About

Posts by :

Crown + Flint Analog Photography App Gets Film Storage Update

Crown + Flint Analog Photography App Gets Film Storage Update

A phone sits on a table surrounded by analog photography gear with text that explains what the Crown + Flint app does.

Last summer, dedicated film photographer Don Goodman-Wilson released an app he designed specifically for film photographers. In November, he set the stage for regular releases of the Flint + Crown app with a significant update. The third such update is now available, adding the option to keep track of film in storage.

Available for both Android and iOS, the Crown + Flint smartphone app allows photographers to keep track of their equipment and the photos they capture. It serves as a replacement for taking notes in a physical notebook or note app that isn’t tailored to photographers and offers light meter capabilities to assist when taking photos.

When designing the app, Goodman-Wilson set some high expectations.

“It must collect relevant metadata on shots I take: Exposure, light metering, location, time, which camera body and lens I used, what film is loaded. It must be no more cumbersome to use than a hand-held light meter. It must make it easy to correlate the collected data with the physical film itself, ideally through some combination of printable sheets to store with the negatives and/or EXIF data I can merge into film scans. And it should reflect the needs of the photographer, not just the needs of the data being collected,” he explains.

The Crown + Flint R3 (third update), which is also called “Cold Storage,” adds even more convenience. The new update overhauls the “Unused” tab in the app to make it easier to keep track of film inventory. That includes bulk rolls and boxes of sheet film.

“If you’re like me, you’ve got rolls of film in your freezer, your fridge, out on your desk, it’s everywhere. Maybe you have a plan for it, maybe you don’t. Maybe it’s fresh, maybe it’s expired. Or maybe you just have a couple of rolls you’re not ready to use yet, you’re saving them for a rainy day,” explains the release notes.

I’ve personally been guilty of loading a roll of film into my camera and taking so long to get through it that I forget what’s in it and when I even started shooting it. Keeping track of that in an app is an extremely helpful tool. Plus, having the ability to easily pair camera settings and conditions with individual film frames is a great way to improve my film photography skills.

Three screenshots of the film storage option sin the Crown + Flint app are placed against a white background.

When users go to add film to their stock list, they have the option to include plenty of details. The app suggests the manufacturer name as they type and populates the various film options from that manufacturer. Then, users can select how the film is stored, the film format, and the quantity. There are fields for purchase date and expiration date, a blank notes section, and where the film is stored (refrigerator, bag, or freezer). Once a user inputs all that information, they can sort using filters, hopefully making finding a specific roll easier.

Beyond film storage, the R3 release also offers new support for cameras with interchangeable backs and film holders. Plus, the team improved the archive export for exiftool.

Crown + Flint already released what’s coming next back in November, and they appear to be sticking to that. R4 is dubbed “Homecoming” and will provide home screen and lock screen functionality, making it faster to pull up the app. R5, or “Filtered Reality” will add support for filters, taking the mental math of figuring out exposure out of the equation.


Image credits: Header photo licensed via Depositphotos.

Brazil Will Turn the Spotlight on Indigenous Artists at the Venice Biennale

Brazil Will Turn the Spotlight on Indigenous Artists at the Venice Biennale

At this year’s Venice Biennale, Brazil’s representatives will shine a light on their home country’s indigenous peoples, once brought to the brink of extinction by colonial rule and now fighting to reclaim what was taken from them. 

The mission starts with the name of the exhibition site, which has been rebranded from the Brazilian Pavilion to the Hãhãwpuá Pavilion—a reference to the Pataxó people’s word for the territory before it was colonized by the Portuguese. Artist and activist Glicéria Tupinambá has been tapped to take it over, but hers isn’t the only work that will be on view. Artists Olinda Tupinambá and Ziel Karapotó also have contributions planned. 

For Denilson Baniwa, Arissana Pataxó, and Gustavo Caboco Wapichana—the three curators behind the Hãhãwpuá Pavilion—a communal approach was central to the message.  

“The show brings together the Tupinambá Community and artists coming from the coastal peoples—the first to be transformed into foreigners in their own Hãhãw (ancestral territory)—in order to express a different perspective on the vast territory where more than 300 indigenous peoples live (Hãhãwpuá),” the curators said in a joint written statement.  

For them, the Hãhãwpuá Pavilion “tells a story of indigenous resistance in Brazil, the strength of the body present in the retaking of territory and adaptation to climatic emergencies.” 

Curators Denilson Baniwa, Arissana Pataxo, and Gustavo Caboco Wapichana. Photo: Cabrel. Courtesy of the São Paulo Biennial Foundation.

Curators Denilson Baniwa, Arissana Pataxo, and Gustavo Caboco Wapichana. Photo: Cabrel. Courtesy of the São Paulo Biennial Foundation.

“Ka’a Pûera: we are walking birds” is the name of the show planned for the pavilion—and it too says a lot about how the curators are thinking of their Venice project. The key phrase, Ka’a Pûera, is a portmanteau that suggests dual allusions: first, to a type of cropland that, after being harvested, yields a wave of low-lying vegetation; and second, to a small bird that expertly camouflages itself in dense forests. 

Both images reflect the Tupinambá, who were considered extinct until 2002, when they were finally recognized by the Brazilian State. In this sense, the Tupinambá are both birds and resurgent croplands: nearly erased but never gone, powerful in their ability to blend in, more powerful when they demand not to. 

Artist Glicéria Tupinambá. Courtesy of the São Paulo Biennial Foundation.

Artist Glicéria Tupinambá. Courtesy of the São Paulo Biennial Foundation.

A series of mantles—feathered capes made by the Tupinambás—are included in a pavilion installation planned by Glicéria Tupinambá, who has pushed to have the few remaining examples from the 17th-century repatriated to Brazil. One of just 11 known mantles from this period was recently returned from the National Museum of Denmark, where it had lived since 1689. The other 10 remain in European collections. 

“The garment spans time and brings the issues of colonization into the present day, while the Tupinambá and other peoples continue their anti-colonial struggles in their territories—like the Ka’a Pûera, birds that walk over resurgent forests,” the Hãhãwpuá Pavilion said. 

Glicéria Tupinambá, Manto tupinambá (Tupinambá Mantle) (2023). Courtesy of the artist.

Glicéria Tupinambá, Manto tupinambá (Tupinambá Mantle) (2023). Courtesy of the artist.

“We are living in a moment of convergence between the past, the present, and the future, in order to find a path towards sustainable ways of life and a rethinking of human relations,” said Andrea Pinheiro, president of the Fundação Bienal de São Paulo. “The questions raised by the work of the curators and artists point to relevant paths for the arduous process ahead of us.” 

The concerns of the Hãhãwpuá Pavilion mirror those of the main exhibition at this year’s 60th Venice Biennale, organized by another Brazilian curator, Adriano Pedrosa. A sprawling presentation of 332 artists titled “Foreigners Everywhere,” his planned show is all about outsiders. The exhibition includes numerous indigenous artists—including the Brazilian collective Movimento dos Artistas Huni Kuin—who are, according to Pedrosa’s curatorial statement, “frequently treated as [foreigners in their] own land.” 

Follow Artnet News on Facebook:
Want to stay ahead of the art world? Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward.

February 2024 Opportunities: Open Calls, Residencies, and Grants for Artists

February 2024 Opportunities: Open Calls, Residencies, and Grants for Artists

Illustration by Marija Tiurina

Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.

 

Black Women Photographers Grant FundFeatured
In partnership with Nikon, the Black Women Photographers grant fund will award 11 monetary grants totaling $50,000 to Black women working in the industry. The grants are marked to aid the completion of visual projects and to ease the burden of business expenses.
Deadline: 11:59 p.m. ET on February 17, 2024.

The Susannah Kelly Art AwardFeatured
The newly launched Susannah Kelly Art Award offers three $2,000 grants for artists working in drawing, painting, and sculpting. Recipients will also receive a solo exhibition at Antler and Talon galleries in Portland. The grant fund was created to honor the memory and legacy of artist Susannah Kelly, who co-founded the galleries.
Deadline: March 22, 2024.

 

Open Calls

Filter Photo Call for Exhibition Proposals (International)
Filter Photo welcomes photography proposals of all types, whether traditional or experimental or from an emerging curator or a veteran artist. Accepted proposals will receive a four- to six-week exhibition at Filter Space in 2024 or 2025, at least one exhibition reception, the opportunity to host an event in conjunction with the exhibition, exhibition marketing, and a stipend based on W.A.G.E. standards.
Deadline: February 2, 2024.

Noguchi Museum 2024 Open Call for Artist Banners (New York City)
The Noguchi Museum invites working artists ages 18+ who reside in New York City and self-identify as Asian American Pacific Islander (AAPI) to submit designs for the museum’s outdoor banners, responding to the theme of “love and labor.” The winning artist will receive a $3,500 honorarium. Their work will be installed from May 2024 through May 2025. Two runners-up will each receive a $2,500 honorarium. All three artists will have the opportunity to develop and lead a public program at the museum.
Deadline: February 4, 2024.

Locust Projects Digital Commissions Open Call (International)
Locust Projects invites artists to apply for the opportunity to propose ambitious multi-layered digital projects that respond to the hybridity and flexibility of Locust Projects’ physical space in Miami and various presenting platforms from onsite, galleries, interior or exterior surfaces, on screens, or online. Locust Projects provides selected artists with curatorial guidance, a production budget, an artist W.A.G.E. fee, documentation, and a live/work residency opportunity.
Deadline: February 5, 2024.

The 25 Spiral Independent Creators Festival (International)
Launched in 2000, SICF is an open-call art festival in Tokyo that aspires to discover, foster, and support emerging artists and designers. The organization is now accepting creators’ applications for the 25 Spiral Independent Creators Festival (SICF25), which runs May 2 to 7. Participants could win a grand prize of a solo show and up to ¥500,000.
Deadline: February 14, 2024.

Sony Future Filmmaker Awards (International)
The Sony Future Filmmaker Awards elevates voices that bring a fresh perspective to storytelling. The shortlisted filmmakers are flown to Los Angeles for an exclusive four-day event to gain unparalleled insight into all aspects of the filmmaking process to advance their careers.
Deadline: February 15, 2024.

FREE THE BOOKS: A Print Exhibition (International)
This March, Evanston Public Library will host an exhibition of prints about banned books in collaboration with Hive Center for Book Arts and Starshaped Press. Entry fees range from $5 to $35.
Deadline: February 16, 2024.

Bio Art & Design Award 2024 (International)
Geared toward emerging designers and artists, this €25,000 award promotes bio art and design. It will commission up to three winners to produce new work in collaboration with Dutch scientists, working in sustainability, food, health, biotechnology, horticulture, and agriculture.
Deadline: 23:59 CET on February 21, 2024. 

Art21 Educators Program (International)
Art21 Educators is an intensive, year-long professional development initiative and learning community. The program is designed to support K–12 educators in any subject area who are interested in bringing contemporary art, artists, and themes into the classroom.
Deadline: 11:59 p.m. ET on March 31, 2024.

Passepartout Photo Prize (International)
Open to any style, process, or subject matter, this annual prize offers 1,000 Euros, an exhibition in Rome, and a publication. The entry fee starts at 25 Euros for three images.
Deadline: April 4, 2024.

 

Grants

Artadia Awards (U.S.)
Artadia Awards annually grants three artists $15,000 in unrestricted funds in Atlanta, Boston, Chicago, Houston, Los Angeles, New York City, and the San Francisco Bay Area. There is also a roving partnership with 21c Museum Hotels, where one award is presented in a different city each year where 21c Museum Hotels are located.
Los Angeles deadline: February 1, 2024. Chicago deadline: March 1, 2024. Additional deadlines rolling throughout 2024.

BBA Artist Prize 2024  (International)
Artists working in all themes, mediums, and experience levels are invited to apply for cash prizes of €1,000, €700, or €500, plus the chance for a solo exhibition in 2025 at BBA Gallery in Berlin. There is a €29 fee if submitted before December 12, then €39.
Deadline: February 19, 2024.

New Voices Filmmaker Grant (International)
An ongoing initiative in partnership with Netflix to support emerging LGBTQ+ directors with $25,000 in funding to create new work, the New Voices Filmmaker Grant also provides mentorship, networking, and professional development opportunities. Four emerging directors will receive the unrestricted grant.
Deadline: February 22, 2024.

Prix Viviane Esders (Europe)
The Viviane Esders Endowment Fund welcomes applications for the third edition of the Prix Viviane Esders, recognizing European photographers over 60 years old who have developed photographic careers over several decades. One established photographer receives €50,000, and two finalists receive €5,000 each.
Deadline: April 29, 2024.

The Adolf and Esther Gottlieb Emergency Grant (International)
The Adolph and Esther Gottlieb Emergency Grant program provides one-time interim financial assistance to qualified painters, printmakers, and sculptors whose needs are the result of an unforeseen catastrophic incident and who lack the resources to meet that situation. Awardees typically receive $5,000, up to $15,000.
Deadline: Rolling.

Adobe Creative Residency Community Fund (Ukraine)
Adobe’s Creative Residency Community Fund commissions visual artists to create company projects on a rolling basis. Awardees will receive between $500 and $5,000.
Deadline: Rolling.

Pollock-Krasner Foundation Grant (International)
The foundation welcomes applications from actively exhibiting visual artists who are painters, sculptors, and artists who work on paper, including printmakers. Grants are intended for one year and range up to $50,000. The individual circumstances of the artist determine the size of the grant, and professional exhibition history will be considered.
Deadline: Rolling.

 

Residencies, Fellowships, & More

Fine Arts Work Center 2024-2025 Visual Arts Fellowship (International)
Ten artists will be awarded seven-month residencies from October 1 to April 30. Fellows are provided housing, a studio, a $1,250 monthly stipend, and a $1,000 exit stipend. There is a $65 application fee.
Deadline: 11:59 p.m. ET on February 1, 2024.

Contemporary Craft Artists-in-Residence (U.S.)
Non-Pittsburgh residents working in metal-smithing, jewelry, fibers, weaving, wood, encaustics, paper and book arts, ceramics, and woodworking are eligible for residencies at Contemporary Craft. Artists receive a $1,200 monthly stipend, housing, and studio space.
Deadline: 11:59 p.m. ET on February 1, 2024.

Arts/Industry at John Michael Kohler Arts Center (International)
Open to all disciplines, this program selects twelve artists each year for three-month pottery and foundry residencies. No experience with clay or cast metal is required, just an interest in pursuing a new body of work and being open to new ideas. Residents receive a $160 weekly stipend, studio space, housing, transportation, industrial materials, equipment, and more.
Deadline: February 1, 2024.

Mattress Factory Artist-in-Residence (International)
Open to artists working in any medium, this residency offers an honorarium, a production and materials budget, transportation to and from the space in Pittsburgh, accommodation, a per diem during on-site installation, and fabrication and support.
Deadline: 11:59 p.m. ET on February 8, 2024.

MacDowell Fellowship (International)
MacDowell awards about 300 fellowships each year, and the sole criterion is artistic excellence. There are no residency fees, and need-based stipends and travel reimbursement grants are available. MacDowell encourages applications from artists of all backgrounds and all countries working in architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts.
Deadline: February 10, 2024.

Forge Project Fellowship (U.S.)
Six  Indigenous artists, scholars, organizers, cultural workers, researchers, or educators will each receive $25,000 and more.
Deadline: February 15, 2024.

Martin House Creative Residency Program (International)
The Creative Residency Program at Frank Lloyd Wright’s Martin House offers artists and researchers a $5,000 stipend, housing, and $1,000 in travel expenses to create a new work related to the architect’s legacy.
Deadline: February 16, 2024.

2026 McKinney International Art and Design Residency (International)
The Eskenazi School of Art Architecture + Design at Indiana University Bloomington invites applications for a four– to six-week McKinney International Art and Design Residency. An established artist or designer living outside the U.S. will be awarded studio space, lodging, and $8,000.
Deadline: February 16, 2024.

NXTHVN Fellowship (International)
Each year, NXTHVN welcomes up to seven artists and two curators to participate in its paid 10-month intensive fellowship program. Fellows receive studio or office space, a stipend, and subsidized housing. The mentorship-driven curriculum includes professional development sessions led by visiting artists, curators, scholars, and practitioners. Curatorial fellows will each receive a $45,000 stipend, and studio fellows will each receive a $35,000 stipend.
Deadline: February 26, 2024.

Tulsa Artist Fellowship (U.S.)
Tulsa Artist Fellowship will award ten artists from any discipline a $150,000 stipend paid over three years, a $36,000 housing stipend for three years, a fully subsidized studio space, and more.
Deadline: February 28, 2024.

Apolan Residency at Fondation Fiminco for Taiwanese Artists (International)
This program welcomes applications from Taiwanese artists for a four-month residency from mid-September to mid-January 2025. Artists receive accommodation, workspace, administrative and professional support, and 305,000 NTD, which covers round-trip transportation, living costs, production fees, insurance, visa application fees, and more.
Deadline: February 29, 2024.

Kala Art Institute 2024-2025 Fellowship (International)
Artists producing innovative work in printmaking, photography, digital media, social practice, media installation, and book arts are encouraged to apply. In 2024, Kala will award six artists a $3,000 stipend, unlimited access to Kala’s facilities for one to nine months, one Kala class, and a culminating show in the Kala Gallery. The entry fee is $20.
Deadline: March 15, 2024.

Irene Yamamoto Arts Writers Fellowship for Emerging Writers of Color(U.S.)
The second annual Irene Yamamoto Arts Writers Fellowship will provide $5,000 unrestricted awards to two arts writers of color who cover theatre, dance, and/or performance art and have less than two years of publishing experience.
Deadline: March 18, 2024.

The Erin Donohue and Family Ceramics Artist Residency (International)
Hosted by the Artists Association of Nantucket, this ceramics residency will bring one artist to Nantucket to teach two five-week classes, one introductory course for the community and a more intermediate one for students and professionals. The program offers lodging, studio space, a $500 travel stipend, and a $2,000 stipend for living expenses and materials.
Deadline: April 5, 2024.

Diriyah Art Futures Emerging New Media Artists Program (International)
Diriyah Art Futures launches a concept-driven digital and technology-led creative production and training program for emerging artists working in new media and digital arts. This one-year scholarship supports emerging artists by providing access to cutting-edge professional equipment, a production budget, and a range of multidisciplinary learning opportunities, including personal mentorship by prominent international digital artists.
Deadline: April 29, 2024.

Hunter Moon Homestead Artist Residency (International)
Artists and arts educators working across disciplines are invited to apply to this program in Palouse. Residents receive one- to three-week stays, with lodging and studio space included.
Deadline: Rolling.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article February 2024 Opportunities: Open Calls, Residencies, and Grants for Artists appeared first on Colossal.

Missoula Art Museum showcases Native artists’ take on relationships in new exhibit

Missoula Art Museum showcases Native artists’ take on relationships in new exhibit

The Missoula Art Museum is featuring Native artists’ work in a new art exhibition titled “For the Good of All Things.”

Works come from 16 artists who all live on Confederated Salish Kootenai Tribal lands. The public is encouraged to meet with the artists on March 9 or April 5.

“For the Good of All Things” shows a glimpse at the importance of relationships within Native CSKT communities, and includes a wide variety of mediums, from ledger art to photography to a painted skull.

The exhibit is featured in the Lynda Frost Gallery and will be on display through April 6.

The Missoula Art Museum released the following information:

Steve Dunlap’s mastery of drone photography is taking his career to new heights

Steve Dunlap’s mastery of drone photography is taking his career to new heights
Steve Dunlap uses a drone to capture photographs of Birmingham locations, including Sloss Furnaces. Photo by Art Meripol.

Take a look at Steve Dunlap’s remarkable photos of Birmingham’s Elyton Hotel, and you’ll see something the photographer hopes is completely different — the view from above and around the top of the historic building that you haven’t seen before.

“I’m looking for things that people can’t see from the ground very well,” he says. “It’s all about a different perspective, seeing things that people can’t see from the ground. … One of the first things I shot was the Elyton Hotel, very high up, to show the detail of the architecture of the hotel around the top floor. Nobody had really seen that without a drone.”

Drones — the unmanned contraptions that can fly a camera to dizzying heights and amazing angles — have changed the way Dunlap and other photographers ply their trade. For Dunlap, it’s opened up a whole new source of revenue.

“I sell unique artistic photographs of Birmingham architecture and icons and skylines,” he says. “People will use them in their homes, or corporations will put them in their board rooms, or hotels will buy them and put them on display.”

Steve Dunlap uses a drone for a different look at landmarks such as the Electra statue. Photo by Steve Dunlap.

EARLY ADOPTER

Dunlap began dabbling in drone photography around 2016, first with a Christmas gift from his son and then with a couple of borrowed drones.

– Sponsor –

“In 2016, the drones really came into their own technology-wise and became viable for video and still production,” he says. “I just kind of fell in love with it. I got into it right at the right time.”

Initially, Dunlap used drones to enhance his videos, not for still photography.

“Since I came from video production, my first entrée into it was just shooting video from the drone,” he says. He got the required insurance and drone certification from the FAA, and he was up, up and away.

Dunlap began by shooting things he thought were interesting in Birmingham, including a video of the statue of Vulcan in the evening.

“I sent that to Alabama Power, and they wrote me right away and said they wanted to buy the rights to it,” he recalls. That led to him shooting Alabama Power’s statue of Electra and “ultimately, they had me shoot all of their power plants across the state.”

This view of the Elyton Hotel’s architectural details on its top floor aren’t seen from the ground. Photo by Steve Dunlap.

FOCUSING ON STILL PHOTOGRAPHY

Dunlap’s work included banks, real estate, commercials, documentaries and some news, and in December 2022, he started doing still photography.

“In the wintertime, things slow down for drone work, and I wanted to take that opportunity to feature Birmingham architecture,” Dunlap says. “I posted some stuff on Facebook and got some great feedback. One thing led to another, and I started doing art shows. I’ve been happy and surprised with the response. It’s become very satisfying.”

Take a look at Dunlap’s website, dunlapproductions.com, and you’ll see stunning shots of many Birmingham landmarks — Electra, Vulcan, the Rotary Trail entrance, Sloss Furnaces, the City Federal Building, 16th Street Baptist Church, City Walk Bham and Regions Field, to name just a few.

“There are a lot of excellent photographers that have shot pretty much everything I’ve shot, so I made the conscious decision to shoot with the drone because I didn’t want to duplicate what others have done,” Dunlap says. “I want to do it in a way that’s evocative and different.”

He points to his shots of Electra and the Elyton as two that “stand out” as far as accomplishing what he wanted to accomplish. “I like it when people respond in a way like, ‘What is that? I’ve never seen that in that way before,’” says Dunlap, who lives on Southside in Birmingham.

Dunlap pilots his drone from the ground, keeping tabs from below on its “view.”  “The remote control for the drone has a monitor, and I always have line of sight of the drone,” he says. “That’s an FAA regulation.”

There are other FAA regulations governing drone use — he can fly his drone about 400 feet in the air, depending on how close he is to the airport, for instance, and there are regulations about flying when aircraft are in the area. “The drones now will tell you if there’s a manned aircraft in your vicinity,” Dunlap says.

A different look at City Walk Bham. Photo by Steve Dunlap.

TECHNOLOGICAL ADVANCES

Over the years, Dunlap has seen technology increase safety aspects and what drone cameras can produce.

“Drones come with very sophisticated cameras now,” he says. “Cameras are about the size of a fist. Now, I can stay a good distance away. My drone has three different lenses … that will let me zoom in, which I couldn’t do before.”

The drone’s GPS technology is also “very sophisticated,” the photographer says. “I can plot courses for the drone using the GPS.”

Flying drones doesn’t come without a cost, but it’s “relatively cheap” in the world of fine photography, Dunlap says.

“I have multiple drones, but I have about $4,000 invested in one,” he says. “You can get a similar drone at Best Buy for $1,800 to start. Mine’s about $3,500 for the drone and the controller and then you add additional batteries and filters and auxiliary things.”

Dunlap, who sells prints of his work online and at art shows, very much sees his drone photography as fine art. “I’ve done documentations of buildings and structures and power plants and that stuff,” he says of previous work.  “This is much more creative.”

And it’s changed the way Dunlap runs his photography business.

“As soon as I picked up a good drone, I realized I could make it work for the video production side of my business,” he says. “Pretty much from the beginning, I was making money. It was slow at first, but it’s built into a nice business.”

Alec Harvey is executive editor of Business Alabama. Art Meripol is a freelance contributor. Both Harvey and Meripol are based in Birmingham.

This article appears in the February 2024 issue of Business Alabama.

The 10 Most Beguiling Designs at Maison&Object 2024

The 10 Most Beguiling Designs at Maison&Object 2024

From January 18-22, design devotees descended on Paris for the home decor, furnishings, and lifestyle trade show Maison&Objet. Located outside the city limits at the Parc des Expositions de Villepinte, the semi-annual fair is celebrating 30 years, with an increase in attendance and 70,000 international visitors swiped in. This year’s theme “Tech Eden” emphasized a dreamy optimism, biophilia, technology, and well-being while kaleidoscopic patterns, neon hues – including yellow, orange, purple, and green – as well as an eclectic pastiche of periods from art deco to 1970s were also on display. This anything goes spirit was also spied on fabrics, wallpapers, rugs, tableware, and furniture in showrooms, and at previews and events in the city at Paris Déco-Off. The companion fair showcased raw textures, materials, and finishes along with natural and white upholstered furniture emphasizing a minimalist aesthetic that continues to prevail. French designers Pierre Yovanich, Fleur Delesalle, and Pierre August Rose showcased curvy, bubble forms on sofas and chairs in shapes that are still trending around the globe. With all of these simultaneous trends, 2024 appears to be starting off as a maximalist versus minimalist year – take a closer look at some of the top contenders!

Photo: Felipe Ribon

This season’s Designer of the Year is multi-disciplinarian Mathieu Lehanneur whose embrace of technology, architecture, plant life, and turbine systems resulted in Otonomy, a monochromatic installation celebrating his futuristic oeuvre.

Contemporary home furnishings including a chair and coffee table.

Since its inception in 2017, 101 Copenhagen has emphasized craft and timeless design. This year is no exception as Kristian Sofus Hansen and Tommy Hyldahl’s Toe Lounge Chair Flat debuts in a cozy, nubby white boucle.

A series of dark brown nesting tables.

Pulpo’s German handmade furnishings encompass Italian cast glass including Sebastian Herkner’s Alwa XXL, a table supported by a powder-coated steel frame offered in three lozenge-shape sizes and multiple colors.

Fluted coffee table.

The Nouvelle Vague Center Table by Portuguese Dooq is a made-to-order table fabricated with tube-shaped ceramic pieces, and sealed in a craquele glaze with lacquered surface.

Angular lamp.

The idea for the Linear Table Lamp was hatched when Belgian designer Baptiste Vandaele approached Japanese manufacturer Y.S.M. at the show in 2023 with his design concept. Together they launched a Kickstarter campaign to support production of the lamp that’s currently gaining funds.

Ribbed tables.

Photo: Anne-Emmanuelle Thion

Parisian Fabien Colomines started studying woodworking in 2018 before launching Atelier Senimo last year. Ballerina is his latest piece, a mod, accordion-style lacquered table made from recycled wood scraps.

Patterned rolling textiles.

Photo: Anne-Emmanuelle Thion

Industrial polypropylene sheaths used for electrical installations were cut to make beads and are the inspiration behind Brussels-based French textile designer Emma Cogné’s experimental Système T, featuring woven curtains, shades, and screens.

A contemporary chair set against backlit wood shelving.

Photo: Gaspard Hermach/RINCK

The soon to be reissued Rinck plexiglass chair on a cast aluminum base was originally included in a living room ensemble presented at the Salon de la Société Nationale des Beaux-Arts at the Grand Palais in Paris in 1973.

Composition of organic mirrors.

Legacy workshop Charles Paris reinvigorated their brand’s bronze repertoire by collaborating with Parisian upstart Uchronia to create a floral series of lights and accessories including Boogie, a cast mirror.

A sectional sofa.

Parete is the brainchild of Michael Freedman and Daniela Guarin – veterans of Innovations USA – who today produce artful, digitally-printed custom wallcoverings, including the color blocked Plastered 04 St Andrews.

People walking into a trade show under some signage.

Photo: Anne-Emmanuelle Thion

Melissa Feldman is a design writer, editor, consultant, and content strategist who lives and works in New York City. In 2007 she launched Stroll Productions, her media production company providing print and digital content to ADPro, Elle Decor, Galerie, Domino, The New York Times,
WSJ, Architectural Record, and Elle Decor to name a few.

Desktop Wallpaper: February 2024 With Naomi Otsu

This month’s Designer Desktop has us feeling a little peckish! We’re obsessed with pasta-themed design (like tortellini pool floats and rigatoni pendant lamps) and now, we can add Naomi Otsu’s Cavatappi print to our list. The New York-based graphic designer and illustrator’s work is wildly colorful, often intricate, and always includes a healthy serving of playfulness. You might have already seen her art in Vogue, The New York Times, and Playboy. Pulling from her archives, Naomi is sharing this design in all its tomato-y glory, and honestly, we might never change our desktop now.

Naomi will be debuting brand new work soon, which we’ve gotten a sneak peek and can’t wait to share. Until then, download the print for all your tech devices and then put on a pot of boiling water – cavatappi is on the menu tonight.

DESKTOP: 1024×768  1280×1024  1680×1050  1900×1200  2560×1440

MOBILE: iPhone XS  iPhone XS Max  iPad Pro

Learn more about Naomi Otsu here and here.

View and download past Designer Desktops here.

As the Senior Contributing Editor, Vy Yang is obsessed with discovering ways to live well + with intention through design. She’s probably sharing what she finds over on Instagram stories. You can also find her at vytranyang.com.