The wait is over! The moment Nikon shooters have been waiting for has finally arrived and it’s likely even better than many could have expected.

I was a D850 shooter. I still maintain that it’s the best DSLR ever created. Before that, I owned the D800. The Nikon “8” numbered cameras have always seemed the perfect fit for my needs as a professional photographer. They have offered the highest resolution in the brand’s lineup. They have not been the most expensive camera in the lineup. That title understandably belongs to the ultra rugged D6 or now Z9 level products. But the “8” cameras always come in just below that with many of the bells and whistles but at a lighter weight and lower cost.

As I am hardly the only person to have fallen in love with the D850, I am also hardly the only person to have immediately thought about a mirrorless version once the industry began to change over from DSLRs into a mirrorless world. I searched far and wide, both inside the Nikon ecosystem and outside of it for a camera that could provide me with the same user experience of the D850, but with all the benefits of mirrorless.

After an embarrassingly large number of my own missteps in that direction, I finally found the perfect camera for my needs when Nikon released the Z9 in late 2021. It was the first mirrorless camera that could legitimately beat my D850. It allowed me to go all-in on the Z system and never look back.

Yet still, as I mentioned earlier, that camera belongs in the flagship category of the camera market. There was still room for another mirrorless body that would fall into that segment which the D850 occupied within the DSLR lineup. The camera that has it all, but comes in a more manageable form factor than the larger built-in-grip pro bodies and at a more manageable price tag as well. It was always built right into the naming scheme for the Z system. We had a Z5, Z6, Z7, and Z9. So, where was the Z8?

Ask that question no more, as Nikon today has announced the brand new Z8 mirrorless camera. Speculation has been rife on the internet for years. I myself started using the term “the mythical Z8” in an article three years ago. Would it be a super high-resolution beast? Would it be a cinema camera? Would it be a mini-Z9? Well, for those of you who picked option C, you win the jackpot.

The Z8 has basically all the same features as the Z9. So much so that to repeat all the specs feels a little like rehashing my Z9 review. But here are the essentials that you will want to know right off the bat.

The camera has the exact same 45.7 MP stacked CMOS sensor as the Z9. Like the Z9, there is no mechanical shutter. Also, like the Z9, it has the sensor cover that automatically comes down to protect the sensor from dust when changing lenses. It has an identical autofocus system, right down to the super handy dedicated autofocus mode button on the lower left-hand corner that is present on the Z9 as well (one of my favorite features). Same EXPEED 7 image processor. Same ability to shoot up to 20 fps raw or 30 fps JPEG. And, yes, it does have the same option to shoot 11 MP JPEGs at 120 fps. The Z8 even adds the ability to shoot in the HEIF format. It also has the same pre-release capture capabilities which can be so helpful when shooting sports or wildlife.

It sports the same blackout free live viewfinder system that is in the Z9. This is actually one of the most valuable parts of the Z8. Especially for those who are switching over from a DSLR. The one thing I always absolutely hated about the mirrorless experience was having to lose my optical viewfinder in favor of an EVF. EVFs have a lot to offer in terms of exposure previews and other features. Yet, personally, I just didn’t like the experience, especially the blackout, as compared to an optical experience. The dual flow system introduced with the Z9 fixed all of that. It is simply the best viewing experience for a mirrorless camera on the market. Very close to an optical viewfinder with the added benefits of mirrorless. And the new Z8 has brought in the exact same system.

As someone who spends even more time as a filmmaker than as a still photographer these days, I was particularly interested in knowing what video features would make it to the Z8. Would Nikon hold back some features and reserve them for its higher end system? I am extremely happy to say that the exact same video features in the Z9, including 8.3K N-RAW at up to 60p, ProRes RAW HQ, ProRes 422 HQ, 10-bit N-log internally, and all the other formats available to filmmakers in the Z9 are available in the Z8.  

So, yeah, basically it’s a mini-Z9. Oh, and all of this comes in at an incredibly competitive price of $3,999.95.

But what isn’t there? Obviously, there has to be some difference to separate this camera from its big brother and allow it to come in roughly $1,500 less. And if you are deciding between the Z8 and Z9, there are some minor tradeoffs. For one, the camera uses the same battery form factor, the EN-EL15c, that has been around with all the D850/Z6II/Z7II bodies. This is actually good for D850 shooters, as you will likely already have a bunch of spare batteries which you can use with this camera. And, for the vast majority of photographers, this battery is all you will need. The Z9, on the other hand, comes with a significantly larger battery. Hence, the built-in battery grip. That battery can pretty much run forever, whereas you would need to change the D850 battery more often. Then again, Nikon has also announced an optional battery grip, the MB-N12 ($349.95), which will work with the Z8 and extend battery life even further. So, you get a more compact body with the Z8 by default, but the option of more battery life when you need it.

The Z8 also features two card slots. However, whereas the Z9 has dual CFexpress Type B card slots, the Z8 features one CFexpress/XQD slot and one SD slot. Again, for the majority of use cases, this is more than adequate.  And the SD option gives you a choice of using less expensive SD media if you don’t need the speed of CFexpress. The only limitations come in when it comes to dual card recording. For instance, on the Z9, you can record 8K N-RAW to both cards simultaneously so that you have a backup. On the Z8, you would only be able to record the 8K N-RAW to the CFexpress card and not to the SD card. That’s not to say that you can’t record to both cards simultaneously. There are just some limitations when using things like 8K. This is to be expected though and not something that is going to be a practical detriment for the majority of use cases.  

Unlike the Z9, the Z8 does not have an Ethernet port. In its place, it offers dual USB-C jacks. This is a blessing for studio photographers who may now use one connection to tether while still having a free port to use for powering the camera over a long shoot. This is one of those small additions that I suspect will add up to big dividends for working photographers.

If you are a D850 owner and considering whether to switch to the Z8, this seems like a clear upgrade. The Z9 was already the mirrorless camera that convinced me to switch to mirrorless and is arguably the best camera I’ve ever owned. The Z8 is essentially the Z9 but smaller and less expensive, with the main trade-offs being the battery life and the card slots. So, if the Z8 is anything like the specs suggest, it will be a clear upgrade over the D850 for all users.

I’ll give you a full review once I’ve gotten a chance to take the camera out in the field. I’m trying to get my hands on one as quickly as I can and will come back to offer some of my thoughts.  

But what are your thoughts? Does this product announcement scratch your itch? Is this what you always wanted from the mythical Z8? Will you be the first in line? Nikon has announced that they have put all their resources into making sure there will be as many cameras available as possible once they start shipping. But, we all know that these will sell out fast. So, if you want one, now is the time to place your order. The camera begins shipping May 25th.

After years of rumors, the Nikon Z8 has finally been announced by the Big N – and, as expected, it is a “baby Z9” in terms of both specs and price, which incredibly is a thousand bucks less than the flagship camera. 

Indeed, the company itself used those words in describing the Nikon Z8 to us, saying, “In a nutshell, it is the baby Z9,” while it also calling it, “the true successor to the Nikon D850“.

Essentially, the Z8 is a Nikon Z9 in a regular body (as in, it doesn’t have an integrated vertical grip or high-capacity battery). So naturally it packs all the same specs: a 45MP stacked sensor, 8K 60p and 4K 120p video, up to 120fps burst shooting, an exclusively electronic shutter, and intelligent AF built on deep learning. 

In fact, the latter represents one of the areas in which the Z8 is actually more advanced than the Z9. While it carries over the existing subject tracking categories – people, cats / dogs / birds, car, motorcycle, bicycle, train, airplane – it also adds a new category that the Z9 lacks: aircraft.

Nikon couldn’t tell us exactly what kind of airborne craft this could detect, though we would hazard a guess at things like helicopters and drones (we asked about obscure vehicles like microlights, too, but that couldn’t be confirmed). 

The Z8 also possesses dual USB-C ports – the first camera we can recall having this feature – enabling the camera to, for example, charge and tether simultaneously. It is also the first Nikon camera to support USB to ethernet connectivity. 

In short, the “baby Z9” actually does more than the “daddy Z9” does – and for much less bank. Certainly the Z9 proper has longer battery life, can shoot video for longer, and has more programmable buttons. 

Otherwise, though, this really is a Z9 for people who want the specs but don’t want the bulky “pro DSLR” form factor – Nikon concedes that there is a category of user who simply won’t buy a camera that shape and size, no matter how good it is.

The Nikon Z8 goes on sale May 25, priced at an incredible £3,999 (US and Australian pricing to be confirmed). And unlike the chaos that was the Z9 launch, the company assures us that availability will be much improved for the Z8. 

If you enjoyed this article, you might be interested in reading about the best Nikon cameras, the best Nikon lenses and the best 8K cameras.

In 2006, a book collection of Lange’s wide portfolio of Japanese American internment was published under the title, “Impounded: Dorothea Lange and the Censored Images of Japanese American Internment.”

Linda Gordon, a historian at New York University who edited the book, maintained that the temporary suppression of Lange’s photography was not by happenstance.

“The photographs were impounded because they were unmistakably critical,” she wrote in the Asia-Pacific Journal. “They unequivocally denounced, visually, an unjustified, unnecessary, and racist policy.”

Source: Asia-Pacific Journal

The story of women and  bicycles has never been easy. When the bike appeared in the 19th century and began to become popular among women, it was a revolution. Suddenly, women could go further than their own neighbourhood, they could do so without permission and without asking anyone to take them. In fact, the bicycle became especially popular among suffragettes, becoming a symbol. Which some sectors of society did not take kindly to.

So, doctors at the time invented what would become known as Bicycle Face. A fictitious disease that supposedly affected women who rode bicycles and caused dark shadows under the eyes, generated masculine facial traits and even led to depression, breastfeeding difficulties and miscarriages.

However, they ignored the warnings. And women cyclists and women’s cycling in sports are currently experiencing a hay day, with the official celebration of the first ever Vuelta Femenina. An event that began in Torrevieja, Spain, on 1st May and finished with an ascent to the Covadonga Lakes on 7th May.

On the occasion of the event, Škoda, the Official Sponsor of La Vuelta Femenina, and Proximity Barcelona came up with an initiative to celebrate the fact that women never stopped cycling and that women’s cycling has been becoming more and more popular over the years. So, they are launching a photography project to redefine, positively, what Bicycle Face means in 2023: a face showing the effort of getting to the top of a hill, the satisfaction of finishing with the best time or, in other words, the face of empowerment on two wheels.

With this aim, from the start of the competition, the sports photographers Naike Ereñozaga and Lara Ortiz de Zárate took on a photographic challenge: they took moving portraits of the cyclists as they raced to show all of the competition’s faces. In their statements, Naike said, “I have witnessed what it has taken for women’s cycling to get here. We’ve come a long way, but there is still further to go.” And Laura acknowledged that, “It is an honour to be able to take part in this project, to be a part of the change, and to have the opportunity to immortalise these moments struggling to win the race that represent the female attitude.”

The result of this photographic report can be seen here. 

Through this project, Škoda Spain is reaffirming its commitment to women’s sport. And, particularly, to cycling. In the words of Miguel Piwko, the company’s marketing director, “Škoda has always had strong links with the bicycle sector. It’s in its DNA. And it’s natural for us to support women’s cycling, just as we sponsor the women’s football teams RCD Espanyol and Valencia CF. Only with everyone’s support will we ensure that women, in sports too, get all the acknowledgement and visibility they deserve.”

Ramon Caba, the executive creative director of Proximity Barcelona, claims that “We’re in a moment in which brands have the obligation to commit, more than ever, to their values. This campaign reinforces what Škoda has been doing for women’s sport and cycling for years.”