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The Fujifilm X100VI gives you an analog photography experience

The Fujifilm X100VI gives you an analog photography experience

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Product Specifications
Colors
Silver, Black
Sensor
23.5 mm x 15.7 mm (APX-C) X-Trans COS 5 HR
Image Processing Engine
X-Processor

Fujifilm X100VI dial-based digital camera gives you a tactile photography experience

Fujifilm X100VI dial-based digital camera gives you a tactile photography experience

Fujifilm X100VI dial-based digital camera gives you a tactile photography experience

Fujifilm X100VI dial-based digital camera gives you a tactile photography experience

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Fujifilm X100VI dial-based digital camera gives you a tactile photography experience

Enjoy hands-on photography with the Fujifilm X100VI. This dial-based digital camera creates stunning images.

Enjoy hands-on photography with the Fujifilm X100VI. This dial-based digital camera creates stunning images.

 

Unleash Your Creativity: Whether you prefer composing through the hybrid viewfinder, utilizing the tilting LCD, or trusting your instincts with preset settings, this camera ensures you never miss a moment.

Inspiring Design: Crafted with an aluminum top plate, machined dials, and tactile exterior, the X100VI inspires creativity.

Steady Shots, Stable Videos: The new in-body image stabilization system keeps your images sharp and videos stable in low light conditions.

Intuitive Dial-Based Controls: Echoing classic camera design, the dials on the top plate offer functionality and creative freedom.

Superb Optical Performance: Equipped with a 23mmF2 lens, you get edge-to-edge sharpness across the frame. The 40.2-megapixel sensor ensures stunning image quality.

Film Simulation Modes: Choose from 20 Film Simulation modes to replicate the look of classic photographic film stocks.

 

Enjoy analog operation with the X100VI!

Fujifilm X100VI dial-based digital camera gives you a tactile photography experience
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Gadget Flow Rating 9.2/10

Product by Fujifilm

View Product Specs

Discovered on Feb 21, 2024, 7:00 am EST

Discovered by Lauren Wadowsky

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Editor’s Quote

I love this camera’s classic, analog look!

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Sign up to create private and public wish lists that you can share with family and friends. It’s also easy to organize your favorite gadgets into different collections, like gift guides, smart home products you love, and more.
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3

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Now you can discover new products through our video feed. With Gadget Flow Watch, browse through your favorite categories and create playlists. Our endless selection of videos will have you discovering gadgets for hours.
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Our Mission: Help You Find the Best Gadgets

We simplify product discovery. This means you can find all the greatest gadgets in record time. As a technology company, our mission since 2012 has been to make it easy for you to discover quality products and stay updated with the latest trends.
What Is a Gadget?
It’s the gear you can’t live without: the smartphone you constantly check, the camera that goes on every vacation, and the TV for binge-watching and gaming. All the coolest gadgets owe their existence to a new technology that changed it all.
What Are the Types of Gadgets?
Gadgets include everything from phones like iPhone and VR headsets like Oculus to gaming consoles like PlayStation 5 and robots like Roomba.
What Gadgets Are Trending Today?
Mainstream gadgets include TVs, consoles, smart devices, cameras, headphones, and music devices. However, there are a ton of unique gadgets for fun, learning, and more. Here’s a full list of gadgets that are currently trending on Gadget Flow.
What Are the Top New Tech Trends?
Technology evolves every day, and some of the most popular tech trends include AI, robotic process automation, edge computing, quantum computing, virtual reality, blockchain, IoT, 5G, augmented reality, self-driving, big data, machine learning, and voice search.

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iPhone Photography Basics: How to shoot a 365 project

iPhone Photography Basics: How to shoot a 365 project

What better way to learn the iPhone photography basics than by capturing an image every single day for a whole year? A 365 project might sound like a daunting task, but when you consider the thousands of photos that likely already exist on your iPhone or on iCloud, it’s an entirely doable challenge. In fact, there’s a good chance you use your iPhone camera almost every day anyway. The only difference here is that you’re going to be taking your photography that little bit more seriously so you can develop your skills as an iPhone photographer. 

Embarking on a 365 project will immediately give you a goal to work towards, adding a sense of purpose to the photographs that you capture. And if you plan your days effectively, you’ll be able to throw in your fair share of challenges along the way. This is integral in allowing you to develop your photography skills, just make sure you don’t become too ambitious too quickly. Just like an endurance race, a 365 project is a marathon, not a sprint. Shoot three sunsets and four sunrises in the first week and there’s no way you can keep that level of commitment up. 

So, if you’re thinking about starting a 365 project today, here are a few tips to help you avoid throwing the towel in so you can journey forth and become a better photographer…

Mike Harris, iMore contributor

Mike Harris

I’m Deputy Editor of N-Photo: The Nikon Magazine, but moonlight as iMore’s go-to photography know-it-all. I’ve worked in the photo industry for over six years and have been an avid iPhone photographer since the iPhone 4. I firmly believe that iPhone photography is a great starting point for burgeoning photographers, so I’ve created a series of iPhone photography basics tutorials so you can either firm up your existing iPhone camera skills or embark on a whole new passion.

Brainstorm photography ideas

iPhone notes planning

(Image credit: Future/Apple)

There is quite simply no genre of photography that doesn’t benefit from planning. And a 365 project is no different. If you leave capturing your photo to the last minute every day, you risk running out of ideas and becoming frustrated. You certainly won’t be capturing your best work. 

As soon as you commit to a 365 project, brainstorm your ideas. Your iPhone’s Notes app is a great way of doing this, so you have access to them at all times. Write down the various genres you’d like to try and then get more specific with particular mini projects you’d like to work on. You can then start to plan your time more effectively and shoot more ambitious images.

Avoid unrealistic expectations

landscape red door

(Image credit: Future)

Vowing to capture 365 images in a single year is a huge undertaking and it’s easy to become disillusioned, especially if you set unrealistic expectations. A 365 project is anything you want it to be: a visual diary of your life, an excuse to take photos or a practice regime that allows you to build your skillset. Just don’t expect to capture an award-winning iPhone image every single day. Even the world’s best photographers would struggle to shoot their best work on such a consistent basis. 

Instead, allow yourself to find creative ways to come up with easy wins on days when you’re busy and save more ambitious projects for the days when you’ve got the time. If all you manage to capture is an artistic ray of window light, highlighting the cup on your desk one day, that’s not a problem. And while you should try your best not to miss a day, if you do, simply shoot two photos the next day and move on.

Keep a camera with you at all times

iPhone home screen

(Image credit: Future/Apple)

If you were shooting with a dedicated camera, this would be an extremely important step. But it highlights the real beauty of iPhone photography and why – even as a seasoned photographer – I take my iPhone Camera seriously. It’s the camera that’s always by your side, making it arguably the best camera you could use for a 365 project.

Whether you’re on your way back to the office with your lunch and you spot a fantastic piece of architecture, or you’re walking the dog in the evening and are met with beautiful golden light, or you’re off on a city break, your iPhone is the camera that’s always by your side.

Experiment with genres and iPhone tech

Collage iPhone photography

(Image credit: Future/Apple)

Experimentation is key if you want to use your 365 project to develop your skills, but it’s also a great way to get to know your iPhone camera inside out. I’m willing to bet that most iPhone photographers keep their camera on the main wide-angle lens and don’t deviate further. This is your chance to experiment with different lenses: try shooting a fun portrait with the ultra-wide-angle lens or if you’re lucky enough to have an iPhone 15 Pro Max, put that brand-new 5x telephoto lens through its paces. Explore functions like Pano, Portrait, and Night modes. Apply a filter and shoot in black and white or finally get round to learning how to edit iPhone photos the right way by delving into the Photos app’s editing functions. 

Challenge yourself

Collage iPhone photogrpahy

(Image credit: Future/Apple)

Just as you don’t want to set yourself unrealistic expectations, you also don’t want to go too far the other way. If all you do is take a quick snap every day, with little thought regarding composition, the quality of light, or whether or not you’re using the right lens, you simply will not improve as a photographer. You need to push yourself out of your comfort zone at certain times throughout the year. This might be trying a different genre like street photography or portraiture, it might be learning more about your iPhone camera and using the various features to their fullest. Either way, you have to push yourself to get better.

Share and collate your images

Screenshots of iPhone screen

(Image credit: Future/Apple)

There really is something special about seeing a body of work. In a world where digital photography means we can shoot and move on, and the time-sensitive nature of digital media means articles and images are soon lost to the annals of time, seeing a collection of your images in one place is a really satisfying way to chart progress. It’s one of the main reasons why Instagram became so popular, after all. 

Creating an Instagram account for your 365 project is a fantastic way of collating your work and sharing it with others. It also gives your project an additional purpose and allows you to receive constructive criticism, garner inspiration from other accounts and receive positive comments to motivate you further. And if you don’t want to share your project online, you can create a folder in the Photos app, so you can still collate your work and browse through it in one place.

Find a photography partner

iPhones showing photo on screen

(Image credit: Future/Apple )

Persuading a friend, or even a group of friends, to partake in a 365 project is a great way to stay inspired and motivated, while also introducing a healthy dose of competition. This allows you to really immerse yourself within the project. Encouragement will spur you on and constructive criticism will help you develop. You may even find yourselves heading out together and becoming more ambitious with your efforts. But easily the most valuable by-product of teaming up, is an added sense of accountability. If you ever find yourself disillusioned or lacking the motivation to continue, your photography partner will be there to lift you up and encourage you to push on.

But I’m too busy to take a photo every day… 

Photography should be about having fun. Force yourself to embark on a 365 project and it could have an adverse effect. If your life is simply too busy for a 365 project right now, you can still use almost all of the tips above, but apply them to more manageable, mini projects. This might be taking a photo every time you walk the dog, only capturing black and white photography for a month, or focusing on a street photography project during a city break. Multiple ‘mini projects’ throughout the year may prove just as valuable as a 365 project. You’re on the right track as long as you’re motivated to capture photos regularly.

From hawking commercialart in Eldoret to exhibiting in Miami, Houston and Berlin

From hawking commercialart in Eldoret to exhibiting in Miami, Houston and Berlin

It’s been a long while since I visited Nedia Were’s studio: our encounters have been sporty in the immediate post-Covid season. That’s about to change as I wait to meet with him at the tony Artcaffe Gastro in the upmarket Westlands District of Nairobi. We are here to meet New York art dealer Aeon Cummings, a former JP Morgan and GE Capital VP now building his art advisory business, focussing on African and Caribbean artists. His 11,000 km flight to see Nedia and Nairobi’s art scene is a testament to the value he places on Nedia and on the undiscovered potential available here.

Nairobi is steadily developing into an important regional arts destination with its growing number of new and emerging artists gaining international acclaim – a list that includes some exciting names such as Beatrice Wanjiku, April Kamunde, Peterson Kamwathi, Onyis Martin, Dickens Otieno, Shabu Mwangi and Boniface Maina.

They join a list of established international household names from Nairobi such as the highly acclaimed Wangechi Mutu, Michael Armitage, Kaloki Nyamai, Syowia Kyambi, Chemu Ng’ok, Thandiwe Muriu and of course the award winning Nedia Were.

Born 35 years ago to a working-class family in Langas Estate in Eldoret, a laid-back rural farming town 300 km north west of Nairobi, Nedia’s mother wanted him to follow in the footsteps of his late father and be a school teacher. She wanted to give her son an easier path with job security: but he would hear none of this, resulting in a bitter falling-out. “The die was cast,” he reflects: all he had was based on a dream and a childhood hobby. 

He had grown up with no TV, toys or amusement parks. Evenings were special for him as he looked forward to his grandfather’s return from work – but he had to endure stiff competition for full attention as the old man first had to attend to reading the Daily Nation from cover to cover. The paper became Nedia’s library. He remembers stories of people suffering; and the comics that brought him joy and captured his imagination. 

With pencil and paper he took to copying the comics; and thus his dream to be an artist was born. Thus after the falling-out he set out to prove to his mother and his family that he had a better plan. He set up a roadside freelance sign-writing business: “Dickson Signs”. Making a decent living from this was tough: he charged $0.5 per word and closed most days with less than $5.

Good fortune came when friends requested him to paint their portraits. To his delight he could make as much as $5 for a 30 cm square portrait – which, in his naivety, he painted on wood with the same emulsion paint used on walls. He moved on to the tourist art business with repetitive and generic portraits of Masai people. 

In 2015, confident that he could pivot from a commercial sign writer to a fine artist, he packed his bags and headed to Nairobi. There he met Patrick “Panye” Mukabi, who took him as his mentee at the famous Dust Depo Artists Collective. He changed his “pen name” from Dickson Were to Nedia Were to signify his transition. Later in the year he had his debut exhibitions at the exclusive and affluent Karen Country Club.

Just two years later Lady Luck smiled on him as he won the respected Manjano Art Prize on his first attempt. This resulted in more exhibitions – and one of the pieces was sold at auction in the secondary market to benefit the McMillan Memorial Library in Nairobi.

In 2021 the doors to international art markets opened when the Mitochondria Gallery in Houston included him in a group exhibition titled “The Line Between” together with Lagosian painter Mamus Esiebo.

Causing a stir with paint

As Nedia developed his artistic voice he sought not just to show empathy with victims but to find subtle ways of challenging the perpetrators of social and political disenfranchisement – and, by extension, challenging representations of black bodies in media and advertising. 

Nedia’s Mumwamu series caused quite a stir. The title of this series of mixed-media figurative paintings and portraits is “black bodies” or “black person” in his local Tiriki dialect. It bears two hallmarks of his new visual vocabulary: his distinctive use of pitch-black colour on the faces and skin of his subjects; and his references to newsprint – an ode to his grandfather.

Seeing how powerful black faces and skin look on completion presented some soul-searching questions as to why some people go to great lengths to alter their true visual identity by skin bleaching. He took on a mission to restore people’s pride in their colour and identity and counter the dehumanisation of those with black skin – especially the deep black commonly found in the Nile and Lake Victoria region. 

In doing so he was also taking on the teaching of art schools that black pigment cannot be applied directly from the palette when painting skin tones; the artist should create the black hue by mixing colours, resulting in a more toned-down and subtle hue. He felt he had to “redeem” the black pigment from the “pigeon hole” to which it had been consigned.

His subjects thus have a visually dramatic appearance. They are always in sitting or resting poses, with a strong focused gaze from contrasting white eyes, draped in a flowery garment or lively colourful background foliage.

International acclaim

After his Mumwamu received instant acclaim, Nedia has gone on to develop an expansive oeuvre of work that has been exhibited in over 30 shows – from Miami with the Ross-Sutton Gallery and Cape Town with the Eclectica Gallery to art fairs such as Frieze, the Joburg Art Fair, the Investec Art Fair and the Florence Biennale last autumn.

One of his proudest moments was in March 2022 when his portrait of a young lady Barua Si Yangu (“the letter is not mine”) sold for £22,500 at the prestigious Sotheby’s auction house in London. Many of his works have found their way to the secondary market where, according to Sotheby’s, his average auction price is about £12,000.

According to Artsy.com, Nedia was the second-most-tracked emerging artist from Africa on their platform in 2022 with gallery prices ranging from $7,000 to $15,000. His journey, built on childhood dreams, personal muses, social circumstances and dogged self-determination has seen his dream hoist him from a backwater existence to a coveted place in the art world, challenging established art standards and defying stereotypes to champion identity and political discourse.

The acquisition of his Untitled work by the New Museum in Berlin from his 2022 “Fragments of Perceptions” solo exhibition in Houston was a major milestone. It was followed by him earning a coveted placement in the hallowed company of Amoako Boafo, Zanele Muholi, Rufai Zakaria, Yinka Shonibare, Sungi Mlengeya and Romuald Hazzoume in the landmark exhibition “4000+ Years of African Art” at the Wall House Museum on the island of St.Barts.

The logic of Aeon’s wager on this rising artist begins to make sense. It may perhaps make a lot of dollar cents for him.

Stunning Pic Of Solar Flare Clicked By Turkish Man Wins Astronomy Photography Award

Stunning Pic Of Solar Flare Clicked By Turkish Man Wins Astronomy Photography Award
Stunning Pic Of Solar Flare Clicked By Turkish Man Wins Astronomy Photography Award

The picture was taken in Traisen, Germany, on September 4, 2022.

A stunning picture of a large solar flare clicked by a Turkish astrophotographer Mehmet Ergün, has won the Astronomy Photographer of the Year 2023. The picture titled, ”The Great Solar Flare” was photographed using an H-alpha solar telescope, and was taken in Traisen, Germany, on September 4, 2022.

“Here we see our Sun, photographed using an H-alpha solar telescope. The Sun is moving towards its maximum cycle, and in the photo, we can see a large solar flare. Solar flares are sudden bursts of magnetic energy on the surface of the Sun. These eruptions can be very large, as seen in the image. According to our calculation, this solar flare is about 700,000 km long; Earth has a diameter of about 12,700 km,” the photographer explained the image. 

Royal Museums Greenwich, which holds the annual competition featuring the world’s greatest space photography, shared the winning image on its official Instagram account, and wrote, ”Your votes have been counted! “The Great Solar Flare” is the winning image in the Astronomy Photographer of the Year People’s Choice category.”

See the post here:

After winning the prestigious award, Mehmet Ergun expressed gratitude towards the people who voted for his photo and shared a note of appreciation. 

He wrote, ”We did it! Thanks to your incredible support and valuable votes, I actually won. It’s hard to put into words how grateful I am. Every one of you has contributed to making this dream come true. Such recognition for my work means so much to me. About 10 years ago, I could never have imagined this. Knowing that my work excites and inspires you fills me with indescribable joy. Thank you, thank you, thank you.”

Meanwhile, an image of a Full Moon titled, ”A Rocky Rise” secured the second place.

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Photographer Carl Evans explained, ”This is an image of the Full Moon rising over Church Rock in Broadhaven, Pembrokeshire. I stood on the beach at Broadhaven for a couple of hours waiting for the Moon to rise The clouds initially hid the Moon and as I was walking away it appeared among the clouds, adding a nice effect over it. I took two shots for the image: one for the Moon and one with a faster shutter speed to catch a flock of birds flying around the rock.”

Grace Ueng: ‘Slo-mo’ photography better than social media for authentic, happy memories

Grace Ueng: ‘Slo-mo’ photography better than social media for authentic, happy memories

Editor’s Note: Grace Ueng is the founder of Savvy Growth, a noted leadership coaching and management consulting firm, and an expert on wellbeing and performance science. Grace writes a regular column on happiness & leadership for WRAL TechWire.

Spending the weekend with my sister’s family to see Yunchan Lim, the youngest winner ever of the Van Cliburn competition, perform with the Boston Symphony Orchestra, I was reminded of a column which ran nearly a year ago.  I’ve updated this oldie but goodie to share with you today!

Old tech fun for new generation

At dinner before the concert, my nephew was excited to show his sister the champagne colored Olympus Mju II camera he recently purchased in Japan.  We older people at the table laughed as his “new” fun was an old fashioned film camera we had used at his age!

Olympus Mju II camera

Olympus Mju II camera

Giving brings benefits

I enjoy purchasing gifts that I think the receiver will delight in owning.  Researchers have found that performing generous acts activates the part of the brain that increases personal happiness.

Being generous with your time, energy or money creates a “warm glow” and positive affect. This is why the more involved a volunteer becomes with a cause, the more fervently they believe in the mission making them want to contribute more.

For my niece’s birthday last year,  I asked her mom what she would like as a gift. My sister suggested buying her a psychology book.  Very practical, I thought, given my niece, at that time a freshman, was considering majoring in psychology.

I then asked my niece what she would like, and she thought about it and shared an idea – a Fujifilm disposable camera!

Fujifilm disposable camera

Fujifilm disposable camera

Creating memories in ‘slow motion’

I thought it a bit unusual since she has an iPhone that can take amazing pictures instantly…

Ever curious, I decided to research why she might have interest in a disposable camera as a birthday present, and found that it is a trend among her age group to take photos the way we did at their age.  The “slow motion” way, where you have to wait and where one shot has to suffice since the camera and film are in limited quantity given there is a definite cost for each shot.

One thing I really like about this trend is that it goes against the pressure of social media since digital pics are taken in multitude, the best shot selected, then often edited to perfection, and then posted, to make the memory “real!”  A disposable camera captures “rawer” moments.

In the older era of capturing memories, there were usually a few weeks of finishing the roll of film, then dropping the cartridge in the mail, to then wait days for the film to be delivered to the queue for processing at the photo lab, before making the journey back to your mailbox.

I remember the anticipation, as a young girl,  of checking my mailbox to see if my finished photos were in the stack of mail and if indeed there were, eagerly opening up the envelope to shuffle through the stack of photos.

Then going through them many times to oow and awww before selecting which might make the final cut into the memory album, and perhaps even enlarge or get reprints for friends.

When the old way may be better

I was fascinated to learn that young people are now showing an interest in going back in time.  Happy with my findings, I ordered my niece several disposable cameras in hopes that they would help her delight in capturing future college memories.

I believe this trend can help take away anxiety and body-image issues and societal pressures of teenagers and rather capture pictures for her to remember, instead of painting an ideal picture for everyone on the internet.

I have a big concern for the mental health of our young people. In 2021, the U.S. Health & Human Services cited 49.5% of adolescents having had a mental health disorder at some point in their lives.

The National Alliance on Mental Illness reports that nearly 20% of high school students reported serious thoughts about suicide in the past year, and 9% reporting a suicide attempt.  These are troubling statistics.

Psychology at Penn

My niece has an interest in positive psychology and is at perhaps the best place to study this field, the University of Pennsylvania, where the likes of Marty Seligman and Angela Duckworth teach and do research.  Last year, she took Professor Duckworth’s Grit Lab course. I am a big fan of Angela’s and have commented on her work: Grit.

My niece is now in the class The Science of Wellbeing with the father of positive psychology, Marty Seligman. It’s extra cool, because when I wrote this column originally and said:

To my niece – if you are reading this, to make your Mom happy, please pick out a book from Savvy’s Favorite Positive Psychology & Business Resources, and I will send it to you!

She responded with her choice: Flourish, by Martin Seligman.

After seeing my niece, and now my nephew, brighten up over old fashioned cameras, I am starting to study what next to purchase, perhaps a Polaroid.

Playing with these oldies but goodies activates positive memories, thereby improving wellbeing!

About Grace Ueng

A management consultant, leadership coach and human performance expert with Savvy Growth, Grace has been covered in The Wall Street Journal, Inc., and MIT Technology Review.  Leaders call her when seeking a strategic review of their business, when going through a pivot point, or when they’d like to have a thinking partner to hold them accountable to stretch goals.

Her company offers workshops to improve team effectiveness: Savvy’s Seven: What You Will Learn.

Join her Happiness & Leadership community to be more productive leader: click here

Evolution: Ben Toms Photographs Nature’s Shapeshifters

Evolution: Ben Toms Photographs Nature’s Shapeshifters
image

Evolution: Ben Toms Photographs Nature’s Shapeshifters | Atmos

The tadpole becomes a frog, the caterpillar a butterfly, and the snake sheds its skin. In full color, Ben Toms displays the beauty inherent in transformation, a reminder that growth, however scary, makes us who we are.

All animals evolve in one way or another. For this series, shot for The Overview: Meditations on Nature for a World in Transition, photographer Ben Toms zeroes in on the reptiles, amphibians, and insects that exhibit perhaps the most remarkable transformative journeys. 

In one image, two hands are submerged in clear water, guiding along a swimming salamander. This is familiar territory for the once aquatic amphibian, though a cascade of mutations has now transformed it into a mostly terrestrial being—its larval gills and fins now shrunken into lungs and legs. Another photo captures a butterfly resting between two human eyes—crinkled, paper thin wings indicative of the insect’s time folded inside the casings of a brimming chrysalis.

And on a bubblegum pink background lies the translucent exoskeleton of a snake, a quintessential image for evolution—the theme of The Overview’s third chapter—as the reptile is constantly sloughing off its skin to begin anew. 

Some of these creatures have experienced full metamorphosis, completely changing form. Others have gone through partial adaptations, shedding their older sheathings to grow new parts throughout their lives.

Toms, along with stylist Robbie Spencer, set designer Janina Pedan, and makeup artist Crystabel Riley, have framed these ever-evolving species in a way that is interactive with both humans and nature’s elements, showing all facets of evolution within the confines of a studio setting.

“This shoot was an incredible opportunity to focus on the creatures we so admire,” said Pedan. “I’m hoping these photographs will be a way to share the breathtaking beauty of animals that might otherwise be considered creepy.”

Coupling the creatures with their human and nonhuman counterparts in this project works to actualize that hope, along with highlighting a power we all share: the ability to evolve.

visual editor
Robbie Spencer
makeup
Crystabel Riley (Julian Watson Agency)
set & props designer
Janina Pedan (The Magnet Agency)
talent
Christina Lovey (Osmosis Casting), Asa Adams (AMCK), Edwin (Tomorrow is Another Day)
manicurist
Saffron Goddard (CLM)
lighting tech
Jack Symes
lighting assistant
Cameron Williamson
makeup assistant
Temi Adelekan
set assistant
Tetiana Hrabovska
animal handler
Mark Amey
production
Charlie Murphy-Frost (We Folk)
post production
Hand of God

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