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How to Save Money on Film Photography

How to Save Money on Film Photography

Shooting film can be an expensive hobby, but if you love it, there are ways to make it more affordable. 

Coming to you from Els Vanopstal, this practical video offers 10 tips to save money while shooting film. Vanopstal’s first tip is to talk to people about your interest in film photography. You might find someone who has an old film camera they no longer use. Friends, family, and even coworkers might have cameras collecting dust. Many film cameras are still out there, forgotten and unused. By letting people know you’re interested, you can increase your chances of getting a camera for free or at a low cost.

Vanopstal’s second tip is to avoid high-end cameras like Leicas or Hasselblads when you’re starting out. There are many affordable cameras that work just as well. Affordable cameras are often overlooked but perform excellently. You can find them for around $50 with a lens on eBay. There’s no need to buy the most expensive gear when there are plenty of good, affordable options available, many of which can use your DSLR lenses.

For those who want to maximize the number of photos they get from a roll of film, Vanopstal suggests using a half-frame camera like the Olympus Pen. These cameras take double the amount of exposures on a regular film roll. However, keep in mind that the image quality will be slightly reduced because the negatives are smaller. This can be a great way to stretch your film budget.

Finding expired film is another way to save money. But Vanopstal advises against buying expired film from random sellers on eBay. Instead, check local camera stores or reputable online shops for recently expired film sold at a discount. Expired black and white film is less prone to deterioration than color film, making it a safer bet for experiments.

Choosing less expensive film stocks can also help you save money. Black-and-white film is generally cheaper than color film. For instance, Kentmere 400 costs significantly less than Kodak Tri-X. While there are differences in film stocks, budget-friendly options can still produce excellent results.

Buying film in bulk can also save you money in the long run. If you know what film stock you prefer and can afford the upfront cost, purchasing boxes of film instead of individual rolls can be more economical. Another option is to buy spools of film and respool them yourself, though this requires some initial investment and practice.

Being deliberate with what you shoot is another important tip. Vanopstal suggests reserving film for special projects or intentional shoots. This approach helps preserve film for meaningful work rather than casual snapshots, keeping costs down.

Developing your own film can also save money. Though the initial investment in chemicals and equipment might seem high, it pays off if you’re a regular shooter. Those are just some of the tips, so check out the video above for the full rundown from Vanopstal!

In pictures: the women of London’s east Asian diaspora

In pictures: the women of London’s east Asian diaspora

Arriving in London from Beijing by way of New York, the photographer’s tender portraits explore the recent history of east Asian migration to the UK

25June 2024

London’s green spaces were one of the reasons why photographer Sirui Ma decided to make the city her home. After leaving Beijing for the UK capital (following a stint in New York), the photographer has been capturing both the Asian diaspora and the city’s surrounding natural landscapes.

She’s fascinated by the little things, hence the title of her debut show, Little Things Mean A Lot, opening June 21 at Hackney Gallery. The exhibition has been a developing body of work for over two years, Ma tells Dazed. “The work looks at the quieter moments of everyday life in London, through images of my friends and the nature that surrounds us,” she says.

The life in these photographs is hardly still, but it is slow – a reflection of the “communion with nature” (as Ma describes the exhibition). In one image, for example, a small black lizard sits on the face of a woman with her eyes closed, a loving interaction between the human and non-human worlds. Small mushrooms, lichen on a branch, and verdant woodlands are juxtaposed with London’s buildings and cityscapes. For Ma, nature is a source of healing and grounding. “[London’s green spaces are] so accessible,” she says. “They help me process and filter out all the noise of living in a major city when I need to re-centre.” As well as being a city full of greenery, London’s abundantly diasporic nature makes any global community feel quickly at home. 

Living in the UK apart from her family, it was important for Ma to find a sense of home through the east Asian community in London. After spending time in the city at the age of nine, Ma moved to New York, before returning to the UK capital in 2017. As Ma reminds us, the US has a longer history of east Asian immigration, specifically Chinese Americans, and in New York she was able to find “a lot more” community elders. “That can feel very comforting because I can see my family in them,” the photographer says. “[In the UK] the history is more recent and I’m finding people closer to my age. There’s not one that’s better than the other, it’s just different.”

Ma describes her work as “a self-portrait through the women in my life”. For her, photography is an exercise in both mirroring herself, and magnifying the minutiae of quotidien life. The photographer sees hints of herself in each of the women she’s photographed. “The same goes for the images of nature in this series,” she explains. “In every image there is a bit of me, a bit of how I see and care for the world around me.” In this sense, the work is also almost entirely autobiographical. “The way I experience the world, how I see my peers, how I as an Asian woman want to be perceived, how I find small bits of beauty in mundanity.”

There is an affectionate gaze to her images, which Ma says was a guiding principle of this body of work – a way of “looking at the world with love”. Aside from the orange and teal colour palette, which pops out most strikingly in an image of a young girl foregrounding an ice cream van, the images have a quiet and deeply intimate effect. Sirui says she achieves this intimacy by how she relates to her subjects. “It’s about having real relationships and feelings towards who or what I’m photographing,” she says. “It gives the images emotion and meaning.”

The show is also presented by Peach/pages, a platform supporting Asian artists through exhibitions, shows and printed matter. Their previous exhibitions include Story of an Egg at Nunnery Gallery (2024) and Homecoming at Studio 59 (2023). Ma hopes her debut show will make people appreciate the small things around us: “I hope my work can encourage people to pause and take stock of the beauty in the little things.”

Sirui Ma’s Little Things Mean A Lot runs until 30th June 2024 at Hackney Gallery. 

Sleeping cuckoos, and breakfasting flies win in the Royal Entomological Society Insect Week photography competition

Sleeping cuckoos, and breakfasting flies win in the Royal Entomological Society Insect Week photography competition

Summer has arrived and so has Insect Week here in the UK (June 24 – 30), as the winning images in the Royal Entomological Society’s Photography Competition 2023. 

The annual photography competition is organized by the UK’s leading insect science charity, and showcases the very best of amateur insect photography, helping bring the often overlooked miniature world of insects into sharp focus. 

The competition is open to all ages, and this year’s youngest victor is multi-award-winning Jamie Smart, aged eight, who was overall runner up in the ‘18 and under’ category for her image ‘Robber fly breakfast’. Her photo depicted a slender-footed robber fly. 

The talented eight year old has previously won awards from World Wildlife Trust, British Wildlife Photography Awards, and the RSPCA. 

Talking about her image she said:

“I was up early one morning and decided to have a wander around our wild garden with my camera when I saw this fly on grass. I didn’t realize until looking on the computer that he was actually eating another fly!”

All photographs entered in the competition needed to feature an insect, or group of insects, occurring naturally in the situation in which it was photographed. It can be in any life stage, from egg through nymph, larva or pupa, to adult, and from anywhere in the world.

Prizes range from £250 to £750 ($320 to $950). 

The overall winner in the ‘18 and over’ category is Yorkshire-based Luke Chambers, for capturing his image ‘Sleeping cuckoos’, depicting two cuckoo bees resting on a blade of grass. 

(Image credit: Luke Chambers)

Chambers said:

“Something I didn’t expect to see when I visited a fairly new location to me, but one of my best encounters to date. Finding any sleeping invertebrate is always brilliant, but two so close together, well that’s like winning the photography lottery!”

17 year old Swedish photographer Gugstav Parenmark won the ‘Under 18’ category with his image ‘Tranquility’, capturing a banded demoiselle damselfly at rest. Gustav has won the competition before and said:

“Waking up early is the key to photographing sleeping odonates. This species of damselfly is usually very skittish, but I went out at 4am to capture them inactive, making them easier to photograph.”

(Image credit: Gustav Parenmark)

Ashleigh Whiffin, RES committee member, Entomology Curator at the National Museum of Scotland, keen photographer, and one of the competition judges, said: 

“We’ve been overwhelmed by the number of entries to the competition this year! It’s wonderful to know that so many individuals have engaged with insects in this way, capturing some incredible moments for their world and showcasing the beauty and diversity of insects.”

(Image credit: Tim Jonas)

Tim Jonas’s picture of caddis-fly larvae in the UK came in second in the over 18s category. 

Specially commended in the over 18’s ‘portraits category is Pete Burford with his photo of a damselfly in the United Kingdom  (Image credit: Pete Burford, Look Into My Eyes)

Specially commended in the over 18 ‘environment’ category is this image of a praying mantis in France  (Image credit: Leela Channer, Evening Prayer)

Specially commended in the over 18 ‘Nature’ category is this image of Cotton Harlequin bugs (Image credit: Nikita Richardson, Nature’s Jewels)

Gustav Parenmark also got a highly commended for his image of a leafcutter bee (Image credit: Gustav Parenmark, Purple Fire)

Check out the best cameras for macro photography, and the best macro lenses. Why not take a look at the best cameras for wildlife photography as well?

Tracy L Chandler’s familiar desert

Tracy L Chandler’s familiar desert

Tracy L Chandler’s new book, A Poor Sort of Memory – published by Deadbeat Club – draws from the photographer’s childhood memories and traumas, which are an integral part of her growth journey. It is a true journey into the Californian desert of the town where she was born and raised, years after having left it. Not only the desert landscapes that welcomed her – away from the morbid atmosphere of the family home – but also details that evoke feelings of claustrophobia and alienation. These very atmospheres tell the stories of Chandler’s memories, emotions, and even the ghosts of her past.

«As I revisited old hideouts in concrete washes and private bunks in rock formations, I was reminded of a past laden with trauma and my desperation to find both a sense of belonging and an independent self» recounts Tracy L Chandler talks about A Poor Sort of Memory and the process of reconciling objective reality with the subjective truth of her painful memories. In this dualism, Chandler embraced her role as an unreliable narrator, using what remains of her history to create a new, genuine photographic fiction.

«I found myself chasing ghosts and evading monsters, and I struggled to parse memory from fantasy and reflection from projection […] Do I believe that making photographs will bring back some sort of truth? My experience is the opposite» concludes Chandler.

A Poor Sort of Memory will launch at the San Francisco Art Book Fair, between Thursday 18th July and Sunday 21st July. 

New Heights in Mobile Photography: Enhancing Images with Computational Photography

New Heights in Mobile Photography: Enhancing Images with Computational Photography

Exploring the Innovations in Smartphone Cameras

Enhancing images through automatic algorithms is the backbone of computational photography. From utilizing HDR to blend multiple exposure photos to achieving a background blur effect in portrait mode, smartphone cameras have transcended mere megapixels in capturing high-quality photos and videos.

Pushing Boundaries with Innovative Features

Google’s astrophotography mode allows users to capture stunning visuals of stars by employing long exposure and automatic image processing on Google Pixel models. The camera shutter remains open for about 30 seconds, capturing the essence of the starry night sky. While the process may take several minutes per frame, the result is an authentic starlit photograph, setting a new benchmark for mobile photography.

Revolutionizing Mobile Videography

realme’s FlashSnap feature revolutionizes capturing moving objects by analyzing and detailing each frame in real-time. Complemented by an astrophotography mode and Light Fusion algorithms, realme offers users unparalleled versatility and depth in their photos.

Redefining Portrait Photography

OPPO, in collaboration with Hasselblad, renowned for its legendary lenses, has optimized its flagship smartphones for portrait photography, imbuing images with the signature Hasselblad aesthetics. The incorporation of Hasselblad XCD lens characteristics and color recognition technology elevates OPPO’s camera capabilities to redefine portrait photography quality and authenticity.

Technological Advancements and Creative Dimensions

Tecno’s Universal Tone technology, developed in partnership with the University of Leeds School of Design, ensures natural skin tone representation in photos by utilizing a vast database of skin tones. This innovative approach accentuates Tecno’s commitment to inclusive and true-to-life photography experiences.

Mobile photography continues to evolve, driven by sophisticated algorithms and cutting-edge technologies, transforming smartphones from mere communication devices into powerful creative tools in the hands of users.

Exploring Cutting-Edge Developments in Mobile Photography

In the realm of computational photography, recent advancements have pushed the boundaries of what mobile cameras can achieve. One noteworthy innovation is the integration of AI-powered night mode capabilities that enhance low-light photography by combining multiple exposures to produce stunningly sharp and vibrant images, even in challenging lighting conditions.

Unleashing the Power of Computational Imaging

One of the key questions that arises in the context of computational photography is how these advanced imaging techniques impact the authenticity and realism of photographs. While these technologies undeniably offer creative possibilities and enhance image quality, there is ongoing debate about whether they can sometimes lead to an over-processed or artificial look in photos. Striking a balance between artistic enhancement and maintaining the integrity of the original scene remains a critical challenge for manufacturers and users alike.

The Proliferation of Computational Photography

As smartphone manufacturers race to integrate computational photography features into their devices, a key advantage emerges for users: the democratization of professional-level photography tools. With intricate algorithms handling complex tasks like image processing and scene recognition, even novice photographers can capture impressive shots with minimal effort. However, this accessibility also raises concerns about the potential homogenization of photographic styles and the loss of individual creativity in image composition.

Challenges on the Horizon

One of the primary challenges facing the adoption of computational photography is the ethical implications of advanced editing capabilities. With AI-driven tools capable of seamlessly altering reality in images, questions about authenticity, trustworthiness, and the impact on visual storytelling continue to surface. Additionally, the reliance on intensive computational processing raises concerns about battery life, device performance, and data privacy in the era of smart imaging technologies.

Mobile photography enthusiasts must navigate the evolving landscape of computational imaging with an awareness of both its benefits and drawbacks. While these technologies offer unprecedented creative possibilities and image enhancements, they also present complex challenges that require careful consideration and ethical reflection.

Learn more about the latest trends and technologies shaping the future of mobile photography at DPReview.

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A women’s empowerment photography exhibition is debuting in Exmouth

A women’s empowerment photography exhibition is debuting in Exmouth
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A women’s empowerment photography exhibition is debuting in Exmouth

A photography exhibition capturing women in the waves is debuting in Exmouth this summer. 

Local photographer and journalist Fran McElhone started taking photos of her friends during cold water swims in Budleigh Salterton. These pictures are the basis of her Salt & Sass Project, which aims to inspire female strength and self-confidence.

I want to help women forget their inhibitions, feel awesome and feel beautiful,” says Fran.

“In turn, I hope this feeling of empowerment extends to everyday life, for example, encouraging women to focus only on their unique beauty when they look in the mirror, and to feel strong feminine energy flowing through them.”

For many, being photographed, especially in nothing or next to nothing could be daunting, no?

“I just tell them what is true,” says Fran, “that they are beautiful and unique and I never take an unflattering photo! I emphasise that (if they’ve agreed for their photos to be shared publicly) they’re helping empower other women who will hopefully be inspired by their fortitude, while reaffirming the notion that beauty shines from within, and physical beauty is not constrained to narrow, shallow, ideals, as portrayed in western culture. 

“You may look at the images and think, wow they’re so confident. But this is a classic ‘don’t judge a book by its cover’ scenario; the majority of women have had body hang ups and self-confidence issues and have done the shoots as part of their journey to overcoming any negative sentiments towards themselves. The majority of them agreed because, like me, they wanted to empower other women too.”

The project will be celebrated on the walls of coffee house and venue space, Cabin Coffee House, on 7 Parade, Exmouth from 1- 31 July. The project is ongoing for those interested in being photographed by Fran.

The shoots are free, but a suggested voluntary donation of £20 is encouraged for women’s mental health charity Women at Wish.

For more: freeridemedia; Instagram: @we_freeride

 

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