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Local artists continue to explore the bounds of photography in new SCAA exhibit

Local artists continue to explore the bounds of photography in new SCAA exhibit
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KINGSTON, R.I. — Amid the echoes of shutter clicks, the South County Art Association’s (SCAA) Open Juried Photography Annual has returned, running from now through April 13, drawing both emerging and seasoned artists into its fold.

As a staple exhibit of the SCAA for over three decades, this year’s event has attracted a record number of 140 submissions.

“Each year we have returning and new photographers who submit their photographs for a chance to be selected and shown in our gallery,” said Jen Ferry, the executive director of the SCAA.

The juror for this year’s exhibition is Al Weems, a visual artist born in Fall River, Massachusetts. He received a BA in Psychology from UMass Dartmouth.

For several decades, Weems was a corporate and commercial photographer with a focus on environmental portraiture. He now concentrates on fine art portraiture with a practice that seeks to elevate the ordinary.

Weems’s work has been included in numerous exhibitions, including shows at the Providence Art Club, the Newport Art Museum, and the Art League, Rhode Island.

“Our juror Al Weems did a great job selecting the pieces, and the exhibit as a whole has a very tranquil feeling,” said Ferry. “Some of the photographs have the subtlety of using monotones and minimalism. Others use light and shadows to evoke feelings from the viewers. All of the photos are unique in their own way, just as each photographer is unique in his or her style.”

During the opening reception last week, Barbara Crane won first place with “Inspiration,” praised for its captivating sculptured natural light. William Brennan’s “Hydrangea” earned second place, notable for its golden hue. Third place went to Joe Hyde for “Out of the Dark,” celebrated for its composition, print quality, and reflections. Honorable mentions included Tracy Stillwell’s “Blue Elephant” for its creativity, Marc Jaffe’s “Hugs & Kisses” for its engaging flow, and Renee Syed’s “Morning Dew” for its inspirational pull into the center.

Jaffe shared the story behind “Hugs and Kisses”, he was in Newport at Brenton Point, a popular spot for kite flying, and noticed three kites dancing in the wind. “I liked this shot because of its simplicity, but liked it even more when I realized the tails formed the letters ‘XO,’” said Jaffe. “That’s why I titled it ‘Hugs and Kisses.’”

The inspiration behind this juried exhibition is rooted in the SCAA’s commitment to supporting and promoting photographers of all levels, offering a platform for both emerging and established artists to exhibit their work. “We didn’t want to limit the show to only ‘traditional’ photographs,” said Ferry. “The work will be considered as long as the main impetus for the work was created using a camera.”

In a bold move to reflect the ever-changing dynamics of photography, the exhibit has embraced not just traditional photography but also experimental forms of lens-based media. “Many photographers are experimenting and pushing the limits of the medium,” Ferry said.

Ferry also highlighted that by providing a platform for photographers to exhibit and potentially sell their work, the event offers exposure and support that might otherwise be difficult to obtain. “We exhibit a wide range of fine art photography. It reflects the true creative expression of each photographer,” she said.

The SCAA is keen on preserving the integrity and originality of photographic art, especially when artificial intelligence (AI) and digital manipulation are today’s hot topics.

“AI is a complicated issue,” said Jaffe “If AI is used just to sharpen or improve one’s own photo, that’s OK. Like using Photoshop. But if the entire artwork is produced by using other people’s work searched for on the internet and used without consent or credit, I do have a problem with that. And definitely in that case the work should be labeled as done by AI.”

The organization has implemented policies to ensure that all exhibited works are original in conception and execution, maintaining a level playing field for all artists.

Ferry points out, “Most photographers use some sort of digital manipulation to enhance their photos, but it has to be done in a way that the idea comes from them, not an AI program.”

As a nonprofit that has existed for almost 100 years, Ferry noted that the SCAA values history and tradition.

“Much of the work these days revolves around digital photography. However, some still develop their work from film in a darkroom,” said Ferry. “We hope to see a trend of going back to traditional processes.”

The South County Art Association is located at 2587 Kingstown Road in Kingston. The gallery is open from Wednesday through Sunday from 1 to 5 p.m. For exhibition updates and event information, visit southcountyart.org.

The Center for Photography at Woodstock announces 10 recipients of its 2024 Artist-in-Residency program

The Center for Photography at Woodstock announces 10 recipients of its 2024 Artist-in-Residency program
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KINGSTON — The Center for Photography at Woodstock (CPW) announced today the ten artists who have been selected for Woodstock AIR, its 25-year-old artist residency.

They are: Harlan Bozeman, Ally Caple, Sabiha Çimen, Kholood Eid, Salvador Espinoza, Camille Farrah Lenain, Arlene Mejorado, Zora J Murff, Andina Marie Osorio, and Avion Pearce.

For 40 percent of the 10 accepted artists, this is their first residency.

They come from New York City, Arkansas, Connecticut, California, and Rhode Island.

They work in diverse lens-based mediums and styles, utilizing portraiture, documentary, conceptual, interdisciplinary, still life, 16 mm film, archives, street photography, and collaboration in order to create works that range from installation, collage, zines, and mixed media assemblage.

For example, Kholood Eid, a Palestinian-American photographer, filmmaker and educator explores the depths of vulnerability, the strength in survival, the beauty in adversity, and the intersectionality of identity by blending conceptual and reportage practices.

And Nuyorican artist Andina Marie Osorio utilizes photography and image-based installations to create still lifes, environmental portraits, and pictorial collages that activate ancestral energies of feminine domestic settings.

Now celebrating its 25-year anniversary, the Woodstock AIR residency was founded in 1999.

It is committed to providing direct support to artists working with photography and expanding the critical dialogue around diversity, race, and identity in the context of social justice.

Open to US-based artists working in any genre of photography or related media, the goal of this program is to free the artist from the busy routines and demands of everyday life, and to provide a sanctuary for creativity.

The ten artists selected for Woodstock AIR 2024 will occupy CPW’s artist studio in Woodstock, two at a time for four weeks, from May to the end of the year.

Residents receive an honorarium, a travel stipend, and accommodations in a fully equipped artist studio, with a large-format printer, editing setup, and ample workspace.

In addition, residents receive critical and technical support at CPW’s Digital Media Lab in Kingston.

“These outstanding artists are making bold work that is driven by fierce, imaginative explorations of what the boundaries of contemporary photography can be,” said CPW Executive Director Brian Wallis.

“In our 25th year of Woodstock AIR, hosting this group of photographers underscores the reasons why the residency was established: to nurture emerging visions.

Thanks to our fantastic all-star jury we can welcome and celebrate these deeply thoughtful, creative artists. We can’t wait to see what they accomplish!”

Evaluating the 200+ applications began February 1 and ended March 5, and was undertaken by a four-member panel consisting of: Eric Booker, Associate Curator, Storm King Art Center; Baldwin Lee, photographer and educator; Miwa Susuda, Publisher, Session Press and manager, Dashwood Books; and Daniella Zalcman (Woodstock AIR 2022), photographer and founder of Women Photograph.

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Solar Eclipse: How to photograph with your iPhone, Galaxy or Pixel

Solar Eclipse: How to photograph with your iPhone, Galaxy or Pixel
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The great Solar Eclipse, when the moon passes briefly between the sun and earth, will be on April 8th this year, and it’s easily going to be a photo highlight for many of us. Just not in the South Bay, or anywhere in California, where it won’t be able to be seen. 

The route starts in Mexico, continues to the San Antonio, Texas area and continues through the middle of the country to the Maine border with Canada. 

Should you be travelling that way, can you get a good shot of the Eclipse with a smartphone? It can be a challenge, but it can be done, and the good news is, there are so many other great shots you can get on 4/8 as well.

I explain all, with a photo tips video for Eclipse fans.

Massachusetts Lieutenant Governor To Attend Reception For Photography Exhibit Celebrating Transgenderism

Massachusetts Lieutenant Governor To Attend Reception For Photography Exhibit Celebrating Transgenderism

March 22, 2024

Massachusetts Lieutenant Governor Kim Driscoll plans to attend an opening reception for a photography exhibit celebrating transgenderism.

The event highlights an exhibit called “This Is Trans.”

“This project was started at the beginning of 2022 as a way to bring visibility and awareness to transgender people of all forms,” a web landing page describing the exhibit states.

The reception is set to feature the photographer and Miss Trans Massachusetts 2023. The reception is sponsored by Miss Trans Global USA.

The event is scheduled for 6 p.m. Saturday, March 23 at Salem Arts Association at 159 Derby Street in Salem, where Driscoll, a Democrat, served as mayor before being elected lieutenant governor.

New to NewBostonPost? Conservative media is hard to find in Massachusetts. But you’ve found it. Now dip your toe in the water for two bucks — $2 for two months. And join the real revolution.

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SOIL SCULPTURE 7

SOIL SCULPTURE 7
A detail of a work of earth on a steel frame by Artist Kiyan Williams, “Ruins of Empire II or The Earth Swallows the Master’s House,” sits on a terrace