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Top Creative Photographers Have 10 Things in Common: Part One |

Top Creative Photographers Have 10 Things in Common: Part One |

Do you struggle with creativity? In the first of this two-part series, we will look at what science and psychology have discovered about people who are creative. The good news is that they are habits that you can learn. Here are some exercises to help you with that.

Creativity is an elusive thing. It’s so easy to take a photo that is nothing more than a recording of what we see. However, research has discovered creative people’s common traits and behaviors and, with learning, practice, and exercise, we can become more creative with our photography.

1. Challenge Commonly Held Beliefs

I am a great believer that commonly held beliefs should be challenged. If we don’t challenge them, we don’t think for ourselves. Unless you live in an autocratic and oppressive society, thinking for yourself is generally considered a good thing. Challenging the world around us is an important aspect of creativity. Every human progression has resulted from people thinking differently.

Dean Keith Simonton, Distinguished Professor Emeritus of the Department of Psychology, University of California, found that the quality of creative ideas is directly related to quantity. In other words, the more ideas a creator generates, the higher the probability that they will eventually produce a masterpiece.

Those that think differently take risks and are not scared of failing. Failure is important because it means we will try repeatedly until we get it right. The more attempts we make, the more chance there is of creating something incredible.

Experimenting with different ways of photographing means you will probably make mistakes. If you expect that to happen, then it allows you not to let caution get in the way of your creativity.  

Creative Practice Exercise

Go out and take the photos that you usually shoot, but change everything about the way you do it. You could experiment with different camera positions and settings. Or, maybe, try a different lens that you would otherwise consider to be inappropriate for your subject or genre. You will be forced to approach your subject differently. Remember, if it fails, it doesn’t matter. But ask yourself, why did it fail? What are the good points? What could you do differently again?

2. Be Compassionate

Someone recently commented I was the most contentious writer at Fstoppers. I happily accepted that as a badge of honor. It meant that I was thinking differently. Moreover, writing is a form of art and if art doesn’t provoke an emotional response and debate, it becomes worthless.

However, in the comments of another article, someone referred to my response to that and said I had admitted to being a troll. That demonstrates a misunderstanding of what I said and what a troll is.

The Collins Dictionary says this about trolling:

If you troll someone, you deliberately try to upset them or start an argument with them, especially by posting offensive or unkind things on the internet.

The Oxford English Dictionary describes trolling as writing false or offensive messages on the internet to make other people angry. That is very different from offering up a point of view and challenging commonly held beliefs, especially about an inanimate object like a camera.

I’ve met hundreds of successful talented artists and musicians. The vast majority always challenge the status quo, but at the same time, are supportive of others. They exhibit compassionate behavior. That is the opposite of trolling. Compassion toward others is central to becoming creative. It is one form of sensitivity, a heightened awareness of the world around us and the people within it, something that is essential for creativity.

We’ve all met people who lack compassion and are forever trying to pick holes in others. I have yet to meet any of them that fall under the heading of talented creators. They seemed to have lost the art of conversation and debate and that it is okay to disagree with others’ opinions. Instead, they accuse anyone who has a different point of view of offending them. Absurdly, at the same time, they will not debate but abuse others and claim freedom of speech when their abusive words are challenged. Creative people are the opposite of that. They show respect for each other’s points of view and opinions, even if they disagree.

Creative Practice Exercise

Find some photography online from an unknown photographer that isn’t to your taste; you will find plenty on Instagram, Flickr, and in the galleries at Fstoppers. Ask yourself why that photo appeals to the photographer and not to you. Get in contact with the photographer and ask them to tell you about the photograph and what it means to them. Tell them you have difficulty understanding why they chose to shoot it that way, and ask them to explain. Learn to see it through their eyes.

3. The Subconscious Mind and Creativity

Although the story of Newton being hit on the head by an apple is a myth, his theory of gravity is said to have come to him by daydreaming and seeing an apple fall from a tree. J.K. Rowling’s Harry Potter books occurred to her when she was staring out of the window when stuck on a train. Mark Twain’s Tom Sawyer came to him in a daydream too, and Paul McCartney woke from sleep with the song Yesterday in his head. Einstein is said to have allowed his mind to wander, and he came up with his Theory of Relativity.

I think people are losing the ability to daydream. So, many people I know are continuously tied to their phones, watching YouTube videos, or listening to podcasts that they don’t allow their minds to drift.

As photographers, new projects or ideas of approaching how to carry out a photo shoot can occur to us in a daydream. An ongoing project of mine is about capturing the shape of birds’ movements using longer exposures. That idea first came to me some 10 years ago. One afternoon when I had a post-lunch nap. I had previously been thinking of the two genres of artistic photography I really enjoy: long-exposure seascapes and wildlife. Sitting in my office chair, with my head starting to nod, it suddenly occurred to me that I could use an ND filter and take longer exposures of the seabirds here to examine their shapes.

I’m sure others have also done this, but it’s something I still enjoy doing once in a while. It’s especially easy now there is the Live ND filter on my OM-1, so I don’t have to screw a filter in front of the lens. I’ve also started to add other creative techniques to the images.

Creative Practice Exercise

Next time you are trying to start a creative project, put aside some time to daydream. Keep a pen and paper to hand, and if anything comes to mind, jot it down. Daydreams can be as fleeting as those we have when we are asleep.

4. Turning Good and Bad Situations to Your Advantage

All of us have experienced loss or suffering at some point in our lives. Somehow, we find a way to grow past it, which changes us.

Suffering and loss make us re-examine our lives and think about what is important. That can be a great source of inspiration for creative thinking. Paradoxically, so can enormously happy events.

If you think of the greatest songs, poems, stories, and works of art, they are all built around emotionally charged human experiences, either good or bad. The same can be true of photography. Moments of intense feelings can motivate and inspire us to take photos. Here’s an example. I’ve recently had two major losses. One of the things that upset me was the meaningless platitudes uttered by others. “I’m sorry for your loss,” or “My thoughts and prayers are with you,” seemed crass clichés when uttered by people whom I believed couldn’t give a flying fruit bat. I’ve since taken that thought and it’s become a foundation of a personal photography project I am starting.

Creative Practice Exercise

Whether you are grieving or just met the love of your life, think about how that experience has made you notice things you didn’t before. Even if it’s painful and your life is turbulent, try to let the experience inspire you to start a short photographic project of twelve pictures.

5. Playing Imaginatively

As we become adults, we often forget to play. Children do it all the time and they are far more creative than we are. Our jobs and our responsibilities are serious. We are told we are grown up. So, it’s easy to believe that we adults have lost that ability to play.

Yet we still watch movies and read fiction, and enjoy experiencing the excitement, suspense, fright, love, and a myriad of other emotions that we feel when we do that. We put ourselves in the minds of the main characters and sympathize with them.

Even as adults, imaginative play brings joy, and that, in turn, sets our creative juices flowing. Being childlike in our imagination leads us to explore and discover new ways of doing things. We question why things are the way they are and consider different approaches. We imagine ourselves walking in the shoes of other people and thinking about how they would approach a subject.

Creative Practice Exercise

Imagine you are a character from your favorite work of fiction, as you might have done when you were a child. This could be anyone from Jane Bennet to James Bond. Think about how that character would approach your next photoshoot. I’m not suggesting you dress in clothing from the turn of the nineteenth century or a tux, nor that you should do this for a commercial shoot. Next, try a very different character. Would they do it differently?  

Let Me Know How You Get On

Those are just the first five traits that top creators have in common.

What do you do to increase your creativity? Have you tried any of these techniques before? Are you going to give any of them a go? Please let me know how you get on and whether you find your creativity improving.

The following article will look at five more attributes common to creatives, including the most important one of all.

In the Digital Age, Wedding Film Photography Has a Resurgence

In the Digital Age, Wedding Film Photography Has a Resurgence
image

Across the country, more couples are seeking out film photographers to shoot their weddings.

Taylor Dafoe and Alex Schulte’s relationship has always included film photography. It was the catalyst for their relationship: after leaving his rangefinder film camera at Ms. Schulte’s house during a party in 2015, Mr. Dafoe went back a few days later to pick it up. They ended up going on a first date that weekend.

It was also part of how they got engaged. In June 2022, Mr. Dafoe, now 32, who works as a news and features writer at the art marketing website Artnet, decorated the back yard of their home outside Troy, N.Y., with film photos he had taken during their relationship. He proposed by handing Ms. Schulte, now 32, who works in marketing at Donut, a workplace software company, the same film camera he had left at her house when they first met. The engagement ring came months later.

So when it came time for them to choose a photographer for their September 2023 wedding at June Farms in West Sand Lake, N.Y., it was no surprise that they opted for Autumn Jordan, who is based in Athens, N.Y., and often shoots weddings on film. “That was part of the appeal, for sure,” Mr. Dafoe said.

In recent years, more and more couples are seeking out photographers who can shoot film photos for their weddings. The look of the photos, often a bit softer and grainier than digital ones, and the slower, more analog process are appealing to many couples who are craving a nostalgic medium. This means that photographers and couples can’t look at the photos until they’ve been developed days or weeks after the wedding.

Ms. Schulte and Mr. Dafoe welcome the limitations of shooting a wedding on film. They shared that the process has even begun to influence how they think about their wedding day in general.

Anna Urban, a wedding photographer based in Edinburgh, Scotland, photographed a couple on a hill in Edinburgh using a Nikon F80 camera and Kodak Ultramax 400 film.Anna Urban Wedding Photography

“We were thinking about trying to do away with some of the preciousness that comes with weddings,” Mr. Dafoe said. Because of the restrictions of film, they would get fewer photographs in the end and have fewer opportunities to reshoot moments. “We want the event to kind of revel in its own ephemerality,” he said. “And choosing to shoot on film, that’s like a big part of that thinking — because of the material and financial limitations of film.”

Anna Urban, a wedding photographer based in Edinburgh, Scotland, has noticed an increase in couples seeking out film photographers over the past year. Though she still primarily uses digital cameras, in September 2022 she started offering film photography to her clients because of the rise in demand. She charges about 100 pounds per film roll, or around $125. About 5 percent of her wedding clients are choosing to add film to their wedding packages, she said.

“People are looking for something different,” Ms. Urban said.“The whole process is different. You don’t see the effect until you have them scanned, developed. It’s like part of the magic, waiting for the photos.”

Ms. Hampson shot this photo with a Pentax KM camera and Kodak Portra 400 film.Kate Hampson
Ms. Hampson caught a couple having an intimate moment under an arch using an Olympus Mju camera and Kodak Portra 400 film.Kate Hampson

Kate Hampson, a photographer based in London, began shooting entire weddings on film in May 2022 because it aligned more closely with her personal interests. Although she would typically bring her film camera to weddings, she spent the first few years of her wedding photography career shooting primarily in digital.

However, she was never completely happy with the results.

“I wasn’t getting inspired by digital,” Ms. Hampson said. “So eventually I started saying, Would you mind if I shoot maybe half film, half digital?” Before long, she made the jump to shooting exclusively with film. She typically brings a digital camera to weddings as a backup, but rarely uses it. One of the last times she shot a wedding with a digital camera, in June 2022, it happened to be 118 degrees outside and the camera shut off because of the heat, she said.

“Thank God for film,” Ms. Hampson said with a laugh.

Jen Huang Bogan, a wedding photographer in Montecito, Calif., shot this couple in St. Barts using a Contax 645 medium format camera and FUJICOLOR PRO 400H film.Jen Huang Bogan

Jen Huang Bogan, a wedding photographer in Montecito, Calif., said that the more weddings she shot, the more she began to realize that film was the medium she wanted to work in.

“It wasn’t until shooting weddings where I was like, OK, there’s a striking difference between digital and film,” Ms. Bogan said.“The look of film just vastly outperformed digital.”

Couples are typically drawn to her work, Ms. Bogan said, because they are looking for classic, timeless photos, which she feels film is best suited for because it tends to not look tied to a specific time period. She compares shooting in film to painting with oil: It’s the medium that she believes produces the best artistic photographs and gives couples the opportunity to slow down.

“It really works for weddings and portraiture because it is so natural and also so flattering,” she said.

“It’s very rare for me to see a digital image that moves me in the way that film does,” said Jillian Mitchell, a wedding photographer in San Francisco, Mexico. She photographed this couple using a modified Panoramic Holga camera and Kodak Tri-X film.Jillian Mitchell

Jillian Mitchell, a wedding photographer in San Francisco, Mexico, who works mainly in New York and Los Angeles, shoots a majority of her weddings on film. She started working as a wedding photographer in 2009, shooting entirely on digital cameras. She had used film in her personal work, though, and quickly found herself gravitating back toward the medium as she became more involved in wedding photography.

Although she now shoots primarily film photos, she doesn’t restrict herself. “I do think that digital has a place,” Ms. Mitchell said. She tends to pull out her digital camera when shooting in low-lit areas, like when she’s capturing candid moments on the dance floor. Even so, she said, “it’s very rare for me to see a digital image that moves me in the way that film does.”

There are some photographers who want to recreate the look of film photos in a digital format. One of them is Jose Villa, a wedding photographer in Solvang, Calif., who has shot exclusively on film for most of his 20-year career.

“Weddings are a living, breathing thing,” he said. He aims to capture photographs without interrupting the cadence of a wedding, which often means that he is photographing moments where he has less control than if he were photographing in a studio.

“We adjust to those situations, and also still keep our cool, and use the equipment that makes it so that we can do that,” he said. “Film can be a lot more forgiving.”

Jose Villa photographed Samira Wiley and Lauren Morelli using a Contax 645 film camera and Fuji 400H film.Jose Villa
“Weddings are a living, breathing thing,” said Mr. Villa, who shot this image on a Contax 645 camera and Ilford DELTA 3200 film.Jose Villa

Although he still loves shooting in film, over the past few years Mr. Villa has begun taking photos with digital cameras, especially as he works with celebrity clients who post pictures on social media just hours after a wedding.

“Film was really popular, you know, 20 years ago, and then it went away,” Mr. Villa said. “People were talking about it less when digital started becoming better.” Although he believes that some digital photos can be edited to recreate the look of film photos, he also welcomes the resurgence of film photography at weddings.

“I think that it is amazing for these photographers to continue to shoot with film,” he said, “and continue to keep it alive.”

A Blue Modern Cabin in the Mountains of the Czech Republic

A Blue Modern Cabin in the Mountains of the Czech Republic

The Wooden Cabin might resemble a traditional cottage form, but Markéta Cajthamlová designed this cabin with a modern aesthetic. Located on sloped land in the Jizera Mountains, the modern cabin with its unexpected blue exterior is surrounded by meadows and forests making for a perfect retreat all year long.

The rectangular structure is clad in dark blue clapboard and finished with a gabled roof and corner windows. The house is built with natural materials found locally, including wood, stone, and glass.

elevated view of modern blue cabin with hill behind

exterior of modern blue cabin

end view of exterior of modern blue cabin

The horizontal corner windows pop against the blue cladding with their white finish.

elevated corner exterior of modern blue cabin

corner view of exterior of modern blue cabin

A small outbuilding pops on the front of the house acting as the entryway and a place for storage.

closeup exterior of modern blue cabin

corner of exterior of modern blue cabin

end view of exterior of modern blue cabin

interior shot of room with pitched wood roof ceiling

Wood panels cover the walls and ceilings inside for an immediately cozy look. The expanses of wood are broken up by the windows which keep sight lines focused on the nature outside.

interior shot of room with pitched wood roof ceiling and bed

interior shot of room with pitched wood roof ceiling

interior view of modern wood hallway with green dresser and door

The interior layout is separated into thirds. The public living space includes the kitchen, dining room, and living room; the opposite side houses the bedroom which can accommodate up to four people; and the central space features the sauna and bathroom. The center part of the house allowed for a multipurpose attic space accessed via a staircase in the living room.

interior shot of modern living space with wooden pitched roof and modern furnishings

corner interior view of modern living space with pitched roof

corner interior view of modern living space with pitched roof

interior view of modern living space with pitched roof and staircase

closeup interior view of entrance to upstairs at top of staircase

interior angled view of modern space with slanted wood wall

person meditating in center of modern room with slanted wall with windows

end interior view of modern room with slanted walls

interior view down hallway looking into modern spa

modern bathroom interior

modern bathroom interior

Photography by Petr Polák.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

Africa Wildlife Photography Competition Winners On View In Palm Beach, FL

Africa Wildlife Photography Competition Winners On View In Palm Beach, FL

Images from the 2022 Benjamin Mkapa Wildlife Photography Awards plainly reveal animals’ extraordinary humanity. A gorilla’s wisdom. The gentleness of an elephant. The community of wildebeest.

That’s easy to see.

Beneath the surface of each picture, no less clear when looking close, man’s inhumanity reveals itself.

Wantonness. Cruelty. Exploitation.

All of these animals are in danger from the most reckless predator the planet has ever known: man.

Be it poaching, habitat destruction or a dozen other extractive and exploitative behaviors which have caused wildlife populations to collapse around the globe, it increasingly feels like a miracle any of these wonderous creatures remain. Enjoy the miraculous while you can in Africa and through the winning entries of the 2nd Annual Benjamin Mkapa African Wildlife Photography Awards which can be seen at The Society of the Four Arts in Palm Beach through June 4, 2023.

“When you look into the eyes of this beautiful silverback, you see a lot of yourself looking back,” Africa Wildlife Federation Senior Vice President Craig Sholley told Forbes.com of the grand prize-winning image (pictured below). “It represents an endangered species and a conservation success story. Mountain gorillas are the only great ape in the world whose population is increasing. This success story is a result of a four-decades effort orchestrated by non-governmental organizations like AWF in direct collaboration with the Rwandan government. The product of this work is one that benefits both wildlife and people.”

People and wildlife, connection, our shared fate comes through in another crowd pleaser from the competition, an animal keeper being caressed by an elephant’s trunk in an orphanage.

“This image portrays the importance of the work of Africans who have devoted their lives to the future of threatened wildlife,” Sholley said. “These are individuals who are passionate about conservation and in many cases put their lives on the line–protecting species from poachers and the illegal wildlife trade.”

The picture recalls one of the most famous and heartbreaking wildlife-human photographs ever taken, that of the last male white rhino with his keeper in 2018 moments before the animal died. An image not simply of death, but extinction. Forever death. They both know.

Africa comes to Palm Beach

Credit for bringing the exhibition from Nairobi, Kenya to Palm Beach goes to Wilber James, Trustee Emeritus of AWF and board member of The Society of the Four Arts, along with fellow AWF Trustee Payson Coleman. They approached Director of Programs at Four Arts Sofia Maduro about showing the photographs.

“Payson and I have been involved in African wildlife conservation for over 50 years and knew that a number of our friends in Palm Beach shared our enthusiasm for the preservation of the animals and habitat in Africa as well as the well-being of the people,” James told Forbes.com. “We felt that an exhibition of the Mkapa Awards at the Four Arts would be a powerful way to highlight the majesty of Africa’s animals and also educate the public about the challenges they face. Sofia was in complete agreement about the importance of the exhibition and felt that the Four Arts could also reach out to the schools in Palm Beach and West Palm Beach to invite students to tour the exhibition for a powerful learning experience.”

The competition was co-created by AWF and Nature’s Best Photography to celebrate AWF’s 60-year anniversary as the only African global conservation organization protecting wildlife and its ecosystems as an essential part of a modern and prosperous Africa.

“Craig Sholley and I are equally passionate about African wildlife and the creative skills our Mkapa Awards entrants have shared since its launch in 2021,” Steve Freligh, President and CEO of Nature’s Best Photography Fund, told Forbes.com. “These talented photographers, of all ages and backgrounds, are as interesting and diverse as the photographs they submit, delivering immediate and long-lasting impact that will motivate change.”

Forty-eight award-winning prints from the competition are on view.

“There are those photographs that immediately stop you in your tracks, but also ones where new perspectives are revealed as you examine their details,” Freligh said. “Each image shares an extraordinary moment in Africa, a single experience that may be enjoyed personally as well as collectively.”

The winning images were selected from over 9,500 entries representing 57 countries, chosen by a panel of judges including accomplished wildlife photographers, leading conservation professionals, highly regarded safari guides, and youth conservation activists.

“Through the art of photography and video, the primary goal was to attract, inspire, and involve photographers from Africa and around the world at all levels of camera experience so that they may share stories from the field and encourage new advocates for conservation change,” Sholley said. “Effectively, AWF wanted to ‘Bring Africa to the World, and the World to Africa.’”

Benjamin Mkapa

H.E. Benjamin Mkapa (1938–2020) was president of Tanzania in east Africa, south of Kenya bordering the Indian Ocean, from 1995 to 2005. The astounding “Great Migration” begins in Tanzania.

More than a million wildebeest along with hundreds of thousands of zebra, topi and other gazelle start their annual journey in the Serengeti National Park creating the largest herd movement of animals on the planet. Over the course of the year, the animals move north and clockwise, up into Kenya and the Masai Mara National Reserve, back down through the Serengeti and then to Ngorongoro Conservation Area, famed for the Ngorongoro Crater.

“Mkapa began his career as a journalist, understanding the importance of educating the public on important conservation topics,” Sholly explains. “Today, Mkapa’s name remains widely respected for his legacy of principled leadership and protecting Africa’s wild heritage.”

As one example, during his time on AWF’s Board of Trustees, Mkapa played a critical role in the establishment of Manyara Ranch Conservancy in northern Tanzania, an important 45,000-acre wildlife corridor connecting several of the country’s national parks.

Throughout much of the 20th century, visitors to Africa went primarily to shoot animals, not pictures. Limited legal hunting on the continent persists, in part due to the United States’ continued allowance of trophy hunters to import animals killed in Africa.

Fortunately, photographic safaris have mostly replaced their bloodthirsty predecessors.

“During the launch of the Four Arts exhibition, attendees posed many questions about ‘organizing their first or next safari’ and how to get involved in helping to secure the future of the wildlife and wilderness areas they saw represented in the photos of the competition,” Sholley said. “My greatest thrill has been watching people’s reactions as they view the exhibition images for the first time. When the subject matter revolves around Africa’s iconic wildlife and remote wilderness areas, the impact is clear and visible.”

Africa: Closer than you Think

Americans, by and large, are daunted by the idea of travel to Africa. Many even frequent, life-long, world travelers from the States have never seen southern Africa with their own eyes. Never spent a morning game drive 10-feet from a feeding pride of lions. Never stared eye-to-eye with a cape buffalo.

Too far. Too expensive.

Once in a lifetime.

That needn’t be the case.

While there are undeniably super-expensive and difficult to reach locales and experiences such as the water safaris around the Okavango Delta in Botswana or gorilla trekking in Rwanda or Uganda, visiting Kruger National Park or Greater Kruger in South Africa via flight to Johannesburg and car or bus to the wildlife can accommodate many non-luxe budgets.

Kenya safaris and Tanzania safaris are good middle-ground choices with a non-stop flight from JFK airport in New York direct to Nairobi now an option, shortening travel time to east Africa dramatically.

Africa, particularly when traveling from the eastern half of the U.S., proves no more arduous to reach or expensive to enjoy than Hawai’i, Australia, Asia or India–oftentimes less so. And the rewards are unmatched.

As wonderful as the pictures are, they don’t compare to real thing.

The Eames x Gelato Pique 2023 Collection Embodies Soft Modernism

The Eames x Gelato Pique 2023 Collection Embodies Soft Modernism

Charles and Ray Eames lived by the belief a designer’s most vital function was identifying then solving the needs of others. This ethos was evident throughout their creative lives, most notable in the creation of affordable, yet high-quality designs for the average consumer that live on today as the pinnacle of “good design.” While fashion was not a category of design the Eames were typically associated with, their own choice in relaxed and comfortable clothing should be considered a carefully considered aesthetic. Taking this aspect of their lives into consideration, it may explain why the Eames Office, a foundation charged with the legacy of the legendary design partnership, has permitted Japanese label Gelato Pique to unveil a limited-edition collection of sumptuously soft loungewear adorned with its namesake.

Composed of a colorful and patterned 19-piece collection directly pulled from the Eames’ treasure trove of design, the Japanese fashion brand’s approach was to realize the Eames’ ethos that the best design “should take their pleasure seriously.” And Gelato Pique has done so with an almost unbelievably airy and downy collection of graphical loungewear tops and bottoms made from a fluffy-knit recycled polyester fabric known as Airy Moco.

girl sitting slouched in black chair in pale grey lounge suit with eames written on it

man standing with hand on chair in a checkered lounge suit on orange background

The 2023 collection is actually the third in a series of collaborations between the Eames legacy and Japanese brand, this latest drawing heavily upon the iconic pair’s House of Cards toy and the mid-century defining Dot Pattern graphic.

man sitting slouched on a white chair with an eames tshirt on with checkered pants on green background

person standing with checkered lounge suit on green backgroun

woman standing with hand in hair wearing white sweater with eames and checkers

person sitting looking to side with white eames shirt on

Ray Eames once noted, “What works is better than what looks good. The looks good can change, but what works, works.” Fortunately for the Eames x Pique Gelato collection, looks and comfort do indeed work.

The Eames Meets Gelato Pique collection ranges from $62-$183, available at gelatopique.us.

This post contains affiliate links, so if you make a purchase from an affiliate link, we earn a commission. Thanks for supporting Design Milk!

Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Check out all these amazing events happening at the Crazy Horse Memorial this summer

Check out all these amazing events happening at the Crazy Horse Memorial this summer
image

The first Artist in Residence of the 2023 summer Cultural Programs season at Crazy Horse Memorial® began work on May 1. The May Artist in Residence, Iris Sully, a Sicangu Lakota wood carver and bead worker, is the first culture bearer in a line-up of over 100 artists scheduled to be at the Memorial from May until October. There will be five artists in residence during the summer, one during each month. Weekly Artist’s Talks will take place most Wednesday’s at 12:30.

Daily Performances at the Memorial will begin on May 25 and continue until September 30 with performances each day at 11:30, 1:30, and 4:30 on the Veranda Stage. Special evening performances will take place on select dates that include June 26 and September 6.

Living Treasures, a program that has culture bearers teach an art form to visitors, will take place during select weeks throughout the summer and will begin on May 29 with Métis Finger Weaving. Living Treasures takes place from 10:00-6:00 each day of the select week and reservations are not required. 

Mahkoche Kin, a program in which visitors walk through the woods surrounding the Crazy Horse Memorial® visitor center, will take place on the second and fourth Friday of May, June, July, August, and September. Walks will take place at 10:00 and 2:00 but day-of pre-registration is required and takes place within the Welcome Center. 

The 33rd Annual Gift From Mother Earth Art Show and Sale will take place on Father’s Day weekend in which there will be over 20 Native and non-Native artists exhibiting and selling their artwork within the galleries of The Indian Museum of North America®.

Finally, the Talking Circle Speaker Series will host 4 different presenters who specialize on a variety of topics at 6:30 on select Thursdays in June and July.

A full list of Cultural Programs and other special events can be found at

https://crazyhorsememorial.org/visit/special-events/.

‘A World History of Women Photographers’ Unearths Hundreds of Images that Enrich the Canon

‘A World History of Women Photographers’ Unearths Hundreds of Images that Enrich the Canon

Graciela Iturbide, Our Lady of the Iguanas, Juchitán de Zaragoza, Oaxaca, Mexico, 1979. Image © Graciela Iturbide. All images courtesy of Thames & Hudson, shared with permission

Photography is often touted as one of the most accessible and democratic mediums, making it a prime choice for those with little institutional support or access to funding. A new book edited by Luce Lebart and Marie Robert and published by Thames & Hudson explores the work of more than 300 women, many of whom were underrecognized during their lifetimes, and all of whose practices centered around the camera.

Recently translated from French by Ruth Taylor and Bethany Wright, the hefty A World History of Women Photographers is a corrective encyclopedia highlighting those with outsized impacts on the medium. The 504-page book pairs hundreds of images with text by an international roster of 160 women writers, granting similar space to each photographer and unearthing a chronically undervalued group. “With this collection of artists, it is not so much a matter of producing a counter-narrative or of deconstructing histories that already exist but of completing them. We have no desire to burn idols or topple statues, only to erect new ones, and to create a narrative that is richer and more fair,” the editors write in the introduction. “In other words, there is an urgent need to write another history, and to write it differently.”

 

A woman and two dogs stand at the top of a pink outdoor staircase

Pamela Singh, Tantric Self-Portrait in Jaipur #18, c. 2000–2001. Image © Pamela Singh, courtesy of the artist and sepiaEYE, New York

Included in the chronologically organized text that spans from 1850 to today are luminaries like Carrie Mae Weems and Zanelle Muholi (previously), in addition to those who have only recently come into public view. The Argentine photographer Josefina Oliver (b. 1875) was largely unknown until her great-niece unearthed her archives in 2006, for example, and that same year, Karimeh Abbud (b. 1863), the first woman to establish a studio in Palestine in the early 20th century, was recognized for her distinct portraiture style in the first major exhibition of her work. “This ‘world tour’ enables us to re-evaluate some women who were celebrated and acknowledged in their own time, to remember others now unjustly forgotten, and to discover others whose work was never exhibited or discussed during their lifetime,” the editors say.

A World History of Women Photographers, created as part of the Rencontres d’Arles and Kering’s Women in Motion project, is currently available on Bookshop. (via Hyperallergic)

 

A leaf sprouts form a spindly root with several offshoots

Anna Atkins, Alaria esculenta, from Photographs of British Algae: Cyanotype Impressions, 1849–1850. Image © The New York Public Library 

A shirtless man and a woman embrace

Sandra Eleta, Putulungo and Alma, Portobelo couple, 1977. Image © Sandra Eleta. Courtesy Galerie Rouge, Paris

three women on the bank of a body of water, one seated and two standing

Sigriður Zoëga, Women on the Banks of the Lake, 1915. Image © The National Museum of Iceland, Reykjavik

A woman stands in front of the remaining rubble of a building, her dress blowing in the wind

Isabel Muñoz, Untitled, from the series ‘Bam,’ 2005. Image © Isabel Muñoz

A man and son sit at a dining table filled with empty plates and two serving dishes

Rita Ostrovska, My husband Alik with our son Sasha, Bila Tserkva, Ukraine, 1988. Image © Rita Ostrovska

A person glowing with light walks across rubble

Victoria Ivleva, Dosimetrist Yuri Kobsar climbs radioactive debris inside the fourth reactor at the Chernobyl nuclear power plant, 1991. Image © Victoria Ivleva

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