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LSU School of Art Market showcases student creativity

LSU School of Art Market showcases student creativity
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Between 9 a.m.-4:30 p.m. on April 24-26, LSU’s Free Speech Alley is transformed into a unique showcase of artistic talent as the LSU Ceramic Arts Student Association hosts its biannual School of Art Market.

The event brings together students from various art disciplines, including ceramics, digital art, graphic design, painting, sculpture and printmaking to showcase their work in a shared space.

Aspiring students line the walkway displaying a diverse array of artwork. Whether simply admiring or looking to purchase a piece, students passing through can immerse themselves in the creativity of their peers, supporting local talent and adding a touch of art to their day.

The School of Art Market is a platform for students to showcase their talents and profit from their work. Proceeds from the market go to the individual artist, giving them a valuable opportunity to earn income from their creative endeavors. Additionally, funds raised from the market contribute to the School of Art’s efforts to bring in guest artists.

The Reveille spoke with some of the artists about themselves and their artwork.

“I was a high school art teacher for the better part of 18 years, and ceramics has always been my focus … I wanted to come back and get a master’s degree to hopefully teach at the collegiate level,” said Pete Froehlich, a second-year ceramics MFA student.

“I’ve been doing ceramics for about 25 years now, on and off,” Froehlich said. “My work is functional and intended to be used. I’ve recently started making larger serving pieces that are gathering spaces, encouraging social interaction and connection during shared meals.”

“I’ve been in the School of Art for three and a half years. And I just really love working with my hands. There’s no real comparison to it. I like making little things that people can take with them,” said Adrianna Hawkins, a fifth-year sculpture major. 

“The only thing I like to do is paint. I think that if I weren’t doing art, I would not be in college,” said painting and drawing junior Cheyenne Marchetta. 

Ella Madura, a junior painting and drawing and chemistry student, discussed her evolution as an artist, saying, “I took my first painting class here, and it took over my life. I switched to being dual-degree, so now I’m getting a BS and a BFA.” 

Madura’s work often reflects personal spaces and relationships. “A lot of my pieces are interiors, their personal interiors, to me, they’re kind of self-portraits. So a lot of it is personal space for me with people who are close to me,” she said.

“I love how stories can impact people. That’s why I mostly want to go towards more comics and illustrations,” said digital art senior Loreal Bart. 

By participating in the School of Art Market, these students not only showcase their talents but also gain valuable experience in marketing and entrepreneurship. The market provides a platform for students to sell their art, connect with the community and take a significant step forward in their artistic careers.

East Bay Street Photographers Want You to Take ‘Notice’

East Bay Street Photographers Want You to Take ‘Notice’

Najee Tobin, whose art will also be showing, is part of the East Bay Photo Collective’s gallery team. A Vallejo-raised artist who focuses on portrait photography with elements of fine art, Tobin says the group’s work is an important part of the landscape for local photographers.

The five members of the East Bay Photo Collective pose for a photograph.
The East Bay Photo Collective (left to right: Jenny Sampson, Anita Gay, Najee Tobin, Jyoti Liggin, and Vince Donavan ). (Malcolm Wallace)

It’s an easygoing, supportive space where you’re allowed to experiment,” Tobin says of the collective, pointing out the frequent barriers to entry — financial or otherwise — when it comes to doing photography in academia or the world of fine art. ” They just want to see the work, that’s what’s important to me.”

The East Bay Photo Collective hosts workshops on specific photography topics throughout the year. The group also holds an annual gear sale, where cameras and accessories are donated, cleaned up and sold for a low price to aspiring photographers.

a black and white photo of a woman standing in a gallery looking at framed images mounted on a wall.
Aja Cooper, daughter of the late photographer Raymond Cooper, takes a look at her dad’s work. (Malcolm Wallace)

Earlier this month the collective held a closing reception for an exhibition that featured photos from the archives of Raymond Cooper, the late Oakland photographer whose images of the Town during the ’70s and ’80s were rescued from a trash can in 2021.

“I see a lot of my friends and fellow photographers in his archives,” says Tobin, reflecting on the event and Cooper’s work. “It was nice to see somebody celebrated for doing what we do.”


‘NOTICE,’ a show highlighting the work of the Oakland Street Photography Collective, takes place on Friday, May 3, from 6 p.m. to 9 p.m. at the Oakland Photo Workshop (312 8th Street, Oakland).

This Camera Is an Absolute Beast for Video (and an Excellent Still

This Camera Is an Absolute Beast for Video (and an Excellent Still

Whether you’re shooting video, stills, or some combination, there’s a camera that offers incredible levels of excellence in both, and at a price point that’s hard to ignore. Watch it get put through its paces in a 4-week trip to South America, and see how it stacks up against the competition.

The demand for cameras that can satisfy the exacting needs of hybrid shooters has never been higher. Videographers, photographers, and content creators of all stripes routinely work with a blend of still and moving images. The ability to create all of these media types using a single device offers incredible convenience, as well as potentially significant savings in time, money, and effort. Just think about the overhead of going on a trip like the one shown in this video, and having to cart along separate cameras for video and still photography, along with all of their separate sets of batteries, lenses, accessories etc.

One of the issues commonly encountered by hybrid shooters is that plenty of cameras do a bit of both, but are typically much better at one than the other. For example, when using an excellent still photography camera that also shoots video, it can often feel like the video features were something of an afterthought for the manufacturer.

However, this problem seems to be increasingly receding in the rearview mirror as the technology improves and becomes more cost effective. More and more manufacturers are starting to produce cameras that can absolutely hold their own in both video and still photography. The Panasonic Lumix S5IIX is a prime example of this.

In the video presented here, filmmaker Matthias Dangl takes his Lumix S5IIX on a 4-week trip to South America to put it through its paces and to see how it stacks up against the competition – specifically another popular hybrid shooter camera, the Sony a7S III. This video definitely focuses more on the videography aspects of the S5IIX than its use as a still camera, but I can personally vouch for its abilities in still photography, having used one myself. There are some great clips in the video that showcase just what the S5IIX is capable of, and the results are truly impressive. In the course of his discussion, Matthias covers several of the features that will be at the top of the list of must-haves for videographers, including autofocus, stabilization, and color management.

I would also add that this video came out before the major firmware upgrade that Panasonic recently released, which featured significant enhancements to features like autofocus and image stabilization. Based upon the glowing reviews that these upgrades have received from the Lumix community, it seems likely that Matthias would have found even more to like in the performance of the S5IIX on his trip to South America, had these new firmware upgrades already been available at that time.

Coon Rapids photographer looks to capture special moments

Coon Rapids photographer looks to capture special moments
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Bailey Schurke dove headfirst into photography after her wedding.

While having her engagement and wedding photos taken, Schurke became intrigued by the process of documenting the special memories.

Working as a nurse, the idea of doing her own photography stayed on the back burner. Driving back from a vacation and having a lot of free time, Schurke decided to go for it.

A year later, Schurke is opening her own photography studio called Special Moments by Bailey, which is located at 500 Main Street in Coon Rapids. On Saturday, an open house and ribbon cutting ceremony will take place at the studio, going from 11 a.m. to 2 p.m.

For her photos, Schurke said she usually leans towards warmer and neutral colors. Saying she captures a little bit of everything, Schurke photographs pregnancies, families, senior portraits and weddings.

However, her favorite sessions are Fresh 48, where she takes photos of newborn babies within their first 48 hours after birth.

“You only have one chance to capture those right after the baby’s born in those 48 hours of life,” Schurke said. “These are very much capturing all those little details, the umbilical cord that’s still on, the baby’s fingers, all that fun stuff.”

In order to develop her skills further, Schurke said she reached out to another professional photographer Aryn Book, who is the owner of Peridot and Lace in Adel.

“She was all on board, this was her first time ever helping someone, so she was also super excited,” Schurke said. “So I got my camera, she helped decide which one to purchase, as well as what lens and all that good stuff.”

The studio used to be the space for Brown Bag & Co., a former home goods store. Around this time, Schurke was looking for a building, but hadn’t found anything she liked.

After noticing they were closing, Schurke reached out to move her photography business over.

On top of her photography business, Schurke continues to work as an OB nurse at the St. Anthony Birth Place.

“I love it, I wouldn’t change it,” Schurke said. “Some days do get long when I work night shifts, so that can definitely take a toll, but I love it. I love being a nurse, there’s just something about that process that I love.”

Being from Elk Horn and her husband being from Arcadia, the couple decided to live in Coon Rapids as a middle ground between their hometowns.

Her husband is Derek Schurke, who works at Outlaw Signs Graphics and Apparel in Carroll. Thanks to his profession, Schurke said he helped her design the front sign for Special Moments by Bailey.

Her parents are Molly Robertson and Terry Robertson of Elk Horn. Throughout the process, Schurke said her parents have been great in helping with the building, whether it’s for construction or painting.

“Whenever I need help, they’re not worried about driving the 40 or 45 minutes it takes to get up here, they’re just more than willing to be up here and help,” Schurke said.

For anyone looking to book a session with Schurke, she said they can message her Facebook account at Special Moments by Bailey, email specialmomentsbybailey@gmail.com or call 712-249-6733.

Photography project captures beauty of Sparwood

Photography project captures beauty of Sparwood

Sparwood Secondary student Vova Voronin is using photographs to capture the heart and essence of his community.

Voronin has launched a website called Beautiful Sparwood, where he compiles photographs of landscapes, wildlife, people and places that define the community. Browsing through the images, one can find pictures of majestic elk, brightly-coloured birds, misty mountains, and urban sights.

The grade 12 student moved to Sparwood a few years ago and he said the project has helped him integrate into the community and get to know his home a little better.

“I learned more about the community. It was very nice to work with different people, to know more people around town,” he said.

Voronin sourced the website pictures from a variety of local photographers in order to get diverse community representation. The picture submissions have inspired him to get out and explore Sparwood and discover places that were previously unknown to him.

“I want to extend my vision of the community, go around town and see more places that people are sending me. There’s so many beautiful places I haven’t seen yet,” he said.

Voronin said that when he moved to Sparwood, he searched the community up online and found the pictures didn’t do justice to the municipality, and weren’t as dynamic as they could be. This inspired him to start his project and compile photographs of Sparwood that would change the way it’s perceived in Google searches.

His vision dovetailed nicely with a school assignment that required students to take on a project that would help better the community, so it grew to be more than just a hobby.

Voronin’s teacher Stephen Larsen said his passion for the project is evident.

“He didn’t have any experience with any of the programs he was using. He didn’t have any connections around the community. He started from scratch and pulled off a major project,” Larsen said

Larsen has agreed to take ownership of the project after Voronin graduates, and work with the photography and media design students to continue contributing to the website.

The Chamber of Commerce has been sharing the link to Voronin’s website to help garner interest and source more photographs, and it will provide Sparwood Secondary School with funding to help grow the site.

Voronin and Larsen said they’ve got a lot of submissions, but what they’re currently missing is pictures of people and local sports.

“There’s a lot of happy people doing fun things around the community and it’s not currently represented in photographs online and even in the photographs that we’ve been getting so far,” said Larsen.

To submit a photo, e-mail beautifulsparwood@gmail.com

Follow the project online at www.beautifulsparwood.com or on Instagram @beautiful_sparwood.

SlickPic Photography Challenge: Architecture

SlickPic Photography Challenge: Architecture

Another week, another fun photography challenge! Are you ready to put your photography skills to the test and refill your creative juices? Now on the 17th week of their 52-week Photo Challenge, the folks of SlickPic want us to look up, within and around stunning Architecture.

In this challenge, the task is to capture all the interesting lines, shapes, and details of eye-catching buildings and similar structures. Whether new or old architecture, this is your chance to showcase their exteriors and reveal their stunning interiors. Let your eye for detail and composition skills shine in this challenge! Whether it’s something you’ve already learned or a technique you want to perfect, this is surely a great activity for you!

To help inspire you, why not check out our architectural photography archive for tips, tricks, ideas and inspiration? For starters, we suggest reading Getting creative with rural architecture photographyRevealing colorful geometric details in architecture, and Seven tips to photograph architectural exteriors. In case you’re just joining, we also encourage you to check out the full info on the 52-week Challenge.

Photography challenge details

  • Submissions will be accepted until the end of the day on April 28, 2024. So, if you’re in the mood to flex your creative muscles, there’s still plenty of time to make something nice!
  • Submit 3 images by clicking this link
  • Please submit images in JPEG format and uploading photos that are at least 2500 on the long side is recommended for the highest quality.

Once you submit your photos, you can review them here: https://52weekchallenge.slickpic.com

As always, you can ask your friends to join the challenge as well by clicking on the Share button for the album and inviting them to join in. Of course, you can also encourage them to Like and Comment on your submissions!

Submit your Architecture photos now!

In His World-Building Series ‘New Prophets,’ Jorge Mañes Rubio Cloaks Basketballs in Beads

In His World-Building Series ‘New Prophets,’ Jorge Mañes Rubio Cloaks Basketballs in Beads

“EVERYTHING SPIRITS” (2023), basketball, plaster, gesso, glass beads, 25 centimeters diameter. All images © Jorge Mañes Rubio, courtesy of the artist and Rademakers Gallery, shared with permission

Beginning with an iconic yet common spherical form, Jorge Mañes Rubio reimagines basketballs as powerful entities in his series New Prophets. Ornamented with stylized creatures, botanicals, and figures, each sculpture tells its own enigmatic story, drawing on the inextricable link between past and present. “These works, although familiar in visual language, seem to come from a dream-like dimension,” the artist tells Colossal, “as if offering a chance at re-enchanting the world we live in.”

New Prophets began with a fascination with an 8th-century Spanish illuminated manuscript called the Commentary on the Apocalypse that’s decorated in a Mozarabic style, which originated in Spain and represents a blend of Romanesque, Islamic, and Byzantine traditions. Rubio, who is currently based in Amsterdam, is fascinated by cultural exchange throughout history. He says:

My artistic practice operates on a similar way: I’m claiming a space where I can continue to learn from a crucible of the most diverse influences, while at the same time carving my own distinctive path. I want to continue to explore cross-cultural themes and symbols that reflect and honour the extensive circulation of ideas, works, and people that came before us.

World-building is central to Rubio’s practice, and initially, he considered another spherical shape for this series as a literal representation of the world: a globe. “The colonial and imperial connotations of this artifact really discouraged me,” he says, but when by chance he placed a string of beads on a basketball that was kicking around his studio, the idea for New Prophets clicked.

 

a glass bead-coated spherical sculpture made from a basketball depicting a lizard and numerous kinds of flowers on a blue background

“SACRED AGAIN” (2023), basketball, plaster, gesso, glass beads, 25 centimeters diameter

Rubio coats the balls with plaster and gesso—ensuring it doesn’t deflate—criss-crosses the form along its distinctive lines, and adds vibrant flowers, stylized text, medieval motifs, and mythical creatures. The orbs play with the idea of an object designed to be bounced and thrown around, instead coating it with delicate patterns and displaying it like a sacred relic.

In his alternative worlds, Rubio is interested in visualizing how past, present, and future can unfold simultaneously. “My hope is that my works invite people to rethink our relationship with the universe and all the beings that live in it —human, nonhuman, material, or spiritual— suggesting alternatives to established systems of representation, power and exploitation,” he says. “I believe this more animistic perspective has the potential to provide a more generous, humbling attitude to make sense of the world we live in.”

Rubio is currently working toward a couple of show in 2025 and continuing New Prophets. Find more on the artist’s website, and stay up to date on Instagram.

 

Views of “SACRED AGAIN” (2023)

a glass bead-coated spherical sculpture made from a basketball depicting a jellyfish on a dark blue background

“LIQUID DREAMS” (2024), basketball, plaster, gesso, glass beads, 25 centimeters diameter

a glass bead-coated spherical sculpture made from a basketball depicting a medieval-style snake on a light green background

“PURPOSE POTENTIAL” (2023), basketball, plaster, gesso, glass beads, 25 centimeters diameter

Views of “PURPOSE POTENTIAL” (2023)

a detail of a purple beaded snake

Detail of “PURPOSE POTENTIAL” (2023)

a glass bead-coated spherical sculpture made from a basketball depicting a woman on horseback, wearing a crown, on a white background

“MAGICAL THINKING” (2024), basketball, plaster, gesso, glass beads, 25 centimeters diameter

Views of “MAGICAL THINKING” (2024)

a glass bead-coated spherical sculpture made from a basketball depicting a lizard an flowers on a black backround

“EVER LASTING” (2024), basketball, plaster, gesso, glass beads, 25 centimeters diameter

a glass bead-coated spherical sculpture made from a basketball depicting magenta flowers and green leaves on a black background

“EVER LASTING” (2024)

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article In His World-Building Series ‘New Prophets,’ Jorge Mañes Rubio Cloaks Basketballs in Beads appeared first on Colossal.