Art World News

Rough-Hewn Deities Rise from the Streets of Vietnam in Kumkum Fernando’s Growing World of Futuristic Figures

Rough-Hewn Deities Rise from the Streets of Vietnam in Kumkum Fernando’s Growing World of Futuristic Figures

“Koha, Manike the Maniac, and Lomba.”All images © Kumkum Fernando, shared with permission

At once totemic and automaton-like, the deities built in Studio REBORN in Saigon are bound by mystique. The characters are scions of the Vietnamese city, emerging from doors, windows, tabletops, and abandoned architecture that Kumkum Fernando collects, cleans, and repurposes as figurative sculptures. While the found materials may have lost their original paint or patterns, the artist faithfully honors this history, often recreating motifs and color palettes reflected on the final forms.

Born in Sri Lanka to an antique collector, Fernando incorporates this background into his pieces, both through the act of scouring construction sites, resale shops, and streetside trash bins for wood and other items used in his practice and through adornment. Many of his sculptures include elements of folkloric tales and temple paintings that infuse the pieces with a spiritual, mythical quality and reference Sri Lankan culture.

Fernando’s latest body of work abandons the sleek, boldly vibrant forms of recent years to instead focus on a gritty, post-apocalyptic narrative. “I started out by making notebooks and toy cars using old Vietnamese building parts before transitioning to glossy figurative pieces,” he tells Colossal of his evolution. “I began to miss the textures and colors I used to work with. That’s when I decided to go back and incorporate aspects I loved from the beginning into this series.”

On view now at Jonathan Levine Projects, the characters of Post Colonial Rainbow Punks “are intergalactic swashbucklers—part gangsters, part mythical beings.” Like his earlier works, they invoke East Asian history and mythology through the lens of structural debris like French shutters and window frames, although their geometric bodies are embellished with mottled, worn paint and what appears like rusted metals. Hailing from a distant future while constructed with materials of the past, these figures recontextualize time and space and are said to have reached Earth in search of Princess Izzah 281, their most difficult mission yet.

For more of Fernando’s fantastic sculptures, visit his site and Instagram.

 

A robot like figure with mottled paint and a squiggly mouth

“Koha”

An orange and blue orchid-like character with squiggly arms and legs

“Weeping Orchid”

A detail of a flower like form with squiggly vines coming off the sides

Detail of “Weeping Orchid”

Three figurative sculptures made of geometric wood with rough-hewn paint

“Soft Boss”

A robot like character made of geometric blocks in yellow and orange

“Ilo Galaxy”

Five sleek robot like characters standing on a white table wiht geometric shapes

A robot with a spiky jackfruit like head and a body made of geometric blocks

“Jackfruit Jenny”

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Rough-Hewn Deities Rise from the Streets of Vietnam in Kumkum Fernando’s Growing World of Futuristic Figures appeared first on Colossal.

Multi Corporation Four new Shopping Centre Mandates in France – Retail & Leisure International

Multi Corporation Four new Shopping Centre Mandates in France – Retail & Leisure International

Multi Corporation, a leading European retail management and development company, proudly announces its recent appointment as property manager for four shopping centres in France owned by Retail Property Investments SAS (RPI). Building on an existing partnership, Multi Corporation will provide its expertise to enhance the performance and success of RPI’s portfolio. The expansion into France marks Multi Corporation’s second entry into a new country, following Switzerland, in just one year.

RPI’s French shopping centre portfolio contains four shopping centres, with a combined Gross Leasable Area (GLA) exceeding 150.000 sqm. The portfolio includes Docks Vauban, the largest shopping centre in the portfolio, located in Le Havre, with a GLA of approximately 54.000 sqm. Docks Vauban features renowned anchor tenants such as Primark, Zara, H&M, and Lidl. Additionally, the two assets in Rouen, Docks 76 and Saint Sever, have anchor tenants Carrefour and E. Leclerc, respectively, along with H&M. In Strasbourg, Rivetoile stands out for its strong fashion offerings, featuring anchor tenants such as Zara, Bershka, Mango, and H&M. All four shopping centres offer leisure and entertainment options, including cinemas, to enhance the experience for visitors.

The entry into France represents Multi Corporation’s second expansion into a new country since completing a management buy-out in March 2022. In June 2022, Multi Corporation set up an office in Switzerland when it was awarded the asset and property management mandate for the Mall of Switzerland. Following the appointment as property manager for the four shopping centres in France, Multi has now established an office in France to support its operations in the country.

Between 1997 and 2012 Multi was active in the French market. At that time, Multi Corporation developed its first asset in the country, Les Quatre Chemins in Vichy, followed by La Vache Noire in Arceuil and Les Arcades Rouge in Cholet. Since it was established in 1982 as a shopping centre, office and residential developer in the Netherlands, Multi Corporation has expanded its footprint to include, Belgium, Germany, Italy, Poland, Portugal, Spain, and Turkey. Including its recent entry into France, Multi Corporation now operates in 14 countries across Europe and Turkey.

“We are proud to have been selected by our trusted client, RPI, to manage their retail portfolio in France. We are excited to work together with RPI and apply our extensive retail knowledge in order to maximize the potential of their French retail portfolio,” said Elmar Schoonbrood, Co-CEO of Multi Corporation. “Equipped with our new office and a team of industry experts on the ground, we are fully prepared to expand our business in France.”

About Multi Corporation Multi Corporation is the leading pan-European platform for integrated real estate management services. Since its foundation in 1982, the company has completed over 200 real estate projects with a total GLA of over 5 million sqm, an asset value of about 13 billion Euros and has received over 200 industry awards from its peers. Multi currently manages over 80 properties across Europe and welcomes over 400 million customers annually, spending an estimated €4 billion across over 6.000 stores, restaurants, and leisure facilities. Multi offers a full spectrum of services, including active asset and property management, operations, redevelopment and refurbishment, leasing, advisory, legal and compliance. Multi’s in-depth knowledge of retailers, investors, visitors, and local markets provides owners of real estate an integrated and independent platform to protect and drive asset value at every phase of the property’s lifecycle. Multi’s broad financial, commercial, and technical expertise has enabled us to outperform the industry in terms of occupancy, net rental income and state-of-the-art marketing over the years. Multi actively manages assets in 14 countries. The company’s headquarters are in The Netherlands, and has offices in Belgium, France, Germany, Hungary, Italy, Latvia, Poland, Portugal, Slovakia, Spain, Switzerland, Turkey and Ukraine.

Bentonville’s FORMAT moving to The Momentary

Bentonville’s FORMAT moving to The Momentary
image

BENTONVILLE — This year’s FORMAT Festival in Bentonville will take place at The Momentary art space in Bentonville and the surrounding area, organizers announced.

Moving the location from the venue at 3100 Price Coffee Road, an area zoned for agriculture, will allow the festival to expand while bringing the event closer to the heart of Bentonville, organizers said. This year’s festival will be the event’s second.

The Momentary hosts a summer concert series and the Police Department expects this event will go much the same, said Melissa Fox, department public information officer.

Those who have already received their tickets will get an email with more information, the organizers’ statement said. The festival is set for Sept. 22-24. Tickets and hotel packages are available at www.format-festival.com/tickets .

The announcement of the venue change came three months after the city’s Planning Commission approved a conditional-use permit for the 2023 festival, with the understanding it would once again be held at the Price Coffee Road location.

Applicant Avacaspar requested the permit at the March 21 meeting to use the property as an outdoor music venue, which is allowed conditionally in an agriculture zoning classification.

Avacaspar also requested approval for use of the “outdoor music venue” for five years. Some planning commissioners didn’t favor a five-year use but agreed to a three-year conditional use.

One approved condition was amplified music be allowed until 1 a.m. Sept. 22 and Sept. 23 and until 10:30 p.m. Sept. 24. Event officials noted there were complaints about music in the early morning hours last year.

This year’s lineup features: Alanis Morissette, LCD Soundsystem, Leon Bridges, Modest Mouse, Jamie XX, Tash Sultana, Big Wild, Little Simz, Bob Moses, Poolside, Channel Tres and Paul Cauthen, among others. The festival will also feature attractions from world-renowned artists including Guerrilla Girls, JR’s Inside Out Project, Jeremy Deller and Ragnar Kjartansson x The National.

The festival issued an open call for submissions by local talent earlier this year. Organizers chose nine talented musicians from Arkansas to add to this year’s lineup. They are DJ Afrosia, Yuni Wa, Modeling, The Misdemeanors, King Cabbage Brass Band, Lesly Reynaga, Pura Coco, Jordan Occasionally and Ehule.

The festival partnered with the University of Arkansas on a spring semester project to collaborate with the class on marketing, advertising and promotions for the event. In addition to his project at the festival, FORMAT will bring French artist JR’s Inside Out Project to the UA. Students, faculty and staff will be invited to get their portraits taken and see themselves incorporated into a large mural. This will take place on the university campus beginning Sept. 10.

For the second year FORMAT invited Arkansas-based artists to design an entryway gate to the festival site. The review of all applicants is underway. The winner of this year’s competition will be announced soon, according to organizers.

FORMAT is a partnership with OZ and in collaboration with Crystal Bridges Museum of American Art in Bentonville along with the museum’s satellite contemporary art space the Momentary. Crystal Bridges will host talks, tours, and other programs beginning Sept. 21 to enhance the FORMAT experience.

FORMAT is produced by C3 Presents and TRIADIC. Additional official partners include 180 Studios, Istanbul’74 and CACHE — the Creative Arkansas Community Hub & Exchange, which works with creatives, communities and organizations throughout Northwest Arkansas.

The 2023 edition of FORMAT is sponsored by Solana, Visit Bentonville, White Claw Hard Seltzer, Tito’s Handmade Vodka, Rambler Sparkling Water and Cardenxe Sotol.

Bentonville’s FORMAT festival moving to The Momentary

Bentonville’s FORMAT festival moving to The Momentary
image

BENTONVILLE — This year’s FORMAT Festival in Bentonville will take place at The Momentary art space in Bentonville and the surrounding area, organizers announced.

Moving the location from the venue at 3100 Price Coffee Road, an area zoned for agriculture, will allow the festival to expand while bringing the event closer to the heart of Bentonville, organizers said. This year’s festival will be the event’s second.

The Momentary hosts a summer concert series and the Police Department expects this event will go much the same, said Melissa Fox, department public information officer.

Those who have already received their tickets will get an email with more information, the organizers’ statement said. The festival is set for Sept. 22-24. Tickets and hotel packages are available at www.format-festival.com/tickets .

The announcement of the venue change came three months after the city’s Planning Commission approved a conditional-use permit for the 2023 festival, with the understanding it would once again be held at the Price Coffee Road location.

Applicant Avacaspar requested the permit at the March 21 meeting to use the property as an outdoor music venue, which is allowed conditionally in an agriculture zoning classification.

Avacaspar also requested approval for use of the “outdoor music venue” for five years. Some planning commissioners didn’t favor a five-year use but agreed to a three-year conditional use.

One approved condition was that amplified music be allowed until 1 a.m. Sept. 22 and Sept. 23 and until 10:30 p.m. Sept. 24. Event officials noted there were complaints about music in the early morning hours last year.

This year’s lineup features: Alanis Morissette, LCD Soundsystem, Leon Bridges, Modest Mouse, Jamie XX, Tash Sultana, Big Wild, Little Simz, Bob Moses, Poolside, Channel Tres and Paul Cauthen, among others. The festival will also feature attractions from world-renowned artists including Guerrilla Girls, JR’s Inside Out Project, Jeremy Deller and Ragnar Kjartansson x The National.

The festival issued an open call for submissions by local talent earlier this year. Organizers chose nine musicians from Arkansas to add to this year’s lineup. They are DJ Afrosia, Yuni Wa, Modeling, The Misdemeanors, King Cabbage Brass Band, Lesly Reynaga, Pura Coco, Jordan Occasionally and Ehule.

The festival partnered with the University of Arkansas on a spring semester project to collaborate with the class on marketing, advertising and promotions for the event. In addition to his project at the festival, FORMAT will bring French artist JR’s Inside Out Project to the UA. Students, faculty and staff will be invited to get their portraits taken and see themselves incorporated into a large mural. This will take place on the university campus beginning Sept. 10.

For the second year, FORMAT invited Arkansas-based artists to design an entryway gate to the festival site. The review of all applicants is underway. The winner of this year’s competition will be announced soon, according to organizers.

FORMAT is a partnership with OZ and in collaboration with Crystal Bridges Museum of American Art in Bentonville along with the museum’s satellite contemporary art space, the Momentary. Crystal Bridges will host talks, tours, and other programs beginning Sept. 21 to enhance the FORMAT experience.

FORMAT is produced by C3 Presents and TRIADIC. Additional official partners include 180 Studios, Istanbul’74 and CACHE — the Creative Arkansas Community Hub & Exchange, which works with creatives, communities and organizations throughout Northwest Arkansas.

The 2023 edition of FORMAT is sponsored by Solana, Visit Bentonville, White Claw Hard Seltzer, Tito’s Handmade Vodka, Rambler Sparkling Water and Cardenxe Sotol.

Rutland Herald Community News

Rutland Herald Community News

COLLEGE NEWS

Graduates

The following students recently graduated from Castleton University.

Benson — Jeffrey Peltier, Bachelor of Science in Nursing.

Bomoseen — Jacob Henderson, summa cum laude Bachelor of Science in Biology; Heather Lesure, cum laude Bachelor of Science in Nursing.

Brandon — Molly Fisher, cum laude Bachelor of Science in Nursing; Timothy Kittler, magna cum laude Bachelor of Science in Biology; Julia Lee, cum laude Bachelor of Science in Nursing; Miranda Stoutes, summa cum laude Bachelor of Science in Nursing.

Castleton — Alyssa Bathalon, Bachelor of Science in Marketing; Dennis Ekeji, summa cum laude Bachelor of Science in Management, Marketing; Birgit Kinneberg, summa cum laude Bachelor of Arts in Sociology, Psychology; Phil Kluge, summa cum laude Bachelor of Science in Sport Management; Luke McGee, summa cum laude Bachelor of Science in Media & Communication; Joseph Ouimet, Master of Athletic Training in Athletic Training; Dawson Pierson, Bachelor of Science in Sport Management; Inza Rehlen, Bachelor of Science in Nursing; Rafael Robles, magna cum laude Bachelor of Science in Nursing.

Fair Haven — Taylor Cormia, magna cum laude Bachelor of Science in Psychological Science; Meg Wasko, Master of Science in Athletic Leadership.

Florence — Christa Wood, Bachelor of Science in Nursing.

Middletown Springs — Elizabeth Bardin, summa cum laude Bachelor of Science in Management, Marketing.

Mount Tabor — Gannon Teunissen, Bachelor of Arts in Theater.

North Chittenden — Justin Aker, Bachelor of Science in Health Science.

North Clarendon — Kiera Loomis, cum laude Bachelor of Science in Management.

Pawlet — Leanna Mason, Bachelor of Science in Sport Management; Guillermo Yescas, Bachelor of Arts in Graphic Design.

Pittsfield — Maya Johnstone, Bachelor of Science in Environmental Science.

Pittsford — Sarah Crossmon, Master of Arts in Education; Katherine Kloss, Master of Arts in Education; Sarah Wallis, magna cum laude Bachelor of Science in Psychological Science.

Poultney — Sidney Boni, cum laude Bachelor of Arts in English; Julia Bruno, Bachelor of Science in Biology; Tori Buchter, Bachelor of Science in Biology; Alyssa McMahon, summa cum laude Bachelor of Arts in Art; Bradley Ohlson, Master of Music Education in Music Education; Jaron Rochon, summa cum laude Bachelor of Science in Archaeology, Geography & Applied Anthropology, Music; Cameron Wescott, summa cum laude Bachelor of Music in Music Education.

Proctor — Stacey Farrington, Master of Arts in Education; Amanda Reynolds, magna cum laude Bachelor of Science in Management.

Rochester — Troy Walker, Bachelor of Science in Management, Marketing.

Rutland — Mallory Bigelow, magna cum laude Bachelor of Social Work in Social Work, Sociology; Leigha Charron, cum laude Bachelor of Science in Psychological Science; Martina Comas-Altland, cum laude Bachelor of Science in Nursing; Kimberly Davis, cum laude Bachelor of Science in Biology; Vanessa Dumas, magna cum laude Bachelor of Science in Exercise Science; Meaghan Dunlap, Bachelor of Science in Nursing; Amy Ferro, summa cum laude Bachelor of Science in Nursing; Matia Gioeli, Bachelor of Science in Health Science; Rachel Hauck, magna cum laude Bachelor of Science in Accounting; Alphonso Howlett, Master of Science in Athletic Leadership; Conner Ladabouche, Bachelor of Science in Management; Michael Lamarre, Master of Arts in Education; Janae Lamb, cum laude Bachelor of Science in Nursing; Keeley Lynch, Bachelor of Arts in Art; Sean Lynch, Bachelor of Science in Computer Information Systems; Eric Maxham, summa cum laude with a Bachelor of Science in Physical Education; Naomi Merrill, Bachelor of Arts in Multidisciplinary Studies; Jessica Neilson, Bachelor of Science in Forensic Psychology; Ashley Pearo, Bachelor of Arts in Multidisciplinary Studies; Molly Pfenning, magna cum laude Bachelor of Science in Nursing; Leah Romano, magna cum laude Bachelor of Social Work in Social Work, Sociology; Grace Russell, magna cum laude Bachelor of Science in Nursing; Lauren Schreiber, cum laude Bachelor of Science in Nursing; Paul Tetreault, Bachelor of Science in Mathematics; Alea Valente, Bachelor of Arts in Psychological Science; Susan Vansteemburg, Bachelor of Science in Psychological Science; Mary Weinstein, magna cum laude Bachelor of Science in Nursing; Garrett Wilcox, Bachelor of Science in Biology; Amanda Zilski, cum laude Bachelor of Science in Nursing.

Wallingford — Tessa Davenport, cum laude Bachelor of Science in Physical Education; Sandra Welch, Bachelor of Science in Nursing.

West Haven — Sarah Ezzo, cum laude Bachelor of Science in Computer Information Systems.

West Pawlet — Hailey Godette, magna cum laude Bachelor of Arts in Multidisciplinary Studies.

Whiting — Brandi Leno, cum laude Bachelor of Science in Nursing; Jocelyn Noble, summa cum laude Bachelor of Music in Music Education.

Clarkson University graduates include Jack Stahura, of Chittenden, bachelor of science degree with distinction in engineering and management, project management minor; and Taylor Manley, of North Clarendon, bachelor of science degree in computer science, psychology minor, mathematics minor.

Academic honors

Castleton University spring 2023 dean’s list also includes Elizabeth Munger, of Benson; Katarina Stevens, of Castleton; Zoe Aigner, of Fair Haven; Madison Gilmore, of Pittsford; Caitlin Hayes, Rhiana Russell, both of Poultney; Ashleah Adams, Michael O’Connor, Evan Pockette, all of Rutland; Ginger Morrigan, of Wells.

Plymouth State University in Plymouth, New Hampshire, spring 2023 includes:

President’s list — Emily Harris, of Bellows Falls, Elementary Education major; William Pratico, of Rutland, Business Administration major.

Dean’s list — Abbigale Hodge, of Bellows Falls, Psychology major; Noah Rawling, of Bellows Falls, Management major; Ashley Carvey, of Fair Haven, Nursing major; Shawn Clark, of Poultney, Criminal Justice major.

The University of Hartford in West Hartford, Connecticut spring 2023 president’s honor list includes Olivia Depatie, of Brandon; Amanda Gates, of Proctor; Erin Lapointe, of Rutland.

The University of Maine at Farmington spring 2023 dean’s list includes high honors — Emalyn Remington, of Bennington, Lydia Eastman, of Chelsea, Walker Willey, of East Hardwick, Ayla Bodach-Turner, of Montpelier, Willow Betz, of West Haven; honors — Wilson Krause, of Lyndonville, Lauren Girouard, of North Concord.

Noah Howe, of Rutland, was named to the spring 2023 dean’s list at Dean College in Franklin, Massachusetts.

Do you have an item you would like to see in Community News? A milestone? A public announcement? A short news release about something entertaining going on in your town? Simply email the information to us at news@rutlandherald.com. Be sure to put For Community News in the subject line. (Note: We do reserve the right to edit for length.)

Anderson Ranch reaches back to early roots for live auction July 13

Anderson Ranch reaches back to early roots for live auction July 13
Anderson Ranch Arts Center, a destination for art-making and critical dialogue since 1966, celebrates creativity and service to the arts by recognizing the accomplishments and contributions of key figures in the art world.
Anderson Ranch/Courtesy photo

It was Paul Soldner, a raku ceramist, who envisioned the vibrant arts center that eventually became Anderson Ranch, so it’s only fitting that this year’s live auction revolves completely around ceramics.

The Recognition Week Live Auction Preview of notable ceramics opened to the public June 19 and will remain on display through July 12. The artwork will be available during the annual Recognition Dinner’s live auction July 13. Proceeds support emerging artists through scholarships, help bring in faculty and enhance facilities.

“(The exhibition) helps to elevate the medium and showcase it,” said Lindsy Fortier, director of marketing and communications at Anderson Ranch Center. “The work is just so stunning to see in person. It’s a great opportunity for people who are interested in buying it or who just want to see these high-end ceramics.”



Philae Knight, chair of the auction committee, chose to focus solely on ceramics at this year’s auction to celebrate the art form’s history and core as Anderson Ranch’s artistic experience. She said ceramics is gaining popularity again because it’s a tactile form of working with the environment — through clay from the earth — and it’s a difficult medium to master.

“A lot of ceramic artists interested in exploring contemporary ideas are looking to bridge the old ideas with the new,” Knight said. “Ceramics are one of the most prominent and creative mediums of contemporary artists of our time. Embedded in this highly curated selection of works are narratives connecting ancient and contemporary techniques and aesthetics, alongside current themes of identity and environment, to name a few.”



Japanese-born Jun Kaneko came to the United States in 1963 to study, and Soldner ultimately became one of his teachers. He has been creating installations that promote civic interaction.

“He is one of the modern ceramic masters of large-scale, three-dimensional object making, and he has some of the most renowned kilns,” Knight said.

Tokyo-based artist Yukiko Kuroda and ceramic artist Kazunori Hamana emphasize recycling in their art collaborations. They began working together after one of Hamana’s vessels was damaged. Kuroda used large metal staples to hold the fractures together, following the ancient Chinese technique of riveting, and together they launched a new series of works with idiosyncratic beauty.

Kathy Ruttenberg employs ceramic, bronze and light to explore themes of ecofeminism, animal liberation and sexuality, while Bari Ziperstein challenges the construction of desire and aspiration in contemporary American culture through her objects and sculptural tableaux.

One of the youngest artists, Erin Jane Nelson, earned this year’s Guggenheim Fellowship in the Creative Arts and addresses climate change through her work.

Each artist donated the distinctive ceramics, which range in scale from smaller wall hangings to large, outdoor installations and range in price from $8,000 to $100,000.

“The ranch exists because of the fundraising that it does. It is how they support the programming,” Knight said. “It’s really a labor of love for artists. Most people have a heart connection with Anderson Ranch because the teachers recognize the individuals and what they’re trying to do creatively, so I think these artists feel seen and invigorated by the faculties and the access to the equipment they have in the studios. It’s a high-quality, individual approach to education. The teaching there is very personal, and the staff is exemplary.”

The true story behind the conspiracy-ridden murals at DIA

The true story behind the conspiracy-ridden murals at DIA

The iconic murals displayed at DIA created by Leo Tanguma have drawn attention from people around the world since the early 90’s. Unfortunately, much of the focus has been on the imagery of destruction rather than the storyline that ends with a vision of world peace. 

Along with other elements of DIA (recently rebranded to DEN), conspiracy theories about the murals have gone viral – rumors of Nazi or Illuminati ties, and warnings of the “new world order.” While these claims are unfounded, they have made a significant impact on the lives of the artists.

“I need to see what’s wrong in society, and then reflect it in my murals. At the same time, I wanted to reflect what’s beautiful in society and in my community,” Tanguma said.

Artists Leo Tanguma and Cristal Darlina share the heartfelt intentions behind their murals

28 years after unveiling the murals, Tanguma spoke to Rocky Mountain PBS at his granddaughter’s home surrounded by family photos and artwork. His daughter and collaborator Leticia Darlina Tanguma was nearby offering emotional support, welling with pride as her father reflected on his artistic legacy. 

“It was a spiritual awakening for me,” he added. “I’ve always been spiritual, I think. But those experiences moved me more to consider that what I had in my abilities was a God-given talent. And I think that was made important in those murals.”  

DIA conspiracies 

The murals at the airport, now temporarily in storage, depict the terrors of war and pollution. Amongst the chaos is a group of sleeping children. From their minds extends a grey mist that turns into a rainbow, leading to a portrayal of an ideal world, entitled “In Harmony with Peace and Nature.”

Despite the effort Tanguma, Darlina, and their supporters poured into the murals, the type of fame and recognition they received wasn’t what many artists pine for. Since their unveiling, conspiracy theories about the murals have run rampant.  

Darlina learned about some of the rumors in the early 2000’s. She recalls hearing, “‘People hate that mural. They say, you wanted 9/11 because of that figure of war. They say that in the Bible, all these dirty animals are unclean. They say, ‘Why are you painting people in coffins?’ And, you know, just on and on where it became a terrible conspiracy.” 

The delayed construction of the airport continued to feed rumors of secret underground networks, and with each new idea came a web of uncredible theories attempting to tie other works of art at the airport, like the mustang sculpture nicknamed “Blucifer,” to rumors of plotted terror.  

People have profited from books and documentaries about the theories, but Tanguma and Darlina say they have rarely been asked about the actual meaning behind the murals. 

And while many people find the conspiracies laughable (DIA has even turned some into a marketing opportunity), the consequences of these rumors are far from funny for the Tanguma family. 

The Impact of the conspiracy theories 

According to Darlina, the conspiracy theories started before the murals were even complete.

“We did have a few people come in at the time that were painting it. They said, ‘don’t paint this. There’s a new world order.’ We had no idea what they were talking about back then.” Darlina shared. 

As soon as the conspiracy theories began, Tanguma lost two valuable commissions, and according to Darlina, both of them were harassed. Some people even resorted to death threats.

“People have said things like, ‘You need to destroy the art. You need to destroy the artist who did this,’” she recalled.  

“I thought and I still think that these people are deranged,” said Tanguma.  “For example, one religious minister called the mural satanic. Others said that they saw demons.”  

Despite the airport allowing Darlina to have plaques installed explaining the murals, the conspiracies continued. 

Darlina said that while people have the right to interpret art as they would like, it’s important to acknowledge the cruelty behind how these theories unfolded. She said that to overlook the important messages of peace, justice and hope the murals were meant to portray causes harm to entire communities.  

“They’re [the conspiracies] destroying the artwork, too.” explained Darlina. “I’ve met other people that have been so depressed,” she continued, referring to people who feared the conspiracy theories were true.  

Faces of our community 

Family friend of the Tagumas, Cheryl Detwiler Mihaka, also helped create the murals. Taguma said that her talent combined with Darlina’s helped them portay a deep sense of compassion in their art. 

“Both my daughter and Cheryl had experienced physical violence in relationships, so that also humanized them more,” he shared.  “So, I had not only fantastically talented young women working with me, but also they brought me back to the spirituality of what we were trying to do.” 

Tanguma also explained why he wanted the mural to come from the perspective of a child. “I think that there is a certain innocence among the oppressed, among the people that are uneducated, that don’t have access, practically, to life.” 

Tanguma was also influenced by his work with youth who had been imprisoned, and others who were high schoolers that he painted alongside. 

“I think that my connection with painting with young people, there’s been that that I’ve seen the possibilities and I’ve seen the destruction,” he summarized. 
The focus of youth seemed to add to the draw of passers-by, who also impacted the direction of the murals. Between 1992 and 1995, Tanguma painted murals in a room in the Lakeside Mall. The combination of large panels and Mexican music drew in curious patrons.  

Word spread of the work in progress, and parents asked for their children to be depicted in “Children of the World Dream of Peace.” Amongst the parents were some who had lost their children and asked Tanguma to memorialize them in the mural.  

One mother asked for a depiction of her son who had recently passed from suicide, another whose daughter was killed while helping her friend escape an abusive situation.  Some had lost their children to gang violence. 

A clip from a Denver Post feature, mothers emotionally embracing after seeing their children memorialized in the murals.

Also featured in the mural was Tanguma’s young granddaughter, her cousins and classmates, and well-known children from around the world such as young activist Samantha Smith, (who passed in a plane crash), or brothers who marched for peace in Afghanistan. And while originally, he hadn’t planned to include political elements, Tanguma said the need to depict the injustices of war became apparent – an issue he was all too familiar with after having served in the military. 

Connecting Colorado to the rest of the world 

While painting the children, Tanguma asked for the families’ countries of origin, and depicted the children in the traditional clothing from each area. Over time, as many as 70 different countries were portrayed. 

“These are fantastic experiences that have to mold you, because you see the beauty of humanity daily, from many, many countries of the world,” he reminisced.
Tanguma painting traditional garb from various countries. 

Tanguma hoped that by including each of these countries, the artists could spread a message of peace to places beyond Colorado. 

“I saw that as an opportunity to take the ideas that I have learned in my own community, a community where they are aspiring for greater civil rights and cultural identity, that permitted me to share those ideas with the passers-by from almost any country in the world.” 

A resilient legacy 

Attempts to destroy the artwork of the Tanguma family are not new to them. Leo Tanguma has faced critiques of his work since he was a child in Texas. 
“When I was in the fifth grade in elementary school, I did some drawings on the blackboard about my classmates killing our town Sheriff,” he recalled. “So, I got severely punished for that. But the reason I did that is because the sheriff in our hometown was the killer. He had killed, up to that point, seven Mexican-Americans — including two of my mom’s cousins.” 

Tanguma continued to do artwork portraying both injustice and visions for resolution. He was commissioned for a mural while stationed in Germany, and once again in the 1960s when he was transferred to California. There, he did a mural honoring the Mexican American movement for civil rights.

Eventually, his artist studio in his hometown of Houston was destroyed in a case of suspected arson. Around this time, his wife, Darlina’s mother, passed away from cancer. The family decided to try to start anew in Denver, where Darlina began her career as an artist while Tanguma continued creating well-known murals in places like the Denver Art Museum. 

“Imagine a person that’s blacklisted in Houston. When I got to Denver, the Denver Art Museum asked me to do a mural inside the museum. What beautiful feelings that I had,” he shared. “But I still kept painting issues. I thought that besides the beautiful city and surroundings that I see, still there remained police brutality, education, women’s liberation, war.” 

Through it all, Tanguma and his daughter have remained strong in their messages of hope, connected to art, and perhaps most importantly, connected to each other.  

“My daughter has been the most important figure that I’ve ever painted with,” Tanguma shared. “Because not only is she talented, but she’s aware, aware of conditions, aware of our culture and our history.”

And as far as the conspiracies go, they haven’t stopped the Tangumas either.  “It made me more dedicated, I think, because after that I did a number of other murals with social and cultural meaning,” he said. 

Darlina continues to collaborate with community in her artwork both independently and through the Redline Contemporary Art Center’s ‘Reach’ program, and Tanguma is planning a mural with students from East High School. 

“I think rumors like the airport conspiracies and the mural conspiracies, they really seek to destroy the human connection, the human spirit.” Darlina said. “But I want to create artwork that will bring us together.”

New Aspen exhibit frames Herbert Bayer’s ‘World Geo-Graphic Atlas’ in the context of politics, art and science

New Aspen exhibit frames Herbert Bayer’s ‘World Geo-Graphic Atlas’ in the context of politics, art and science

In 1947, the “father of Modern Aspen” Walter Paepcke commissioned artist Herbert Bayer to design an atlas.

This was two years after World War II, and two years before Paepcke founded the Aspen Institute, which Bayer helped design.

The book was supposed to be a promotional gift, marking the 25th anniversary of Paepcke’s cardboard box company, the Container Corporation of America.

But by the time the atlas was released in 1953 — two years after the anniversary deadline — Bayer’s final “World Geo-Graphic Atlas” proved to be far more than a marketing tool.

Like any atlas, it has maps and charts about geography. But it’s also a 368-page monument of graphic design that promotes environmental conservation and international collaboration while reflecting the Bauhaus style that shaped Bayer’s work.

“One of the real legacies of the atlas is the way in which Bayer tries out all different types of strategies to make complex information accessible and engaging and exciting for general audiences,” said Benjamin Benus, the author of “Herbert Bayer’s World Geo-Graphic Atlas and Information Design at Midcentury.”

This summer, the atlas is the inspiration for an exhibition across multiple buildings on the Aspen Institute campus, including a deep dive at the Resnick Center for Herbert Bayer Studies titled “Concept of a Visualist: Herbert Bayer’s World Geo-Graphic Atlas.” Benus curated the show with Bernard Jazzar, a Bayer expert and curator of the Lynda and Stewart Resnick Collection.

An interactive exhibit about the atlas is also on view at the Institute’s Doerr-Hosier Center. “Charting Space: Herbert Bayer’s World Geo-Graphic Atlas at 70” is curated by the Resnick Center’s Penner Manager of Educational Programming Andrew Travers; it’s intended for all ages but is particularly suitable for K-12 students. The installation includes an 8-foot, walk-in recreation of Bayer’s “Outside-In Globe” that encourages people to make connections between seemingly distant places.

“Concept of a Visualist” officially opened on June 20. Kaya Williams spoke with Benus about the atlas and what it says about the past and present.

Benjamin Benus: It’s very much a historical document that reflects certain attitudes of the period. It comes out in the early years of the Cold War.

And so while Herbert Bayer stated that his aim was to present a picture of the world as one, to present a kind of global picture of the world, it’s still very much framed in Cold War terms — that, you know, it’s a kind of competition between these two models of human civilization, that in the Atlas is described as the the free world or the Soviet model. And so in that way, it really reflects attitudes of the period.

But there are also other ways in which it’s quite exceptional. And I think its emphasis on looming environmental crises, and its provocation to the readers to think about the kinds of actions and measures that they can take in response to crises like the depletion of natural resources, or overpopulation — in that way, it’s quite exceptional as an atlas.

Williams: It strikes me, another theme here is this intersection of art and science. You’ve mentioned environmental crises that are reflected here. What role does art play in science and vice versa today that we might have seen reflected in this atlas, then?

Benus: Yeah, I think one of the lessons of this exhibition is that audiences’ views of the world — the way they understand geography, the way they understand fields like meteorology — are largely shaped or mediated by artists and designers, that they are a key component in the communication between experts who do the research and have the raw data and audiences who consume that data.

And it’s really up to designers and artists to figure out how to deliver that. And I think the exhibition asks audiences to think about that. And I think the atlas itself in lots of ways — one of its aims was to kind of cultivate, sort of ,information literacy and get audiences to think about the role of the designer in presenting information.

Williams: Lots of conversation about information literacy today and media literacy today. Do you think that there’s lessons that we stand to learn from this?

Benus: For me, one of the most important lessons — and I think it’s a lesson that Bayer himself learned in the process of working on the Atlas — is the importance of the designer cultivating a certain appreciation and understanding for the material, the information that they’re tasked to present to the public.

Obviously, the designer is not going to become an expert, but to the extent possible, [they need] to really understand the material, and that it’s important for experts to understand what designers are doing, the design process, and to think about how the material that they want to present to the public might translate into a design.

Williams: Would you say this book contains any calls to action, so to speak?

Benus: Very much so. And in fact, Bayer’s very specific in listing a whole series of ideas about measures that people could take, or that governments could take in response to depletion of resources, different methods of farming, switching to different forms of energy, utilizing hydroelectric power.

He has a kind of a whole bulleted list at the end of the Atlas in the section that deals with environmental crises. But I think one really important point he makes is that it’s a global issue and that it’s got to be solved collectively. And I think that was something that was quite original and new for the time and really distinguished the Atlas from its counterparts: this idea that the call to action would have to be a collective one.

July 2023 Opportunities: Open Calls, Residencies, and Grants for Artists

July 2023 Opportunities: Open Calls, Residencies, and Grants for Artists

Image © Chris Wood

Every month, Colossal shares a selection of opportunities for artists and designers, including open calls, grants, fellowships, and residencies. If you’d like to list an opportunity here, please get in touch at hello@colossal.art. You can also join our monthly Opportunities Newsletter.

 

Open Calls

Franklin Furnace 2023 XENO Prize for Artists’ Books (International)
This prize offers $5,000 to one artist to publish an artist’s book centered around book banning/burning in an edition of at least 120 copies. Franklin Furnace will make three copies of the book freely available to the public via its Artists’ Books Collection and will give one copy to the Library of Congress, each of the 50 State Libraries in the United States of America, and the Pratt Institute Libraries.
Deadline: July 4, 2023.

1708 Gallery’s InLight 2023 Call for Proposals (International)
For this year’s exhibition, 1708 invites regional, national, and international artists working in all media and disciplines to submit entries that engage with and respond to Reflection and Refraction for the InLIght festival. Artists are invited to propose projects that engage with and expand upon the histories and activities that comprise InLight, as well as Broad Street’s past, present, and future. Chosen applicants receive a $1,000 stipend.
Deadline: Midnight ET on July 5, 2023. 

Mophradat Orbitals Open Call (International)
This open call will take four curators and art researchers to Dakar, Senegal. During the one-week guided research trip, the participants will meet and share experiences with peers from the art scenes they are visiting. Mophradat will provide flights, travel insurance, accommodation, and per diems, and reimburse visa costs. Applicants must be from or living in the Arab world.
Deadline: July 10, 2023.

In Translation at Glen Arbor Arts Center (International)
Applications are being accepted for In Translation, the Glen Arbor Arts Center’s juried exhibition that runs from August 18 to October 26. In Translation explores this question: What is the role of the artist, the visual maker, in the 21st century? Visionary? Commentator? Taker of dictation? Aesthete? Four artists will receive awards ranging from $150 to $500. There is a $35 application fee.
Deadline: July 13, 2023.

USC-SJTU Institute of Cultural and Creative Industry Art Valley Program Open Call (International)
This open call will accept five international artists and scholars who use comprehensive media materials. From November 1 to December 15, selected artists will hold exhibitions with Shanghai organizations and receive RMB 10,000. Applicants can be at all career stages and working in drawing, painting, sculpture, photography, film, video, new media, installation, interdisciplinary, and architecture.
Deadline: July 14, 2023.

Memento Mori Juried Group Exhibition (International)
The Chateau Gallery is hosting Memento Mori, an international juried group exhibition centered around life and death. All forms of two-dimensional, traditional, and non-conventional art media are eligible for the online show.
Deadline: July 15, 2023.

Art For Change Prize 2023 (International)
From M&C Saatchi Group and Saatchi Gallery, this year’s prize asks emerging artists to creatively respond to the theme of Regeneration. £20,000 will be split between six winners, who will exhibit their work at Saatchi Gallery in London.
Deadline: July 17, 2023.

14th Epson International Pano Awards (International)
The Epson panoramic photography awards are open for submissions with prizes totaling $40,000, including $14,000 in cash. Entry fees range from $20 to $22.
Deadline: July 17, 2023.

The Nueva Luz Study Center Commissioning Fund 2024 (New York State)
En Foco is launching a new program that will commission three artists to create new work using the archives of the Nueva Luz Study Center. Proposals should inspire and re-contextualize artworks, themes, and issues contained or referenced within the archives, and each project will receive a $1,000 budget.
Deadline: 11:59 p.m. ET on July 19, 2023.

El Paso Museum of Art–2024 Border Biennial/Bienal Fronteriza 2024 (U.S.)
This exhibition will explore how “the border” has shaped the practices and identities of artists who live and work within 200 miles of the U.S.-Mexico border.
Deadline: 11:59 p.m. MT on July 30, 2023.

Boynes Artist Award (International)
The 9th edition of the Boynes Artist Award will accept artists of all career stages. Winning artists have access to a $3,500 cash prize pool, $250 in art supplies, the creation of a professional artist website, publication, newsletter features, and long-term support and guidance. There is a $25 to $35 submission fee.
Deadline: July 30, 2023.

SculptureCenter In Practice 2024 Open Call (International)
In Practice 2024 invites artists who have not yet had an institutional solo exhibition in New York City to submit proposals for solo shows in designated gallery spaces at SculptureCenter. Proposals for off-site projects, publishing initiatives, performances, and nontraditional formats are also accepted. Up to seven applicants will be chosen and receive $6,000 project budgets and $1,000 honorariums.
Deadline: 11:59 p.m. ET on August 6, 2023.

Passepartout Photo Prize (International)
Open to photographers at any stage of their careers, the Passepartout Photo Prize is accepting submissions for its seventh edition. Winners receive exhibition and publication opportunities, with one 500 Euro award. There is a 25 Euro entry fee.
Deadline: October 10, 2023.

 

Grants

Prospect Art Open Call for Visual Artists (International)
Visual artists are eligible for the NEW WORK program, which offers a $1,000 project grant. There is a $10 application fee.
Deadline: July 3, 2023.

Illuminations Grant for Black Trans Women Visual Artists (U.S.)
Now in its fourth year, this annual $10,000 grant draws attention to early-career Black trans women visual artists, highlighting an existing body of work and providing critical support for their practice. The winning artist will complete a studio visit with our rotating panel of judges, and four distinguished finalists will receive $1,250 awards.
Deadline: July 12, 2023.

Project Mesquite: 2023 Organization Grants (Arizona)
Cultural organizations in Tucson and southern Arizona are eligible for $5,000 to $10,000 grants for projects that will impact a broad group of people.
Deadline: July 13, 2023.

AXS Film Fund (International)
This program is for disabled creators of color in documentary filmmaking or nonfiction new media. Five artists receive grants of up to $10,000 each to assist in finishing projects at any stage of production.
Deadline: 11:59 p.m. ET on July 31, 2023.

2024 Joyce Awards (Great Lakes region)
The final 2024 funding cycle for the Joyce Awards is now open to cultural workers and organizations working toward racial equity and economic mobility.
Deadline: September 11, 2023.

Adobe Creative Residency Community Fund (Ukraine or refugee)
Adobe’s Creative Residency Community Fund commissions visual artists to create company projects on a rolling basis. Awardees will receive between $500 and $5,000.
Deadline: Rolling.

 

Residencies, Fellowships, & More

The Studios at MASS MoCA Residency (International)
Fully funded fellowships at MASS MoCA are available for two or four-week residencies. Selected artists receive private studio space, housing, access to workshops, and member benefits.
Deadline: July 8, 2023.

UNIDEE and Cittadellarte–Fondazione Pistoletto Residency Program (International)
Artists, curators, writers, theorists, and activists are eligible for this residency centered around the theme of Neither on Land nor at Sea. Residents will expand their ongoing research and practice exploring Mediterranean complexities and geographical thinking in the arts and beyond, within a group of peers and guests. Housing is provided.
Deadline: July 9, 2023.

Penland’s Resident Artist Program (International)
Artists working in contemporary craft are eligible for four Penland residencies, either the one-year project-based program or the three-year track for career transition. Chosen applicants receive housing and studio space.
Deadline: July 12, 2023.

Creative Corps Initiative (California)
This program makes available $2.85 million to artists working at the intersection of arts and issues of civic engagement, climate justice, community health and wellness, and social justice. Each awardee will work with a nonprofit and receive a stipend of $70,000 to $72,000.
Deadline: 5 p.m. PT on July 14, 2023.

ICCI Art Valley Program (International)
The USC-SJTU Institute of Cultural and Creative of Shanghai Jiao Tong University is recruiting five international artists and scholars to participate in the ICCI ART VALLEY PROGRAM from November 1 to December 15. Visiting artists will hold exhibitions, lectures, workshops, and/or other public programs and will receive accommodations, airfare, and a stipend of at least $1,300.
Deadline: July 15, 2023.

Loghaven Artist Residency (International)
Loghaven invites artists working in architecture, dance, music composition, theater, visual arts, writing, and interdisciplinary practices to apply for residencies occurring in 2024 and 2025. Both emerging and established artists are eligible, and residents receive a living stipend of $850 per week in addition to travel and freight reimbursement. There is a $20 application fee.
Deadline: July 15, 2023.

Crosstown Arts Residency Program (International)
Open to artists working in visual arts, music, filmmaking, and writing, this program offers private studio space and lodging. There is a $10 application fee.
Deadline: July 15, 2023.

Quinn Emanuel Los Angeles Artists-in-Residence Program (Greater Los Angeles)
Open to emerging and mid-career artists working in all disciplines, this four-month program offers a studio in the Quinn Emanuel Los Angeles office. The chosen applicant will receive $5,000 per month, $1,500 for materials, and an exhibition.
Deadline: July 15, 2023.

UCross Residency Program (U.S.)
Open to visual artists, writers, composers, choreographers, interdisciplinary artists, and performance artists, as well as collaborative teams, this residency offers housing, a workspace, and a $1,000 stipend.
Deadline: 1 a.m. on July 16, 2023.

UCross Fellowship for Native American Visual Artists (U.S.)
This four-week residency is open to artists working in any visual discipline who are members of a state-recognized or federally-recognized native group. Selected artists receive $2,000 and a featured gallery exhibition at Ucross the following year.
Deadline: 1 a.m. on July 16, 2023.

National Public Housing Museum Artist as Instigator Residency (International)
This year-long program leverages arts and culture to make creative public policy interventions around housing and related social justice issues. One resident will receive $10,000 and a $10,000 budget for expenses. Projects must take place anywhere within the United States, including Puerto Rico and the U.S. Virgin Islands.
Deadline: 11:59 p.m. on July 21, 2023.

Adobe Creative Residency (U.K.)
Adobe x Museums is a new initiative to fund year-long residencies at the Victoria and Albert Museum and Museum of Modern Art in New York. The first round of applications for the V&A is open now in illustration, ceramics, and costume design.
Deadline: 10 a.m. British Summer Time on July 28, 2023.

Monira Foundation and Jonas Mekas Studio Research and Production Residency (International)
Curators, artists, practitioners, and theorists interested in the intersection of art and media are eligible for this six-month program in Jersey City. Applicants should propose a project that utilizes the Jonas Mekas Studio to produce a new work, research presentation, or curate an exhibition or screening. Residents receive a $750 monthly stipend. There is a $15 application fee.
Deadline: Midnight ET on July 28, 2023.

Grand Canyon Conservancy 2024 Grand Canyon Artist in Residence (International)
This program supports artists in any discipline who are interested in conservation, cultural identity, or community. Residents receive free lodging, workspace, and a stipend for up to eight weeks. There is a $45 application fee.
Deadline: July 31, 2023.

National Parks Arts Foundation: Hawai’i Volcanoes National Park October 2024 Artist in Residence (International)
Artists in all media are eligible for this residency at Hawai’i Volcanoes National Park, which offers a $4,000 stipend, housing, and artist events.
Deadline: July 31, 2023.

The Farm Margaret River (International)
Open to all disciplines, individuals, and collectives, this residency focuses on site-specific projects created during eight weeks at The Farm Margaret River in Australia. Chosen applicant(s) will receive lodging, studio space, and a $7,500 grant.
Deadline: August 1, 2023.

Bemis Center for Contemporary Arts Residencies (International)
The Bemis Center has two residencies open, one 18-month program for curators and another for artists. One chosen curator will receive private living and workspace, a $40,750 stipend, a research budget, a curatorial honorarium, and a $750 travel stipend. Artists receive private live and work studios, a $1,250 monthly stipend, and a $750 travel stipend. There are $40 application fees for both programs.
Deadline: August 1, 2023.

Peters Valley School of Craft (International)
Artists working in blacksmithing, ceramics, fibers, fine metals, wood, drawing, painting, collage, or printmaking are eligible for this two-week to one-month program. Residents receive a private room in a shared house, studio access, and stipends ranging from $500 to $1,000. Chosen applicants must have access to a car.
Deadline: August 1, 2023.

Centrum Residency Programs (International)
Centrum has several residencies open for artists, writers, and curators. All are funded, last one to four weeks, and come with honorariums.
Deadline: August 15, 2023.

Willapa Bay AiR: 2024 Residencies (International)
These month-long residencies are open to emerging and established artists, filmmakers, writers, playwrights, scholars, singer/songwriters, and musical composers. Each month, six chosen applicants receive lodging, meals, and workspace at no cost. There is a $30 application fee.
Deadline: August 31, 2023.

Bryn Du’s Artist in Residence Program (International)
Artists working in visual arts, literature, music, theater, fashion, dance, storytelling, and audiovisual studies are eligible for this eight or 12-week residency. Stipends range from $2,000 to $3,000, and lodging and studio space are provided. There is a $15 application fee.
Deadline: August 31, 2023.

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