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New exhibit of Seneca Ray Stoddard photographs –

New exhibit of Seneca Ray Stoddard photographs –

Fort William Henry Hotel and Chapman Museum team up to exhibit Seneca Ray Stoddard photographs

LAKE GEORGE – Famed Adirondack photographer Seneca Ray Stoddard (1843-1917) didn’t spend all his time in the deep woods. He was also a visitor to the grand Fort William Henry Hotel, where he captured images of its architecture and well-dressed guests. 

A collection of Stoddard’s images now grace the lobby of the hotel, the result of a partnership between the Chapman Museum in Glens Falls, which has more than 4,000 of Stoddard’s photographs, and Fort William Henry

Prints of the images are available for purchase

“Stoddard’s pictures capture the hotel as it was when it was first built in 1855. You can see the piazza and a stagecoach arriving,” said Sam Luciano, president of the Fort William Henry Corp. “The building was lost to fire in 1909 and I am grateful these images remain to remind all of us of the history of the property.”

Seneca Ray Stoddard was born in 1843 in Wilton, N.Y., and moved to Glens Falls when he was 21. He carried a portable camera, which allowed him to venture deep into the wilderness where the Adirondack Mountains were being clearcut to feed the logging and mining industries.  Stoddard’s photographs helped fuel a movement to preserve the forest. The creation of the Adirondack Park, approved by the State Legislature in 1892, protects state-owned Forest Preserve lands with the Forever Wild clause in the State Constitution. The protection allowed the forest to grow once again, creating the Adirondacks as we know them today. 

“Beauty and grandeur are captured in the early photography of Stoddard’s imagery,” said Nicole Herwig, director of the Chapman Museum. “A true conservationist, Stoddard used his photographic skills and artistry to advance preservation efforts in the Adirondacks.”

The idea to display Stoddard’s photographs at Fort William Henry came from Gloria Ragonetti, a former chairperson of the Chapman’s Board of Directors. 

“It’s a good way to promote our collection and the exhibit is aligned with both our missions,” Herwig said. “We are pleased to display these images at the location where they were taken more than 140 years ago.” 

Viewing the pictures in the hotel lobby is free. To see more of Stoddard’s work, visit the Chapman Museum at 348 Glen St., Glens Falls. “Introductory Exhibit” is an exploration of local history. “Hands-On History: Experiences of Hometown Life,” “S.R. Stoddard’s Snow-Covered Scenes,” and “Hometown Teams” will open Feb. 3. 

Photo at top: Fort William Henry Hotel, Piazza from the West by Seneca Ray Stoddard ca. 1880 reproduction albumen print

‘Rock Star’ Photographer

‘Rock Star’ Photographer

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We Made A Pilgrimage To Say Goodbye To Our Friend (10 Pics)

We Made A Pilgrimage To Say Goodbye To Our Friend (10 Pics)
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Our beloved dog, Misza, passed away on November 14, 2023. The same day, in 1905, that Rasputin first met Tsar Nicholas II of Russia and changed the destiny of Europe forever. She was with us for nearly fourteen years.

Our sadness and emptiness led to unresolvable existential questions, and a reflection on our own underlying fear of entropy.

How to say goodbye and give her back to eternity without fear of forgetting? Death is the state of being where that person exists only in the minds of those left behind.

In the waning days of winter, we made a pilgrimage, carrying a white porcelain urn with a pattern of blue forget-me-nots imprinted upon it. Inside, the remains of our beautiful dog. Our last trip together, to Portmeirion: Clough Williams-Ellis’s Baroque fantasy made real in painted domes and towers. And there, as we looked out from the observatory tower, over the windswept estuary, we said goodbye, and so did she, disappearing over the sand, into the wind.

More info: monikakadler.com | Instagram | Facebook

Portrait of Misza, 2023, Hafren Forest, Llanidloes, Wales

Empty bedroom, December 2023, Greenwich, London, UK

Aeon Rose, December 2023, Lewisham, London, UK

The pilgrimage in the memory of friend, December 2023, Portmeirion, Wales

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Aeon Rose, December 2023, Portmeirion, Wales

The pilgrimage in the memory of friend, December 2023, Portmeirion, Wales

The pilgrimage in the memory of friend, December 2023, Portmeirion, Wales

Aeon Rose, December 2023, Portmeirion, Wales

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The pilgrimage in the memory of friend, December 2023, Portmeirion, Wales

Monika K. Adler, December 2023, Portmeirion, Wales

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Adapting to Change: One Photographer’s Journey

Adapting to Change: One Photographer’s Journey

Exploring the interplay between creativity, personal expression, and the multifaceted career of a professional photographer, this fantastic video dives deep into the artistic journey of Crystal Schneider. Schneider’s experience as a full-time photographer since 2009, along with her transition from a bustling city life in Amsterdam to the tranquility of the French countryside, presents a compelling narrative about adapting to change and finding creativity amidst challenges.

Coming to you from Expressive Photography, this insightful video unveils Schneider’s evolution from a communication advisor to a renowned photographer and workshop organizer. Schneider’s story is not just about photography as a profession; it’s a testament to the necessity of diversification in a photographer’s career, especially in the face of unforeseen challenges like the pandemic. Her journey underscores the importance of resilience and adaptability for photographers, who often juggle various roles from educators to entrepreneurs. Schneider’s approach to creativity, especially during the stringent lockdowns in France, highlights the critical role of personal projects in keeping one’s creative spark alive. Her narrative should resonate with many in the industry, reflecting the ubiquitous struggle to balance business needs with personal artistic pursuits.

Schneider’s experience during the pandemic offers a valuable lesson for photographers. The restrictions not only imposed significant challenges, but also presented opportunities to explore new creative avenues. Her shift towards online projects and personal endeavors underlines the importance of flexibility and innovation in a photographer’s career. Schneider’s approach to photography, characterized by a blend of planning and spontaneity, serves as an important roadmap. Her ability to embrace the unpredictable nature of outdoor photography, adapt to changing conditions, and find beauty in the mundane is particularly instructive for aspiring creatives. Check out the video above for the full interview.

Villa Albertine + Mobilier National Present Rising French Design Stars

Villa Albertine + Mobilier National Present Rising French Design Stars

Villa Albertine, together with Mobilier National, presented five up-and-coming designers – Atelier George, Atelier d’Offard, Chloé Bensahel, Gala Espel, and Dimitri Hlinka – at the 2023 edition of Design Miami/. The exhibition, set in a space designed by Alban Roger, explores the intersection of French decorative arts heritage and contemporary design.

Atelier d’Orffard created a minimalist living space using washi paper and papier-mâché; Atelier George’s “Solar Suspension” interpreted celestial bodies through glass art; Gala Espel blended technology and craftsmanship in her silversmith work “Archaeology of the Future”; Chloé Bensahel’s connected tapestries and merged textile tradition with digital art; and Dimitry Hlinka redefined a common radiator into an artistic statement in woodworking with “Amplitude.”

Beyond Design Miami/, Villa Albertine and Mobilier National commit to supporting French designers and artisans in the United States, providing opportunities for project development and facilitating Franco-American collaborations in design and craft, in partnership with the Bettencourt Schueller Foundation. Their aim is to foster new talent and highlight the role of design and craft in addressing contemporary societal challenges.

Within the elegant Villa Albertine, a pristine white room beckons with its minimalist charm. A solitary chair and a tastefully positioned lamp are the sole elements within this serene space.

A white vase sits on a white pedestal in Villa Albertine.

Villa Albertine, a room filled with an array of elegant white objects.

A white Villa Albertine pedestal with a silver ring on it.

A white exhibit at Villa Albertine showcasing an array of stunning white sculptures.

Photography by Matthew Gordon.

Leo Lei translates his passion for minimalism into his daily-updated blog Leibal. In addition, you can find uniquely designed minimalist objects and furniture at the Leibal Store.

Perks and perils of being married to a photographer

Perks and perils of being married to a photographer

Perhaps it’s not obvious, but my marriage to The Photographer involves occupational hazard. The occupation being hers. The hazard(s) being mine.

You might be hiking the coast of Kauai, say, when suddenly she indicates that it would be useful for you to stand across the way (she is pointing) on that promontory of crumbling lava above pounding surf. The waves, you observe, routinely shatter up and over said promontory.

Why We Wrote This

Sometimes a vacation is just a vacation. Unless your traveling partner is The Photographer. Then it’s a work of art waiting to happen – if you’re game to play along.

“I’ll get soaked,” you say.

“You’ll dry,” says The Photographer.

So you go. Of course you go.

Because a little stage-managed derring-do is no price at all for access to something priceless: a new way of looking. Of noticing. Of seeing things and people and places and light – and out of them making compositions that wordlessly speak. The way The Photographer does.

Expand this story to experience the full photo essay, as The Photographer intended.

Perhaps it’s not obvious, but my marriage to The Photographer involves occupational hazard. The occupation being hers. The hazard(s) being mine.

After all, one never knows when The Photographer will require of one a feat of athleticism, or daring. Lean out over there, hold up that, jump through those. Go sit by that angry peacock.

Or you might be hiking the coast of Kauai, say, when suddenly she indicates that it would be useful for you to stand across the way (she is pointing) on that promontory of crumbling lava above pounding surf. The waves, you observe, routinely shatter up and over said promontory.

Why We Wrote This

Sometimes a vacation is just a vacation. Unless your traveling partner is The Photographer. Then it’s a work of art waiting to happen – if you’re game to play along.

“I’ll get soaked,” you say.

“You’ll dry,” says The Photographer.

So you go. Of course you go. You’ve long since learned that there are always three of you present: There’s you, there’s her, and there’s the camera. You’ve learned that sacrifices must be made. For art.

I’m not complaining. (Does it sound like it?) Because a little stage-managed derring-do is no price at all for access to something priceless: a new way of looking. Of noticing. Of seeing things and people and places and light – and out of them making compositions that wordlessly speak. The way The Photographer does. 

So yeah, sometimes you wait. And sometimes you get covered in ocean. Yet it excites you every time – because in the end, of course, you get pictures. Magnificent pictures. Like these.

Melanie Stetson Freeman/Staff

Michael S. Hopkins, the photographer’s husband, walks out onto a promontory on the coastal Mahaulepu Heritage Trail on the island of Kauai, Hawaii.

Melanie Stetson Freeman/Staff

An endangered monk seal snoozes at Poipu Beach.

Melanie Stetson Freeman/Staff

A tree reaches toward the sky in Poipu, Kauai, Hawaii.

Melanie Stetson Freeman/Staff

A hibiscus flower at Waimea Canyon State Park delights the eye of the photographer.

Melanie Stetson Freeman/Staff

Visitors at an overlook take in the view at Napali Coast State Wilderness Park.

Kat Von D Says She’s ‘Traumatized’ By Photographer Court Case

Kat Von D Says She’s ‘Traumatized’ By Photographer Court Case

Kat Von D

Celebrity tattoo artist Kat Von D has posted a long video talking about the recent copyright infringement trial over a Miles Davis tattoo in which she says she is “traumatized” from it.

In the seven-minute-long video, Von D slams photographer Jeff Sedlik for bringing the case saying “he saw this as an opportunity to gain publicity.”

Earlier this week, Von D scored a resounding victory in a Los Angeles federal court after the jury took less than three hours to unanimously rule that Von D did not infringe on Sedlik’s copyright when she used his famed 1989 image of jazz musician Davis as the basis of a tattoo on her friend Blake Farmer — that she inked free-of-charge for him.

“As some of you saw, I was in court. I was getting sued by a photographer for a tattoo that I did about seven years ago,” Von D says in the video to her 9.8 million Instagram followers.

“It has been a really heavy week, no, a heavy two years. I think I’m still a little bit traumatized by the entire experience. I have never been sued in my entire life. I’ve never sued anybody, even though I’m sure I definitely have had reason to, but I wouldn’t wish this upon my worst enemy.”

Von D says that she doesn’t have “anything nice to say about this photographer.” Adding, “I knew that if I didn’t fight, the effects of something like this would be so awful for not just tattooers, but artists across the board as well as people who get tattooed and people who love fan art.”

The tattoo artist says she has been “ripped off many times” and adds that a lawsuit such as this “kills the spirit of the creative process and the gift that we’re able to give the people that we tattoo through our interpretations of artwork and photographs and whatever else.”

After the verdict on Monday, Sedlik’s lawyer Robert Allen told reporters that the photographer plans to appeal the verdict.

“Obviously, we’re very disappointed,” Sedlik’s attorney said.

“There are certain issues that never should have gone to the jury. The first, is whether the tattoo and the photograph were substantially similar.

“Not only are they substantially similar, but they’re strikingly similar.”

PetaPixel approached Jeff Sedlik to respond to Von D’s comments but he hasn’t responded as of publication. We will update this article if and when he responds.

Mastering C-Stands: A Photographer’s Essential Guide

Mastering C-Stands: A Photographer’s Essential Guide

Understanding the nuances of C-stands is crucial for photographers seeking to work in a studio. This helpful video tutorial will show you everything you need to know to ensure a safer, more efficient workflow.

Coming to you from Photo Kitchen, this enlightening video delves into the world of C-stands, offering a comprehensive crash course tailored for photographers, navigating through the various aspects of C-stands, from sizes and finishes to types and accessories. This information is vital for photographers, whether they are contemplating their first C-stand purchase or looking to expand their studio equipment. 

Importantly, the video emphasizes the distinction between regular and short C-stands, highlighting their respective uses in different shooting environments. The video also sheds light on the durability and practicality of black powder-coated versus nickel-plated stands. Understanding these differences will help you make informed decisions based on specific needs, be it in rust-prone areas or for aesthetic purposes in their studio setups. Moreover, the exploration of the three C-stand types – normal, sliding leg, and removable base – is particularly beneficial. 

A significant portion of the video addresses common misconceptions and safety tips, crucial for photographers to prevent accidents in the studio. The emphasis on correct sandbagging and the orientation of the longest leg for stability is particularly important. This focus on safety is not just about preventing equipment damage, but also about creating a secure environment. Check out the video above for the full rundown.