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Las Vegas teen photographer captures historic Tropicana casino in its final days

Las Vegas teen photographer captures historic Tropicana casino in its final days

LAS VEGAS, Nev. (FOX5) – As the Tropicana nears the end of its era on the Las Vegas Strip, a local teen is doing his part to hold on to the memory of the historic hotel.

“Between the glass ceiling and the lavish pool, it just feels so Vegas, the epitome of the word,” said 17-year-old photographer Alex Gassaway.

Monday, he brought his camera to the Tropicana to capture its final days on the Las Vegas Strip.

“Definitely expected to see more people out here to see its final days,” he said. “Right now it feels eerie, like it feels like an imitation of what it used to be… a place that should be full of life and vibrance just kind of slowly decaying until it inevitably falls.”

Come April 2, Alex said he’ll be sad to see the Tropicana go. With it, a classic Las Vegas feel that he said is becoming harder to find on the Strip.

“I definitely see it pivoting more towards luxury and consumerism, rather than what Vegas is about, that kind of fun, that old feeling, the just uniqueness of Vegas,” he said.

Long after the Tropicana is gone, Alex hopes his photos will serve as a memory of what stood on this iconic corner for 67 years.

“Because I think it’s important to preserve and archive our history so that future generations, even though it’s not here, you can still look back on it. It’s a form of physical memory of a place,” he said. “So even though it’s gone, it’s not entirely gone.“

The Barnes Foundation’s new exhibit honors Alexey Brodovitch’s work in photography

The Barnes Foundation’s new exhibit honors Alexey Brodovitch’s work in photography

The Barnes Foundation’s new exhibit honors Alexey Brodovitch’s work in photography – CBS Philadelphia


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Born in Russia and married in Paris, Alexey Brodovitch landed in Philadelphia and founded the Department of Advertising at the University of the Arts. With a click of his camera, he helped change the way we see what’s around us.

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Southern Delaware Tourism Announces 2024 Photography Contest Winners

Southern Delaware Tourism Announces 2024 Photography Contest Winners

GEORGETOWN, Del.- Southern Delaware Tourism (SDT) unveiled the winners of its 2024 Southern Delaware Photography Contest, marking the 8th consecutive year of this celebrated event.

The adjudication panel consisted of Pam Aquilani and Tony Pratt. Winners were selected across three distinct categories, with the Grand Prize standing as the crowning jewel of the competition:

Grand Prize: Shelby Howell of Leesburg, VA. – A depiction of a child reveling in the joy of beach play.

Southern Delaware Action Shots: Marion Dowling Ocean View, DE. – An awe-inspiring portrayal of a surfer harnessing the power of the ocean waves.

Southern Delaware Amusements & Boardwalk Bites: Beverly Cleaver of Ocean View. – A nostalgic glimpse into the carefree world of childhood, as captured amidst the whimsical attractions of Funland.

Southern Delaware Holidays & Events: Thomas Gelnett of Ocean View. – A dynamic snapshot capturing the vibrant essence of a performance at Freeman Arts Pavilion.

“This contest was established to celebrate Southern Delaware and to keep our destination top of mind for visitors and potential visitors year-round,” says Scott Thomas, Executive Director of SDT. “We received entries from all over the Mid-Atlantic and beyond. The entries clearly demonstrate the variety and richness of experiences available in Sussex County and the incredible enjoyment people get from visiting and living here.”

Prizes for the winners ranged from a two-night hotel stay, gift certificates to local restaurants and local shops, and a Funland ticket book.

To see all the winners, click here.

Larry Mayer attends State of the Union: Montana photographer captured the first public images of the Chinese spy balloon last yea

Larry Mayer attends State of the Union: Montana photographer captured the first public images of the Chinese spy balloon last yea

Livingston native and professional photographer Larry Mayer was in Washington, D.C., earlier this month and attended the State of the Union address at the U.S. Capitol.

Mayer, 67, was the guest of U.S. Rep. Matt Rosendale, a Republican who represents Montana’s 2nd congressional district.

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Retired meteorologist to talk about eclipse photography at Audie Murphy Museum

Retired meteorologist to talk about eclipse photography at Audie Murphy Museum

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In today’s social media world, amateur photography has become an enjoyable pastime for many – and now that there’s a total solar eclipse on the way, a lot of people have been asking about how to safely go about taking photos of the phenomenon.

To help these eager celestial shutterbugs, Audie Murphy/American Cotton Museum plans to host a presentation by longtime meteorologist and astrophotographer Gary Woodall next Monday, in which he’ll talk about how he plans to photograph the eclipse – for which Greenville will be within the path of totality from around 12:24 p.m. to 3:04 p.m. on April 8, with the actual eclipse occurring for about four minutes and 10 seconds starting at 1:42 p.m.

Woodall worked for the National Weather Service for more than 30 years, where he started as a storm spotter, then spent much of the rest of his career training storm spotters.

His career took him from Midland to Fort Worth to Phoenix and then to Memphis. Then, upon retiring, he moved to McKinney to be closer to his wife Melissa’s family in Greenville.

In retirement, Woodall has been indulging in one of his other interests, astronomy and using his telescope for astrophotography.

“Mostly, I’ve been doing it just in my backyard, but in town, there’s a lot of light pollution from street lights and city glow, but I’ve still got some good shots,” Woodall said at a previous presentation at the Audie Murphy Museum in 2022. “Someday, I hope to go out with my telescope to West Texas, like to the Davis Mountains, where the McDonald Observatory is and I’d have clearer, darker skies to work with.

“As a meteorologist, I was already looking up, but with astronomy, I’m now getting to look a little higher,” Woodall added.

His presentation on eclipse photography will begin at noon on April 2. The museum is located at 600 Interstate Highway 30 Frontage Road in Greenville. Admission will be free for museum members. Otherwise, the price will be $8 for adults; $6 for senior citizens, veterans and college students; and $3 for students 6 to 18 years old.

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15 Photos Show Beautiful Simplicity of Monochromatic Minimalism

15 Photos Show Beautiful Simplicity of Monochromatic Minimalism

Black & White Minimalism Magazine Black and White Minimalist Photography Prize

Black & White Minimalism Magazine has announced the winners of its 2024 Black and White Minimalist Photography Prize, with the top photographer earning themselves a nice $1,000 award.

Despite the narrowly focused theme of black-and-white minimalist photography, the contest still received 1,300 submissions, which the organizers say demonstrate “the enduring appeal of minimalism in black-and-white photography.”

The competition was judged by professional photographers Alexandra Manuel and Tim Nevell, as well as the magazine’s chief editor, Milad Safabakhsh.

Yvonne C. Krystovsky won the 2024 Grand Prize for her image, “In Great-Grandpa’s hands.”

Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘The photograph shows the hands of a great-grandfather holding those of his great-grandchild in a moment of tender connection. The wrinkles and scars on the old man’s skin tell of a lifetime of experiences, while the child’s soft fingers reflect the innocence and curiosity of youth,’ says the grand prize-winning photographer Yvonne C. Krystovsky. ‘Photographed in black and white, the details emphasize the emotional depth of the moment and the contrast between old and young. Every line, texture and nuance reinforces the significance of this inter-generational love. This photograph is a touching testament to the beauty and depth of the connection between generations.’ | 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine

Daniel Zaleski’s “Minimalist Concrete Staircase” nabbed the runner position, and Alexandre Caetano’s “On top of Serra da Capelada” rounded out the top three.

Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘Newly designed and constructed concrete staircase in an old refurbished building (former slaughter house). I was immediately enthralled by the light, tones and simple lines,’ says photographer Daniel Zaleski of his second-place image. | 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine
Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘Traveling through Costa da Morte, Galicia. 600m above sea level where the mountains separate the Cantabria sea from the Atlantic Ocean,’ explains third-place winner Alexandre Caetano. | 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine

Alongside the awarded winners, the judges all selected nearly 90 honorable mentions. These won’t all be featured below, but they are available in a gallery at Minimalism Magazine‘s website.

PetaPixel has selected a dozen of its favorite finalist images to feature below while also trying to ensure that a diverse range of photographic styles are represented. The judges must have had their hands full picking the top three, as even picking 12 photos to share proved very challenging.

Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘Social Distancing’ by Jason Au | Honorable mention in the 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine
Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘Sit Down’ by Rolf Endermann | Honorable mention in the 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine
‘Single Tree’ by Reza Rajaei | Honorable mention in the 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine
Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘Dried Wood’ by Marleen Van Hove | Honorable mention in the 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine
Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘Lines of Winter’ by Petr Novák | Honorable mention in the 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine
Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘Mutual’ by Kris Schofield | Honorable mention in the 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine
Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘Placeholder’ by Alexej Schulz | Honorable mention in the 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine
Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘Warm Place’ by Marta Wojnarowska | Honorable mention in the 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine
Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘Baby Baboon Silhouette’ by Turgay Uzer | Honorable mention in the 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine
Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘Black Pearl’ by Sascha Kohne | Honorable mention in the 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine
Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘Fisherman’ by Roman Konig | Honorable mention in the 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine
Black & White Minimalism Magazine Black and White Minimalist Photography Prize
‘A Fleeting Moment’ by Robert Bolton | Honorable mention in the 2024 Black and White Minimalist Photography Prize by Black & White Minimalism Magazine

For enthusiastic fans of incredible black and white photography, PetaPixel recently covered the winners of the reFocus Awards’ 2023 Black and White Photo Contest and the stunning winners of the Black and white Photo Awards. For those who want to improve their monochromatic imagery and maybe win future contests, PetaPixel‘s “Black and White Photography: The Beginner’s Guide” is full of great advice.


Image credits: Black & White Minimalism Magazine. Individual photographers are credited in the photo captions.

Oklahoma History Center Museum exhibit highlights Native identity through art

Oklahoma History Center Museum exhibit highlights Native identity through art

Oklahoma History Center Museum exhibit highlights Native identity through art

The exhibit called ‘Into the Mirror’ will feature pieces from the museum’s permanent collection

PLUS FIVE DAY FORECAST. ALL RIGHT JONATHAN THANK YOU FOR THAT. A NEW EXHIBIT OPENS THIS WEEKEND AT THE OKLAHOMA HISTORY CENTER MUSEUM. IT’S CALLED INTO THE MIRROR, AND IT FOCUSES ON ARTWORK BY NATIVE AMERICAN ARTISTS. JOINING US NOW DIRECTOR OF THE MUSEUM LEON NATTER. LEON, GOOD MORNING TO YOU. AND THANK YOU SO MUCH FOR BEING HERE. MY PLEASURE. THANK YOU FOR HAVING ME. OF COURSE. HAPPY TO HAVE YOU HERE JUST RIGHT OFF THE TOP HERE. TELL US ABOUT THE EXHIBIT AND WHAT PEOPLE CAN EXPECT. OKAY. WHAT I’M FOCUSING ON IN THE EXHIBIT, THEIR PIECES FROM OUR PERMANENT COLLECTION. AND WHAT WE WANT TO SEE IS NATIVE ARTISTS ACTUALLY REPRESENTING NATIVES. THERE’S ALWAYS BEEN, YOU KNOW, CONTROVERSY SINCE COLONIZATION ABOUT HOW WE REPRESENT INDIGENOUS PEOPLE. SO THIS IS AN EXHIBIT THAT’S ABOUT HOW INDIGENOUS PEOPLE ARE REPRESENTING THEMSELVES. YEAH. AND TALK ABOUT THE IMPORTANCE OF THAT. WELL, IT’S REALLY SIGNIFICANT BECAUSE NUMBER ONE, THE THE LOOK CHANGES OVER TIME. THE FIRST PIECE IN THIS EXHIBIT IS BACK FROM THE 1870S. WOW. SO THIS IS AND THIS WAS A A CHEYENNE ARTIST WHO WAS IN PRISON AT FORT MARION IN SAINT AUGUSTINE, FLORIDA. AND THE THE WHOLE CONCEPT OF HOW TO REPRESENT THEMSELVES IS CHANGING AT THIS POINT. AND THEN WE HAVE IN OKLAHOMA, WE HAVE ONE OF THE MOST SIGNIFICANT SCHOOLS OF NATIVE AMERICAN ART COMING FROM FROM OU IN THE 1920S, OSCAR JACOBSON HAD ALL OF THE KIOWA ARTISTS. THIS GROUP OF KIOWA ARTISTS THAT REALLY, REALLY INFLUENCED HOW THE WHOLE ART SCENE HAPPENED ALL OVER AMERICA. I MEAN, IT WAS TREMENDOUS FOR NATIVE ARTISTS, BUT THEY ALSO HAD A BIG INFLUENCE ON THE ART WORLD IN GENERAL. OH, WOW. SO THESE ARE PIECES FROM YOUR PERMANENT COLLECTION. HOW DID YOU DECIDE WHICH ONES TO PICK FOR THIS EXHIBIT? WELL, THAT WAS HARD. WELL, THE FIRST CRITERIA WAS OF COURSE ARE THEY ACTUALLY REPRESENTING PEOPLE? THAT’S WHAT I WANTED TO SEE. THIS IS ALL ABOUT PEOPLE. HOW THE FACES LOOK, HOW THE THE INDIGENOUS PEOPLE LOOK AND THEN IT WAS A, YOU KNOW, OUR COLLECTIONS, WE HAVE SOME VERY SIGNIFICANT COLLECTIONS THAT HAVE BEEN GIVEN TO THE MUSEUM OVER THE YEARS BY OKLAHOMA COLLECTORS AND WE WANTED TO FEATURE THESE AND TO FEATURE THESE ARTISTS. AND THAT’S THAT’S THE OTHER CRITERIA. WERE THEY OKLAHOMA? WE HAVE MANY NATIVE AMERICAN ARTISTS IN OUR COLLECTION THAT HAVE BEEN GIVEN TO US OVER THE YEARS, BUT THIS IS ABOUT OKLAHOMA NATIVE AMERICANS REPRESENTING THEIR PEOPLE. OKAY. WE LOVE TO SEE THAT. AND FOR PEOPLE WHO ARE GOING TO BE HEADING OUT TO CHECK THIS OUT, WHAT DO YOU HOPE THAT THEY TAKE AWAY FROM THE ARTWORK THAT THEY SEE AND THE AND THE EXHIBIT? WELL, I HOPE THAT THEY THAT IT MAKES THEM THINK THAT IT MAKES THEM THINK HOW THE PEOPLE SEE THEMSELVES AND HOW, UH, HOW WE’VE MAYBE MISREPRESENTED FROM OTHER, YOU KNOW, OTHER ARTISTS HAVE MISREPRESENTED INDIGENOUS PEOPLES OVER THE YEARS. AND THAT THEY SEE THAT IT’S A VIBRANT AND AN ONGOING ART FORM THAT THERE IS THAT THE MOST RECENT PIECE WAS DONE LAST YEAR. SO THIS IS SOMETHING THIS IS NOT SOMETHING FROM THE PAST. THIS IS SOMETHING THAT’S ONGOING. IT HAS A TRADITION. IT’S GROWN, IT’S CHANGED. AND I WANT THEM TO SEE THAT IT’S IT’S LIVELY AND THAT THERE’S A WONDERFUL NATIVE AMERICAN ART SCENE OUT THERE FOR THEM TO EXPLORE A VERY IMPACTFUL CULTURE. AND WE’RE SEEING SOME OF THAT WORK THERE. IT LOOKS BEAUTIFUL. OKAY, JUST TELL US HOW LONG THIS EXHIBIT RUNS, HOW LONG PEOPLE HAVE TO GO CHECK IT OUT. OKAY. IT OPENS THIS SATURDAY AND THEY HAVE UNTIL THE END OF THIS YEAR. IT’LL CHANGE NEXT JANUARY AND WE’LL BRING OUT ANOTHER EXHIBIT. OKAY. PLENTY OF TIME TO GET OUT THERE AND SEE IT. NOW, THIS IS JUST REGULAR MUSEUM ADMISSION, RIGHT? TO GET IN REGULAR MUSEUM ADMISSION. IT IS IN THE ONE OAK GALLERY. IT’S CONTAINED WITHIN THE OTHER NATIVE AMERICAN GALLERY. AND WE HOPE THAT THEY’LL ALL COME OUT. BRING THE CHILDREN. THERE ARE SOME PIECES THAT ARE HUNG SPECIFICALLY AT HEIGHT FOR YOUNGER CHILDREN. AND TO MAKE THEM THINK A LITTLE BIT, YEAH, I LOVE THAT. AND WE’LL HAVE ALL THAT INFORMATION POSTED IN THE AS SEEN ON SECTION OF OUR WEBSITE AS WELL FOR PEOPLE WHO ARE INTERESTED. LEON, THANK YOU SO MUCH FOR COMING IN. IT LOOKS LIKE IT’S GOING TO BE A GREAT EXHIBIT, A GREAT SUCCESS, AND THANK YOU SO MUCH FO

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Oklahoma History Center Museum exhibit highlights Native identity through art

The exhibit called ‘Into the Mirror’ will feature pieces from the museum’s permanent collection

A new exhibit at the Oklahoma History Center Museum highlights Native artists’ identity. The exhibit called “Into the Mirror” will feature pieces from the Museum’s permanent collection. The first piece dates back to the 1870s. >> Download the KOCO 5 App”There’s always been controversy ever since colonization about how we represent Indigenous people, and so this exhibit is about how Indigenous people are representing themselves,” said Leon Natker, the director of the Oklahoma History Center Museum. “This was a Cheyenne artist who was in prison at Fort Marion in St. Augustine, Florida, and the whole concept of how to represent themselves is changing.” Selecting pieces for the exhibit had to meet certain criteria. Most importantly, they had to represent people and Oklahoma. Get the latest news stories of interest by clicking here.”This is all about people. How the faces look, how the Indigenous people look,” Natker said. “This is about Oklahoma Native Americans representing their people.” The exhibit opens on Saturday, and it will run through the end of the year. Top Headlines Crews battle fire at popular Edmond restaurants, prevent flames from spreading to other businesses TIMELINE: Strong front could bring snow to northwestern Oklahoma on Monday Motorcyclist dies in crash that closed I-240 near I-35 for hours Sunday brings severe thunderstorm, tornado warnings across Oklahoma March Madness Day 4 recap

A new exhibit at the Oklahoma History Center Museum highlights Native artists’ identity.

The exhibit called “Into the Mirror” will feature pieces from the Museum’s permanent collection. The first piece dates back to the 1870s.

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>> Download the KOCO 5 App

“There’s always been controversy ever since colonization about how we represent Indigenous people, and so this exhibit is about how Indigenous people are representing themselves,” said Leon Natker, the director of the Oklahoma History Center Museum. “This was a Cheyenne artist who was in prison at Fort Marion in St. Augustine, Florida, and the whole concept of how to represent themselves is changing.”

Selecting pieces for the exhibit had to meet certain criteria. Most importantly, they had to represent people and Oklahoma.

Get the latest news stories of interest by clicking here.

“This is all about people. How the faces look, how the Indigenous people look,” Natker said. “This is about Oklahoma Native Americans representing their people.”

The exhibit opens on Saturday, and it will run through the end of the year.


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