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Barrhead high school students photograph the Big Apple

Barrhead high school students photograph the Big Apple

BARRHEAD – As Frank Sinatra sings in his signature song, New York, New York, If you can make it there, you can make it anywhere.

Barrhead Composite High School (BCHS) portrait photography students are not sure about that, but they know the city is very photogenic and countless educational opportunities abound.

Starting on the Victoria Day long weekend in May, a 17-member contingent from the BCHS (15 students and two chaperones) departed for New York for a seven-day photography trip.

Com-Tech/Photography teacher Bruce Tyrrell noted that the trip marked the 13th excursion. Most of the trips have been to New York or Vancouver; however, the portrait photography students visited London, England, last year.

Students fund the trip primarily with the money the program raises through photography sales.

Unlike other schools that hire professional photographers to take the standard graduation photo in a mass one or two-day event, the portrait photography class takes grad photos during multiple sessions throughout the year. About half of the funds raised go towards the annual trip, while the other goes towards subsidizing the purchase of equipment for the Com-Tech program.

As part of the trip, Tyrrell often arranges to have the students talk to or participate in shoots with working professional photographers.

This year, the students met with Ben Norman, a freelance photographer most known for his work with the New York Times and a photography instructor at New York University.

Other photographers students have met and worked with include Pooya Nabei and Dave Brosha.

Nabei is a highly sought-after Canadian photographer known for his work in fashion, portraits, celebrity and advertising campaigns, while Brosha is a landscape and portrait photographer.

One of their first stops or excursions was to Yankee Stadium, where the students saw the hometown squad defeat the Chicago White Sox.

It also allowed students to photograph the stadium, replicating many of the original Yankee Stadium features.

“We were caught off guard by the sunshine,” said student Mitch McGarva, adding he got sunburn as part of the process.

However, he noted that the sun also helped him capture one of his favourite photographs of the trip: a Yankee hitter at the plate, which he shot using a larger telephoto lens.

“[Security] allowed people to bring in their cameras, but they took away most people’s longer lenses. However, I was able to smuggle mine in,” McGarva said.

They then went to Hamilton Park in New Jersey and did a night shoot of Manhattan across the Hudson River.

The next day, the students walked through Central Park, taking a path that Tyrrell had never taken on previous trips, passing some waterfalls before going to the Metropolitan Museum of Art.

“I loved the Met,” McGarva said, saying his favourite area was the weapon section. “Especially their pistol collection. It was crazy because it was all artisanal. The ivory carved stuff was really impressive.”

His classmate, Keira Butler, said her favourite was the statues. 

“The Egyptian section was particularly cool,” she said.

Tyrrell agreed, noting Egypt donated the contents of an entire Egyptian temple to the museum.

A new addition to the section was a projection that overlayed hieroglyphs, which were difficult to see in colour, onto the temple walls.

“It was really beautiful,” Butler said.

The next day, they met with Norman, who told them what it was like to be a freelance professional photographer in New York before reviewing the students’ photographs.

“He was impressed by the quality of the photography,” Tyrrell said. “He said the kids’ photos were comparable to his students.”

Another one of Butler and McGarva’s favourite sites was the Rose Main Reading at the New York Public Library.

“It was very quiet, and the roof was stunning, with the painting of the clouds,” Butler said. 

Tyrrell said his favourite part of their visit to the library was seeing the original stuffed toys from Christopher Robin Milne, the son of A. A. Milne, the author of the Winnie the Pooh stories and the basis of the Christopher Robin character.

The BCHS contingent went to Brooklyn Bridge Park and the Brooklyn Bridge for another golden, blue hour and night shoot.

“We got some really good shots, “Tyrrell said, adding several students walked on the bridge and took photographs of the bridge’s towers.”

The next day, the students visited the 911 Memorial before taking the Staten Island Ferry and the Statue of Liberty.

Tyrrell said he and Barb Sabiston, also a BCHS teacher, spent a lot of time filling the students in about the significance of the 911 Memorial at the new World Trade Centre complex as they were not alive when acts of terrorism occurred.

He added that just to the west of the memorial is a piece of the Berlin Wall.

“We talked a lot about liberty and freedoms, what it means to certain people and what it means when taken away,” Tyrrell said.

Butler said it was her favourite day of the trip.

“We got to learn a lot of history and just being that close to the Statue of Liberty.

What struck McGarva the most was the scale.

“Everyone is so used to seeing the pictures, but when you are there in person, at the base, you realize the detail and how large it truly is,” he said.

Another favourite memory for Butler and McGarva was attending the Broadway show, Hamilton.

“I watched it when it first went on Disney, but it did not resonate. Seeing it in person was a totally different experience. Especially since it is set in New York, we had just discussed the history beforehand and visited Hamilton Park … where [Alexander Hamilton] was shot,” McGarva said.

Tyrrell added that although he did not mention it to the students, there was much more police presence in the city than on his previous trips, especially in the subway.

“There was a real increase in crime, so the mayor and the governor brought in the National Guard to supplement the police,” he said.

Tyrrell noted the group never felt unsafe during the trip but said that might be partly due to the size of the contingent.

“Which is a fairly formidable-looking group, especially if you are all carrying tripods,” he said. 

The students also had the opportunity to visit the Museum of Modern Art for what was supposed to be a private tour. However, it was after a torrential rain storm, and by the time they were able to dry off, they had to settle for a group tour.

The following day, they visited Rockefeller Centre and explored mid-town Manhattan before conducting another image review.

On the final day, they visited the American Museum of Natural History.

Butler’s favourite display was the animal section, while McGarva’s was Lucy—one of the most complete skeletons found from the early hominids that flourished between four and two million years ago. The skeleton consists of bones from a single individual, presumably female, who stood well under four feet tall. Discovered in 1974, she is named after the Beatles song Lucy in the Sky with Diamonds.

The students wrapped up their trip with a farewell dinner at an Italian restaurant on Amsterdam Avenue.

“We were really fortunate. Most of the places had been booked up for weeks. It was a Friday night, and getting a table for 17 people was difficult. I had to beg and plead with the owner to take us in,” Tyrrell said, adding the following day, they had a quick tour of Grande Central Station before returning to Barrhead.

Barry Kerton, TownandCountryToday.com

Join Another Man for a Free Photography Talk at the V&A

Join Another Man for a Free Photography Talk at the V&A
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Celebrating the Fragile Beauty exhibition at the Victoria & Albert Museum in South Kensington, Another Man will be co-presenting in a panel discussion, titled Alternative Universes in Photography.

Occurring on the last Friday of every month, the V&A’s Friday Lates bring together leading and emerging artists and designers through live performance, film, installation, debate, live DJ sets, and much more. All events are open to the public and free to attend. The theme for June’s programming, Dreams and Desires, sees a variety of artists and performers connect to explore dreams as an empowering form of resistance.

At the Lydia and Manfred Gorvy Lecture Theatre at 8.15pm, join Dazed art and photography editor-at-large and AnOther contributor Ashleigh Kane, who will be hosting a talk with leading photographers Maisie Cousins, Juno Calypso, Trinity Ellis, and William Waterworth, who will delve into the role of world-building in art and photography.

Elsewhere in the programming, Italian DJ and producer Ehua will be performing a set, artist Anders Duckworth will be enacting a dreamlike performance through a non-binary lens, artist and illustrator Alex Mein will host a collage workshop inspired by James Bidgood’s seminal film Pink Narcissus, there will be a screening of Nan Goldin’s Sirens, which is dedicated to the first Black supermodel Donyale Luna, among other must-see workshops, films and events.

The V&A’s current shows, Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection, Tropical Modernism: Architecture and Independence, and the newly opened Naomi: In Fashion exhibition will also be open until 10pm. 

This month’s Victoria & Albert Museum’s Friday Late is on at the Victoria & Albert Museum, Cromwell Rd, London SW7 2RL on Friday 28 June from 6:30pm until 10pm. See the full programming here.

Wildlife Photographer Awakes Under a Tree to Find a Sleeping Cheetah by His Side

Wildlife Photographer Awakes Under a Tree to Find a Sleeping Cheetah by His Side

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Imagine dozing off under the shade of a tree after a long, hot day, only to wake up with a wild cheetah snuggled against you. This isn’t a fable or a campfire tale. It’s the real-life experience of Dolph Volker, a dedicated wildlife photographer and animal enthusiast, during one of his volunteer stints at Cheetah Experience, a sanctuary for endangered species in South Africa.

Table of Contents

Volunteering with a Purpose

Dolph’s love for animals started with a deep bond he shared with his dog. After his beloved pet passed away, Dolph found a new purpose in advocating for animal rights and raising awareness about endangered species. His journey led him to Cheetah Experience, where he dedicated his time to caring for lions, leopards, servals, and, most notably, cheetahs.

A Nap to Remember

The unforgettable moment happened on a scorching day when Dolph sought relief under a tree. Little did he know that his nap would turn into a remarkable encounter. As he slept, a cheetah named Eden approached him, curious about his presence. Eden decided to join Dolph for a nap, nestling close to him. The gentle nudges from the cheetah eventually woke Dolph, who was astonished but thrilled by the animal’s trust and affection.

Capturing the Moment

Being a seasoned photographer, Dolph had his camera ready to document this extraordinary event. The photos and videos he took show Eden behaving with unexpected gentleness—nuzzling against him, playfully nibbling, and even licking him. These tender moments not only strengthened Dolph’s bond with the cheetahs but also highlighted his dedication to their protection. His images and videos have inspired many and shed light on the importance of conservation.

An Ambassador for Cheetahs

Known as “the cheetah charmer,” Dolph leverages his platform, including his YouTube channel, to share insights about these incredible felines. His narratives and visuals educate the public about the challenges cheetahs face, such as poaching and habitat loss. Through his work, Dolph hopes to raise awareness and encourage actions to protect these magnificent creatures.

This experience exemplifies how wildlife can interact with humans when treated with respect and care. For Dolph, it was a powerful reminder of his mission: ensuring that future generations can experience the beauty and grace of cheetahs in the wild, not just through photos and videos. These moments of connection highlight the urgent need for wildlife conservation, emphasizing both its challenges and its profound rewards.

Peter

Peter, a distinguished alumnus of a prominent journalism school in New Jersey, brings a rich tapestry of insights to ‘The Signal’. With a fervent passion for news, society, art, and television, Peter exemplifies the essence of a modern journalist. His keen eye for societal trends and a deep appreciation for the arts infuse his writing with a unique perspective. Peter’s journalistic prowess is evident in his ability to weave complex narratives into engaging stories. His work is not just informative but a journey through the multifaceted world of finance and societal dynamics, reflecting his commitment to excellence in journalism.

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This Instagram Account Dedicated To Street Photography Shared The 29 Best Cat-Themed Photos

This Instagram Account Dedicated To Street Photography Shared The 29 Best Cat-Themed Photos
Gabriela Zagórska

Gabriela Zagórska

Moderator, BoredPanda staff

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My name is Gabriela, and I’m a Community Manager at Bored Panda. In real life, it means that every day, together with my team, I ensure that all the posts submitted by our creative pandas display their work in the best possible way. I’m always on the lookout for new artists who would like to join our community and share their content with a wide audience. In addition to that, I keep my finger on the community pulse and supervise its activity, ensuring that any problems our members experience on our website are promptly resolved.
Before joining the Bored Panda team, I worked as a freelancer, offering my creative services to people around the world—starting with graphic design, photography, and finally videos. Now, I pursue these activities only as a hobby, capturing moments with my cats and documenting new places I visit during my travels.

Read less »


Gabriela Zagórska

Gabriela Zagórska

Moderator, BoredPanda staff

My name is Gabriela, and I’m a Community Manager at Bored Panda. In real life, it means that every day, together with my team, I ensure that all the posts submitted by our creative pandas display their work in the best possible way. I’m always on the lookout for new artists who would like to join our community and share their content with a wide audience. In addition to that, I keep my finger on the community pulse and supervise its activity, ensuring that any problems our members experience on our website are promptly resolved.
Before joining the Bored Panda team, I worked as a freelancer, offering my creative services to people around the world—starting with graphic design, photography, and finally videos. Now, I pursue these activities only as a hobby, capturing moments with my cats and documenting new places I visit during my travels.

Submit your artwork and photography to DNR’s durable license card contest

Submit your artwork and photography to DNR’s durable license card contest

INDIANA – By early 2025, those purchasing an Indiana hunting, trapping, fishing, or combo license will have the option to purchase their license (for a nominal fee) on a durable card that can withstand harsh outdoor conditions.

To celebrate this highly requested new product, the cards will feature nature and wildlife-themed art from our talented Indiana residents!

Four artists’ works will be chosen for the background options of the durable license cards, and DNR e-gift certificates. Please read the following for more contest information and send any questions to DFWcontests@dnr.in.gov.

Contest Guidelines

  • All 2-D art mediums (e.g., photography, painting, drawing, graphic design, etc.) will be accepted, except AI-generated art.
  • Artwork must feature a wildlife species, outdoor recreation activity, or natural landscape in Indiana. Please note that judging will favor native wildlife and nature.
  • Artists will submit their entries to DFWcontests@dnr.in.gov.
  • Please include the following information in the email:
    • Photographer’s or artist’s name
    • Phone number and address
    • For artists under the age of 18: Age and name of parent or guardian
    • The month and year that the photo was taken or the art was completed
    • The location and/or species featured
  • Images must be submitted as .jpg or .jpeg files. Physical entries will not be accepted.
  • Limit of two (2) submissions per artist. Each submission needs its own email with the relevant information mentioned above.
  • Each file must be less than 10MB. Please submit one file per email to ensure the files do not exceed the size limits of state email accounts.
  • Department of Natural Resources employees are not eligible to enter.
  • Do not include watermarks or signatures on the photo. Such markings will disqualify the photo from the contest.
  • Artwork/images can be black & white or color. Any photographs submitted should be recent (taken within the past two years).
  • The deadline to submit artwork is Friday, August 2, by 11:50 p.m. ET.
     

In addition to the durable license cards and e-gift certificates, artwork submissions may be used for photo contest promotion and general communications, including the DNR/DFW social media pages, DNR/DFW newsletters, and DNR/DFW websites. Artists will be credited whenever their work is used. If selected, artists agree to allow the use of their artwork without compensation. The artist’s name and city will be featured on the card. A panel of DNR staff, through a rubric-based process, will judge finalists’ submissions.

Winners will be notified via email and announced via social media.

Be sure to follow DFW’s Facebook page and the DFW Instagram account to follow along.

Native Hawaiian Intellectual Property Working Group holds inaugural meeting

Native Hawaiian Intellectual Property Working Group holds inaugural meeting

On Monday, the Native Hawaiian Intellectual Property Working Group comprised of experts in native Hawaiian law, indigenous intellectual property, and cultural practitioners held its first meeting at the Hawaiʻi State Capitol.

The working group was established following the adoption of HCR108 by the House of Representatives in 2023. This resolution urged the creation of a nine-member working group to study policies and legislation concerning native Hawaiian intellectual property.

Rep. Darius K. Kila (D-44 Honokai Hale, Nānākuli, Mā‘ili) who introduced HCR108, explained that the formation of the group represents efforts to protect the intellectual property rights of Kānaka Maoli, as well as their cultural expressions, language, and art form.

“Today demonstrates native Hawaiians leading the charge in protecting and preserving their cultural legacy. The establishment of the working group stems from a profound concern over the blatant exploitation and dilution of native Hawaiian culture, language, and artifacts for profit across the globe,” said Kila. “The group’s primary objectives are to draft and propose substantive legislation and policies that can be enacted in the upcoming legislative session.”

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During the first meeting, working group members voted on leadership roles and elected Kumu Hula Vicky Holt Takamine to serve as Chair, and Native Hawaiian Legal Corporation Executive Director Makalika Naholowaa to serve as Vice-Chair. Additionally, the group approved Sen. Jarrett Keohokalole, Kila, and Rep. David A. Tarnas as non-voting members.

These legislators will participate in policy discussions and provide additional support to the working group.

Discussions taken place at Monday’s meeting included examples of disputes over Indigenous intellectual property that have taken place within the past decade. For example, Aloha Poke Co., a Chicago-based food chain, sent cease-and-desist letters to Hawaiian poke shops to stop using “Aloha” and “Poke.” Similarly, a baking mix company ʻOkina recently faced backlash for trademarking the name of a Hawaiian diacritical mark.

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“You can’t trademark aloha. It’s not for sale,” said working group chair Vicky Holt Takamine. “We now have a working group that will develop policies and procedures to educate the general public about native Hawaiian intellectual property and protect our cultural rights as native Hawaiians in our own ancestral home.”

“This is the first time native Hawaiians are being invited to give our manaʻo and participate in the conversation about governance, coming up with ways to improve our law so we can better protect the intangible assets like native Hawaiian intellectual property,” said working group Vice Chair Makalika Naholowa‘a.

The concept of preserving intellectual property is widespread among indigenous groups, which have developed strategies and frameworks to protect their collective rights. Examples include the Indian Arts and Crafts Board, funded by the U.S. Department of the Interior; the Toi Iho registered trademark for Maori art and artists, supported by a charitable trust; and the Alaska State Council on the Arts Silver Hand Program for Alaska Native artists, funded by the state.

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“This initiative holds monumental significance, offering groundbreaking opportunities for indigenous communities in Hawai’i, and across the United States. It paves the way for these communities to assert true control and direction over their culture, language, arts, and artifacts. The potential impact of this work is boundless, promising a future where Indigenous heritage is respected, preserved, and celebrated,” said Kila.

The Native Hawaiian Intellectual Property Working Group currently has eight members, with one vacancy awaiting appointment by Sen. Ron Kouchi. The group will meet twice a month to deliberate on policies and ideas for the 2025 legislative session. They are scheduled to submit a final report no later than forty days before the commencement of the 2025 legislative session.