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Panasonic LUMIX G95: Elevate Your Photography

Panasonic LUMIX G95: Elevate Your Photography

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The Panasonic LUMIX G95 bundle might be worth considering if you are searching for a top-notch camera for photography and videography. This bundle comes with a camera, lens, microphone, and backpack, and offers many features that can elevate your photography and videography experience.

I recently purchased the Panasonic G95 bundle, and I am quite impressed with its performance. The camera is easy to use and produces high-quality images and videos. The microphone that comes with the bundle is a great addition, as it helps to capture clear audio during video recordings. The photo and video backpack are also very useful for carrying the camera and its accessories.

One thing that I particularly like about this camera is its 4K V-LOG L video feature. It allows me to capture high-quality videos with log characteristics and 12 stops of dynamic range, making it easier to edit and produce professional-looking videos. Moreover, the 4:2:2 HDMI output feature allows me to connect the camera to an external monitor while recording a video, which is very useful for monitoring the footage.

Bundle Includes Everything You Need

Panasonic LUMIX G95

Credit – Amazon.com

This camera model is the Panasonic LUMIX G95 20.3MP Mirrorless Camera bundle includes everything you need to start capturing high-quality photos and videos. The bundle includes the camera body, a 12-60mm F3.5-5.6 MFT lens, a lightweight on-camera microphone, and a photo and video backpack. This means you can start shooting right away and have all the equipment you need to do so.The camera also features a four-thirds sensor, which is a 20.3-megapixel Digital Live MOS Sensor without a low-pass filter. This sensor attains maximum performance with a maximum sensitivity of ISO 25600. With this kind of performance, you can capture high-quality images and videos in any lighting condition.

Panasonic LUMIX G95: Exceptional Video Capabilities

Panasonic LUMIX G95

Credit – Amazon.com

You can find the Panasonic LUMIX G95 20 in stores.3MP Mirrorless Camera is also exceptional when it comes to video capabilities. It can capture 4K 24/30p video with pre-installed V-Log L, which offers exceptional flexibility in post-production. With log characteristics and 12 stops of dynamic range, you can make footage look exactly how you want it in post.The camera also features a 4:2:2 HDMI output, which allows for real-time image output to an optional external monitor in 4:2:2 / 8-bit via an optional micro HDMI cable simultaneously while recording video. This makes it easier to monitor your footage as you shoot and make any necessary adjustments on the fly.

Panasonic LUMIX G95: High-Quality Viewfinder

Panasonic LUMIX G95

Credit – Amazon.com

Reviews of the Panasonic LUMIX G95 20 have been positive.3MP Mirrorless Camera also features an OLED Live View viewfinder. This viewfinder offers a high-quality view of your subject, making it easier to frame and focus your shots. The viewfinder is also adjustable, so you can find the perfect angle for your shooting style.With the viewfinder, you can get a clear, detailed view of your subject in any lighting condition. This makes it easier to get the shot you want and ensures that your photos and videos come out looking great.

Panasonic LUMIX G95: Exceptional Picture Quality

Panasonic LUMIX G95

Credit – Amazon.com

If you’re concerned about picture quality, the Panasonic LUMIX G95 20 is worth considering.3MP Mirrorless Camera is exceptional. It has been ranked 5.0 out of 5.0 for picture quality. This is thanks to the camera’s four-thirds sensor, which offers maximum performance with a maximum sensitivity of ISO 25600.The camera also features image stabilization, which has been ranked 4.3 out of 5.0. This helps to ensure that your photos and videos come out looking sharp and clear, even when shooting in low-light conditions or with a shaky hand.

Great for Documentary Filmmaking

Panasonic LUMIX G95

Credit – Amazon.com

Features of the Panasonic LUMIX G95 20 include..3MP Mirrorless Camera is a great choice for documentary filmmaking. It has been reviewed by a professional documentary filmmaker who said it is their go-to camera now. The camera’s exceptional video capabilities, including 4K 24/30p video capture and pre-installed V-Log L, make it easy to capture high-quality footage.The camera also comes with a lightweight on-camera microphone, which is great for capturing audio in the field. Plus, the photo and video backpack makes it easy to carry all your equipment with you wherever you go. Overall, the Panasonic LUMIX G95 20.3MP Mirrorless Camera is a great choice for anyone looking to capture high-quality photos and videos.

Pros:

  • The Panasonic Lumix G95 offers exceptional picture quality, with a 20.3-megapixel Digital Live MOS Sensor without a low-pass filter.
  • This camera bundle comes with a lightweight on-camera microphone, perfect for capturing high-quality audio during video shoots.
  • The Panasonic Lumix G95 offers real-time image output to an optional external monitor in 4:2:2 / 8-bit via an optional micro HDMI cable simultaneously while recording video.

Cons:

  • The Lumix box had been opened, which may indicate that the camera was previously used or returned.
  • The auto-focus feature of the Panasonic Lumix G95 is ranked 4.3 out of 5, which might not be as impressive as other cameras in the same price range.
  • The maximum ISO sensitivity of the Panasonic Lumix G95 is 25600, which might not be enough for low light situations.

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Conclusion

Overall, I am very satisfied with my purchase of the Panasonic G95 bundle. It offers many useful features, and the bundle includes everything that I need to get started with photography and videography. The price is also reasonable, considering the quality of the camera and its accessories. If you are looking for a reliable camera that can produce high-quality images and videos, then the Panasonic G95 bundle is definitely worth considering.

Questions & Answers:

Question: Can the Panasonic Lumix G95 shoot 4K video?

Answer: Yes, the Panasonic Lumix G95 can shoot 4K video at 24/30p.

Question: Does the camera bundle come with a backpack?

Answer: Yes, the bundle includes a photo and video backpack.

Question: Is the Panasonic Lumix G95 a good camera for professional filmmakers?

Answer: Yes, the Panasonic Lumix G95 is a great camera for professional filmmakers, especially those looking for a budget-friendly option with features like real-time image output and the ability to shoot in Cine V Log.

‘California Stars: Huivanius Pütsiv’ highlights landmark First California artists

‘California Stars: Huivanius Pütsiv’ highlights landmark First California artists
“Dao Lulelek (Fire Dancers),” Judith Lowry (Hammawi Band Pit River/Mountain Maidu/Washoe/Scottish/Irish/Australian), 2012, acrylic on canvas. (Courtesy of Judith Lowry)

The sheen of these California stars have burnished the Native American contemporary art field for decades.

“California Stars: Huivanius Pütsiv” highlights those landmark First California artists at Santa Fe’s Wheelwright Museum of the American Indian through Jan. 14, 2024. The show features artists working in fashion, photography, painting, mixed-media, sculpture, jewelry, video, printmaking and more.

The featured artists include Fritz Scholder, Harry Fonseca, Jamie Okuma, Judith Lowry, Cara Romero, Liz Wallace and Rick Bartow.

Jamie Okuma (Luiseño/Shoshone-Bannock) began beading powwow dresses at the age of 5.

“In our culture, in order to have an outfit, you needed beadwork,” she said in a telephone interview from the La Jolla Indian Reservation north of San Diego.

Her mother was a graphic designer; her grandmother was a painter.

“The Shoshone-Bannock people are known for their beadwork,” she said. “It’s in my DNA.”

Today Okuma creates one-of-a-kind pieces by hand. She has been a professional artist since she was 18. Exhibiting her work at the Heard Indian Art Market in Phoenix and at the Santa Fe Indian Market, she has won seven best-in-show awards.

Okuma is self-taught, gleaning pointers from YouTube videos. When she was younger, she wanted to be a costume designer, but the school she applied to rejected her for her lack of experience.

“They didn’t know what they were looking at, so I just started creating,” she said. “I had success right out of the gate.”

“Deer Magic,” Rick Bartow (Mad River band of the Wiyot Tribe), 2013, 74×96 inches, acrylic and graphite on canvas. (Courtesy of the Tia Collection, Santa Fe, Photography courtesy of Froelick Gallery, Portland, Oregon)

Okuma’s silk jacket dangling parfleche leggings ensemble is a nod to hide clothing.

“It may not seem Native, but the aesthetics are there in the cut,” she said. “The top is loosely based on what a hide looks like with the long legs.”

Okuma turns Native aesthetics into contemporary fashion. Her work has been shown in Germany, Australia and France, and hangs in museums throughout the U.S., including New York’s Metropolitan Museum of Art, the Denver Art Museum and the Smithsonian’s National Museum of the American Indian.

Painter Judith Lowry (Hammawi Band Pit River/Mountain Maidu/Washoe/Scottish/Irish/Australian) won her first competition at the age of six for a drawing of a “Lord of the Rings”-meets-“Fantasia” world of vibrant creatures.

She began her adult career as a photographer, later earning a master’s degree in painting while raising a family. Many of her early works reflect the Maidu/Pit River creation stories told by her father. Lowry considers her work a modern extension of the tradition of storytelling.

“Dao Lulelek (Fire Dancers)” reflects a story told to Native children to keep them from getting lost in the woods. It also reflects the fire danger looming across both California and the Southwest.

The parents said, “Don’t go into the forest or these little guys will throw fire at you,” Lowry said in a telephone interview from Nevada City, California. “It was to keep them from wandering into places they shouldn’t go.”

The regalia in the 4-by-5-foot acrylic painting reflects northern California tribes, flicker bird feathers flaming from their eyes.

Lowry was visiting Lake Tahoe with her Australian cousins when the Caldor Fire broke out in 2021, scorching approximately 221,835 acres, including National Forest lands.

California Stars
“Untitled (Silk Jacket and Parfleche Leggings),” Jamie Okuma (Luiseño/Shoshone-Bannock), 2022, silk, cotton lining and polyester. (Courtesy of the Wheelwright Museum of the American Indian)

“We thought of Lake Tahoe as a rich people’s playground,” she said. “They burned to the ground. My cousins were just astonished. Where I live now is right in the forest, so it’s very dangerous.”

The Wheelwright has long championed California artists, dating as far back as tribal baskets collected when the museum opened in 1937, curator Andrea Hanley said. Many have exhibited California-to-New Mexico ties.

Although he was originally from California, Harry Fonseca lived in Santa Fe for years.

“He was featured in so many exhibits here,” Hanley said.

Fritz Scholder, known for his expressionist paintings hanging in museums across the globe, taught at the Institute of American Indian Arts.

“We were one of the first places to give him a solo exhibition in 1977,” Hanley said.

“These First California artists were inspired by personal expression, tradition and the complexity of everyday life,” she said. “They talk about issues of encroachment of their land, ideas around social justice. It’s a location of diverse tribal communities, but there’s been an impact of extractive colonialism; westward expansion and the gold rush.”

“It’s an ever-present constellation,” Hanley said. “These artists have guided us into a deeper level of complex issues.”

Photographer Manuel Carrillo transforms ordinary moments into expressions of quiet eloquence

Photographer Manuel Carrillo transforms ordinary moments into expressions of quiet eloquence
“Untitled (vendor and shadows, Mexico City),” Manuel Carrillo. (Courtesy of the New Mexico Museum of Art)

Combining street photography with the tenets of modernism, photographer Manuel Carrillo (1906-1989) portrayed his native Mexico from the perspective of an affectionate observer, transforming ordinary moments into expressions of quiet eloquence. “Manuel Carrillo: Mexican Modernist” is on view at the New Mexico Museum of Art, through Feb. 4, 2024. Curated by Katherine Ware, the show highlights 19 of his works, drawn primarily from the museum’s collection.

Carrillo turned to the camera late in life, joining the Club Fotográfico de México (Photographic Club of Mexico) at the age of 49. He quickly found his voice by making images of everyday life throughout Mexico, celebrating local culture and the human spirit. His work is an extension of Mexicanidad, a movement begun in the 1920s to forge a Mexican national identity free of foreign influence. Stylistically, Carrillo was largely inspired by a mix of Mexican artists who trained abroad, and international artists who converged on Mexico during that fertile period.

“Carrillo’s skill as a photographer relies on his ability to transform the seemingly mundane into something visually and emotionally engaging,” said Mark White, the museum’s executive director. “Through unexpected juxtapositions and unusual camera angles, he encourages us to take a second look at daily life in Mexico. At the risk of stating the obvious, there’s a lot of heart in Carrillo’s work.”

“Untitled (woman and child from above, Mexico City),” Manuel Carrillo. (Courtesy of the New Mexico Museum of Art)

The artist’s interest in Indigenous cultures and his use of bright sunlight to create compositions with dramatic shadows and bold geometric forms aligns with modernist aesthetics, while his practice of finding a picture by wandering cities and towns across Mexico is more aligned with the tradition of street photography.

Unlike some of his predecessors, particularly those from abroad, Carrillo captures events of the ordinary world without idealizing or aestheticizing, showing instead his empathy for working people and lives lived in harmony with nature.

Augmenting the exhibition are photographs on loan from two private collections, one a promised gift to the museum. “Manuel Carrillo: Mexican Modernist” is on view through Feb. 4, 2024.

Having a goal in mind can improve photography outcomes

Having a goal in mind can improve photography outcomes

JavaScript is used in a variety of ways to improve your browsing experience, such as validating and executing form submissions and allowing interactive content. Below, we have provided simple instructions for enabling JavaScript in the most popular web browsers. To determine your browser version, click on Help in the menu bar of your browser and then select About.

Once you have enabled Javascript on your browser, click here to return to union-bulletin-com.newyork1.cms.townnews-staging.com.

The following instructions describe how to enable JavaScript for:

Internet Explorer, Firefox, Netscape, Opera, Safari, Chrome, Mozilla and AOL browsers.


Internet Explorer 5 and above

  1. Select Internet Options from the Tools menu.
  2. In Internet Options dialog box select the Security tab.
  3. Select the earth(Internet) icon.
  4. Click the Custom Level… button. The Security Settings dialog box will pop up.
  5. Under Active Scripting category select Enable.
  6. Click OK twice to close out.
  7. Finally, Refresh your browser.

Internet Explorer 5.X for Mac OS X

  1. Select Preferences from the Explorer menu.
  2. Click the arrow next to Web Browser.
  3. Click Web Content.
  4. Under Active Content check Enable Scripting.
  5. Click OK.
  6. Finally, Refresh your browser.

Internet Explorer 5 for Mac OS 9

  1. Select Preferences from the Edit menu.
  2. Click the arrow next to Web Browser.
  3. Click Web Content.
  4. Under Active Content check Enable Scripting.
  5. Click OK.
  6. Finally, Refresh your browser.

Internet Explorer 4.X

  1. Select Internet Options from the View menu.
  2. Click the Security tab.
  3. Click Custom.
  4. Click Settings.
  5. Scroll down to locate Scripting.
  6. Click Enable for Active Scripting.
  7. Click OK.
  8. Finally, Refresh your browser.

Firefox (Windows)

  1. Select Options from the Tools menu.
  2. Click the Content icon/tab at the top of the window.
  3. Check Enable JavaScript.
  4. Click OK.
  5. Finally, Refresh your browser.

Firefox (MAC)

  1. Select the Firefox menu item from the Apple/System bar at the top of the screen.
  2. From the drop-down menu, select Preferences…
  3. Select the Security icon/tab at the top of the window.
  4. Check the Enable Javascript checkbox under the Web Content category.
  5. Close the Options window to save your changes.
  6. Finally, Refresh your browser.

Netscape 7.X

  1. Select Preferences from the Edit menu.
  2. Click the arrow next to Advanced.
  3. Click Scripts & Plugins.
  4. Check Navigator beneath “Enable Javascript for”.
  5. Click OK.
  6. Finally, Refresh your browser.

Netscape 6.X

  1. Select Preferences from the Edit menu.
  2. Click Advanced
  3. Check Enable JavaScript for Navigator
  4. Click OK.
  5. Finally, Refresh your browser.

Netscape 4.X

  1. Select Preferences from the Edit menu.
  2. Click Advanced.
  3. Check Enable JavaScript
  4. Check Enable style sheets
  5. Click OK.
  6. Finally, Refresh your browser.

Netscape 4.X for Mac OS 9

  1. Select Preferences from the Edit menu.
  2. Click Advanced.
  3. Check Enable JavaScript
  4. Click OK.
  5. Finally, Refresh your browser.

Opera (Windows)

  1. In the Tools drop-down menu at the top of the window, select Preferences…
  2. Select the Advanced tab at the top on the Preferences window.
  3. Find the Content item in the list on the left-side of the window and select it.
  4. Check the Enable JavaScript checkbox.
  5. Click OK to save your changes and close the Preferences window.
  6. Finally, Refresh your browser.

Opera (MAC)

  1. Select the Safari menu item from the Apple/System bar at the top of the screen.
  2. From the drop-down menu, select Preferences.
  3. Select the Content icon/tab at the top of the Preferences window.
  4. Check the Enable JavaScript checkbox.
  5. Click OK to save your changes and close the Preferences window.
  6. Finally, Refresh your browser.

Safari (MAC)

  1. Select the Safari menu item from the Apple/System bar at the top of the screen.
  2. From the drop-down menu, select Preferences.
  3. Click Security icon/tab at the top of the window.
  4. Check the Enable JavaScript checkbox.
  5. Close the window to save your changes.
  6. Finally, Refresh your browser.

Safari (Windows)

  1. In the Edit drop-down menu at the top of the window, select Preferences…
  2. Select the Security icon/tab at the top on the window.
  3. Check the Enable Javascript checkbox.
  4. Close the window to save your changes.
  5. Finally, Refresh your browser.

Chrome (Windows)

  1. Select Customize and control Google Chrome (wrench Icon) to the right of the address bar.
  2. From the drop-down menu, select Options.
  3. Select the Under the Hood tab at the top of the window.
  4. Under the Privacy heading, select the Content settings button.
  5. On the left, under the features heading, select JavaScript.
  6. Select the Allow all sites to run JavaScript radio button.
  7. Finally, close both preference windows, and refresh the browser.

Chrome (MAC)

  1. Select the Chrome menu item from the Apple/System bar at the top of the screen.
  2. From the drop-down menu, select Options.
  3. Select the Under the Hood tab at the top of the window.
  4. Under the Privacy heading, select the Content settings button.
  5. On the left, under the features heading, select JavaScript.
  6. Select the Allow all sites to run JavaScript radio button.
  7. Finally, close both preference windows, and refresh the browser.

Mozilla 1.X

  1. Select Preferences from the Edit menu.
  2. Click the arrow next to Advanced.
  3. Click Scripts & Plugins.
  4. Check Navigator beneath “Enable Javascript for”.
  5. Click OK.
  6. Finally, Refresh your browser.

AOL 7.0 and above

  1. Select Preferences from the Settings menu.
  2. Click Internet Properties (WWW) under Organization.
  3. Click the Security tab.
  4. Check the Custom Level button.
  5. Scroll down to locate Scripting.
  6. For Active Scripting click Enable.
  7. Click OK, and then OK again to close all dialogs.
  8. Close the Preferences window, and then Reload the page.

IAFA opens exhibition on Int’l Sculpture Day

IAFA opens exhibition on Int’l Sculpture Day
The Indian Academy of Fine Arts is celebrating its centenary this year. In a series of programme to mark the occasion and to observe International Sculpture Day, the IAFA on Saturday inaugurated a sculpture exhibition. Featuring artists from the region, the group show had 18 sculptures displayed, ba

The big picture: Syd Shelton meets the kids of pre-gentrification south Dublin

The big picture: Syd Shelton meets the kids of pre-gentrification south Dublin
image

In 1985, Syd Shelton recalls, children on bikes still ruled the streets; there weren’t so many cars, and kids didn’t have phones to stare at. He took this picture in Dublin, near the docks. He was in the city preparing a photographic project called Ireland: A Week in the Life of a Nation. Fifty photographers, some famous, such as William Klein, were due to arrive to capture the country in pictures. In the meantime, Shelton had some time to wander. He thinks of this picture as a street portrait rather than something entirely spontaneous: “I was using flash and a tripod and the image was very much a conversation between me and the kids.”

The street with the gasometers was in Ringsend, on the south bank of the Liffey. At the time it was entirely a residential area – some of the houses were built by William Beckett, Samuel’s grandfather, in the 1880s. Many of them have now been demolished. Ringsend is the home of Google’s European HQ, and the gasometer has been redeveloped as luxury apartments. Shelton has another photograph from that afternoon in 1985. “I got the kids on bikes to gather their mates,” he says, “and I took a picture of 40 of them, with the gasometer behind.”

This picture is included in a group exhibition at the Atlas Gallery in London called Seen Not Heard, devoted to the idea of childhood, with a percentage of the sale price for each print sold donated to Save the Children. For Shelton, it represents something of a lost world, and not only because the streets themselves no longer exist. “The fact is,” he says, “you can’t take pictures of children any more. I was doing a story on London Road in Brighton a few years ago and took a picture of some children queueing for an ice-cream. Two minutes later, two police cars screeched to a halt at the kerb. Someone had called 999.”

Photography thrives heavily on customer’s engagement, satisfaction —Elvis Ugo

Photography thrives heavily on customer’s engagement, satisfaction —Elvis Ugo

Elvis Ugo is a professional photographer and videographer who uses his camera to create memories in his community. In this interview by KINGSLEY ALUMONA, he speaks about his work and the impact he is making with it.

Did you study photography and when did you start your photography/videography career?

No. I studied Economics at the University of Port Harcourt. I started when I was in junior secondary school. My cousin, who was a photographer, introduced me to it. One day, he asked me to accompany him to a beach party to assist him to write the names of his customers and to collect money too while he focused on taking the pictures.

Unfortunately, my parents didn’t like the idea because I was too young to be exposed to such an environment. I had to plead with my parents to allow me to go; luckily, they agreed. I followed my cousin and did the job well. That was how I started serving him. I was his errand boy for four years. He taught me most of the things in photography.

 

How would you describe the socio-economic benefits of photography/videography in your town in Yenagoa, Bayelsa State?

The benefits are many, but I’ll mention a few. Photography, in Bayelsa and in other places, helps to build the confidence and self-esteem of people, especially females, as we bring out the beauty in them through high-quality, professional photos.

We help to keep memories alive through photography. We’ve helped to reconcile broken relationships through birthday shoots, and also helped to increase sales for businesses through ‘product photography.’

Photography has given most of our youths a sense of direction as they embrace the art, thereby impactingthe crime rate. With photography, most of us have been able to put a roof over our heads, put food on our tables, pay our bills without stress, and even get married.

Personally, photography has increased my contacts and connections with the high and mighty.

 

Would you consider yourself paparazzi?

I used to be a paparazzi photographer, but not anymore. I now run a corporate photography company called Studio10 Photography.

Do you have clients in politics and entertainment?

There is no sector, especially in Bayelsa, where you will not find my clients. In the political sector, I’ve worked for the likes of former President Goodluck Jonathan and his wife; Hon. Waripamowei Dudafa; Hon. Gesiye Isowo, among others. I’ve worked for my governor, Senator Douye Diri. In fact, I’ve worked for almost all the governor’s top officials in Bayelsa.

Outside Baylesa, I’ve worked for the former governor of Delta State, Dr Emmanuel Oduaghan. I’ve also worked for senators, House of Representatives members, and business executives too many to mention.

Which social events attract the most customers to you?

Weddings, political events, family or official portraits, and birthday shoots. The events vary, and clients differ. It depends on who’s bringing the jobs. We’ve our standard pricing, but we’re flexible to meet every client at their level. Also, prices vary depending on what the clients want, but we offer the best affordable price with high quality. However, political and wedding events cost more than birthday projects and the rest.

 

These days, most people use their phones to snap/take photographs and some even edit the photos with them. What do you do differently that still attracts customers to your business?

That’s very true. But no matter the level of phone you buy, it can’t be compared to what we produce. We’re professionals in this industry, so we give a professional touch. Good photography requires a lot of skills and creativity − having a good phone or camera is one thing, and knowing how and what to do with it is another thing.

With innovations, advances in technology and selfie photography, do you think the future is bright for people doing professional photography? 

The future is brighter than ever. Selfies, phone cameras, and all that are tools for more awareness about my job and not a threat. It becomes a threat when you don’t think out of the box. Training and retraining myself and the staff is key. The business of photography goes beyond just knowing how to snap. It entails managerial skills, social skills, networking, and much more.

What are the major challenges you face as a photographer/videographer?

Finance! I have a lot of ideas to promote this industry, but it all boils down to funds. Photography gadgets are very expensive. Awareness/mindset of some clients and up-and-coming photographers − in fact, most of them approach the business with an I-don’t-care attitude.

Another challenge is staff retainership. Most young people don’t believe in serving anyone for a long term anymore. I served my cousin and another master for five years. Finally, getting our staff to understand customer service and relationships is quite difficult. Photography thrives and survives heavily on customer engagement and satisfaction.

Tell us the nature of your studio’s partnership with People’s FM, Yenagoa.

My partnership with the radio station is a win-win thing for both of us. It’s one of the best things that have happened to my brand. Every business owner needs Peoples’ FM under the management of its current General Manager, Mrs Chichi Umeseaka. The partnership has increased patronage in my business through airing commercials for my brand. Now, it’s going way beyond just playing jingles. I’m having more contacts, business opportunities, and lots more.

READ ALSO FROM NIGERIAN TRIBUNE 

NFT Technology and Decentralized Storage Empower Digital Photography

NFT Technology and Decentralized Storage Empower Digital Photography

Place/Date: – April 30th, 2023 at 2:00 am UTC · 5 min read

Source: Datamall Chain

NFT Technology and Decentralized Storage Empower Digital Photography

According to Zion Market Research, the global digital photography market reached a size of $105.2 billion in 2020 and is expected to hit $149.4 billion by 2028, with a CAGR of approximately 4.4% from 2021 to 2028.

NFT Technology and Decentralized Storage Empower Digital Photography

With the development of the times and technology, the progress of the productive force and the evolution of relations of production affect all aspects of social life, including digital photography, which is a huge and growing market.

This article focuses on exploring the current situation and challenges faced by digital photography, as well as how NFT technology and the decentralized storage technology can empower digital photography and commerce. This article has chosen the Datamall Chain as an example to discover how decentralized storage technology can be utilized to support digital photography. As a trading platform that can maximize the value of decentralized storage, Datamall Chain can provide underlying support for digital photography and NFT artworks, promoting the healthy development of the digital photography market.

Today’s digital photography, especially the commercial market, faces the following two problems:

  • Due to the easy replication of digital content, photographers may lose control over their works. Because digital photographs can be easily replicated and disseminated on the Internet without incurring any cost, it is often difficult for artists and photographers to get corresponding copyright protection and profit sharing.
  • Monolithic business model. Currently, the commercial approach to photographs mostly involves a one-time buyout by image platforms, meaning that authors are unable to continue to benefit from their works and only a small number of photographers can participate in the commercial market and obtain sustained income through licensing.

In the upcoming era of Web 3, the combination of blockchain technology and NFT technology provides a new way for photographers.

By converting photographs into NFT, it is possible to permanently record ownership information of the photographs on the blockchain, including the photographer, time of creation, copyright, etc. No matter where the photographs are displayed, it can clearly demonstrate the ownership and copyright information, thus protecting the intellectual property and interests of the photographer.

Governments around the world are also increasingly accepting information on blockchain as evidence to support litigations. For example, Vermont (2016), Arizona (2017), and Ohio (2018) have introduced laws allowing the use of blockchain records with signatures as evidence in court.

The emergence of NFT technology has also broken the traditional digital copyrights protection and business model, offering more opportunities for photographers to create and sell their works. Artists and photographers can issue their photographs through NFTs and get profits from it. Furthermore, photographs can also be auctioned and traded in the NFT market, thus bringing a more open and free business model to the digital art market.

While addressing the problems in the digital photography market, NFT technology also adds new forms of presentation and development.

For example, it has given rise to an ecosystem of supporters. With NFT technology, digital photographers can turn their works into a unique type of digital assets and distribute them to supporters, who can own the digital works and get a share of the revenues of the digital works.

And it has brought new sales channels. Traditional photographs are mainly sold through traditional offline auctions and online platforms, but t these sales methods are associated with issues such as intermediary fees and handling charges. With NFT technology, photographs can be auctioned directly using cryptocurrency, therefore substantially reducing intermediary commissions and handling fees.

In addition to NFT technology, decentralized storage technologies represented by Datamall Chain, as a more fundamental support, can make storage of photographs and NFTs safer, more reliable, lower costs, and make the access of which faster.

  • Stronger data security. Traditional centralized storage involves centrally storing data on a central server, which means that if attackers breach the security defenses of the server, they can easily access all the data stored in the server. Datamall Chain adopts a distributed storage mode and disperses and stores data onto multiple nodes, so that even if an attacker breaches one node, they still cannot access all the data.
  • Higher data reliability. The decentralized storage solution Datamall Chain provides allows for data to be stored on multiple nodes, ensuring data backup and redundancy. Even if a node encounters attack, it will not affect the normal operation of the entire system or compromise the integrity of the original data.
  • Lower storage cost. Traditional centralized storage requires a large number of servers and storage devices to store large amounts of data, which means big costs. Decentralized storage can utilize idle computer resources to store data, thus reducing storage costs.

Furthermore, Datamall Chain is a Nash Consensus-Based decentralized storage platform, where storage providers can list orders with varying prices and lease terms to sell their idle storage spaces. At the same time, storage providers need to stake DMC as a reserve to prove their storage capacity capability and ensure that they have the store data as they have promised. If storage providers breach the contract, they will face penalties and lose their staked DMC. This free competition market model allows storage consumers to freely choose their preferred storage service providers.

  • Faster access speed. Users can choose the node closest to them for access.

Overall, the combination of NFT technology and decentralized storage technology has brought many new opportunities and challenges to digital photography. It has not only improved the uniqueness and value of photographs, but also provided better solutions for the protection and storage for it. At the same time, these technologies will also boost the development and innovation of the digital art market, creating more business opportunities for artists and collectors.

For more details, please visit the DMC official website, Twitter, Discord.

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