Mediabistro: The #1 Media & Creative Job Board

Sorry, that job is no longer available.

You tell us what you’re looking for.

We’ll tell you when those jobs are posted.

We produce and distribute content through some of the world’s leading and most valued brands

Public Relations Manager, F&B/Home/Design

Isetta Marketing Agency
– The New Work Project, 97 N 10th St #2A, Brooklyn, NY 11249
(10 months ago)


Account Manager to grow and manage CPG and DTC clients with thoughtful and strategic work in media relations, brand positioning, affiliate marketing,

More…

News Reporter

Fox Corporation
– Orlando, Florida, USA
(about 7 hours ago)


OVERVIEW OF THE COMPANYFox TV StationsFOX Television Stations owns and operates 29 full power broadcast television stations in the U.S. These inclu…

More…

Manager Credit & Collections

Fox Corporation
– Philadelphia, Pennsylvania, USA
(about 7 hours ago)


OVERVIEW OF THE COMPANYFox TV StationsFOX Television Stations owns and operates 29 full power broadcast television stations in the U.S. These inclu…

More…

Customer Service Representative

Newsday Media Group
– Melville, NY – Corporate Center Drive
(about 7 hours ago)


Position SummaryThe Inbound Customer Service Representative supports our high volume Call Center and is the liaison between Newsday and its current…

More…

Revit Designer

Jobot
– Dallas, Texas, United States, 75215
(about 2 hours ago)


Revit Designer – Multifamily projects with nationally recognized, full-service architectural firm!This Jobot Job is hosted by: Torey BellAre you a …

More…

Civil Designer

Jobot
– Mitchell, Illinois, United States,
(about 2 hours ago)


Growing Firm! Exciting Projects!This Jobot Job is hosted by: Lincoln SpragueAre you a fit? Easy Apply now by clicking the “Apply” button and sendin…

More…

Visual Merchandiser

Target
– North Miami Beach, Florida, United States, 33160
(about 2 hours ago)


The pay range per hour is $21.25 – $36.15Pay is based on several factors which vary based on position. These include labor markets and in some inst…

More…

Staff Data Scientist Solutions Design Team!

Walmart
– Bentonville, Arkansas, United States, 72712
(about 2 hours ago)


What you’ll do atPosition Summary…What you’ll do…Join our Solutions Design Team!Data ScienceStaff Data ScientistIdentifying, tracking and solvi…

More…

Marketing Manager

Optimus Technologies
– Pittsburgh, Pennsylvania, us, 15289
(about 2 hours ago)


About Optimus TechnologiesOptimus Technologies is a clean energy technology company based in Pittsburgh, PA. Optimus manufactures the Vector System…

More…

Full Stack Web Developer

Jobot
– Sarasota, Florida, United States, 34243
(about 2 hours ago)


This Jobot Job is hosted by: Matthew WadeAre you a fit? Easy Apply now by clicking the “Apply” button and sending us your resume.Salary: $110,000 -…

More…

Marketing Representative

Weed Man
– Sharonville, Ohio, United States,
(about 2 hours ago)


Join our growth-oriented company, which has expanded by 40% in 2021, as a Marketing Representative. We are seeking highly motivated individuals eag…

More…

(USA) Manager, Visual Merchandising

Walmart
– Bentonville, Arkansas, United States, 72712
(about 2 hours ago)


What you’ll do atPosition Summary…What you’ll do…MANAGER: VISUAL MERCHANDISINGWalmart Visual Merchandising’s mission is to inspire customers to…

More…

Web Developer 0

CyberCore Technologies
– Laurel, Maryland, United States, 20724
(about 2 hours ago)


**TS/SCI Clearance with Polygraph REQUIRED**Work in an environment where you can design the architecture and develop solutions to meet the organiza…

More…

Marketing Content Development Strategist

United Wholesale Mortgage
– Pontiac, Michigan, United States, 48340
(about 2 hours ago)


:United Wholesale Mortgage is seeking a talented content strategist who will be responsible for creating and optimizing engaging, high-quality cont…

More…

WEB DESIGNER

Sally Beauty Holdings
– Denton, Texas, United States, 76205
(about 2 hours ago)


OverviewJob Title: Web DesignerCompany: SBHEssential FunctionWe are seeking a highly creative and driven Web Designer to join our creative team. Th…

More…

Marketer (Home Care Company)

Atlas Search LLC
– Brooklyn, New York, United States, 11210
(about 2 hours ago)


We are seeking a Home Care Marketer to join our client’s team and drive the growth and visibility of their home care agency. As a Home Care Markete…

More…

Lead Senior Interior Designer

FBC Remodel
– Denver, Colorado, United States, 80285
(about 2 hours ago)


Description:Do you love capturing a homeowner’s vision, pitching beautiful design concepts, and mentoring others?Would it light you up to work for …

More…

Marketing & Sales Director

Cottage Grove Place
– Cedar Rapids, Iowa, United States, 52402
(about 2 hours ago)


When you work at Cottage Grove Place, you have a front-row seat to the amazing life stories of the wisest people on earth. What’s more, you are par…

More…

Interior Designer

FBC Remodel
– Denver, Colorado, United States, 80285
(about 2 hours ago)


Description:Do you love bringing plans to life? Are you eager to dig into design details while capturing a homeowner’s big vision?We love our beaut…

More…

Back to Jobs

Loading…

Create a job alert
to receive the latest creative jobs.

WILMINGTON (WWAY) — The Cameron Art Museum is hosting a Handmade Holiday Market on Saturday, November 4.

It’s happening from 10 a.m. to 4 p.m. at 3201 South 17th Street in Wilmington. There is a $5 entry fee, which includes entry into a drawing for a free household membership.

The event will help you get ready for gift giving this holiday season with a one-day shopping event featuring unique and handmade gift items created by local artists.

For more information visit CameronArtMuseum.org

While unpredictable Midwest weather canceled the outdoor finale of Art Garden KC’s season this weekend at the Berkley Riverfront, the spirit of the maker market will pop up again soon with an indoor event in the Crossroads.

Art Garden KC’s Beggars Bazaar — set for 6 .m. to 9 p.m. Friday Nov. 3 — returns to the Beggars Table, 2010 Baltimore Ave., for First Friday. The open and inclusive church/gallery space is committed to supporting local arts, organizers said, making room for a number of Kansas City artists and makers.

Click here to learn more about Beggars Bazaar.

Art Garden KC, a grassroots, artist-led collective, organizes affordable, low barrier pop-up markets and festivals in Kansas City with the mission to create equal economic opportunity for local creative entrepreneurs while hosting engaging, community-centric events in safe, inclusive spaces for creative expression and collaboration.

It was set to close its third season — typically spanning April to October at Berkley Riverfront Park — this weekend with Halloween on the Riverfront, but the Sunday event was canceled because of recent prolonged rain and cold weather at the venue. 

More shopping opportunities are set to return on Black Friday, when Art Garden KC’s Merry Market opens at City Market. The holiday-focused event series runs weekends, Thanksgiving through Christmas.

Click here for details on the Merry Market.

Art Garden KC, fall 2023

It started with Sundays

Since 2021, Art Garden KC has brought together Kansas City artists every Sunday to build community and share their creations. Like many ventures popping up in the past few years, the effort was born amid new pandemic-era perspectives.

Bethany Alzandi, the founder of Art Garden KC, had just moved into the Pendelton Arts Block in Kansas City’s Northeast, an apartment community with a preference for artists and creatives in Pendelton Heights, with her husband Mustafa right before COVID-19 hit Kansas City.

Alzandi saw the need for a place for artists to come together more than ever, especially as COVID put a stop to all in person events in the community.

“You had a lot of great people and great artists that had moved in that were ready to start creating and collaborating and building some community programming in the Northeast area,” Alzanadi said.

“I feel like a lot of artists weren’t working or vending or showing their art throughout COVID,” she continued. “We felt that mental health had declined in the building we lived in, and substance abuse had gone up. So, we imagined that was something people were facing community wide.”

A year later, in spring 2021, Bethany and Mustafa organized their first event: a gathering of five artists in a field, coming together to share their crafts.

“We found an area across from our local coffee shop that was an outdoor space and chose to do something every Sunday. It was accessible for families, the after-church crowd, and a day when not much else was going on,” Alzanadi said. “We just started inviting artists from all over the city to come join us and hang out on Sundays.”

The Sunday meetups organically grew into an art market and received plenty of feedback from the community. They added spaces for other creatives to showcase their crafts, including an open mic and group yoga practice.

“,”load_all”:false,”error_template”:”

{{ERROR}}

“,”inner_caption”:false,”caption_position”:false,”arrow_position”:false,”toolbar”:true,”infobar”:false,”show_smallbtn”:false,”idle_time”:false,”click_content”:false,”click_slide”:false,”click_outside”:false,”animation_duration”:false,”transition_duration”:false,”small_btn_template”:”“}”>

Art Garden KC, fall 2023

Art Garden KC, fall 2023

No imposters here

After organizing its 2022 season at City Market, the art fair found a new home at the Berkley Riverfront Park in 2023 with support from Port KC and the Troost Market Collective.

Art Garden KC, fall 2023

As its fiscal agent, Troost Market Collective allows Art Garden KC to keep its booth fees for vendors low — at just $10, Alzanadi said. Compared to other markets that might charge $150 to $500 in booth fees, this allows artists who are just starting out or have limited financial resources to participate in their festivals. 

Art Garden KC also provides local artists a place to build community and confidence, in addition to a venue to showcase and sell their work.  

“We had artists coming up and with tears in their eyes, saying, ‘Thank you so much. I made $300 today,’” Alzanadi said. “My husband and I looked at each other and said, ‘OK, we’ve got something here. There’s a need for this. The community supports it. Let’s start getting organized.’”

In the next year, Alzanadi said, she hopes to expand Art Garden KC by offering Vendor 101 classes to teach artists how to sell their work in markets and galleries. 

Alzandi has come far, she said — initially feeling like an imposter trying to break into the art scene when she first moved to Kansas City. Now, she’s inviting artists from across the city to hang out with her on Sundays.

“When you lower the booth fees, and you don’t tell people their art isn’t good enough to get in, it takes away that competitive nature,” Alzanadi said. “It takes away that fear and anxiety that most artists would feel when entering an art market or a gallery.”

She developed a varied but recognizable style in multiple mediums, characterized by the raw, mordant humor of a woman under no illusions.

How much do we really know about the land we walk on each day? For those of us in urban areas, pavement and buildings mask what were once prairies, forests, or glaciers, with any natural terrain often disguised in swaths of concrete and blacktop.

But in some cities, the remnants of the former landscape still haunt the streets. From Paris to Auckland to New York, communities are deciding to daylight the streams and rivers that were buried underground during development as a way to reduce pollution from urban runoff and prevent disastrous flooding. Baltimore alone is home to nearly 50 waterways that run for miles across the city—including the well-known Jones Falls that flows beneath I-83—and a new public art project is drawing attention to one of the bodies hidden below several central and northern neighborhoods.

Photo © Frank Hamilton

The creation of artist Bruce Willen of Public Mechanics, Ghost Rivers is a multi-site installation and walking tour that visualizes the path of Sumwalt Run, which travels in culverts nearly 40 feet below Remington and Charles Village. “I first stumbled across this buried stream eight or nine years ago, on an antique map of Baltimore. On this 1870s-era map, a creek and a large pond cut across several miles of central and north Baltimore, not far from where I live,” Willen tells Colossal. “I was curious about this missing stream that once ran just a few blocks from my house.”

While walking around his neighborhood a few years later, Willen could hear water run in the storm drains when he reached lower elevations, which revived his interest in the hidden streams and instigated Ghost Rivers. Ten installations currently comprise the project, which overlays a wavy blue line on the pavement to help visualize where Sumwalt Run once was. The stream is shown haphazardly cutting through the center of an intersection and across roadways, revealing an inherent incongruity with Baltimore’s grid and urban life.

Photo © Public Mechanics

Thanks to support from the Greater Remington Improvement Association, Willen learned there was community interest in learning about the hidden waterways as he developed the project, and so self-guided tours became an important component of Ghost Rivers—for those of us not in Baltimore, there’s also a virtual option with detailed histories, archival photos, and maps. He shares about the tours:

Walking along the hidden path of the stream and imagining lost landscapes and ecologies really changes how you perceive the urban environment. When you encounter this permanent cartographic overlay and follow it through the city streets, these visions become more real, impactful, and deeply engaging.

While not all cities boast installations to visually communicate their histories, reviving interest in these once-visible waterways tends to be part of the goal, something Ghost Rivers is particularly adept at. It reveals what’s been lost to urbanization, explains the effects of burying a body of water, and leads us down a path that envisions a more symbiotic, sustainable future.

The few remaining Ghost Rivers sites are slated for completion next year. Check out the project website for more information, and follow Willen on Instagram to keep up with his upcoming public artworks, including bus shelter seating and light installations.

Photo © Public Mechanics

Photo © Public Mechanics

Photo © Frank Hamilton

Photo © Public Mechanics

Photo © Side A Photography

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article ‘Ghost Rivers’ Visualizes a Mile-Long Stream Buried Deep Beneath Baltimore appeared first on Colossal.

Shoppers, browsers, curiosity-seekers, and onlookers will find all the fa-la-la-la-la they need on December 2 when the Central PA Guild of Craftsmen presents the forty-sixth annual Winter Craft Market at the Nittany Valley Sports Centre in State College.

The local chapter of the Pennsylvania Guild of Craftsmen hopes the sizeable venue will attract more visitors than ever. 

“It’s a large, well-lit area, with plenty of room to spread out,” according to event committee member Christine Stangel. Since this year’s event will include more than fifty artisans, both participants and organizers appreciate the spacious venue.

Stangel goes on to explain that the guild had to cancel the Winter Craft Market for 2020 and 2021 due to the COVID pandemic.

“That time period hurt artists in general,” adds Tess Clapper, who also serves on the committee, “and some had to leave the art community.”

But the enthusiasm artists have for this market hasn’t waned, and organizers take pride in the diversity and quality of work shown. Each applicant must present work to a jury, which then selects artists to participate in the market. The use of a jury maintains a high standard of well-made, unique items.

“We also have to limit each media,” Clapper continues, “so you won’t see too many silversmiths or too many fabric artists.” Instead, participants will present varied types of art.

Diane Maurer, internationally renowned paper artist, says she feels “great about participating, knowing that this show is well-juried.” Continuing, the Spring Mills artist says, “You’ll find good, high-quality work here. Good artwork and fine craft.”

Maurer excels in marbling, collage, and surface design, a type of print or design used on a surface such as a wall or book cover. In 2018, the Metropolitan Museum of Art in New York City purchased forty of her papers.

“They’re now preserved and protected in archival sleeves,” she says, “and I consider that the high point of my career so far.”

Her biography also includes an appearance on Martha Stewert Living and a design purchased by Godiva Chocolatiers for worldwide distribution. Additionally, she has authored numerous books detailing her work, her methods, and her sources.

Maurer finds much of her inspiration in the outdoors. “I could see objects—streams or foliage—cut into images and made into a paper collage. Or I could trace an image in a fifteenth-century German work and use that in a paste paper.” 

She says she appreciates the way artists at this show take the time to talk to visitors about their art.

“They feel so passionate about their work,” she observes, “and enjoy explaining their techniques and what inspires them.”

New York native Bonnie Hedden designs jewelry, incorporating gold, sterling silver, and a variety of gemstones. The bracelets, earrings, necklaces, and rings she develops draw the viewer’s eye with gleaming metal, flowing compositions, and richly hued stones.

“Some artists will sketch things out,” she explains. “I let the stones speak to me—like putting together puzzle pieces.”

Some of her pieces feature imagery from nature. You’ll see leaves, vines, daisies, and other flowers. Other items seemingly echo, twist, wind, and coil, according to the shape of the opals, pearls, topaz, and other gemstones Hedden uses. Armed with her snips, files, vices, and torches, she approaches her work with a precise mastery.

“Details embellish the focal points,” she says, “and I just keep working until it’s done.”   

An avid exhibitor attending eighteen shows annually, Hedden won two prizes at the 2022 Lewiston Art Festival in New York state. She took home First Place for Artistic Craft as well as Best in Show.

“I really never expected it,” she recalls, “and I was just thrilled.”

Hedden has set up her cases and displays at the Winter Craft Market for ten years. And she appreciates the guild’s dedication to staging an event so consistently brimming with high-caliber work.

“The Centre County Chapter of the PA Craft Guild does such a great job,” Hedden says, “and the organizers work hard. And I enjoy seeing such quality work from all the artisans.”

Master artisan Ted Walker fabricates and designs silver jewelry in southcentral Pennsylvania.

As his business name, Reflections in Silver, suggests, each silver pendant, ring, earring, and necklace shimmers as light rebounds from it.

He describes his work as “flowing and calming.” Walker says the designs themselves simply come to him. “Sometimes I’ll see a shape in a dream or a daydream,” he says, “and I’ll start working with the silver and just see what happens.”

Spirals, coils, curls, and waves, all in silver, make up many of Walker’s pieces. He frequently adds accent points like a lapis bead tucked into the crest of a wave, or a green onyx nestled against a long loop, or a moonstone perching on the round of an earring.

“I feel flattered when someone spends hard-earned money on something I’ve made,” Walker says, “and a part of you goes away with that buyer. It makes me happy and honored when a person feels strongly enough to buy from me.”

His interest in silversmithing evolved from his mother’s talent for jewelry-making and his “rock-hound” grandfather, who ran a small shop in Lancaster.

“From a sort of family tradition, I found myself designing and making jewelry,” he recalls.

Walker, like other artists, felt the sting of loss during the years COVID shut down the Winter Craft Market. “I’m glad we’re back again,” he says. “Events like this need continuity. It’s always good to see familiar faces when you’ve developed a stream of good customers. And this is a really nice venue.”

The Sports Centre offers a size that appeals to vendors and organizers alike. Stangel adds, “We have plenty of free parking. We do ask a $5 admission fee that helps cover promotional activities.”

The Boy Scouts of America will hand out wristbands to those attending. The bands will allow patrons to leave the Sports Centre, check out some of the other events in the county, and return later.

The Clef Hangers, a vocal group from Mount Nittany Middle School, will serenade shoppers and enhance a festive atmosphere.

“This is a team effort from start to finish,” Clapper says, “and we like to say, ‘Shop local and buy handmade this season.’” T&G

Anne Dyer Walker is a Bellefonte freelance writer.

A show at the Japan Society focuses on four innovators who created a blueprint for a new society with postcards, scissors, chess sets and instructions.

The National Museum of Women in the Arts in Washington, D.C. reopened October 21, 2023, following a more than two-year renovation for which it has raised $69 million. NMWA first opened to the public in 1987 as the only major museum in the world dedicated solely to championing women through the arts.

The renovation, completed by female architects and conservators, adds more flexible exhibition space, renovated and enlarged galleries, a renovated and updated performance hall, a new studio and classroom area, a refreshed façade, reworked infrastructure–security, collection storage, lighting, climate control, wireless–and brings the building into full ADA compliance.

Ironically, the museum’s Classical Revival style building was constructed in 1908 as a temple for the Masons, an organization that did not allow women members.

The NMWA’s inaugural major exhibition, “The Sky’s the Limit,” takes full advantage of the building’s expanded and upgraded spaces by featuring 33 large scale sculptures which dangle from the ceiling, cascade down walls and extend far beyond their footprint on the gallery floor.

“Presented in our transformed space, the artworks convey an energy and dynamism that dovetails with the urgency of the museum’s mission to oppose historic and contemporary gender inequality,” Kathryn Wat, Deputy Director for Art, Programs and Public Engagement and Chief Curator at National Museum of Women in the Arts, told Forbes.com. “Each artist revels in materiality and nothing is off limits. They work with an array of found objects including silver-plated vessels, t-shirts, wooden spools, hair combs, faux flowers, ostrich eggs, shells, a wooden chair, glass bottles, parasols and a wooden rhinoceros.”

Other works on view are composed from a mix of organic and industrial materials such as wool, paper, wire, resin, cedar wood, aluminum, wax and blown glass.

“In a world that continues to confront women with so many limitations, these artists are in control of their mediums and work fearlessly,” Wat said. “These artists are intent on inviting visitors to an experience. They don’t want you to stand still and look. They want you to move around, to physically engage with the works, and see new perspectives and—short of touching anything—to directly understand their impact.”

The Work for Equality Continues

NMWA’s Washington, D.C. location serves as an appropriate crucible and metaphor for the “dance” of women’s equality. A female vice president in the White House is followed by the constriction of women’s reproductive rights with the repeal of Roe vs. Wade in the Supreme Court.

So it goes in the art world as well.

“Many of the historic barriers that have faced women for years remain—from gender inequity in the art historical canon and gallery representation, to museum exhibitions and museum leadership–this is one of the reasons that our work is so essential,” Susan Fisher Sterling, Director of National Museum of Women in the Arts, told Forbes.com. “While some progress has been made, women continue to be overlooked by museums and undervalued by the art market.”

Data compiled in the 2022 Burns-Halperin report for 2008–20 finds that only 10.5% of acquisitions at 31 of the most prominent U.S. museums were works by female-identifying artists and only 14.9% of exhibitions were of work by female-identifying artists.

Why, in 2023, does the nation still need a gendered art museum? That’s why.

“Statistically, these disparities are significantly worse when we consider the intersectionality of gender, ethnicity, race and sexuality,” Fisher Sterling adds.

The National Museum of Women in the Arts puts its mission in its name. The countless institutions across the country that for 100 years operated as de facto national museums for men in the arts disguised their biases and then those biases became law.

“I look forward to the day when the ideals we promote at the National Museum of Women in the Arts become fully integrated into mainstream museums, the art market and art events around the world,” Fisher Sterling said. “Until that day, however, and I would venture to say, even thereafter, women artists need support and benefit from venues that specifically champion them and lead the way forward.”

With more than 6,000 artworks by 1,500 artists spanning the 16^th century through today, no one does that better than NMWA.

Aiming to bring recognition to the achievements of women artists from all periods and nationalities by exhibiting, preserving, acquiring, and researching art by women and by teaching the public about their accomplishments, the museum’s renovated building will allow it to do so better than ever with an expanded program of gallery talks, open studios art making activities, tours, art making workshops, after hours events and speaker series.

More than simply a place to look at art, the NMWA is a place to talk about art, hear about art, make art and think about art.

“I want visitors to leave the museum feeling motivated and inspired, not just pleasant or passive,” Wat said. “I want to excite people into seeing the world in new ways and inspire them to act.”

What’s on View

Visitors experience art from the moment they enter the building. The rotunda features a dramatic six-foot-tall hanging sculpture by Portuguese artist Joana Vasconcelos, as well as paintings by self-taught American artist Clementine Hunter (1886/87–1988) and contemporary Indigenous Australian artist Audrey Morton Kngwarreye.

On view in the striking Great Hall are a series of black-and-white prom portrait photographs by Mary Ellen Mark and large-scale architectural photographs by German Candida Höfer. Portraits and self-portraits of women from across the centuries fill the mezzanine, with French Impressionist Eva Gonzalès’s (1849–1883) Portrait d’une jeune femme (Portrait of a Young Woman) (1873–74), Frida Kahlo’s (1907–1954) iconic Self-Portrait Dedicated to Leon Trotsky (1937) and South African Zanele Muholi’s photograph Katlego Mashiloane and Nosipho Lavuta, Ext. 2, Lakeside, Johannesburg (2007), among others.

In addition to “The Sky’s the Limit,” NMWA presents familiar favorites and never-before-exhibited recent acquisitions as part of “Remix: The Collection” upon reopening.

Smaller, focused exhibitions for Chinese American artist Hung Liu (1948–2021), French artist Antoinette Bouzonnet-Stella (1641–1676), and a close-up look into the practices and perspectives of eight contemporary artists via short documentary-style videos greet visitors. Additionally, nine new works by celebrated book artists inaugurate NMWA’s new Learning Commons and its reinvigorated Betty Boyd Dettre Library and Research Center.