Can you see O’Keeffe? Renior? The Sculpture Celebration (“unveiling”) is at 10 a.m. on Saturday, April 15
By Admin in New Mexico Art
By Admin in New Mexico Art
By Admin in New Mexico Art
By Admin in New Mexico Art
Experiencing Counterpublic’s art installations could involve riding the St. Louis Wheel, visiting the old Pruitt-Igoe site or using a cellphone to watch buffalo dancers downtown.
The project involves some 30 artists and weaves its way for 6 miles down Jefferson Avenue — with side tours to places like Sugarloaf Mound and a native bee sanctuary. “It’s a celebration of our city and our incredible art scene,” says James McAnally, artistic director for the exhibition. “We want to spotlight everything we have to offer.”
Destruction of Native American mounds, the Mill Creek Valley neighborhood and Pruitt-Igoe housing project make up some of the St. Louis history recalled by the art project, which runs for three months, starting with a kickoff party April 14 outside the CityPark soccer stadium.
But the lost past isn’t the only theme. Artists will also be thinking about the future and how to commemorate St. Louis history.
“Artists are trying to draw attention to issues of right now, issues of our history, possibilities of our future,” McAnally says.
The 2023 initiative is the second incarnation of Counterpublic, a triennial event that commissions public art for St. Louis. In doing so, it involves permanent and temporary creations that use many types of media, from sound and film to augmented reality.
Before planning the project, residents were questioned about what they wanted, McAnally says. The No. 1 request was new monuments and public memory projects.
Over the initial weekend, several events are scheduled, including a 50-car sonic installation in St. Louis Park Place (2 p.m. April 15) and roundtable discussions at the Pulitzer Arts Foundation (April 16). Visit counterpublic.org for details.
Coincidentally, Counterpublic kicks off the same weekend as the arrival of another art project, “Banksyland.” But while both engage with social issues in a public way, Counterpublic is completely sanctioned by its city and the artists, local and national, who have collaborated and partnered with museums, neighborhoods and other entities.
“WayBack” by Anita and Nokosee Fields includes dozens of colorful wooden platforms and a billboard reading “When you listen the land speaks.”
Courtesy of Counterpublic
One main focus for Counterpublic is the Indigenous history of the area before it became “St. Louis,” particularly its oldest human-built structure. Sugarloaf Mound is owned in part by the Osage Nation, descendants of the original Mound builders.
Near the three-tiered mound overlooking the Mississippi River, artist Anita Fields of Tulsa, Oklahoma, has installed wooden platforms. Her son, fiddler Nokosee Fields, collaborated to provide a soundscape that will be active at certain times. And in between the historic mound, located at 4420 Ohio Street, and the Fields’ “WayBack” exhibition is a billboard reading “When you listen the land speaks.”
Most of the wooden platforms have brightly painted tops, with some decorated with ribbons or ceramic tiles. They are similar to what Anita Fields remembers from her childhood as part of her life at Osage events, she says. People had platforms that they’d use for many things, including visiting, napping or preparing for dances. Her memories of gestures and laughter take her “way back.” Another reference for the installation’s title is that she’ll be coming to Missouri: “We’re making our way back to this place that was so important to our history.”
She recalls that the Osage began embellishing their clothing with ribbon after they obtained needles and bright ribbons from French fur trappers here. Before the Native people were removed from Missouri by white authorities, it was “part of our original homeland,” Fields says. “We have a history with that area going very, very far back.”
In addition to calling attention to Indigenous history, Counterpublic wants to help the Osage Nation gain control of the entire Sugarloaf Mound. The nonprofit has offered to buy out owners of two houses on lower tiers of the mound, McAnally says. The owners “are open to the discussion,” he says.
Cannupa Hanska Luger, an artist based near Santa Fe, New Mexico
Other Native artists are also involved in Counterpublic, including Cannupa Hanska Luger, a member of the Three Affiliated Tribes of Fort Berthold who now lives near Santa Fe, New Mexico. His modern buffalo dancers will be seen through “augmented reality digital overlay” onto St. Louis horizons. In essence, a visitor’s cellphone uses a social media app, and where its camera points, Luger’s figures will appear amid real-life backgrounds as they do a dance of reverence for the buffalo.
Luger wants people to recognize that the city is built on much-older land. But he uses modern technology, like phones, to reach people. “The function of art should be applied to the social structures we navigate,” he says.
“Presenting these figures on the landscape hopefully makes you feel small,” Luger says. “And maybe in that smallness, you have a better relationship with your interdependence with the environment.”
Repurposed materials are used in artist Cannupa Hanska Luger’s buffalo regalia in “We Survive You-Midéegaadi.”
Photo by Brandon Soder, courtesy of Garth Greenan Gallery
A vinyl image by Luger will be attached to an exterior wall of the Luminary, while at the Monaco gallery, a mixed-media canvas creation by Jaune Quick-to-See Smith is called “State Names Map: Cahokia.” Both are located at 2701 Cherokee Street.
In Benton Park, “Music for 13 Paths” will involve chimes installed on the park’s tallest hill, with a performance by Pulitzer Prize-winning composer Raven Chacon at 10 a.m. April 15.
“State Names Map: Cahokia” and “Trade Canoe: Osage Orange” by Jaune Quick-to-See Smith
Courtesy of Garth Greenan Gallery
St. Louis artist Simiya Sudduth has painted a tarot card-type mural, “Justice,” at 2311 South Jefferson Avenue. She also will have a couple of pop-up events at a trailer that has been turned into a mobile meditation studio and parked at Rung for Women, 2717 Sidney Street.
On the mural, a Black woman holds cotton in each hand, referencing the area’s slave-owning past. It’s important to recognize some of the hard things in St. Louis’ past and present,
Sudduth says, and engaging with public art is important. “St. Louis is changing. We are figuring out art is really powerful.”
Sudduth believes public art “makes people want to invest in their community and gives them a sense of pride.” Counterpublic itself is a “great opportunity for St. Louis,” she says. “It will open doors for more public art and more civic engagement.”
One of the major permanent installations connected to Counterpublic is “Pillars of the Valley” by Damon Davis at CityPark. Over the next few years, the granite hourglass shapes, which commemorate the former Mill Creek Valley neighborhood, will expand along the Brickline Greenway.
Nearby, at the St. Louis Wheel at Union Station, which offers bird’s-eye views of the area, visitors can ask to ride in dedicated gondolas that will play “Sky Is the Only Roof” by Steffani Jemison.
At Memorial Plaza, 1720 Market Street, obsidian boulders are part of work by Jordan Weber. At the end of Counterpublic, the installation will find a permanent home at Peace Park near the North Grand water tower.
The art initiative extends north to the Griot Museum of Black History, where another major permanent installation is still being built. Architect David Adjaye’s “Asaase III” is made of rammed earth and stainless steel and is financed by a $1 million gift from Chrissy Taylor and her husband, Lee Broughton, a co-founder of Counterpublic. Adjaye is scheduled to lead a preview showing of his first permanent public artwork at noon April 15 at the museum, 2505 St. Louis Avenue.
At the Northside Workshop, 1306 St. Louis Avenue, Juan William Chávez’s “Decolonizing the Hive: Native Bee Stewardship Network” includes a bee sanctuary, art studio and teaching garden.
Tim Portlock
Courtesy of Counterpublic
On nearby Cass Avenue, near the old Pruitt-Igoe site, artist Tim Portlock has created billboards with words and digitized images that commemorate the 57-acre public housing effort and its residents.
Portlock, a professor at Washington University, interviewed residents, asking about their memories of life in Pruitt-Igoe.
He acknowledges that most St. Louisans are aware of the failed housing project, which was demolished starting in 1972, but he thinks the personal stories of the residents are often left out of the project’s history. Some memories were positive, others negative. Single or divorced mothers of different races often worked together to help with child care, he found.
“I do think there is power in commemorating things, to point out to the broader public that this thing happened or that this thing exists,” Portlock says. Creating public awareness with artwork “can help people feel they’re a community.”
What Counterpublic • When April 15-July 15; grand opening 7-9 p.m. April 14 at CityPark • Where Various locations • How much Free • More info counterpublic.org
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Your go-to guide to the best entertainment options in the St. Louis area and beyond.
By Admin in Art World News
All images © Vanessa Filley, shared with permission
Vanessa Filley describes a recent body of work as “imagined cosmic map(s),” charts that connect the traditions of fiber arts with the present and the artist’s own questions of finding one’s place in the world. Titled In the Delicate Meshes, the series is comprised of sewn pieces that Filley likens to quilts, with stitches layered into symmetric patchworks of color and texture. “I am interested in the energetic threads that orient and connect us, ground us in place and time, yet tether us to our ancestral past and future—the lines that bring us home,” she says.
Filley references artists like Lenore Tawney, Hilma af Klint, and the women of Gees Bend Quilters, whose practices connect to spirituality, nature, and ancestral histories. Taut threads and twists embody tension and connection between both ends of a stitch, the intricate structures of the works as a whole, and the long tradition of fiber arts. “Each piece in this series is a quilted conversation, a way of taking the disparate questions and feeling of a given moment and mingling them with inspiration from the outside world and the work of those who came before,” the artist says.
In the Delicate Meshes was recently on view at Vivid Art Gallery in Winnetka, and you can find more of the series along with an archive of Filley’s works on her site and Instagram.








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Gallerist Amélie du Chalard has opened the doors of her incredible Paris home filled with collections of art and design, much of which is from Fritz Hansen. After discovering the Danish brand, du Chalard fell in love with Poul Kjærholm’s designs, and over time, has collected a number of his pieces that now live in her gallery-like home. The space was once a private library before becoming an artist’s studio, prior to du Chalard calling it home.
Du Chalard says: “My home is a reflection of myself and the way I want to live,” she continues, “so it is filled with art and furniture that are meaningful to me. Since I was 15, the only gifts I’ve received for my birthday have been artworks. Paintings, sculpture, photographs, textile; I connect with many mediums. I feel similarly about furniture. All the furniture I have tells a story, and I am very focused on a diverse array of textures, from wood to cotton to wool to metal.”
Poul Kjærholm’s work isn’t the only Fritz Hansen living in her space – several Arne Jacobsen Grand Prix chairs reside around the extended kitchen island that doubles as a dining table.
The main floor spans almost 1,100 square feet with massively high ceilings making it the perfect space for du Chalard’s impressive art collection. “I keep my walls white so that I can use them as a backdrop for artworks of different sizes and mediums,” she says.
One of Poul Kjærholm’s PK24 chaise lounge chairs makes a statement in the open living room.
The sculptural PK0 A easy chair (above) and PK25 chair (below), both from Kjærholm, round out the living room seating area. “It’s also important to note that although these pieces are sculptural, they’re also very comfortable. That’s something my husband is always reminding me is important! And it’s true. I think Nordic design often has both elements – aesthetics and comfort,” she explains.
Photography by Gaelle Le Boulicaut, courtesy of Fritz Hansen.
Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.
By Admin in Art World News
If you’re in the business of marketing, then you’ve probably heard it before: personal branding is a game-changer. It can be a powerful tool for individuals and businesses alike, elevating your product and your message to new audiences. But, marketing your brand in a saturated space can be challenging. It’s imperative that you find the right company and the right strategy to help you stand out in a crowded market.
Artist and entrepreneur Dxtr Spits collaborated with social media expert Audrey Boyle to assemble an high-level team for men’s mental health business, How Men Cry (HMC). Dxtr envisioned HMC as a space to begin the conversation around men’s mental health so that men can start their healing journey, be that in therapy or another avenue. This small project started as a collection of art, but quickly grew and now has a powerful effect on audiences across the country. HMC continues to expand through Dxtr’s performance, facilitated workshops, and men’s retreats.
“How Men Cry came from the ashes of a failing relationship, personal issues with substance abuse, depression, and suicidal ideation,” Dxtr remembers. “When I performed some of the early spoken word pieces, I got to see firsthand how it was touching men’s hearts. I got to see myself in their eyes and vice versa.” Dxtr’s performances soon began garnering rave reviews from audiences who connected with his powerful message. The HMC team saw an opportunity to brand Dxtr Spits as an anti-hero spreading awareness for men’s mental health in a raw, open way that is accessible to men.
Today, How Men Cry is a powerful collective that is changing the narrative around men’s mental health and touching the hearts of thousands daily. Here, we’ll cover how HMC was able to use the five core components of personal branding to become bigger than Dxtr ever imagined.
1) Positioning
The first step in successful personal branding is positioning. To effectively position a brand, you need to define its foundation and added value. What niche will your brand occupy in the existing ecosystem? What value does your brand add? What fundamental problem are you trying to solve?
Artists are often the ones who inspire change and shift societal narratives. The HMC Team worked to position Dxtr Spits as the artist within the men’s mental health community, adding what called the “cherry flavor” to an ecosystem that was mostly populated by academics, practitioners, and other left-brain thinkers.
Dxtr’s powerful spoken word performances represented the “added value” of How Men Cry’s brand. His art sparked valuable conversations about men’s mental health and wellness—conversations that are vital and yet far too rare due to the stigma surrounding men’s mental health. How Men Cry made the idea of therapy digestible and the idea of being vulnerable less “taboo” for men.
Ultimately, How Men Cry was created to solve one problem, says Dxtr. “We wanted to make it easier for men to close the distance between wanting to start a healing journey and actually going to therapy. This pathway can be very difficult for many.”
2) Messaging
After defining your brand’s foundation and positioning, the next step in personal branding is messaging. What is the key message that supports your brand’s foundation? The HMC team advises that you should be able to summarize this message in 27-30 words.
The HMC team branded Dxtr Spits as the “anti-hero,” telling the story of a flawed individual on his journey to redemption. Dxtr has never been a perfect role model. He’s faced many challenges in his life, times when he failed and struggled. But he made the hero’s choice to start his journey towards mental health and healing.
How Men Cry’s messaging focused on using Dxtr’s journey to illustrate important truths about mental health and healing. Moments in his life illustrate that the process of healing isn’t linear, but a worthwhile journey.
Dxtr’s impactful yet relatable style and artwork was already making emotional vulnerability “cool” for men. ’s messaging plan leaned into that angle, working to bring all of How Men Cry’s design and content elements in line. Originally, the brand included intense colors like yellow, but these were changed to reflect the raw, gritty, and no-holds-barred nature of Dxtr’s life story and his art pieces. The team chose graffiti imagery, gray tones, and other calming colors to make the brand more appealing and soothing to men.
3) Brand Strategy
The third component of personal branding is building a brand strategy that incorporates and expands upon both the foundation and the messaging of the brand – all while keeping the larger goal of your work in mind.
For How Men Cry, the team had to consider how to communicate Dxtr’s anti-hero journey in a way that would help others understand their own journey better. Dxtr’s ultimate goal was to help men have vulnerable conversations and consider therapy as a tool for healing. just had to figure out how telling Dxtr’s story would translate into achieving that goal.
“When we started viewing How Men Cry as a movement and not just a collection of poems, ideas, and performances—that’s when everything changed,” notes Dxtr, who looks back on the early days of How Men Cry’s branding journey fondly. “We started applying marketing concepts and ’s business experience to use the power of images, videos, and words to push the message.”
The HMC Team developed a multi-faceted brand strategy for How Men Cry. First and foremost, the team brought all content—across the website, social media handles, and press engagements—in line with the messaging. The team created and shared a term sheet to ensure everyone was “speaking the same language” consistently. They looked for data and existing content that supported the idea that men’s mental health is a vital problem to solve, and made a plan to spread awareness.
Once your brand clearly defines what the “promised land” looks like for you, you can also start brainstorming what offerings and programs will get you there. In How Men Cry’s case, those offerings included a podcast allowing men to tell stories of vulnerability, new art pieces, and resources to bring communities of men together and spread the word.
4) Ecosystem
Next, consider the ecosystem in which your brand exists. It’s important to identify the influencers and stakeholders in your chosen niche. Who is invested in addressing the problem with you? Once you understand who is on your side, create a management strategy to build relationships with stakeholders and fans.
For How Men Cry, this meant connecting with the men who participated in the project by sharing their stories of vulnerability—dubbed “the HMCs” by and Dxtr. The HMC team helped Dxtr build and maintain connections to these stakeholders. In 2022, The team invited the HMCs to a men’s retreat where they explored what an anti-hero’s road to redemption might look like for each of them. As part of a community, they were able to open up, bond, and be vulnerable. To this day, the HMCs communicate daily through a group chat and hold monthly conversations with Dxtr. Many HMCs have become a resource to others in the community of men’s mental health, passing on How Men Cry’s vital message to new audiences, including a recent performance at the LinkedIn headquarters on the topic of men’s mental health.
As you consider where your personal brand stands in your ecosystem, a helpful exercise can be looking for the “superfan”—someone who engages with the brand, follows you on all platforms, gives you money, and supports the brand. Many existing brands aren’t clear enough on how their superfans can or should support them best. This journey has to be as simple and clear as possible. Make sure that your audience has clear avenues to engage and support you in a way that helps you reach your brand’s goal.
5) Action Plan
The fifth and final component of personal branding is the action plan. After establishing the brand positioning, messaging, strategy, and ecosystem, create a plan for continuous development. Your action plan should include specifications on who is responsible for the various components of the branding strategy.
As you begin creating content in line with your branding, ensure that every piece of content can be repurposed across many channels. Take the How Men Cry podcast as an example. Though each episode is published across all the usual podcast platforms, the content doesn’t end there. A video recording of an episode could be posted on YouTube. A transcript could be repurposed into a blog post. And clips or snippets of both can be used for social media posts and comments.
Lastly, once content is flowing and responses are coming in, use all the metrics and analytics available to you for continuous improvement. Examine what kinds of content garnered the best or most responses and what got through to the hearts and minds of your followers. Understanding what works, and what doesn’t, will help you expand on the brand’s foundation and amplify your message strategically.
Personal branding is a complex process that requires a solid foundation, messaging, strategy, ecosystem, and action plan. By finding your brand’s unique voice, understanding where your brand stands in the ecosystem, and tailoring your message, you can differentiate yourself from the competition while reaching a larger audience.
Though maintaining a strong personal brand is not easy, the benefits are worth the effort. Through events and retreats with both small businesses and larger Fortune 500 companies, HMC is changing corporate culture and the community at large.
“So many people check out How Men Cry through our website or social media handles. They often tell me that they’re left with the impression that the project is so much bigger than it actually is,” says Dxtr. “That’s the power of a solid brand foundation. Amplifying our message becomes the simplest thing in the world.”
By Admin in Photography
Milwaukee Art Museum announces new Herzfeld Center for Photography show
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The loon traveled from Los Angeles to its permanent home in the Twin Cities.
A new beetle species has been named to honor a fellow Husker, bridging the worlds of academia and wildlife conservation.
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
The Desert Foothills Land Trust (DFLT) is proud to announce a special presentation event featuring acclaimed botanical photographer Jimmy Fike on Saturday, Oct. 12 at 6:30 p.m. at the Sanderson