Art World News

Art Market returns Nov. 18 and 19

Art Market returns Nov. 18 and 19
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Discover original fine art and fine crafts at the Artsplace Art Market on Saturday and Sunday, Nov. 18 and 19, from 10 a.m. to 4 p.m., upstairs at Artsplace, 1220 Waterbury Rd. Free admission, handicap accessible and plenty of easy parking.

See original paintings, unique pottery, stained glass, felt works and weaving, hand-made jewelry, decorative arts, fabulous home décor and holiday specialties made by more than 25 local artists!

Come immerse yourself in gift choices as the holiday season begins. Shop locally to discover perfect holiday gifts for friends and family (or perhaps treat yourself).

The Annual Art Market is sponsored by the Friends of CPFA/Artsplace, Inc. Visit www.artsplacefriends.org. or email info@artsplacefriends.org or call Artsplace at (203) 272-2787 for more information.

When purpose meets beauty: the power of art in the post-pandemic office

When purpose meets beauty: the power of art in the post-pandemic office
Sculpture by Ragnhild Prestholt which sits in the lobby of cybersecurity firm Promon

In the lobby of cybersecurity company Promon stands a sculpture of a man kneeling on a pedestal. The piece, acquired by CEO Gustaf Sahlman in 2018 from artist Ragnhild Prestholt, has since been affectionately dubbed ‘Proman’ by employees. For Thomas Ford, Promon’s head of marketing and communications, “He’s part of the team. For long-time Promoneers he is a reminder of the company’s beginnings, and for our new colleagues, provides a nice slice of Promon’s history.”

Businesses buy artworks to enhance their branding, public relations or investment; employees usually benefit indirectly. But intentionally incorporating art into the people strategy has several advantages. Art can create a sense of belonging, as is the case with Proman, and inspire fresh perspectives. 

Despina Katsikakis is president of the British Council for Offices, an industry group for companies and professionals involved in all aspects of the office space. She points to the impact of art in the workplace: “It can evoke joy, delight and curiosity. It can inspire empathy. Art can engage employees and provide opportunities to contemplate, renew and be inspired throughout the workday.” 

But is it enough to prioritise employees’ needs when investing in art? What are the business advantages of such an approach, and how could it help with the firm’s broader strategy? 

Why art improves productivity

According to Gallup’s State of the Global Workplace report, employee engagement levels are higher than they were before the pandemic. But the UK has one of the least engaged workforces with 38% of UK employees who took part in the poll saying that they experience daily stress. To help address the issue, art in the workplace could prove useful.

“The reason why art in offices enhances employee wellbeing and engagement is that it brings humanity to the workplace,” observes Katsikakis – and it seems that UK employees agree. A recent survey by global real estate firm Brookfield Properties, in partnership with therapy service provider The School of Life, found that 69% of respondents agree that visually appealing art in the workplace contributes to their wellbeing. Employees in offices enriched with art also report feeling more inspired by their jobs, with 39% expressing this compared to only 24% of employees in lean, functional spaces. 

There is promising evidence that viewing artworks can help to reduce stress. Research by the psychological medicine department at the University of Auckland noted that looking at art generates consistent positive outcomes on stress, whether self-reported or evidenced by physical symptoms such as blood pressure. 

And the benefits of incorporating art continue. The Wellbeing Research Centre of the University of Oxford conducted a study in 2019 that analysed data from 230 independent organisations across 49 industries. The findings suggest that employees’ satisfaction with their company strongly correlated with employee productivity. Higher wellbeing at work is also positively correlated with more business-unit-level profitability. And research by Exeter University shows that the presence of art in the office can lead to productivity gains of up to 17%.

Why employees are drawn to offices with art

Considering the overall positive impact on employees, it is not surprising that they are more inclined to want to work in an office enriched with art. As indicated by the Brookfield Properties and School of Life survey, of those with highly enriched offices, 75% prefer to work in the office than at home, compared to 53% of those in leaner offices.

For Tazie Taysom, commercial director at international art consultancy Artiq, art can, indeed, encourage employees to return to the office more regularly and engage with their colleagues. “Art can prompt reactions and conversations in the office that are more than just water-cooler chat,” she says. Zvi Noé is a founder and partner at Noé Group, an investment and asset management organisation which focuses on real estate. He also believes art can trigger meaningful discussion in the office. “We pick very bright pieces, so they’re very noticeable,” he says. “It often becomes a talking point.”

In a hybrid working set-up, those interactions are crucial. A recent Gallup survey, The Advantages and Challenges of Hybrid Work, found that 60% of employees prioritise meeting and collaborating with colleagues when they go to the office.

Why employee input is vital

To get the best results, firms can talk to workplace consultants to maximise the effects of art in the workplace. Another proven route is to work with galleries and non-profit organisations that specialise in office space design. But the key is to involve employees in the selection process.

The Exeter University study found that employee productivity can increase by up to 32% when workers are given more control over their workplace environment. This insight can also help other elements of the business strategy. Involving employees in the art selection can contribute to diversity and inclusion objectives. 

“We often find that law firms, for example, are trying to increase representation in their staff,” notes Taysom. “One client invited their women’s association to choose the art collection and, of course, they went for a predominantly women and non-binary artist collection.” As well as promoting inclusivity, employees can bring different perspectives. They can suggest unconventional art forms and help showcase the company’s commitment to innovation and creativity.

The importance of selecting art with purpose 

“Post-pandemic, we noticed that people need their office to deliver more,” says Taysom. “It’s not just a case of art being part of the decor or an investment collection. It needs to deliver something tangible.”

Noé Group, for instance, invests in art not only for visual appeal but for a purpose. The company is partnering with Project Art Works, a charity that creates artwork by neurodiverse artists to furnish its office space. “Part of what drew us to Project Art Works is their ability to take something as simple and mundane as office artwork and make it into a more meaningful endeavour.” 

The partnership involves visits from the artists, and they commissioned a small booklet that explains who the artists are and information about the piece. “For the people in the office, it creates a different discussion point around the art. It isn’t just pictures that you’ve accumulated. It’s something that has a slightly bigger social involvement and hopefully conveys a bit more about the culture and how we think and feel.”

Art in the office space can help to connect and motivate the workforce, it can improve individual wellbeing and as part of a broader corporate strategy, it can help to convey a brand’s values. That’s quite a good return on investment. 

12th Annual Georgia’s Rome Winter Art Market Returns to the Civic Center

12th Annual Georgia’s Rome Winter Art Market Returns to the Civic Center

The Georgia’s Rome Welcome Center and Gift Shop invites the public to the 2023 Georgia’s Rome Winter Art Market held December 1-2 at the Rome Civic Center. The market will be open from 10 a.m. – 4 p.m. on Saturday and Sunday.

The annual holiday event offers one-of-a-kind gifts featuring over 60 local artisans and vendors. Shop a large variety of local art including woodworking, jewelry, apparel, pottery, handmade soaps, photography, and more. Food vendors will also be on-site offering delicious lunches, jellies and jams, coffee, baked goods, and more. 

 “We always strive to support the talented local artists in our hometown, Rome, Georgia,” said Charlene Mathis, Georgia’s Rome Welcome Center and Gift Shop Manager.Admission and parking are free. The Rome Civic Center is located on Jackson Hill across from Applebee’s at 402 Civic Center Drive. 

For questions, contact the Georgia’s Rome Welcome Center and Gift shop at 706-295-5576.

Berndnaut Smilde Conjures Fleeting Nimbus Clouds as They Hover Indoors

Berndnaut Smilde Conjures Fleeting Nimbus Clouds as They Hover Indoors

“Nimbus Kunstmuseum Hal” (2021).
Photo by Cassander Eeftinck Schattenkerk. All images courtesy of the artist and Ronchini Gallery, shared with permission

For less than ten seconds, Berndnaut Smilde’s floating sculptures transform galleries, halls, and warehouses into uncanny spaces where indoors meets out. Puffy clouds made of smoke and water hang inside tiled interiors or industrial workshops for a brief time when they’re photographed by the artist’s collaborators. The ephemeral works are part of Smilde’s Nimbus series, ongoing for more than a decade. “I’m still fascinated by capturing a cloud. I never get bored by the process of how the appearance forms into a physical cloud, taking up space, reflecting light, and a specific moment,” he shares.

In recent years, the sculptures have become denser and larger, more imposing elements that haunt quiet spaces from Dubai to Paris to Washington, D.C. Depending on their location, the pieces take on varied meanings to explore questions of time, boundaries, and perception. Smilde explains:

The cloud is a great metaphor and it changes its context, its interpretation, with each space. The old chapel at the Hotel Maria Kapel art space in the Dutch town of Hoorn, where I made my first cloud, for example, emphasized the divine connotations, but in other environments, it could appear as an element escaped from a landscape painting, a thought, a heavenly place, a concealing element, or simply an in-between state. This fleeting aspect of the work is something I’ve embraced in my other artworks, as well. I’ve also learned not to always need to have full control over it and to accept change. A cloud isn’t durable, it changes, grows, and breaks apart.

Smilde’s work is included in a group show on view through March 17, 2024, at Museum Gegenstandsfreier Kunst in Otterndorf, Germany, and he’s currently creating a piece for a hotel in Amsterdam, where he’s based. Find more of his short-lived weather works on Instagram. (via Aesthetica Magazine)

 

a cloud hangs in a white and clue atrium with sky up top

“Nimbus De.Groen” (2017). Photo by Cassander Eeftinck Schattenkerk

a photo hangs in in an industrial warehouse

“Nimbus Katoenveem ” (2018).
Photo byCassander Eeftinck Schattenkerk

a cloud hangs in a warehouse

“Nimbus Electriciteitsfabriek” (2022)

a cloud hangs under a glass roof in an outdoor space

“Nimbus Museum De Lakenhal” (2022). Photo by Cassander Eeftinck Schattenkerk

a cloud hangs in a concrete and wood hall

“Nimbus MdbK” (2021). Photo by Cassander Eeftinck Schattenkerk

two clouds hover in a dark gallery with column works

“Nimbus Atlas” (2017), exhibition view
at De.Groen fine art collection

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Berndnaut Smilde Conjures Fleeting Nimbus Clouds as They Hover Indoors appeared first on Colossal.

‘Art for All’holiday marketset for season

‘Art for All’holiday marketset for season

Coming soon to the Victor R. Small House Gallery, the Art for All Holiday Market will be held by the Sampson Arts Council from Nov. 16 to Dec. 14.

To celebrate the arrival of this new gallery, the Council will be hosting an artist reception on Thursday, Nov. 16, from 5:30 to 7:30 p.m.

The reception will be open to the public to meet the artists, do some holiday shopping, and enjoy hors d’œuvres and music with the Clinton arts community at 709 College St. in Clinton.

The show will feature the participation of 13 local and regional artists and present an opportunity to purchase unique gifts while supporting local artists and the SAC.

Kara Donatelli, director of the Sampson Arts Council, shared, “Gift items include paintings, prints, ornaments, candles, knitting, crochet, pottery, birdhouses, handcrafted wooden bowls, jewelry, handcrafted wooden cutting boards, gift cards, and more!”

The 13-artist list is comprised of Katie Griffin, Skyler Cason, Marsha Rogers, Calvin Edgerton, Joan Mitchell, Karen Turbiville, Beth Hill, Derek Roscher, Denny Crawford, Emily Walter, Spencer Manning, Steve Harrell, and Carolyn Barnes.

“Support local artists this holiday season,” Donatelli said. With the wide range of items available and the long list of artists with different styles, the SAC feels that the Art for All Holiday Market will have something for everyone.

During its time in the Small House, the gallery will be open Monday-Friday from 10 a.m. until 2 p.m. as well as 3 to 5 p.m.

The Small House will be closed Nov. 23-24 for Thanksgiving, but open on Saturday, Nov. 25, from 10 a.m. through 2 p.m. The gallery will also be open Saturday, Dec. 9, from 11 a.m. to 3 p.m.

To schedule an appointment to see the gallery, call 910-596-2533.

Torpedo Factory Art Center Could Soon Have A New Manager

Torpedo Factory Art Center Could Soon Have A New Manager

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New York Pulls Through Tricky Auction Season

New York Pulls Through Tricky Auction Season

‘Considering everything going on in the world, the market has been very resilient. Art seems to be something people embrace in difficult times,’ Phillips Deputy Chairman Robert Manley said following the house’s 20th Century and Contemporary art auction on Tuesday, 4 November.

This sentiment—that things could be worse—pervaded New York’s Modern and Contemporary auctions this month.

On the whole, bidding was thin and the majority of sales fell short of presale estimates. Christie’s 21st Century Evening Sale set the tone for the fortnight, hammering at U.S. $88.4 million (all sales figures are before fees), a considerable way off its $96 million presale estimate. Sotheby’s Modern Evening Auction followed suit hammering at $190.4 million, failing to meet the expectation of $199.2 million, which was revised to $179.4 after nearly a fifth of the lots were pulled prior to the sale.

Pablo Picasso, Femme à la montre (1932). Oil on canvas. 130 x 97 cm.

Pablo Picasso, Femme à la montre (1932). Oil on canvas. 130 x 97 cm. Courtesy Sotheby’s.

Phillips’ two-part auction met a similar fate, falling just shy of its presale low estimate of $130 million with a collective hammer price of $128 million.

Yet, compared to the lofty estimates of New York’s May sales, auction houses have done well to recalibrate expectations, and thankfully so, given that a number of the usual dead-certs failed to perform.

The pièce de résistance of Emily Fisher Landau’s collection at Sotheby’s, Picasso‘s Femme à la montre (1932), was picked up by guarantee at $139.4 million (including fees), which still amounted to a third of the sale’s final tally of $351.6 million.

However, it wasn’t all doom and gloom. Casting our memory back to the November auctions of 2022, we’ve seen positive year-on-year growth. Philips boasted an 11 percent improvement on the total sales figures across their two-part auction last year (it’s second best in its history), while Sotheby’s was up 10 percent.

Among the works with the most noteworthy results, Ocula Advisory’s Rory Mitchell pointed to Richard Diebenkorn‘s historically important Recollections of a Visit to Leningrad (1965) at Christie’s. An ode to Diebenkorn’s love affair with Matisse, the painting marked a shift from figuration to his abstract window paintings.

Appearing on the market for the first time since it was originally sold by the New York gallerist Elinor Poindexter in 1969, it hammered for $40 million, wildly outpacing its $25 million estimate.

Richard Diebenkorn, Recollections of a Visit to Leningrad (1965). Oil on canvas. 181.3 x 211.1 cm.

Richard Diebenkorn, Recollections of a Visit to Leningrad (1965). Oil on canvas. 181.3 x 211.1 cm. Courtesy Christie’s.

Ocula Founder Simon Fisher took note of Barbara Hepworth‘s sculpture The Family of Man: Ancestor II (1974), which, like the Diebenkorn, hadn’t changed hands for close to 40 years. Completed during the last decade of her life, it sold at Christie’s for $9.7 million, well above its estimate of $4 to 6 million.

A handful of other female painters (especially the young ones) found similar success, but it was ultimately Gagosian‘s Jadé Fadojutimi, who attracted the most competitive bidding. A Thistle Throb (2021) achieved $1.7 million at Christie’s 21st Century Evening Sale, only to be topped at Phillips when Quirk my mannerism (2021) smashed a new record for the London-based painter, selling for $1.55 million ($1.94 million including buyer’s premium).

Jadé Fadojutimi, Quirk my mannerism (2021). Oil, oil stick and acrylic on canvas. 200 x 300 cm.

Jadé Fadojutimi, Quirk my mannerism (2021). Oil, oil stick and acrylic on canvas. 200 x 300 cm. Courtesy of Phillips.

A new record was also achieved for New York-based Ilana Savdie when A High-pitched Complicity (2020) realised $201,600 at Christie’s, while Jenna Gribbon’s nude of her partner Regarding Me Regarding You and Me (2020) sold for $478,800, more than triple its high estimate.

Since the May auctions, we have certainly seen a subtle shift towards a buyer’s market. Unrealistic expectations have been thwarted, and over-hyped numbers for emerging artists recalibrated, but there is still a healthy appetite for quality, both modern and contemporary. Next stop, Miami bitch!

Main image: Ed Ruscha, Securing the Last Letter (Boss) (1964). Oil on canvas. 149.9 x 140 cm. Courtesy Sotheby’s.

Six holiday markets offering locally made gifts in San Antonio

Six holiday markets offering locally made gifts in San Antonio

In a city as culturally and artistically rich as San Antonio, the approach of the holiday season also means the return of festive holiday art markets, where local vendors hawk their wares and shoppers can peruse gifts unavailable at big box retailers. Consider skipping the long Black Friday lines, and hit one — or a few — of these local markets so you can present those you care about with something thoughtful and one-of-a-kind. 

Zonarte: El Mercado de Aztlan

Shop for Texan artist- and artisan-made gifts, original prints, paintings, sculptures, furniture, jewelry, textiles and “artesania” at the 27th annual ZonArte Holiday Market hosted by Centro Cultural Aztlan. The community based-organization hosts a variety of events and annual programming aimed at preserving, developing and promoting Chicano and Latino art and culture. Free, 6-9 p.m. Friday, Nov. 17, 10 a.m.-6 p.m. Saturday, Nov. 18 and Sunday, Nov. 19, Centro Cultural Aztlan, 1800 Fredericksburg Road, #103, (210) 432-1896, centroaztlan.org.

Mercado De Paz

The Esperanza Peace and Justice Center’s International Peace Market is back for its 34th year, offering an alternative weekend shopping experience. Browsers can enjoy local food and live music as they browse and chat with nearly 70 local and international artisans selling their handmade wares including embroidery, jewelry, pottery and more. Free, 10 a.m.-6 p.m. Friday, Nov. 24 and Saturday, Nov. 25, noon-5 p.m. Sunday, Nov. 26, Esperanza Peace and Justice Center, 922 San Pedro Ave., (210) 228-0201, esperanzacenter.org.

Holiday Art Market

Meet a reindeer, get a photo with Santa and buy a handmade gift for a loved one all in one day at the Tobin Center’s annual holiday art market. Free, 10 a.m.-6 p.m. Saturday, Nov. 25, Tobin Center for the Performing Arts, 100 Auditorium Circle, (210) 223-8624, tobincenter.org.

Holiday Night Market

For the four Wednesday nights leading up to Christmas this year, nocturnal shoppers can visit the Pearl for festive music and holiday offerings from local vendors, including Son of a Sailor, Transylvania Treats, Byla Woodworks, Texas Cookie Shop and Jonathan Shepherd Art. Free, 5-9 p.m. Wednesday, Nov. 29, Dec. 6, 13 and 20, Pearl, 303 Pearl Parkway, atpearl.com.

Holiday River Walk Artisan Show

Guests can take a stroll along the River Walk and browse goods including pottery, textiles, jewelry, woodwork, paintings, beadwork and more from over 40 vendors at this year’s Holiday River Walk Artisan Show. Free, 11 a.m.-11 p.m. Friday, Dec. 8 and Saturday, Dec. 9, 11 a.m.-8 p.m. Sunday, Dec. 10, San Antonio River Walk, 602 E. Commerce St., thesanantonioriverwalk.com.

Holiday Museum Market

The San Antonio Museum of Art’s Holiday Museum Market features potential gifts from more than 40 local artists and makers, including Get Stoked Handmade, Katrina O’Day Designs, Mija Folk Art and Texas Potter. Attendees can also experience family friendly hands-on experiences including art-making along with food and drinks plus live music from Jorge and Nicole and The Dirty River Jazz Band. Free, 10 a.m.-4 p.m. Saturday, Dec. 9, San Antonio Museum of Art, 200 W. Jones Ave., (210) 978-8100, samuseum.org.

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Ather and the art of community building

Ather and the art of community building

Ather Energy: Ather and the art of community building, Marketing & Advertising News, ET BrandEquity




















This was a crucial launch event for e-scooter maker, Ather Energy in Chennai. It let one of its customers from Bangalore take centre-stage after the founder’s address.

“Don’t believe anything that these guys tell you…,” started off the customer on the microphone. In a normal scenario, the communications and marketing teams would break into a cold sweat. After all, the brand had taken its first ride outside Bangalore to explore the market in Chennai. It was obviously that moment to say the right things and follow a well thought out strategic narrative.

But company executives would rather let the customer do the talking without any interruption. Throwing the rule book out of the window has been par for the course at the Bengaluru based Ather Energy. “…these guys always underpromise and over-deliver,” the customer completed his unfinished sentence, much to the relief, and pleasant surprise, of wannabe customers and dealers from Chennai who were at the launch.

Another customer spoke about how he would have run up a fuel bill in excess of INR 44,000 but ended up paying close-to-nothing. This customer is referring to a time when the company ran a subscription plan of INR 700 per month where customers could recharge their batteries at all public infrastructure charging stations of Ather in Bengaluru at zero cost, apart from a host of other services.

If it was so good to be true, then why was this offer discontinued a few months ago? “Then, we hired a CFO,” jokes Ravneet S Phokela, the Harvard-educated chief business officer of Ather Energy.

Old-timers at the company also recall an occasion when they invited 100 customers to the office and the founder-CEO Tarun Mehta laid bare the unlisted company’s cost structure and other key financials in front of them. This was done to justify an unprecedented price hike for the company’s range of EVs.

Or there was another occasion when this set of consumers got access to the vehicle prototypes and even managed to get beta test rides. (Fact of the matter: back then, the company had no legal team to dissuade company executives from putting closely guarded product secrets out in the open.)

Over a period of seven-plus years, the Bengaluru based e-scooter maker has managed to build a strong and engaged community of fans or e-biking enthusiasts without busting the bank. For example, all the 50-odd customers from Bengaluru reportedly paid for their own travel to Chennai during the launch. The company only helped them with logistics support to transport the customer’s personal e-scooters for the launch ride in Chennai.

Circle the clock back to 2015-16, when Ather took baby steps in its brand building efforts, even as the first e-scooter would roll out from its plant only by 2018. At that point in time, the market had other electric scooter brands. But most of them were assembled from parts shipped out of China. Phokela recalls, “When we entered, it was a new category. Normally, when you think of a new category, you assume a clean slate. In this case, it wasn’t.”

As Ather took a few steps back to analyse the situation it saw a few myths that had crept in to affect the category as a whole. “Consumers were judging the category based on the products that they saw. The products they saw weren’t really great. At that point in time, consumers believed buying an electric scooter was a compromise. You buy it to save money, but you just sign up for a bad product. The assembled products would not scale up an incline or they had a bad build quality. They were really not a great place,” says Phokela.

Ather executives had their tasks cut out. They first had to dispel some myths and say this is just not a compromise, but it is the future of the automobile. Hence category education and category creation was a very important task.

But the company was not in a position of strength to state that convincingly. If the category was seen in a very bad light, here was a brand that nobody had heard about.

Neither did the company have a product to look the customer convincingly in the eye. “At that stage, it didn’t make any sense for us financially and strategically, to spend money on mass media or advertising to bust these myths,” recalls Phokela.

How did the company leap into this brave new world? It started with establishing a very strong connection with a small, but a very enthusiastic set of customers whom we call the early adopters of the community.

One way of reaching this community was through a newsletter sent by the founders (both IITians) on the future of mobility. “That initial base has stayed with us and they have given us benefits even till today,” says Phokela.

Understanding customers was critical, but what Ather Energy did beyond that was in involving them at every step of the company’s journey – including giving them access to prototypes that would otherwise be guarded zealously, in the business of mobility.

“The idea was to make these people genuinely believe that they are insiders. They’re part of the company and play a role in shaping and building the company,” he stated. The customers soon started visiting the Ather Energy headquarters every first Saturday of the month. There was nothing on offer –no freebies. The customers just came to chat, heard from the company’s top bosses about the direction this company was taking and got access to beta test rides on the prototype vehicles. “To the best of our knowledge, there is no automotive company that will get into the customer feedback, so early on in the life cycle of the product,” says Phokela.

All of the above gave rise to a perception that Ather is an honest company, or even when they mess up they will own up responsibility and apologise.

Phokela says there were enough examples on public platforms, either on Twitter or otherwise, on its forum, where it publicly accepted mistakes, or gave customers a valid reason for its actions.

Since the early days, honesty and transparency have become the company’s cornerstones, say executives. “At that time, the stakes were low. But even now with investors and a board, this continues to be a very defining part of our personality and our story,” says Phokela.

From the humble beginnings as a newsletter to other channels like WhatsApp and other social media channels, the community strength has grown from a few-1000 customers to a little under two-lakh people who are active on that platform today. And not all of them are Ather owners. The forum is run by moderators who are nominated folks and the conversation is about every EV on topics that include new launches, discussions about rival brands, why Ather is dragging its feet in opting for the latest technology and so on.

When the company had put its first scooters out, a few years back, all customers had access to the contact numbers of the top company executives. Many of them are still in touch, says Phokela.

To capitalise on the early excitement around the product, the company created a community visiting card for its early set of customers. These visiting cards could be distributed to people who were keen to know about the e-scooter. These cards were distributed to a whole bunch of people in the community. The card also carried a link to the forum where people can go and read reviews of the product, there was a link to the website and this helped in recruiting more people into the community.

Being a part of the community is beneficial, especially for Ather owners. For example, when there’s a software update being released, anybody in the community can sign up for a beta version access, and get access to a feature before it goes out to the world.

“We want to engage meaningfully, which would definitely mean that our opportunity is finite. Though in theory, we have engaged with a large number of people, we would rather go out and physically meet people every month or go to experience centres and hold events. We believe that’s a far greater and better usage of our time to engage our community, than be happy with the sheer brute force of numbers that I have so many followers on Instagram or X,” says Phokela.

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This is the story of an e-scooter maker who started to build an audience even when it had no product. Or even had no brand worth a recall. With a set of small, but smart steps, the brand has built an impressive following that stays with it through thick and thin.

Prasad Sangameshwaran

  • Updated On Nov 15, 2023 at 08:14 AM IST

This was a crucial launch event for e-scooter maker, Ather Energy in Chennai. It let one of its customers from Bangalore take centre-stage after the founder’s address.

“Don’t believe anything that these guys tell you…,” started off the customer on the microphone. In a normal scenario, the communications and marketing teams would break into a cold sweat. After all, the brand had taken its first ride outside Bangalore to explore the market in Chennai. It was obviously that moment to say the right things and follow a well thought out strategic narrative.

But company executives would rather let the customer do the talking without any interruption. Throwing the rule book out of the window has been par for the course at the Bengaluru based Ather Energy. “…these guys always underpromise and over-deliver,” the customer completed his unfinished sentence, much to the relief, and pleasant surprise, of wannabe customers and dealers from Chennai who were at the launch.

Another customer spoke about how he would have run up a fuel bill in excess of INR 44,000 but ended up paying close-to-nothing. This customer is referring to a time when the company ran a subscription plan of INR 700 per month where customers could recharge their batteries at all public infrastructure charging stations of Ather in Bengaluru at zero cost, apart from a host of other services.

If it was so good to be true, then why was this offer discontinued a few months ago? “Then, we hired a CFO,” jokes Ravneet S Phokela, the Harvard-educated chief business officer of Ather Energy.

Old-timers at the company also recall an occasion when they invited 100 customers to the office and the founder-CEO Tarun Mehta laid bare the unlisted company’s cost structure and other key financials in front of them. This was done to justify an unprecedented price hike for the company’s range of EVs.

Or there was another occasion when this set of consumers got access to the vehicle prototypes and even managed to get beta test rides. (Fact of the matter: back then, the company had no legal team to dissuade company executives from putting closely guarded product secrets out in the open.)

Over a period of seven-plus years, the Bengaluru based e-scooter maker has managed to build a strong and engaged community of fans or e-biking enthusiasts without busting the bank. For example, all the 50-odd customers from Bengaluru reportedly paid for their own travel to Chennai during the launch. The company only helped them with logistics support to transport the customer’s personal e-scooters for the launch ride in Chennai.

Circle the clock back to 2015-16, when Ather took baby steps in its brand building efforts, even as the first e-scooter would roll out from its plant only by 2018. At that point in time, the market had other electric scooter brands. But most of them were assembled from parts shipped out of China. Phokela recalls, “When we entered, it was a new category. Normally, when you think of a new category, you assume a clean slate. In this case, it wasn’t.”

As Ather took a few steps back to analyse the situation it saw a few myths that had crept in to affect the category as a whole. “Consumers were judging the category based on the products that they saw. The products they saw weren’t really great. At that point in time, consumers believed buying an electric scooter was a compromise. You buy it to save money, but you just sign up for a bad product. The assembled products would not scale up an incline or they had a bad build quality. They were really not a great place,” says Phokela.

Ather executives had their tasks cut out. They first had to dispel some myths and say this is just not a compromise, but it is the future of the automobile. Hence category education and category creation was a very important task.

But the company was not in a position of strength to state that convincingly. If the category was seen in a very bad light, here was a brand that nobody had heard about.

Neither did the company have a product to look the customer convincingly in the eye. “At that stage, it didn’t make any sense for us financially and strategically, to spend money on mass media or advertising to bust these myths,” recalls Phokela.

How did the company leap into this brave new world? It started with establishing a very strong connection with a small, but a very enthusiastic set of customers whom we call the early adopters of the community.

One way of reaching this community was through a newsletter sent by the founders (both IITians) on the future of mobility. “That initial base has stayed with us and they have given us benefits even till today,” says Phokela.

Understanding customers was critical, but what Ather Energy did beyond that was in involving them at every step of the company’s journey – including giving them access to prototypes that would otherwise be guarded zealously, in the business of mobility.

“The idea was to make these people genuinely believe that they are insiders. They’re part of the company and play a role in shaping and building the company,” he stated. The customers soon started visiting the Ather Energy headquarters every first Saturday of the month. There was nothing on offer –no freebies. The customers just came to chat, heard from the company’s top bosses about the direction this company was taking and got access to beta test rides on the prototype vehicles. “To the best of our knowledge, there is no automotive company that will get into the customer feedback, so early on in the life cycle of the product,” says Phokela.

All of the above gave rise to a perception that Ather is an honest company, or even when they mess up they will own up responsibility and apologise.

Phokela says there were enough examples on public platforms, either on Twitter or otherwise, on its forum, where it publicly accepted mistakes, or gave customers a valid reason for its actions.

Since the early days, honesty and transparency have become the company’s cornerstones, say executives. “At that time, the stakes were low. But even now with investors and a board, this continues to be a very defining part of our personality and our story,” says Phokela.

From the humble beginnings as a newsletter to other channels like WhatsApp and other social media channels, the community strength has grown from a few-1000 customers to a little under two-lakh people who are active on that platform today. And not all of them are Ather owners. The forum is run by moderators who are nominated folks and the conversation is about every EV on topics that include new launches, discussions about rival brands, why Ather is dragging its feet in opting for the latest technology and so on.

When the company had put its first scooters out, a few years back, all customers had access to the contact numbers of the top company executives. Many of them are still in touch, says Phokela.

To capitalise on the early excitement around the product, the company created a community visiting card for its early set of customers. These visiting cards could be distributed to people who were keen to know about the e-scooter. These cards were distributed to a whole bunch of people in the community. The card also carried a link to the forum where people can go and read reviews of the product, there was a link to the website and this helped in recruiting more people into the community.

Being a part of the community is beneficial, especially for Ather owners. For example, when there’s a software update being released, anybody in the community can sign up for a beta version access, and get access to a feature before it goes out to the world.

“We want to engage meaningfully, which would definitely mean that our opportunity is finite. Though in theory, we have engaged with a large number of people, we would rather go out and physically meet people every month or go to experience centres and hold events. We believe that’s a far greater and better usage of our time to engage our community, than be happy with the sheer brute force of numbers that I have so many followers on Instagram or X,” says Phokela.

  • Published On Nov 15, 2023 at 08:14 AM IST

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This was a crucial launch event for e-scooter maker, Ather Energy in Chennai. It let one of its customers from Bangalore take centre-stage after the founder’s address.

“Don’t believe anything that these guys tell you…,” started off the customer on the microphone. In a normal scenario, the communications and marketing teams would break into a cold sweat. After all, the brand had taken its first ride outside Bangalore to explore the market in Chennai. It was obviously that moment to say the right things and follow a well thought out strategic narrative.

But company executives would rather let the customer do the talking without any interruption. Throwing the rule book out of the window has been par for the course at the Bengaluru based Ather Energy. “…these guys always underpromise and over-deliver,” the customer completed his unfinished sentence, much to the relief, and pleasant surprise, of wannabe customers and dealers from Chennai who were at the launch.

Another customer spoke about how he would have run up a fuel bill in excess of INR 44,000 but ended up paying close-to-nothing. This customer is referring to a time when the company ran a subscription plan of INR 700 per month where customers could recharge their batteries at all public infrastructure charging stations of Ather in Bengaluru at zero cost, apart from a host of other services.

If it was so good to be true, then why was this offer discontinued a few months ago? “Then, we hired a CFO,” jokes Ravneet S Phokela, the Harvard-educated chief business officer of Ather Energy.

Old-timers at the company also recall an occasion when they invited 100 customers to the office and the founder-CEO Tarun Mehta laid bare the unlisted company’s cost structure and other key financials in front of them. This was done to justify an unprecedented price hike for the company’s range of EVs.

Or there was another occasion when this set of consumers got access to the vehicle prototypes and even managed to get beta test rides. (Fact of the matter: back then, the company had no legal team to dissuade company executives from putting closely guarded product secrets out in the open.)

Over a period of seven-plus years, the Bengaluru based e-scooter maker has managed to build a strong and engaged community of fans or e-biking enthusiasts without busting the bank. For example, all the 50-odd customers from Bengaluru reportedly paid for their own travel to Chennai during the launch. The company only helped them with logistics support to transport the customer’s personal e-scooters for the launch ride in Chennai.

Circle the clock back to 2015-16, when Ather took baby steps in its brand building efforts, even as the first e-scooter would roll out from its plant only by 2018. At that point in time, the market had other electric scooter brands. But most of them were assembled from parts shipped out of China. Phokela recalls, “When we entered, it was a new category. Normally, when you think of a new category, you assume a clean slate. In this case, it wasn’t.”

As Ather took a few steps back to analyse the situation it saw a few myths that had crept in to affect the category as a whole. “Consumers were judging the category based on the products that they saw. The products they saw weren’t really great. At that point in time, consumers believed buying an electric scooter was a compromise. You buy it to save money, but you just sign up for a bad product. The assembled products would not scale up an incline or they had a bad build quality. They were really not a great place,” says Phokela.

Ather executives had their tasks cut out. They first had to dispel some myths and say this is just not a compromise, but it is the future of the automobile. Hence category education and category creation was a very important task.

But the company was not in a position of strength to state that convincingly. If the category was seen in a very bad light, here was a brand that nobody had heard about.

Neither did the company have a product to look the customer convincingly in the eye. “At that stage, it didn’t make any sense for us financially and strategically, to spend money on mass media or advertising to bust these myths,” recalls Phokela.

How did the company leap into this brave new world? It started with establishing a very strong connection with a small, but a very enthusiastic set of customers whom we call the early adopters of the community.

One way of reaching this community was through a newsletter sent by the founders (both IITians) on the future of mobility. “That initial base has stayed with us and they have given us benefits even till today,” says Phokela.

Understanding customers was critical, but what Ather Energy did beyond that was in involving them at every step of the company’s journey – including giving them access to prototypes that would otherwise be guarded zealously, in the business of mobility.

“The idea was to make these people genuinely believe that they are insiders. They’re part of the company and play a role in shaping and building the company,” he stated. The customers soon started visiting the Ather Energy headquarters every first Saturday of the month. There was nothing on offer –no freebies. The customers just came to chat, heard from the company’s top bosses about the direction this company was taking and got access to beta test rides on the prototype vehicles. “To the best of our knowledge, there is no automotive company that will get into the customer feedback, so early on in the life cycle of the product,” says Phokela.

All of the above gave rise to a perception that Ather is an honest company, or even when they mess up they will own up responsibility and apologise.

Phokela says there were enough examples on public platforms, either on Twitter or otherwise, on its forum, where it publicly accepted mistakes, or gave customers a valid reason for its actions.

Since the early days, honesty and transparency have become the company’s cornerstones, say executives. “At that time, the stakes were low. But even now with investors and a board, this continues to be a very defining part of our personality and our story,” says Phokela.

From the humble beginnings as a newsletter to other channels like WhatsApp and other social media channels, the community strength has grown from a few-1000 customers to a little under two-lakh people who are active on that platform today. And not all of them are Ather owners. The forum is run by moderators who are nominated folks and the conversation is about every EV on topics that include new launches, discussions about rival brands, why Ather is dragging its feet in opting for the latest technology and so on.

When the company had put its first scooters out, a few years back, all customers had access to the contact numbers of the top company executives. Many of them are still in touch, says Phokela.

To capitalise on the early excitement around the product, the company created a community visiting card for its early set of customers. These visiting cards could be distributed to people who were keen to know about the e-scooter. These cards were distributed to a whole bunch of people in the community. The card also carried a link to the forum where people can go and read reviews of the product, there was a link to the website and this helped in recruiting more people into the community.

Being a part of the community is beneficial, especially for Ather owners. For example, when there’s a software update being released, anybody in the community can sign up for a beta version access, and get access to a feature before it goes out to the world.

“We want to engage meaningfully, which would definitely mean that our opportunity is finite. Though in theory, we have engaged with a large number of people, we would rather go out and physically meet people every month or go to experience centres and hold events. We believe that’s a far greater and better usage of our time to engage our community, than be happy with the sheer brute force of numbers that I have so many followers on Instagram or X,” says Phokela.

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