About

Posts by :

Peters Township photographer to present rare view of Chernobyl disaster

Peters Township photographer to present rare view of Chernobyl disaster

1 / 5

image

2 / 5

image

This stainless-steel dome entombs the remains of the Chernobyl reactor No. 4 core.

3 / 5

image

In fear of a nuclear attack from the United States and NATO allies, each child was issued a gas mask that was stored in every school classroom

4 / 5

image

Decades after Chernobyl’s nuclear disaster, a community of babushkas remains, despite the severely contaminated ground, mandatory evacuations, governmental objections and the deaths of many fellow “self-settlers.”

5 / 5

image

Photographer Michael Haritan presents “Chernobyl: Causes, Cover-up and Consequences” April 24 at the Peters Township Public Library.


A local photographer who’s made multiple trips to the Chernobyl Nuclear Power Plant site in the Ukraine will share his images and video captured there during a program at Peters Township Public Library.

Michael Haritan of Peters Township has conducted extensive research into the 1986 catastrophe at Chernobyl. His findings will be shared as part of the program, “Chernobyl: Causes, Cover-up and Consequences,” from 6:30 to 7:30 p.m. April 24.

“It’s a brief presentation of the three categories,” Haritan said. “That accident left a mark on the entire world as far as thinking about energy sources or resources and being responsible to the environment in case of catastrophe.”

Haritan’s presentation includes personal photos and video captured during visits to the site in Ukraine in 2016 and 2018. They provide haunting documentation of the disaster site, a psychiatric institution and an orphanage, giving audiences a rare view of the disastrous event, along with the place and the people who once worked and lived there.

On April 26,1986, improper testing at low power at the number four reactor at the plant in what then was the Soviet Union resulted in loss of control that led to an explosion and fire that demolished the reactor building and released large amounts of radiation into the atmosphere. As safety measures were ignored, the uranium fuel in the reactor overheated and melted through the protective barriers.

It is considered to be the worst nuclear disaster in history. Many of those who responded died within days or suffered long-term health issues.

Haritan’s interest in the disaster came about shortly before a 2016 trip to Ukraine, where he was traveling to teach English to middle school children.

“I found out through my research that that was the last year that reactor sites would be viewed by anyone before it would be encapsulated by a stainless-steel dome for the world never to see again,” Haritan said. “As a photographer, I felt I could provide photos for historians of that place before it was encapsulated.”

He recalled his initial impressions.

“I just recognized the desolation, nobody around at all,” Haritan said. “What impressed me was the overgrowth of foliage, trees, shrubs and bushes, as well as the crumbling of the roads because they hadn’t been maintained in 30 years. That was my first impression, the overgrowth of nature overtaking the whole place. Our first stop was at a riverside and that’s where I saw nature at its finest.

“There were birds chirping, bugs flying and the water was calm. It looked like nothing ever happened, except a couple hundred yards away, I saw rusting barges that had been abandoned 30 years ago. It showed nature was reclaiming the land that was once inhabited by 40,000 inhabitants and workers at the Chernobyl plant.”

Due to the current Russo-Ukrainian War, Haritan is one of the last professional photographers to document the Chernobyl site.

Sydney Krawiec, the library’s program and outreach coordinator, said Haritan made a presentation at the library about five years ago and the current war has revived an interest in the subject.

“There has been a renewed interest in these nuclear disasters,” she said. “There’s also the very human piece with what’s happening on that side of the world. I think it will be an interesting program and it’s something that is not just for adults.”

Haritan has given more than 40 presentations across the country on the subject, which formed the basis of his new book, “Chernobyl: Aftermath of the World’s Greatest Nuclear Disaster,” which was a No. 1 New Best Seller on Amazon two days after its December release.

The book includes 415 of the 8,000 photos he took during his two visits, as well as untold stories and interviews from survivors.

Copies will be available before and after the program.

Haritan has won numerous local, state, national and international awards and has produced photo documentaries of folk music and dance cultures, history, architecture and geography of Native Americans, Bulgaria, Greece and Turkey, along with Ukraine.

Throughout his 40-year career, Haritan has taught photography to students and enthusiasts alike, including at Washington & Jefferson College, Waynesburg University and Community College of Allegheny County, as well as the last 10 summers at the Chautauqua Institution in Chautauqua, NY.

Admission for the program is free. Registration is available at the library’s website, ptlibrary.org.

Local photographer, Army vet helps other vets transition to civilian life with free headshots

Local photographer, Army vet helps other vets transition to civilian life with free headshots

COLUMBIA, S.C. (WOLO)– For veterans it can be challenging to transition into civilian life especially when it comes to finding employment outside of the military.

One local photographer says he knows this first hand from his own journey after the military.

Portraits for Portraits and Essential Headshots are partnering together and offering veterans free professional headshots as they seek new career opportunities.

Micheal Woodland is the owner of ESNTL Headshots and an Army veteran with 22 years of service.

Woodland says the headshots can be included in resumes and used on social platforms like Linkedin.

A Black Photographer Captures The Tradition Of ‘Wash Day’ In New Photobook

A Black Photographer Captures The Tradition Of ‘Wash Day’ In New Photobook
haircare

Photographer Tomesha Faxio showcases the beauty of wash day, a routine of haircare for Black people, in her new photobook.


Wash day is not the same for every Black person, but self-care is present in each ritual. Photographer Tomesha Faxio displays the tradition of Black haircare, whether it’s curls, coils, or locs, in her new photobook.

Despite varying salon waits, or straining one’s neck to reach the kitchen sink, wash day is essential to Black people. The maintenance can involve many steps, like steam treatments and hair masks, but cleansing and conditioning are at the core.

The timeframe can also range as well, with many textures requiring more time to detangle or lock in moisture. However one configures their method, the act is one of renewal to ensure its health. To celebrate this cultural act, Faxio captured the routine and stories of 26 Black families for “Wash Day.” The photographer explained to CNN her unique intentions with showing Black people in everyday hairstyles.

“I think that there’s been beautiful work done on our hair portraiture and work that’s been done with the hair styled in all these beautiful, intricate ways,” she detailed. “But I hadn’t, at that time, seen a ton of work where the hair was just as is, and that’s what I wanted to capture.”

As a movement toward natural hair became popular in recent years, so has the criminalization of it. Hair discrimination emerged as a legal debate, despite the Crown Act passed in many states. However, “Wash Day” is a celebration and call to action for Black people to be proud and protective of their natural tresses.

“So many of us have learned to accept ourselves more fully, and, in turn, are able to teach our children to do the same. We are now more informed about why we grew up thinking our hair was ugly… we can see that these views are steeped in racism,” wrote Faxio in the introduction of her photobook. “While our children will likely continue to contend with non-inclusive beauty standards, we are putting them in a better position to understand and eradicate them.”

Wash Day is still a plight beyond these worldly implications. Parents labor to ensure their children’s hair is healthy. The youth take in the experience for their own adulthood. For Faxio, the preparation for “Wash Day” only deepened her love for it, and hopes this feeling resonates with readers.

“It’s work. But spending time with these moms and thinking about how we are able to pass on love of our hair — an inheritance of pride and joy in our hair, to our kids,” shared Faxio. “It just renewed my love for the process.”

Released on April 2, “Wash Day: Passing on the Legacy, Rituals, and Love of Natural Hair” is available now.

RELATED CONTENT: Beyoncé Shows Off Long, Natural Hair In Cécred Hair Care Tutorial, Leaves Critics On

Acton/Agua Dulce Arts Council Announces Call for Photographers

Acton/Agua Dulce Arts Council Announces Call for Photographers

The Acton/Agua Dulce Arts Council has announced a call for entries for a juried photography exhibit open to all photographers, both professional and amateur.

Note: There is no time limit for when the photo was taken and no theme is needed.

Photographers may enter up to four photos, with a maximum framed size of 48” X 48.”

Share your artistic perspective with the community.

Entry deadline is Friday, April 26,

Photography Show: May 6 through June 22 – open theme.

Location: Acton Agua Dulce Library 33792 Crown Valley Road in Acton.

Application forms with hanging instructions available [here] or upon request by emailing aadacinfo@gmail.com.

For more information, or to be added to the mailing list for upcoming events, please aadacinfo@gmail.com.

Instagram @acton_agua_dulce_arts_council

For more information, visit Actonaguadulceartscouncil.com.

Hot Dogs, Rats, and Birkin Bags: Paa Joe’s Wooden Coffins Are an Ode to NYC’s Ubiquitous Sights

Hot Dogs, Rats, and Birkin Bags: Paa Joe’s Wooden Coffins Are an Ode to NYC’s Ubiquitous Sights

“Yellow Cab” (2024), Emele wood, enamel, cloth, acrylic, 92 x 27 x 44 inches. All images courtesy of Superhouse, shared with permission

New Yorkers are known for their unwavering devotion to the city, but would they want to spend eternity inside one of its once-ubiquitous taxis or worse yet, in the body of a wildly resilient subway rat?

In Celestial City at Superhouse, Ghanaian artist Paa Joe presents a sculptural ode to the Big Apple by carving an oversized rendition of the fruit, a Heinz ketchup bottle, a bagel with schmear, and more urban icons. Invoking the charms of all five boroughs, the painted wooden works open up to reveal the soft, padded insides of coffins, and two—the car and condiment—are even fit for humans.

 

sculptures of a rat, a birkin bag, a taxi, a heinz ketchup bottle, a small statue of liberty, a bagel with schmear, and a trash can

Installation view of ‘Celestial City’

Since 1960, Paa Joe has been crafting caskets, which are known as abeduu adeka or proverb boxes to the Ga people, a community to which the artist belongs. Coffins are a crucial component to the safe passage of the dead to the afterlife and a family tradition for Paa Joe. A statement says:

In the early 1950s, Paa Joe’s uncle, Kane Kwei pioneered the first figurative coffin, a cocoa pod intended for a chief as a ceremonial palanquin. When the chief passed away during its construction, it was repurposed as his coffin. This innovative art form quickly gained popularity, and Kane Kwei began creating bespoke commissions resembling living and inanimate objects, symbolizing the deceased individual’s identity (an onion for a farmer, an eagle for a community leader, a sardine for a fisherman, etc.).

He continues this legacy today with his Fantasy Coffins series. In addition to the New York tributes, his works include a Campbell’s soup can, an Air Jordan sneaker, fish, and fruit. The sculptures often exaggerate scale, including the diminutive Statue of Liberty and a gigantic hot dog that shift perspectives on the quotidian.

Celestial City is on view through April 27. For a glimpse into Paa Joe’s carving process, visit Instagram.

 

a wooden hot dog sculpture

Detail of “Sabrett” (2023), Emele wood, enamel, cloth, 23. 6 x 16. 5 x 11 inches

a hot dog sculpture opened to reveal a purple inside

“Sabrett” (2023), Emele wood, enamel, cloth, 23. 6 x 16. 5 x 11 inches

left: a wooden rat sculpture in a window. right: an open wooden ketchup bottle with gold lining

Left: “Subway Rat” (2023), Emele wood, enamel, 24. 4 x 12. 6 x 11. 8 inches. Right: “Heinz” (2024), Emele wood, enamel , cloth, 26. 5 x 22. 5 x 94 inches

a small sculpture to look like the guggenheim museum in new york with white round levels and a tall building behind

“Guggenheim” (2024), Emele wood, enamel, cloth, 29 x 22. 5 x 26. 5 inches

a detail of a building opening up on top to reveal a green cavern inside

Detail of “Guggenheim” (2024), Emele wood, enamel, cloth, 29 x 22. 5 x 26. 5 inches

detail of a wooden apple sculpture

Detail of “Big Apple” (2024), Emele wood, enamel, artificial leaves, 19. 5 D x 26. 5 inches

a wooden taxi cab sculpture and a red heinz bottle sculpture and a small statue of liberty

Installation view of ‘Celestial City’

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Hot Dogs, Rats, and Birkin Bags: Paa Joe’s Wooden Coffins Are an Ode to NYC’s Ubiquitous Sights appeared first on Colossal.

Important Photography Lessons We Can Learn From ‘Tish’

Important Photography Lessons We Can Learn From ‘Tish’

There is an incredible documentary about one of my photographic heroes, Tish Murtha. Tish was a documentary photographer who grew up in the abject poverty of England’s Northeast. There are important lessons we can all learn from her work.

During the 1980s, the Northeast of England, where I live now, suffered immeasurably from the damage caused by Thatcherite economics. Those policies destroyed the local industries. The then Prime Minister’s claim that “there was no such thing as society” was reflected in how entire communities were left impoverished by the government’s failure to replace those struggling industries with meaningful employment. Similar experiences were felt worldwide in the countries that embraced neoliberalism, where all that mattered was profit.

Yet, as is sometimes the case, a photographer arose from the ashes of ruination who could create powerful images from that socioeconomic disaster.

As a young woman, Tish’s skills with a camera were recognized by her photography tutor who encouraged her to study further. Subsequently, she won a scholarship to attend the University of Wales, Newport, famed for its photography courses.

She photographed the people around her with brutal honesty. Her images regularly highlighted the damage economic policies did to local communities. The impact of her photography was made even more powerful by her belonging to that environment and not being “parachuted in,” a criticism aimed at other documentary photographers who seem to look down their noses at the working classes.

The obvious comparison to Tish’s work is Martin Parr’s study, “The Last Resort,” shot around the same time. Great though I think his photos are, Parr’s work is often criticized as looking down on a working-class world alien to him. Some say his photos lack the compassion and intimacy that Tish Murtha’s photographs display. I disagree and see Parr’s photos as valid observations from his viewpoint. However, Tish’s images go further, displaying a deep care for those trapped in poverty that can only be portrayed honestly by someone who is part of that world. They shout out that something’s wrong with the world and cry to us to fix it.

One of the most striking things about Tish’s work was her eye for composition. In documentary photography especially, this is challenging to get right, especially when multiple people are in a frame. The layout of her photos is perfect, which shows that she could place herself in the right place and anticipate the action. Her photos are not posed but are a record of what was happening around her. Moreover, I would argue that her ability to capture the decisive moment outshone Cartier-Bresson, who coined the phrase.

I think there are several lessons that we can learn from her story.

Firstly, it is incredibly difficult for photographic artists to earn a living. It’s different if a photographer mass-produces images for clients, such as a wedding, product, or school portrait photography. However, photographers like Tish who produce documentary photography of everyday life, no matter how powerful and historically important those images, usually cannot rely on commercial success alone. I know several fabulous professional artists and photographers for whom the main source of income is a second job that subsidizes their photography.

This is even more true for women photographers. Inequality and prejudice based on gender as well as race and religion are still profuse in our industry around the world. Gladly, here in the UK and many other countries, we can see an upsurge in the number of excellent women photographers. Nevertheless, there is still an imbalance and a long way to go before parity is achieved. That’s partly because those with obtuse attitudes toward equality still stand in the way.

Secondly, outside the area of sausage-machine photography, the purse strings are held by relatively few people in the art world. Grant processes are highly competitive, applications are often needlessly complex, thus inaccessible to many. Furthermore, funding decisions sometimes seem arbitrary. Because the finances are held by what is sometimes considered an elite class, grants may be denied to those who have no personal relationship with those who hold the money.

As is the case with many areas of photography and life, success is not solely achieved by merit but because of a self-perpetuating condition that continuously rewards and engages those already at the top. The same applies to gear; people buy the most popular brand for no other reason than it is fashionable to do so. Similarly, although there should be plenty of room at the top, a degree of gatekeeping ensures little possibility of talented photographers ascending to those top rungs.

The third lesson is that the most powerful images are often the ones that convey difficult messages. When you look at the works of Tish Murtha, Dorothea Lange, Robert Capa, and Don McCullin, they hit home because of their humanity and genuine sympathy for the hardships being experienced by the subjects.

Some genres, such as documentary photography, are more powerful than others. Of course, the emotions evoked by hard-hitting photos are not the only valid feelings we get from photographs. However, one cannot usually expect to feel the same anger, passion, sympathy, fear, or sadness you would when seeing images of human suffering when viewing a picture of a flower, a bird on a stick, or a lamb frolicking in a field.

Fourthly, photos have real power. It’s useful to remember that photography can be used not just to raise awareness but to bring about social change. Tish’s work and the poverty she recorded were even discussed in the British Parliament.

On a brighter note, the fifth and final thing we can learn from Tish’s story is that our best photos come from the familiarity of our environments. Tish was part of that world. Because she belonged to it, she was accepted by the people she photographed and could portray their lives with brutal honesty and compassion. Similarly, the best photos we can take happen because we are very familiar with the environment in which we live and the subject we shoot. We instinctively know how the light will fall, how the subjects will behave, and where we should place our camera. No matter where you live, there is always something you can learn to photograph better than anyone else.

Tragically, Tish Murtha died relatively young in 2013, aged just 56 years. At the end of her life, she struggled to make a living. It’s ironic that she was unemployed, not receiving any grants for the projects she wanted to undertake, and unable to pay her bills. She applied for menial retail jobs that she didn’t get because she lacked experience in areas other than her photography. It seems our society failed her, and was consequently denied more photographs from an enormous talent.

I strongly recommend you look at the Tish Murtha website and more images stored on the British Culture Archive.  For those photographers who have access to the BBC iPlayer, the documentary, Tish, can be seen here. It is both uplifting and heartbreaking.

I thank Tish’s daughter, Ella, for allowing me to use the photos to illustrate this article.

Call For Entries For Acton Agua Dulce Arts Council Photography Show

Call For Entries For Acton Agua Dulce Arts Council Photography Show

Submissions are open for the upcoming Acton Agua Dulce Arts Council photography show!

The juried exhibit, which will run from May 6 through June 22 at the Acton Agua Dulce Library, is open to all photographers, professional and amateur, and is an opportunity to share your artistic perspective with the community.

There is no time limit for when the photo was taken, and no theme. Photographers may enter up to 4 photos, with a maximum framed size of 48” X 48”, according to Acton Agua Dulce Arts Council officials.

Application forms with hanging instructions are available here, or upon request by emailing aadacinfo@gmail.com.

The entry deadline is Friday, April 26, 2024.

For more information, or to be added to the mailing list for upcoming events, email aadacinfo@gmail.com.

Sponsored Articles

Do you have a news tip? Call us at (661) 298-1220, or send an email to news@hometownstation.com. Don’t miss a thing. Get breaking KHTS Santa Clarita News Alerts delivered right to your inbox. Report a typo or error, email Corrections@hometownstation.com

KHTS FM 98.1 and AM 1220 is Santa Clarita’s only local radio station. KHTS mixes in a combination of news, traffic, sports, and features along with your favorite adult contemporary hits. Santa Clarita news and features are delivered throughout the day over our airwaves, on our website and through a variety of social media platforms. Our KHTS national award-winning daily news briefs are now read daily by 34,000+ residents. A vibrant member of the Santa Clarita community, the KHTS broadcast signal reaches all of the Santa Clarita Valley and parts of the high desert communities located in the Antelope Valley. The station streams its talk shows over the web, reaching a potentially worldwide audience. Follow @KHTSRadio on Facebook, Twitter, and Instagram.

KHTS AM 1220 & FM 98.1 - Santa Clarita Radio - Santa Clarita News

The Royal Family Celebrates Queen Elizabeth II’s Birthday With a Few Photographs

The Royal Family Celebrates Queen Elizabeth II’s Birthday With a Few Photographs
King Charles and Queen Camilla spent the day in Scotland, but in England’s East Midlands, a crowd of people—and corgis—honored what would have been the late queen’s 98th birthday with the unveiling of a new statue.

April 22, 2024

Image may contain Elizabeth II Photography Person Adult Face Head Portrait Plant Potted Plant Animal and Canine

Bettmann/Getty Images.

All featured products are independently selected by our editors. However, when you buy something through our retail links, Vanity Fair may earn an affiliate commission.

Nearly two years after the death of Queen Elizabeth II, her birthday, April 21, is becoming a day when both the royal family—and the rest of the nation—celebrate the legacy of Britain’s longest-serving monarch. This year, King Charles III and Queen Camilla spent the weekend at Balmoral Castle, where the late queen died in September 2022, and on Sunday, which would have been her 98th birthday, the couple were spotted on their way to nearby Crathie Kirk.

According to a former butler for the royals who spoke to Slingo, the family likely continued honoring the queen during the rest of the day. “Privately, I have no doubt they’ll raise a toast to her in the evening,” said Grant Harrold, per People. “I’m sure the day will very much be spent reflecting on the late queen.”

On Instagram, Sarah Ferguson remembered her mother-in-law with a photograph taken on the balcony of Buckingham Palace during 2022’s Platinum Jubilee. “Thank you for all that you have taught us, for being a steadfast leader and dear friend,” she wrote. “You are sorely missed.”

X content

This content can also be viewed on the site it originates from.

The Royals Collection Trust, which cares for and curates the royal collections, honored the late queen with an image taken during her teenage years. The photograph by Cecil Beaton will be part of a new palace exhibition called Royal Portraits, which will open next month in the King’s Gallery.

According to The Telegraph, a few corgis were on hand during one tribute to the late queen. On Sunday, the first posthumous statue of Queen Elizabeth was unveiled in the town of Oakham, Rutland, in England’s East Midlands, and the bronze sculpture by artist Hywel Pratley features three life-size corgis climbing on the plinth. To celebrate the unveiling, the Welsh Corgi League brought 46 of the queen’s beloved breed to the event, and they could be heard barking during a speech by Sarah Furness, the Lord-Lieutenant of Rutland who commissioned the statue.

Exchange Place Alliance acquires 1st sculpture for permanent display in Jersey City

Exchange Place Alliance acquires 1st sculpture for permanent display in Jersey City
The Exchange Place Alliance recently acquired their first sculpture for permanent display on the Jersey City waterfront, “Adorn Me” by Tanda Francis. By John Heinis/Hudson County View “I am thrilled by the permanent placement of Adorn Me in Exchange Place. Maintaining the sculpture at its current location became my goal especially after learning of the […]