the best budget options is Lexar’s V60 UHS-II SD cards, which offer a good balance between speed and value. The 120MB/s write speeds are enough for most H.264/H.265 4K video modes, and you can then transfer files to your computer at up to 250MB/s. If that’s not fast enough, Lexar’s new 1800X V60 II cards offer 270/170MB/s read/write speeds at good prices, and for the best performance, check out their V90 UHS-II cards, which deliver read/write speeds of 300/260MB/s.

Access FREE tips and exclusive content with new Photography and Video Show podcast

Access FREE tips and exclusive content with new Photography and Video Show podcast

If you’re a podcast person and you just happen to love photography tutorials, you’ll love the brand new series of podcasts from The Photography and Video Show. Every Thursday of the month there will be a new session offering the hottest news from the photography and video world, exclusive interviews with industry experts plus a range of tips and tricks that will help you become a better photographer. 

The Photography and Video Show is Europe’s largest show dedicated to photographic equipment, content creation, photo printing, and creating a successful photo or video business. Each year, thousands of people flock to the NEC in Birmingham not only to bag a bargain with a special show process but to take part in masterclasses led by professional photographers, attend talks from successful industry people, and get stuck in with hands-on workshops where you can have a go at flash photography, posing a model or even shooting action sports. 

• Check out thre very best mirrorless cameras to suit a range of budgets and requirements from Canon, Nikon, Sony and more!

Even though the Photography Show is only on for four days a year, visitors will now have access to high-class, quality content all year round thanks to this new series of podcasts which has just launched. They’ll cover everything from exciting new camera launches, to exclusive chats with world-class photographers plus tips and tricks to get the most out of your photography.

Episode one is off to a great start with host David McClelland and DCW’s very own editor James Artaius co-hosting, the pair deep dive into a discussion about the recently launched Nikon Z8 and the Canon EOS R100

Royal photographer Hugo Bernand also makes a guest appearance on the show to talk about how it felt to take the first official photos of King Charles III and why it made him fall back in love with medium format cameras, particularly the Fujifilm GFX 100S.

Each podcast will cover a broad range of topics so there really is something for everyone no matter whether you’re a tech nerd and love hearing about the latest technological advances or if like me you love hearing about the story behind their image and the passion that keeps photographers pushing forward, even on the hard days. 

To tune in, head to the Photography and Video Show website on the first Thursday of every month to be one of the first to access the latest highlights news and discussions on everything cameras, photography, and videography. 

Why not also check out the best cameras for video if you’re more into filmmaking than photography

ECOVACS Adds Major Mopping Innovations to Its Newest DEEBOT T20 OMNI

ECOVACS Adds Major Mopping Innovations to Its Newest DEEBOT T20 OMNI

Can we ask you something personal? How often do you clean your floors? If you’re like us, busy and stretched thin, probably not as often as you’d like. Wayward pieces of popcorn, strands of hair, stains from spills past and forgotten, with a community of dust bunnies peeking out from underneath the sofa – they are all remnants and reminders of responsibilities deferred till “tomorrow.” But we understand – cleaning can be a tedious task, especially within homes with a mix of floor surfaces, requiring switching between vacuuming and mopping. Thankfully, autonomous cleaning technologies designed to relieve the burden of everyday chores have continued to improve to the point where there is a strong argument that every home should have a bit of robotic help around the house.

This is where the state-of-the-art ECOVACS DEEBOT T20 OMNI presents a very compelling solution: a 4-stage autonomous cleaning system equipped to solve the either/or dilemma of cleaning both hard and soft surfaces. Equipped with a flexible vacuum and mop hybrid system, complete with integrated hot water mop and drying, the DEEBOT T20 OMNI distinguishes itself from other robot vacuum cleaners by offering an unmatched degree of cleaning capabilities without compromise, cleaning and emptying dry or wet debris automatically.

The fully sealed style OMNI base station is where dust and allergens are automatically emptied into and also where the unit self-washes with hot water for maintenance-free cleaning for more than 60 days at a time.

The promise of a cleaner home done faster – and better – than other robot vacuums is made possible by ECOVACS’s OZMO Turbo 2.0 mopping system, a hot water mop washing technology engineered to automatically detect grime while gliding across hard surfaces, applying a water heated pressure wash at 131°F to easily remove stains and loosen debris. A pair of spinning mop heads rotate 180 times per minute to make floors sparkle before concluding with a blow of hot air, speeding up drying for near instantaneous results.

Front facing photo of DEEBOT T20 Omni robot vacuum revealing its array of navigation sensors/cameras.

Regardless of your home’s decor and furnishing, the T20 OMNI is ready to confidently negotiate any floor plan using the same LiDAR-based technology that helps self-driving cars navigate city streets.

Imagine sending out the DEEBOT T20 OMNI for one last clean sweep on days when you have guests coming over. Or scheduling the vac every morning after you leave for work, ensuring you return to a home that is cleaner than when you left. Instead of worrying about wet footprints or slips and slides, you can trust that your floors will be dry and safe for kids, pets, and everyone else at home.

In addition to these standout features, the DEEBOT T20 Omni robotic vacuum excels in everyday vacuuming duties with its intelligent mapping system. An array of sensors allows for efficient and thorough cleaning, effortlessly navigating through normal furnishings and everyday objects within the home, and capable of getting to those hard-to-reach nooks and crannies most robot vacuums skip over.

Bottom view of ECOVACS DEEBOT T20 OMNI vacuum showing its two circular broom brushes and wheels.

The vacuum’s powerful category-leading 6000Pa suction power suction, aided by a new rubber brush with spiraling blades, ensures that every speck of dirt is grabbed, leaving no trace behind. Most importantly, the DEEBOT T20 Omni’s strength is its adaptability and versatility, equipped with sensors that can automatically detect whether your floors require vacuum-only cleaning, mop-only cleaning, vacuuming while mopping, or vacuuming first before mopping.

Robot vacuum cleaning hardwood floor and navigating toward gray low tuft rug underneath a bed.

ECOVACS designed the DEEBOT T20 Omni to be fully compatible with smart home systems, allowing you to control and schedule cleaning sessions with ease using Alexa, Google Assistant, Siri Shortcuts or by calling out, “OK YIKO” with the ECOVACS app.

The DEEBOT T20 Omni is a shining example of how the smart home has advanced to a degree where robotic technologies no longer exist as speculative “in the future” promises, but are now genuinely making the most mundane of everyday duties less burdensome, and adapting to how you live instead of requiring you to adapt to the technology you’ve invited into your home. To learn more about the ECOVACS DEEBOT T20 OMNI and all of ECOVACS robot vacuums, visit meetdeebot.com and ecovacs.com.

Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Vermeer film proves that people really do want to watch art in cinemas

Vermeer film proves that people really do want to watch art in cinemas

“We certainly didn’t predict this,” says the award-winning film-maker Phil Grabsky. “Clearly, we have provided something that people are very excited about. The stars have all aligned.”

Grabsky—who, a decade ago, established Exhibition on Screen, a series of documentaries about art and artists based around exhibitions—is talking about his recent film Vermeer: The Greatest Exhibition, which has broken the company’s box-office record since its cinema release in the UK on 18 April. At the time of writing, the film’s takings are reported at just over £818,000, from screenings in around 300 cinemas, an excellent result for a film that is essentially a supercharged guided tour of an art gallery.

We do not say, ‘you do not need to go to the shows anymore.’ The idea is to do both

Phil Grabsky, film-maker

It helps, of course, that the art gallery in question is the Rijksmuseum in Amsterdam, and that the subject of the film—the universally acclaimed assembly of 28 of the 37 known works by the 17th-century Dutch Old Master painter—sold out almost immediately. Like the touring “event films” released by London’s National Theatre or New York’s Metropolitan Opera, this allows those unable to attend a major cultural event—the vast majority of the potential audience—the ability to experience it. Grabsky is aware that there will always be suggestions that films somehow devalue the art. “We do not say, ‘you do not need to go to the shows anymore.’ The idea is to do both.”

The Exhibition on Screen films offer added value, with curators, researchers and critics talking on camera and interpolating contextual detail including artists’ biographical information, readings from letters and the like. Grabsky—who has shared the majority of directing duties with artist and film-maker David Bickerstaff—has overseen a simple, elegant style, strong on clarity and watchability involving lingering close-ups of the work and intelligent, but not opaque, critique of the work.

The series now runs to 34 films, with titles ranging from the blockbuster (Leonardo: The Works and I, Claude Monet) to the less obvious (The Danish Collector: Delacroix to Gauguin, about pioneering Impressionist collector Wilhelm Hansen). With a “season” of four to five offerings per year, not all the films do as well as Vermeer, and Grabsky is upfront about the business side of it. “I have worked at the cutting edge of film-making for 40 years, and getting any film about art made is really tough. There are some films that we take risks on, there are some that felt like they were going to do slightly better than they did. The great thing about Vermeer is that it allows us to take more risks with future productions.”

Filming Tokyo Stories, about 400 years of artists based in the city Photo: David Bickerstaff; © Exhibition On Screen

Grabsky says the series is “largely self-funded”, with each film costing around £250,000 to make. In the UK, broadcast TV has largely given up on shows about art, he says. But he is hopeful that, now the film catalogue is pretty sizeable, he can make a deal with a streaming company. “My hope is someone like Netflix will come along and say, ‘we want to talk to an older, more cultured audience’.”

A handsome record

In terms of the actual subjects, Grabsky is keen to point out that he does not operate as a marketing arm for galleries—they do not pay to be included, nor do they get final cut—but, he says, they are enthusiastic to participate as, on top of everything else, they get a handsome record of their exhibition. He also points out that many of their films are not walk-throughs of a specific exhibition. The recent release Tokyo Stories is a case in point: “It is sparked by the Ashmolean’s Tokyo show [Tokyo: Art & Photography, 2021] but it is also an opportunity to make a film about 400 years of Tokyo-based artists looking at their city.”

Grabsky says he is currently working on a film about Klimt’s painting The Kiss (1907-08). “It won’t do as well, but we want it in the catalogue as we have never done anything about the whole Secession period,” he says. “I always come back to this: it is all about storytelling. We are driven by our own interests, by what we think the audience is interested in—and what we can make them interested in.”