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Cincinnati native continues father’s legacy bringing art to West End

Cincinnati native continues father’s legacy bringing art to West End

CINCINNATI (WXIX) – A Cincinnati native is working to restore a piece of the West End’s history and its legacy that celebrates art, culture and diversity.

Toilynn O’Neal Turner, the founding director of the Robert O’Neal Multicultural Arts Center, is working to renovate the historic Regal Theater to help revitalize the art scene in the West End.

”I’ve seen art save lives,” Turner said. “I mean, it can definitely change the dynamics of racism and conflict. Art is one of those spaces we can all come and be together and appreciate. And it can help build dialogue.”

Her father, Robert O’Neal was a prominent artist who merged his work and activism to inspire others.

While he passed in 2018, Turner is now working to continue his legacy, creating the Robert O’Neal Multicultural Arts Center, a nonprofit that highlights African American artists while also exposing more of the community to the art scene.

”So we’ve been able to start some art programs for young people, [such as] free dance classes [and] free visual art classes,” Turner explained. “We’ve had a few fundraisers and so we’re really just building capacity in our programming.”

The project Turner is working on currently with the iconic Regal Theater will soon be a new home for the arts center, which she says holds so many happy memories for her and others who grew up in the West End.

”The Regal was our babysitter our safe space,” she said. “We were able to watch African American films like Shaft and Pam Grier and we were given popcorn and a hotdog. And we thought that was everything. Our lives were simplistic, but at the same time we had a community, which I think is sometimes what we’re missing.”

Recently, Turner was able to get the Regal marked as a historical designation through the state and is raising $20 million to complete renovations.

”The kids are so inspired by the activities to the point where it’s almost like you get emotional because they’re almost like, some of those kids haven’t used scissors. Some of those kids haven’t been exposed to the symphony and the opera and there’s a great partnership in the neighborhood of us really trying to make a difference,” she explained.

Just like her father, Turner is hoping to leave an imprint on the city and continue to inspire others over the years to come.

”Working with the artists and teaching them how to be educators is important that we give that gift to someone to live beyond us. And that’s how my father lived,” she said. “There are so many artists that he touched in the community. I want to have that same impact.”

Turner says she needs about $13 million to still to complete renovations.

Her goal is to re-open the Regal Theater in 2025.

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Amazing Images of African Diaspora on Display in CAP Prize Shortlist

Amazing Images of African Diaspora on Display in CAP Prize Shortlist

Contemporary African Photography Prize 2023

The Contemporary African Photography Prize (CAP Prize) has announced the 25 short-listed photographers being considered for the CAP Prize 2023.

In partnership with the Eiger Foundation, the 25 shortlisted photographic projects comprise a diverse range of incredible images.

On July 7 in Arles, France, five photographers will win the CAP Prize. The CAP Prize is awarded annually to highlight photographic work created in Africa related to the African diaspora. This year’s edition of the competition is the 12th.

The shortlisted photographers, and eventual winners, are selected by a panel of 20 judges. Winning projects will be exhibited in Africa and throughout the rest of the world.

Each entrant was required to submit at least 10 images as part of a photo series, although photographers could enter up to 25 photos.

The Shortlisted Photographers

A selected image from each of the 25 shortlisted photographers is featured below. The photographers are listed in alphabetical order, and the full gallery of images is available on the CAP Prize 2023 website. Each photographer’s photo series can also be viewed in the video at the bottom of this article.

Contemporary African Photography Prize 2023
© Robin Bernstein
Contemporary African Photography Prize 2023
© Charles Bright
Contemporary African Photography Prize 2023
© Kwasi Darko
Contemporary African Photography Prize 2023
© Yagazie Emezi
Contemporary African Photography Prize 2023
© Nadja Ettwein
Contemporary African Photography Prize 2023
© Yassmin Forte
Contemporary African Photography Prize 2023
© Maheder Haileselassie
Contemporary African Photography Prize 2023
© Carlos Idun-Tawiah
Contemporary African Photography Prize 2023
© Jonathan Jasberg
Contemporary African Photography Prize 2023
© Bontle Juku
Contemporary African Photography Prize 2023
© Issam Larkat
Contemporary African Photography Prize 2023
© Mohamed Mahdy
Contemporary African Photography Prize 2023
© Alisa Martynova
Contemporary African Photography Prize 2023
© Merji
Contemporary African Photography Prize 2023
© Obakeng Molepe
Contemporary African Photography Prize 2023
© Kriss Munsya
Contemporary African Photography Prize 2023
© Neec Nonso
Contemporary African Photography Prize 2023
© Emeke Obanor
Contemporary African Photography Prize 2023
© Leonard Pongo
Contemporary African Photography Prize 2023
© Lamees Saleh
Contemporary African Photography Prize 2023
© Antonia Steyn
Contemporary African Photography Prize 2023
© Jono Terry
Contemporary African Photography Prize 2023
© Geremew Tigabu
Contemporary African Photography Prize 2023
© Elliott Verdier
Contemporary African Photography Prize 2023
© Kyle Weeks

More on the CAP Prize

Last year’s CAP Prize 2022 winners were Amina Kadous, Remofiloe Nomandla Mayisela, Lee-Ann Olwage, Mahefa Dimbiniaina Randrian Narrivelo, and Pamela Tulizo.

[embedded content]

Lee-Ann Olwage’s recently popped up on PetaPixel, as the South African photographer won the African region – Singles award in the 2023 Sony World Photography Awards.

Another familiar name is Mohamed Mahdy, who is shortlisted for the CAP Prize 2023. Mahdy won the Open Format Award in the 2023 World Press Photo Award contest.

While the precise locations of exhibits for the five photographers that win this year’s CAP Prize have not yet been detailed, prior CAP Prize winners have been shown Basel, Switzerland; Tbilisi, Georgia; Auckland, New Zealand; Berlin, Germany; Kampala, Uganda; and Essaouira, Morocco, among many other locations around the world.


Image credits: Contemporary African Photography Prize 2023 | Individual photographers credited in captions

Five Fits With: Creative Producer and Photographer Frederik Darre

Five Fits With: Creative Producer and Photographer Frederik Darre

During the Tumblr era, I made a good deal of friends through the #menswear pipeline. There were only so many of us interested in a subject that felt extremely insular and unique at the time. Today—and I think I can speak for some of my Internet friends—that sense of community is a bit harder to come by. But sometimes, Instagram brings people together, and that’s how I met this week’s subject, Frederik Darre, a creative director and photographer based in Copenhagen. I don’t fully remember how I stumbled on Frederik’s page—maybe through Danish brand Another Aspect, or perhaps just through the algorithm—but I really admired his look and attitude. When Frederik told me he was going to be in New York, I figured it would be a brilliant opportunity to shine some light on his sense of style, grab a few glasses of wine, and learn more about him.

Below, Frederik and I discuss buying Margiela sneakers in Berlin, the perpetual influence of the elderly, his cherished Seiko watch, and plenty more.


Fit One

frederik darre

Shirt and boots by Our Legacy, jeans by Levi’s.

Christopher Fenimore
frederik darre

“I studied landscape architecture and figured out that couldn’t work for me. I had to do something else, not sitting in front of the computer all day,” Darre says. “So, I started producing—lots of photo shoots and fashion shows. Then it just evolved into shooting on my own. Now I do a little bit of both.”

Christopher Fenimore
frederik darre

“I just wasn’t as cool as a teenager,” Darre says. “Now, whenever I see a bunch of high school kids walking around Copenhagen, I get really nostalgic. They look way cooler than I did, for sure, but a lot of stuff we used to wear back then is back into the cycle now.”

Christopher Fenimore
frederik darre

Christopher Fenimore

Where are you from, and what do you currently do for a living? Tell me a little bit about your work history as well.

I’m from Copenhagen, Denmark, and I work as a photographer and a creative producer. I studied landscape architecture and figured out that couldn’t work for me. I had to do something else, not sitting in front of the computer all day. So, I started producing—lots of photo shoots and fashion shows. Then it just evolved into shooting on my own. Now I do a little bit of both.

How did you develop your own style?

I grew up in a little town called Lyngby, just 10 kilometers north of Copenhagen. I played a lot of sports there, which had a pretty huge impact on my style. I also had a big interest in design and architecture, and I think it just evolved from those interests. Back in the day I used to watch a lot of skate and ski videos and found that interesting. I didn’t skate myself, but I loved the vibes. I just wasn’t as cool as a teenager. Now, whenever I see a bunch of high school kids walking around Copenhagen, I get really nostalgic. They look way cooler than I did, for sure, but a lot of stuff we used to wear back then is back into the cycle now. Later in life I did follow some Tumblr pages for inspiration, back when that was a thing. Bring Tumblr back!

Fit Two

frederik darre

Jacket by Ami, vintage shirt, trousers by Our Legacy WorkShop, and shoes by Our Legacy.

Christopher Fenimore
frederik darre

“I feel like Copenhagen has evolved so much the past 15 years,” Darre says. “Back in the day, it was just a small town. We had a few cool stores which meant everybody was wearing the same things.”

Christopher Fenimore
frederik darre

“When I got into this industry back in 2015, I did my first fashion week,” he continues. “Before that, fashion didn’t really interest me. But I always found clothing interesting.”

Christopher Fenimore
frederik darre

Christopher Fenimore

Did Copenhagen have any influence on your style?

I feel like Copenhagen has evolved so much the past 15 years. Back in the day, it was just a small town. We had a few cool stores which meant everybody was wearing the same things. You had to travel a lot to shop specific brands. I’m pretty sure you couldn’t find any Rick Owens items in Copenhagen in 2010, for example. Once I bought a pair of sneakers from Margiela in Berlin, just because I never had seen anything from Margiela in real life before. When I got into this industry back in 2015, I did my first fashion week. Before that, fashion didn’t really interest me. But I always found clothing interesting. I knew nothing about who was designing for who and facts like that. One of the first jobs I did was a U.S. Vogue production with Gigi Hadid and Imaan Hammam. I didn’t know who they were.

Growing up, I just followed the trends. I had a period when I just wore Rick Owens and that kind of clothing. Then I changed into another phase of my life when I actually got a job at the Acne store in Copenhagen, and then that meant something as well.

Has fatherhood changed your style?

Definitely. After I had kids, I started dressing a lot more comfortably. I’ve been wearing hiking boots for the last two years. When you are out walking with the stroller all day, you don’t want to be cold and uncomfortable. You just want to be nice and comfy and warm. And Denmark is a cold place, especially in the wintertime.

Fit Three

frederik darre

Shirt and shoes by Our Legacy, pants by Hope, backpack by And Wander, and sunglasses (worn) by Mykita.

Christopher Fenimore
frederik darre

“I wouldn’t say that I am in love with fashion but I do like style and clothing,” Darre says. “You know the difference? I like how you can express something about yourself without using words.”

Christopher Fenimore
frederik darre

What it takes to be stylish is, “confidence and the ability to mix and match shapes, colors, and materials, for sure,” Darre says. “That’s probably why some many old gentlemen look so cool. You get more confident the older you get.”

Christopher Fenimore
frederik darre

Christopher Fenimore

Can you remember the first moment you fell in love with fashion?

When I met Gigi and Imaan. Nah, I’m not in love with fashion. I remember during that same production I showed in a white T-shirt and was told by the executive producer that I couldn’t show up like that. I had to find the closest H&M to buy a black t-shirt. That’s apparently what you need. Very important shit. I remember thinking, “This is stupid but also pretty fascinating.” So, I wouldn’t say that I am in love with fashion but I do like style and clothing. You know the difference? I like how you can express something about yourself without using words. Of course, you can have a haircut and you can get some tattoos as well. But clothing is a big part of telling who you are.

What do you think makes someone stylish?

Confidence and the ability to mix and match shapes, colors, and materials, for sure. That’s probably why some many old gentlemen look so cool. You get more confident the older you get. I love to sit around in [New York’s] Chinatown just to watch the elderly on their daily errands. That’s very inspiring. Actually, old people in general are a huge inspiration when it comes to style. The page @gramparents delivers some good content in that regard. I was recently given my grandfather’s old Seiko watch from my grandmother and it’s already very special to me. The watch itself is nothing fancy, but the way it makes me remember him and his calm and happy nature is so important to me. My grandparents were a huge part of my upbringing and he was a very influential figure in my life. Unfortunately, he died from dementia in 2019 and it makes me sad to think about that he never got to meet my children. On the very same date last year, my youngest son was born. It’s kind of weird how life works. My son was named Ole, after his great grandfather, and they are already kind of similar in their nature.

Fit Four

frederik darre

Sweater by E. Tautz, shorts by Unna, and slides by Keen.

Christopher Fenimore
frederik darre

“They’ve created a brand that’s just right down my alley and I feel I could wear almost everything they make,” Darre says of Our Legacy. “It’s a Scandinavian feel without that boring Scandinavian minimalism.”

Christopher Fenimore
frederik darre

An avid skiier, Darre says that, aside from his go-to fashion brands, “I also love sports brands in general.”

Christopher Fenimore
frederik darre

Christopher Fenimore

Do you have any favorite brands, and why?

Our Legacy. You can tell from the photos, I think. They are brilliant with materials and only use deadstock fabrics for their WorkShop line. They’ve created a brand that’s just right down my alley and I feel I could wear almost everything they make. It’s a Scandinavian feel without that boring Scandinavian minimalism. They draw a lot of inspiration from music and movies and urban culture as well. Another Aspect is another of my favorite brands. They’re Danish and they’re creating some of the best everyday items you can find. They don’t follow the season of the fashion calendar. I would describe it more as a lifestyle brand. I also love sports brands in general. I always skied a lot, so I love these kinds of mountaineering brands, like Klättermusen. District Vision is doing great as well.

Fit Five

frederik darre

Shirt by Our Legacy WorkShop, jeans by Levi’s, and boots by Our Legacy.

Christopher Fenimore
frederik darre

“I’m way more consistent now than I used to be,” Darre says of his style as he gets older. However, “my interest in stuff in general changes every third year.”

Christopher Fenimore
frederik darre

If he could wear only one outfit for the rest of his life? “It would probably just be Levi’s jeans, light or blue wash, and not too tight, not too baggy. Like the 501 or 505. Then just a blue shirt, like the one I’m wearing now. Probably I would wear black leather boots or black loafers.”

Christopher Fenimore
frederik darre

Christopher Fenimore

How old are you?

33.

Has that changed things for you? As I’ve gotten older, I’m starting to stay more constant.

Absolutely. I’m way more consistent now than I used to be. My interest in stuff in general changes every third year. I had a period where I was totally into road biking for three years. I go all in. Have to have the best gear, coolest clothing, and read everything about aerodynamics and all kinds of stuff that doesn’t matter at my level. Now it’s more running and climbing that does it for me, with all that follows. I still take the bike for a ride every now and then, and still love it, but just don’t obsess about any more.

If you had to wear one outfit for the rest of your life, what would be the items?

It would probably just be Levi’s jeans, light or blue wash, and not too tight, not too baggy. Like the 501 or 505. Then just a blue shirt, like the one I’m wearing now. Probably I would wear black leather boots or black loafers.

Headshot of Christopher Fenimore

Christopher Fenimore is a writer and photographer living in New York. Working with clients ranging from clothiers to vineyards, he’s also covered street style for a number of outlets. Follow him on Instagram at @c.fenimore.

Talking wildlife photography with Donna Hadley

Talking wildlife photography with Donna Hadley

(WBNG) — With spring in full bloom, Around the Tiers has been keeping a close eye on some of the unique birds in the Southern Tier.

Wildlife Photographer Donna Hadley joined Around the Tiers to discuss her experience as a photographer and to show off some of her shots!

Five Helpful Tips for Better Black and White Photography

Five Helpful Tips for Better Black and White Photography

Perhaps no style is more timeless than the black and white photo, but creating a successful monochrome picture takes a lot more than simply pulling all the saturation out of a color photo. If you would like to improve your black and white photos, check out this great video tutorial that shares five helpful tips sure to put you on the right track. 

Coming to you from Jason Friend Photography, this fantastic video tutorial discusses five ways to improve your black and white images. Of them, I think one that is particularly helpful is switching your camera’s picture profile to monochrome. This will change the image preview shown on the rear screen and in an electronic viewfinder to monochrome, making it far easier to see what the results will look like. And don’t worry, as long as you are shooting raw, you will still get a normal image with full color to edit as you please. It is so useful that I frequently find myself using it for scenarios in which I have no intention of editing the final image in black and white, such as portraits, where it allows me to easily visualize the light on the subject. Check out the video above for the full rundown from Friend. 

Devos Institute Arts Management Fellows Announced

Devos Institute Arts Management Fellows Announced
image

WASHINGTON, D.C.: The DeVos Institute of Arts Management at the University of Maryland have announced a new cohort of seven arts managers who will participate in its three-year fellowship program, which is designed to serve entrepreneurial executives in the arts and cultural sector. The new cohort joins a previous cohort of five arts leaders, who are returning for their second year in the program.

The new cohort includes Alison Nadebaum, director of people & culture for the Tasmanian Symphony in Australia; Andrew Given, director of development for London’s English National Opera; Bohenza Pelenska, executive and artistic director of Jam Factory Art Center in Lviv, Ukraine; Cody Chen, general manager of Chicago’s Joffrey Ballet; and Rolando Sanz, CEO and producing artistic director of Young Artists of America in Bethesda, Md.

Also among the cohort are two theatre administrators: Claudia de Vasco, most recently executive artistic director of the Public Theater of San Antonio, Texas, and Shaza Ishak, executive and artistic director of Singapore’s Teater Ekamatra. De Vasco resigned from the Public Theater of San Antonio after just two years in the post; prior to that role, she launched the Department of Cultural Integrity at Los Angeles’s BrickHouse as an effort to legitimize and advocate for cultural workers in the Arts. For her part, Ishak graduated from the Royal Central School of Speech and Drama (U.K.) with an M.A. in creative producing, and is a fellow of the Singapore International Foundation’s Arts for Good Fellowship; the International Society for the Performing Arts (USA); and the Eisenhower Fellowship (USA), the youngest fellow in its 68-year history. In November 2021, she was conferred the inaugural Tunas Warisan (Special Mention Award) by the President of Singapore, Mdm Halimah Yaacob, in acknowledgment of her work in the Arts and Heritage sector.

Led by institute founder Michael M. Kaiser and president Brett Egan, the fellowship emphasizes critical organizational capacities in long-term artistic planning, marketing, fundraising, board development, and financial management, while provoking broader questions of mission, relevance, impact, and the role of art—and the dialogue it provokes—as an instrument of peace.

To date, the institute’s fellowship program has served over 250 arts managers from over 50 countries. Chairman Michael M. Kaiser launched the program in 2001 during his tenure as president of the Kennedy Center.

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Documentary photography workshop in Riyadh tackles gender equality

Documentary photography workshop in Riyadh tackles gender equality

RIYADH: The embassies of Germany and France in Riyadh hosted documentary photography exhibitions in May.

The Goethe Institute, the French Embassy, and the Alliance Francaise in Saudi Arabia, in collaboration with Gharem Studio, set up a project in October 2022 called “Lens for Equality,” dedicated exclusively to documentary photography.

The genre refers to a form of photography which is used to show specific situations or environments, and also everyday events.

These photographs tend to be taken by professional photojournalists or reporters, but sometimes by amateurs.

Authorship of the genre is generally attributed to American historian Beaumont Newhall who, in March 1938, published the article “Documentary Approach to Photography.”

Artists participating took part in a 10-day workshop in which they had the opportunity to discuss and explore the theme of gender equality through their work by analyzing it from an artistic point of view.

The project was led by three mentors — Scarlett Coten from France, Susanne Kriemann from Germany and Tasneem Al-Sultan from Saudi Arabia.

The German, French and Saudi artists have had very different journeys in the world of photography.

Kriemann, a professor at Karlsruhe University of Arts and Design, said that photography is a “recording system” — a privileged means to study the human species.

Saudi American Al-Sultan is an award-winning photographer. She uses images to capture the spirit of the Middle East and its people, as well as recent changes that have transformed the region.

Coten explores the themes of gender, identity and intimacy mainly through the form of portraits.

The varied backgrounds of the three photographers added richness to the innovative workshop. The session aimed to mobilize artists and the public on a subject still new to Saudi Arabia, and promote the art of documentary photography.

Students’ photographs were exhibited in December 2022 at the Ahlam Gallery in the Al-Moussa Mall in Riyadh.

Is Photography Dead? The Relentless March of AI

Is Photography Dead? The Relentless March of AI

With Adobe’s latest beta offering what they call Generative Fill, we’re given a very powerful feature that lets us create or undo what is in our images. And I think features like Generative Fill are causing another round of soil searching, praise, and panic from photographers. I’ve tried to put my own thoughts in order, so I’m humbly sharing them, even though my thoughts will continue to evolve, or maybe devolve. I also wanted to create a forum in comments for your more recent thoughts as AI becomes more and more mainstream.

I’ve been playing with the Photoshop beta for a couple of days, and I have to admit it is a knockout. Adobe has put some great effort into these new AI tools. While slow to get into AI, of late, Adobe is picking up momentum, responding to customers who are demanding new and better AI tools. 

The Adobe Generative Fill is mostly impressive. Unlike Adobe’s Content Aware fill, it removes people or objects and pretty much leaves a credible background in place. 

Here are some automated mannequins at the OK Corral in Tombstone, AZ.

I selected the center gunfighter, pushed the Generative Fill button and added no text instructions.

Boom! The man is gone, the background is filled in, other than a suspicious black box the AI delivered. It’s easily erased.

In this example, I had a throwaway shot of some cacti at sunset.


Using generative fill, I asked for a few more and it delivered. I’m not sure they are a totally believable addition, but the AI did get the lighting right. 

So, Should We Be Thrilled or Terrified?

Maybe a little bit of both. Every advance in photography has been met with suspicion and naysayers. The switch to digital quickly became an us against them thro down, but rather quickly, digital became a match for film, and in most ways exceeded it, especially in dynamic range and detail. 

When Photoshop and other digital editors came out, there was criticism from many corners saying the result would be a bunch of trick shots and not art. And there were a lot of trick shots. HDR went through the same rite of passage, although I sense the use of HDR has become less popular as we get better sensors with more dynamic range. Still, every so often, I see a tasteful (to me) HDR image that blows me away with its beauty and restraint. 

So, here we go again. With these new advanced tools, we’re going to see a lot of awful photos, but photographers will find ways for these AI features to speed up their workflow and become more productive. They’ll also learn to solve image problems in seconds that would have taken hours before or been simply impossible to accomplish.

And let’s not forget to thank Adobe, Skylum, and the others who are pushing the boundaries on AI to deliver tools we could only dream of having even five years ago. Now, the photography world is changing very rapidly, and criticism, both artistic and technical, has not caught up yet. 

To my mind, photography has always been about the art of seeing, not the art of doing. The seeing begins with the composition, the lighting, the color, the shadows, the textures, and the subtleties. If I need to summon some AI to complete my vision, so be it. Ultimately, the art comes from me: my eye and the eyes of every creative photographer out there. 

As someone told me years ago, if we give Ansel Adams’ camera to a guy off the street, we get crap, not magic. It was all about Adams’ vision, not his gear, or in the present case, the software.

I’ll look at each AI tool as it comes along and see if it furthers my art or cheapens it. It’s true that even now, we can’t always tell if a photo is real or AI. To some, that really matters. To others, they look at the final product and like it or they don’t. At the end, if it will be art or not, I think will be dependent on the vision of the artist.

So, is AI the end of photography? To some degree, the kind of photographer you are will answer the question for you personally. I don’t see wedding photographers, for example, being heavily involved in this, other than maybe using it to save some previously unsavable images. I would think most customers would want fidelity of the event. It’s the same in sports and news photography. People expect and should get reality.

In advertising, AI will continue to make large inroads. Not so much for portrait photographers, but AI is already being put to some use there, enlarging smiles, getting rid of blemishes, etc. 

For landscape and nature photographers, I predict a robust debate, with heavy use in some circles, avoidance in others.

Please share your thoughts below.

Steelers hope marketing agreement leads to regular-season game in Ireland

Steelers hope marketing agreement leads to regular-season game in Ireland

The only time the Pittsburgh Steelers played a regular-season game outside the United States was in 2013 when they lost to the Minnesota Vikings at London’s Wembley Stadium.

When that drought ends, Ireland would like to throw its hat into the ring as a host country.

At a press conference Thursday in Dublin to hail the team’s marketing agreement with Ireland, Daniel Rooney said that the franchise would like to play a game in the country.

“Our aspirations long-term are to play a game in Ireland,” said Rooney, the team’s director of business development and strategy and son of team president Art Rooney II, on Steelers.com. “As we move through the process, we’ll be evaluating all options.”

Although the Steelers have played just one regular-season international game, they have made several preseason appearances outside the U.S., including a visit to Dublin’s Croke Park in 1997 when they faced the Chicago Bears.

Mexico City has been considered one international destination for the Steelers, who were awarded marketing rights for Mexico a few years ago.

Ireland emerged as a contender when the NFL this week granted the Steelers and Jacksonville Jaguars marketing rights to that country as well as Northern Ireland. Ireland has never hosted a regular-season game, but Croke Park seats more than 82,000 people, making it the prime venue for an NFL matchup.

“As if we were back in Pittsburgh, we can do sponsorship deals, we can market, we can build fan engagement, we can host live events, and we can do media deals,” Rooney said. “It’s a unique opportunity that not only allows us to commercialize, but really grow our sport and our brand. The first focus is to bring the Steelers to the people of Ireland. We are going to try to reach all 32 counties.”

Rooney’s grandfather, the late Daniel M. Rooney, was the U.S. ambassador to Ireland from 2009-12.

Joe Rutter is a Tribune-Review staff writer. You can contact Joe by email at jrutter@triblive.com or via Twitter .