Art World News

Are you ready for a Downtown Art Walk?

Are you ready for a Downtown Art Walk?

RAPID CITY, SD – The Rapid City Arts Council presents First Friday Downtown Art Walk on Friday, July 7 from 5–8 PM. This recurring community event is being held throughout Downtown Rapid City on the first Fridays, June through September. Following dates include August 4 and September 1.

Downtown Art Walks bring people and art together. In this self-guided experience, participants explore interactive artistic activities at each of the destinations they stop at along the way. From live music and poetry readings to workshops and painting – it’s an event locals and visitors will not want to miss.

There are 18 participating businesses, galleries and cultural venues on this year’s Art Walk. They include: Aby’s, Alex Johnson Mercantile, Art Alley, Art House, Black Hills Vinyl, Canvas 2 Paint, Celtic Connection, Dahl Arts Center, Dakota Drum Co., Dandelion Bouquet, Elements of South Dakota, Melissa Wood Art Gallery, Prairie Edge, Pure Fox, Suzie Cappa Art Center, Tusweca Gallery, Ugly Graffiti, and Garbage Tale Vintage.

The schedule for the Art Walk on July 7 features many unique activities including:

  • Art Alley – Community mural painting with Rapid City Arts Council and “Ignitor” reception with muralist Mike Willcuts
  • Black Hills Vinyl – “Come Play Deejay” booth; disc art with Black Hills Disc Golf
  • Dahl Arts Center Galleries – Exhibition and meet and greet with artist Dan Tackett 5-8 pm, still life photography demonstration at 5:30 pm
  • Dahl Arts Center Education Complex – Rushmore Music Festival student performance, 7-8 pm
  • Dakota Drum – Exhibit featuring resident artist Sonya Holy Eagle
  • Elements of South Dakota – Performance by Skyline Strings Band
  • Garbage Tale Vintage – Freestyle and hip-hop performance by Prima School of Dancing
  • Melissa Wood Art Gallery – Live watercolor painting
  • Suzie Cappa Art Center – Live demonstration with Mark Zimmerman, BOGO art sale
  • Ugly Graffiti – Popup art with The Art Closet
  • Aby’s – “After Art Walk” avant-garde jazz and performance art starting at 8 pm
  • And much more!

The Art Walk map is available online or at participating destinations. Information about interactive activities scheduled for each event is also available on Facebook.

First Friday Downtown Art Walks is a recurring community event presented by the Rapid City Arts Council and is proudly sponsored by Print Mark-et, Black Hills Vinyl, and Canvas 2 Paint.

For more information or to participate as an artist or destination, please visit the website or contact the Rapid City Arts Council at marketing@thedahl.org.







Art Walk Map




Because Hamiltonians Inspire Creativity: Susie Szeto Price ’92

Because Hamiltonians Inspire Creativity: Susie Szeto Price ’92

Susie Szeto Price ’92 can trace her foray into photography and the arts to a cinema class she took with Professor Scott MacDonald at Hamilton.

“Reading films critically really spoke to me. I wanted to be involved in film, or media studies, as a career because of it,” she says.

After graduation, Price earned her master’s degree at the University of Southern California School of Cinematic Arts before becoming an assistant for Richard Greenberg and Bruce Schluter, two prominent creative directors who designed titles and marketing graphics for movie trailers. As a production and visual effects coordinator, she honed her skills in storytelling, dynamic shot compositions, and CGI effects.

“Interestingly, what I learned on the job was compatible with the theoretical film concepts I first learned from Scott,” she says. In fact, she found that even her family snapshots reflected those same professional and academic standards.

Eventually, Price took a hiatus from full-time office work to raise her family. Her husband, a photographer and CG animation artist, suggested that she submit her photos to Getty Images, where she still works as a freelance photographer creating stock imagery “telling everyday stories of family, children, and multiracial diversity in America.”

Price had found the perfect balance of spending time with her children, dabbling in real estate, and pursuing creative interests until 2015, when her husband died of multiple myeloma at age 47.

“It was one of the most devastating moments of my life. It was also the ultimate wake-up call to confront what I wanted my life to be about,” she says. “Unsurprisingly, my art and creativity went through the roof. I took chances. This creative energy was a way for me to communicate my love for my late husband.”

Price also uses that creative energy to inspire others through her work on the Hamilton Career Network’s Arts & Entertainment Committee. “I love sharing the possibilities of working in visual effects, animation, and other artistic fields through a liberal arts education. I’m a living example, and I have no regrets.”

Pi Sigma Epsilon sales fraternity relaunched at Elon University

Pi Sigma Epsilon sales fraternity relaunched at Elon University

A campus chapter of the nation’s leading professional fraternal organization in sales, marketing, and management returned to Elon University this year through the efforts of students in the Martha and Spencer Love School of Business.

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Most good sales professionals have developed specific skills: they’re comfortable talking with others, they know how to share their own stories, and they’re aware of their body language.

As a tight-knit group of recent graduates in the Martha and Spencer Love School of Business might tell you, those aren’t skills with a limited application to success in sales. Any student can benefit from honing such abilities – and that was their inspiration to bring back to campus a national fraternity focused on personal and professional development.

Nearly two dozen students joined with Elon University and Love School of Business administrators and faculty this past year to officially recharter Pi Sigma Epsilon, a fraternal organization in sales, marketing, and management open to any major.

Elon’s campus chapter had been dormant for a few years before a core group of now-alumni – including marketing majors Adam Craft ’23, Cassidy Perkins ’23, and Joe Byrd ’23 – were approached by Assistant Professor George Talbert, Jr. with the idea of reconstituting the organization. When competing in national sales competitions, the group had noted some of the “soft skills” demonstrated by other teams from campuses with Pi Sigma Epsilon chapters.

“I’m so proud of what these graduates accomplished,” said Talbert, who mentored the group for the better part of their Elon education. “Anyone who is interested in developing their professional skills is welcomed. Nothing happens in any organization until somebody sells something – and sales are both an art and a science. Students learn both here.”

The trio’s passion for the profession had been evident for years.

Craft fell in love with sales because of the thrill of selling vintage sneakers to his North Carolina high school classmates. Perkins discovered through a customer service job in New Hampshire that sales is a good career for those who love to engage in conversation while resolving a problem. Byrd realized that sales isn’t all about making money – at the end of the day, you’re simply helping others, a value that aligns with his deeply held faith.

The three, joined by classmate Ben Morreale ’23, believed the reintroduction of Pi Sigma Epsilon at Elon University will spark a passion in students who have yet to consider sales as a career.

“We worked on building a strong foundation, on providing benefits and professional opportunities that will benefit students for years to come,” Craft said. “I want to walk back onto Elon’s camps as an alum and see PSE continuing to grow and help people.”

Help can take many forms, Byrd said. On a basic level, the fraternity instills confidence. “The soft skills of sharing your story is what moves people, but few business fraternities help members speak with confidence,” he said. “And everybody has a story to tell! That’s what makes you relatable!”

Perkins said she appreciates why there might be hesitation to join Pi Sigma Epsilon with academic and career interest in other fields. That shouldn’t stop students from learning more about the fraternity.

“Whether going into your first job interview or exploring a college campus or just learning something new, the ability to sell yourself, and how to do that in the best way possible, is one of the main benefits we offer,” Perkins said. “This fraternity is for all people who are interested in professional development. If you’re looking to meet with executives, to learn how to network and do it now without waiting until after college, you get the ball rolling in the right direction.”

Learn more about Pi Sigma Epsilon at Elon University and the Chandler Family Professional Sales Center at Elon University. Coyle Saunders ’24 is the chapter’s incoming president, with William Marzullo ’24 serving as the incoming vice president of administration.

Talbert expressed gratitude to three Elon alumni for their support of the chapter: Flo Kuntz ’21, Jack St. Pierre ’22 and Ben Corrado ’23.

Executive Officers for the 2023 Spring Semester

President: Adam Craft
Vice President of Administration: Ben Corrado
Vice President of Marketing: Ben Morreale
Vice President of Finance: Joe Byrd
Vice President of Professional Development: Cassidy Perkins
Vice President of Public Relations: Grace Bennett
Vice President of Human Resources: Ethan Rau

Members for the 2023 Spring Semester

Andrew Gould
Annabel Gioffre
Anthony Cotoia
Benji Altmann
Caroline Healey
Charlie Jundanian
Darin Chen
Darwin Frett
David Neubig
Finnian Young
Jamie Nassau
Kaidyn Carroll
Kate Cooper
Macklin Williams
Mia Robinson
Nailah Ware
Nick DeBrizzi
Oliver Blake
Shea Lane
William Marzullo
Zachary Taylor

‘Duck, Duck, Goose!’ Outdoor Art Exhibit Underway in downtown Stamford

‘Duck, Duck, Goose!’ Outdoor Art Exhibit Underway in downtown Stamford

If you head to downtown Stamford, you might notice some new residents. That’s because Stamford Downtown’s annual outdoor sculpture exhibit is underway. And this time around, you could say the organizers really have their ducks in a row.

The installation is called “Duck, Duck, Goose!” and included 24 fiberglass ducks and one goose that have migrated to the downtown area for the summer. Local artists painted each one, with some of the themes a little “quacky.”

The clever and often humorous works include PeKING duck, who wears a crown; Release the Quacken, an ode to the legendary sea monster; Robber Ducky, who’s clad in black and white stripes with stolen loot; and a Doodle Duck covered in drawings,

People can download the Otocast app to get a free audio guide with a digital map of where each duck is, plus artist commentary. Call it a bird’s-eye view into their creative process.

Every summer, Stamford Downtown comes up with a different exhibit to line the sidewalks. Recent years include “The Piano Project” and “HedgeFun.”

“Art in public places makes art accessible to everybody. You don’t have to go into a museum. You don’t have to pay a fee. It’s out there in the public,” explained Lynne Colatrella, senior VP of events and marketing for Stamford Downtown.

Colatrella told News 12 her great nephews and nieces inspired the idea. “I think duck, duck, goose was something we were playing, and I said, ‘Well, that could be a really cute exhibit.’”

And don’t worry about ruffling anyone’s feathers by touching the ducks. They’re meant to be interactive.

“They’re about 3 feet tall, which I think has been great for the little kids in town. Anywhere you look, you’re going to see kids climbing all over the ducks, and people are just loving them,” Colatrella said.

The goose, named Lucy Goosey, is covered in mirrored pieces like a disco ball and hidden downtown with the spot changed every two weeks. You can go the app or social media for a clue. Colatrella shared the latest one with News 12.

“The steps are regal. The clock stands tall. Can you find the goose behind this great hall?” Colatrella read.

Care to take a gander where the goose may be? You have until July 6 when it’s moved to a new location. The exhibit runs through September, and then all the ducks and the goose will be auctioned off with a portion of the proceeds going to the Stamford Museum and Nature Center.

For more information on the art installation, click here.

UCLA acquires DTLA’s The Trust Building

UCLA acquires DTLA’s The Trust Building

After about a year of suffering through plummeting values, the office market in Downtown Los Angeles has received a bit of good news with the University of California, Los Angeles announcing its purchase of the historically designated The Trust Building.

The school will use the building at 433 South Spring Street in Downtown’s Historic Core as a site for satellite classes.

UCLA declined to state how much it paid for the 300,000-square-foot, 11-story, Art Deco building. But people familiar with the deal placed the transaction under $40 million, less than half of the building’s assessed value of about $88 million, according to the Los Angeles Times, which first reported the story. 

The sellers, Rising Realty Partners and its financial partner Lionstone Investments, bought the building in 2016 for $80.4 million. Rising Realty also financed a $40 million revamp of the building which included restoring original Art Deco features and bringing it up to modern earthquake safety standards. Star chef José Andrés is expected to open a restaurant and bar on The Trust Building’s rooftop later this year.

Rising Realty struggled to find renters and buyers for The Trust Building. In 2021, a $1 million bonus was offered to brokers who could close a deal for a tenant who would lease 100,000 square feet on the premises.

Despite the price discount, UCLA’s purchase indicates that Downtown Los Angeles’ days as an office hub are not over, according to Mike Condon Jr. of Cushman & Wakefield, who represented the seller in the transaction.

“After several years of nothing but negative news surrounding Downtown Los Angeles, the UCLA acquisition of the Trust appears to be one of the first green shoots towards recovery,” Condon said.
Andrew Asch

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Maps, Everyday Ephemera, and Watercolor Drawings Record José Naranja’s Travels with Fantastic Detail

Maps, Everyday Ephemera, and Watercolor Drawings Record José Naranja’s Travels with Fantastic Detail

All images © José Naranja, shared with permission

Rather than scrolling through photos from a recent trip, José Naranja (previously) remembers his travels through exceptionally detailed sketchbooks with notes, illustrations, and ephemera collected during his visits. The artist and author is an avid tourist and dedicated observer, and he saturates the blank pages of his Moleskines with watercolor and ink drawings of airplanes, film characters, and maps. Like most of us, Naranja was unable to travel during much of the last few years, although he’s resumed his adventures and frequented Thailand and other parts of Asia, which are reflected in his latest spreads.

Currently, Naranja is working on an experimental illustrated oracle deck that envisions the year 2050 through the lens of science, art, and philosophy, all tinged with his signature fantastical approach. The artist’s latest book, The Nautilus Manuscript, is available now, and you can follow updates on his work on Instagram.

 

An open sketchbook shows drawings of pens, pouches, notes, and ephemera with pens and watercolors nearby

An open sketchbook shows a drawing of an airplane and map with notes on the page and pens and watercolors nearby

A hand draws portraits of two film characters, Amelie and Faye Wong. There's writing surrounding them

An open sketchbook with three stamps, a chart, and drawings of a man and insect with magnifying glasses. A pen is on the table nearby

An open sketchbook with three cat stamps on the page next to notes and a yellow and red pattern on the right side. Pens are on the table nearby

An open sketchbook shows a drawing of a map with notes and patterns on the page and pens nearby

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Maps, Everyday Ephemera, and Watercolor Drawings Record José Naranja’s Travels with Fantastic Detail appeared first on Colossal.

Vergennes artist advocates for more access

Vergennes artist advocates for more access

Arts & Leisure

VERGENNES PAINTER KEILANI Lime, shown with some of her artwork, is an advocate for making art and art spaces more accessible to people with physical disabilities. She, unfortunately, deals with physical limitations brought on by a case of Classical Ehlers-Danlos Syndrome.

Independent photo/Steve James

Accessibility to public spaces and everyday items and activities is a privilege many able-bodied people take for granted. For people who live with disabilities, everyday life is made harder not only due to their disability but the lack of inclusion and accessibility for them. 

For an artist, not having the same physical abilities as most others can be rather limiting. Certain disabilities can place physical limitations on the time an artist can spend on their craft as well as on the methods they use to create their art. 

More than that, people with disabilities sometimes find that they have difficulty getting into venues where art is made or presented.

Keilani Lime, an artist in Vergennes, knows all too well about physical hurdles to making and accessing art. She is an accomplished painter and also has long dealt with a case of Classical Ehlers-Danlos Syndrome. EDS, as it is often known, is a connective tissue disorder characterized by skin hyperextensibility, abnormal wound healing, and joint hypermobility, according to the National Institutes of Health. 

“The type of EDS I have is Classical EDS,” Lime said. “I can’t hold a brush for a very long time. There are certain movements that are really hard.”

As a consumer of visual and performing arts, she is also very aware of the way art can be less accessible to people with disabilities, despite the fact that laws like the Americans with Disabilities Act, or ADA, encourage public venues to make themselves as open as possible to people with physical limitations.

In March, Lime gave a talk at Middlebury’s Ilsley Public Library about ableism in the arts, discussing the ways in which the lack of accessibility in the art world has made it difficult for her to pursue her passions while dealing with her EDS. 

“It was kind of an Ableism 101 focusing on what it looks like in the arts,” she said. “There aren’t tools made for people with disabilities … Many (places) are usually not ADA compliant at all.”

Lime said she used to frequent a comedy club as marketing director. Over the years she started to go to the club less and less due to her EDS progressing and making it painful for her to be as active as she once was. 

She has become an advocate, encouraging more accessibility in her community, not just for arts organization but for society in general. 

She is a part of several advocacy groups, including the Planned Parenthood of Northern New England Disability Community Advisory Board. She explained that the board works “to teach healthcare professionals about ableism and what it looks like in a clinic or healthcare office.”

Lime recounted how even health care professionals can seem insensitive to some aspects of the lives of people with disabilities. In her own experience, she said, many doctors have told her, “You’re too young to have all these problems.” 

Hearing these kinds of statements over and over again from healthcare professionals can become rather traumatic, she said. Her work on the Planned Parenthood board aims to increase empathy among healthcare professionals to provide more validating care to their patients. 

Lime also is a part of the Lake Champlain Chamber Diversity, Equity and Inclusion Committee; and most recently the Vermont Democratic Party Disability Caucus, a group that is still in the process of becoming formalized.

With the caucus, Lime has participated in many discussions pertaining to ADA standards and the accessibility of public spaces in Vermont. Earlier this month, she and the caucus met with State Rep. Elizabeth Burrows, D/P, Montpelier, who is a member of the House Discrimination Prevention Panel.

“She has brought a bunch of bills to the table,” Lime said. “One she thinks is going to go through is making our state parks more accessible.” 

Lime explained that if this bill is passed there will be planked ramps added to walking paths. 

“If we could have more places like that in our state it would just be amazing,” she said.

Lime pointed out that there are many buildings — including many art spaces — that were not built with accessibility in mind. 

“The lack of ADA accommodations in the arts venues (in Vermont) is astonishing,” she says.

She explains that adding such accessibility features to an existing building often is not in the budget when they are converted to be an arts venue. She said many disabled people are not affluent and are often left out of the conversation. 

Locally, the Vergennes Opera House is an arts space that is currently not the most accessible for all community members. The theater and stage are located on the second floor of the Main Street building, which not only hosts many performances sponsored by the volunteer-run Friends of the Vergennes Opera House (FVOH) but also many other public and private events.

In an effort to make the building and its arts space more accessible, the FVOH, which also keeps up the maintenance of the opera house, last year kicked off the “All Access Project.” 

The goal of this project is to make the opera house a more readily accessible space for everyone. Gerianne Smart, president of FVOH, says planning and promotion of the project started about a year ago and they “hope to break ground on the project next May.”

Though the All Access Project didn’t start until 2022, it has been a long time coming. Almost a decade in fact. Smart served as the board president from 1993-2001, took a break and returned in 2013. 

KEILANI LIME
Independent photo/Steve James

“The news got out that I got back involved (in 2013),” Smart recalled. “Maggie Quinn called me and said, ‘This is great, but, Gerianne, please get an elevator. We’re getting older and we can’t even get in the building to see shows.’”

For some people in the community who frequent the Opera House, it can be difficult to walk up the stairs in front of the building just to get inside, whether that be due to old age or disability or something else entirely. 

“The Vergennes opera house has been used for town meetings and other important conversations,” Smart said. “There are so many people who can’t get in there. They are shut out of the conversation. And it’s criminal. Even with Zoom now, it’s still ableist. It’s not a permanent solution.”

She explained how the All Access Project came to be. 

“We had several strategic plan meetings and every year it stays on the list,” Smart said. “We decided that now is the time. We decided to take this on and go for it.”

But the thinking went beyond giving access to audiences, and to include access to the actors, dancers and musician presenting the shows.

“The initial idea was an elevator so the public could get in there,” Smart said. “And then I sat up in middle of night about a year and a half ago and thought, if we’re saying this is an all access project, what about the stage, what about the performers. There’s no way to get them into the green room, onto the stage. And if you’re a performer you need access to both.”

She brought this up in a meeting last August and she said everyone was in agreement: “We need to figure this out.”

Not long after, they brought on Suzanne Rood, a pianist with a disability, to take part in the project. “We need her on the team,” Smart said. “Who are we to make up decisions on this as opposed to someone who deals with this every day.”

Rood’s contributions and advice on the project has been “invaluable” to its development, according to Smart. To fund the project, the group has applied for various grants including from Congress, the Vermont Arts Council, and more. They are also hoping to match their grant money with local funding.

“To get federal and state dollars you need to match it with private dollars. This summer we’re working on a raising local support,” Smart said.

If all goes according to plan, the project should be finished in fall of 2024.

Smart and the rest of the community are excited for the completion of the All Access Project. 

“We can’t wait for the town meeting of 2025,” she said. “I hope it’s jam packed, people coming on in there and it’s a real community feel like a town meeting should be.”

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Exquisite Paintings by Lee Me Kyeoung Are an Ode to the Quaint Corner Stores of South Korea

Exquisite Paintings by Lee Me Kyeoung Are an Ode to the Quaint Corner Stores of South Korea

All images © Lee Me Kyeoung, shared with permission

City dwellers know that convenience stores have a culture unto themselves, and although franchises continue to dominate and overtake businesses, small, independently run shops have undeniable charm. For the past several years, artist Lee Me Kyeoung (previously) has been adding to her ongoing series of paintings that celebrate the idiosyncrasies and appeal of tiny South Korean corner stores, which are increasingly facing closure.

On view throughout July at Gallery Imazoo in Gangnam, Me Kyeoung’s latest works are an ode to these disappearing locales. Enveloped by lush cherry blossoms or persimmon trees, the shops are well-stocked with dense shelves, crates of goods, and advertisements pasted in the windows. Bicycles, benches, and the occasional folding chair stand outside the entrances. Delicately rendered in pen and acrylic, the paintings depict architectural and organizational variances that make each spot unique, while honoring the cultural ubiquities of these spaces.

Me Kyeoung has a robust archive of the quaint shops, which you can find on Instagram.

 

A cherry blossom tree stands out front of a small corner store with a bicycle in the street

A cherry blossom tree stands out front of a small corner store

Trees and bushes like the perimeter of a convenience store with a table and vending machine out front

A white sign hangs from a white roof of a convenience store with a vending machine and wood bench at the entrance

A yellow tree towers above a tiny convenience store with yellow seating out front

Trees and bushes envelop a small convenience store with blue sign and yellow seating out front

A persimmon tree stands out front of a small corner store with a folding chair near the entrance

An autumn tree stands in front of a small convenience store with blue roof and pots out front

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Exquisite Paintings by Lee Me Kyeoung Are an Ode to the Quaint Corner Stores of South Korea appeared first on Colossal.

1800 TEQUILA UNVEILS THE 11TH EDITION OF ITS “ESSENTIAL ARTIST SERIES” WITH BROOKLYN-BASED CONTEMPORARY ARTIST DUSTIN YELLIN

1800 TEQUILA UNVEILS THE 11TH EDITION OF ITS “ESSENTIAL ARTIST SERIES” WITH BROOKLYN-BASED CONTEMPORARY ARTIST DUSTIN YELLIN

The six-bottle collection features original contemporary work from Dustin Yellin, with $1 from every bottle sold donated to his artist and scientist-led cultural center, Pioneer Works

JERSEY CITY, N.J., June 29, 2023 /PRNewswire/ — 1800 Tequila, the world’s most awarded tequila brand, today announced the 11th edition of its “Essential Artist Series”, reaffirming its role in celebrating the best taste in tequila and in life. Featuring a collaboration with Brooklyn-based contemporary artist and founder of Pioneer Works, Dustin Yellin, the latest Essential Artist Series celebrates the harmonious fusion between art and tequila.

The 1800 Tequila Essential Artist Series is a testament to the brand’s continued support of emerging and established artists to shape the art community. Through these annual collaborations, 1800 Tequila has partnered with renowned artists, including Okuda San Miguel, Shantell Martin, Enoc Perez, and the Basquiat and Haring estates. With each artist, 1800 Tequila further pushes the boundaries of best in taste by providing creators with alternative canvases to reach new audiences through creating collaborative and bespoke bottles of 1800 Blanco Tequila that become sought-after collectibles.

For Essential Artist Series 11, 1800 Tequila selected Dustin Yellin as its hero creator for their shared values across craft, community, and curiosity. The collection presents six limited-edition bottles showcasing original works by Yellin, inspired by his “Psychogeography Series,” which teases the tension between nature and technology through narrative and visual transfiguration. Each of his six designs feature intricate details of human interaction–with each other and with nature–backdropped by different celestial bodies.

“I have been an admirer of 1800 Tequila and its Essential Artists Series for many years now and am incredibly honored to have been selected as this year’s featured artist,” said Dustin Yellin. “1800 Tequila is an artist-forward brand that celebrates innovation, creativity and culture, in a similar way to which I approach art. I’m excited to present our synergies and my artwork through this collaboration on the classic 1800 Tequila Blanco bottles.”

As part of the brand’s dedication to moving culture forward and support of emerging artists, $1 from each 1800 Tequila Essential Artist Series 11 bottle sold will be donated to Yellin’s non-profit, Pioneer Works, an artist and scientist-led cultural center in Brooklyn, New York. With a mission to build community through arts and sciences to create an open and curious world, Pioneer Works provides visual and performing artists, musicians, scientists, technologists, community organizers, and educators the resources and platform they need to expand their practices.

“1800 Tequila has long prioritized taste above all else – not only in tequila, but extending to the arts, culture and beyond,” said Lander Otegui, Senior Vice President of Marketing at Proximo Spirits. “The brand’s continuous liquid innovation and passion for moving culture forward find likeness in Yellin’s commitment to progressive, purposeful art and support of emerging artists. We welcome Dustin to the esteemed group of 1800 Tequila Essential Artists collaborators and are proud to be raising money for emerging artists with every bottle sold.”

The 1800 Tequila Essential Artists Series 11 featuring Dustin Yellin bespoke bottles are now available for pre-sale orders on 1800Tequila.com for $31.99 and will roll out in limited quantities in-store and online at 1800Tequila.com, Drizly and ReserveBar in early July. For more information, visit 1800Tequila.com and follow along on Instagram, @1800tequila.

About 1800® Tequila

1800 Tequila, the world’s most awarded tequila and the #1 super premium tequila brand in the U.S., is made with 100% blue Weber agave harvested at its peak in Tequila, Mexico. Named after the year of origin, 1800 Tequila has never wavered from its original formula and distillation process. Now, as the best taste in tequila, 1800 Tequila has reached category leadership through its liquid superiority, deep-rooted Mexican heritage and culture-driving collaborations with musicians and artists. The iconic bottle is also recognized for its trapezoidal shape, reminiscent of the centuries-old Mayan stone pyramids found throughout Mexico. Please visit 1800Tequila.com and on Instagram @1800tequila to learn more about the 1800 Tequila portfolio.

1800® Tequila. 40% Alc./Vol. (80 proof). Trademarks owned by JC Master Distribution Limited. ©2023 Proximo, Jersey City, NJ. Please drink responsibly.

Source: Based on awards received by 1800 from Academia Mexicana del Tequila, A.C., Diosa Mayahual, SFWSC, and IWSC between 2001 and 2022

Source: Nielsen Total US xAOC+Liquor+Conv 3-25-22

About Dustin Yellin

Dustin Yellin tells stories that weave together the diverse forces of nature and technology. Through his multidisciplinary body of work, which includes object making, painting and animation, Yellin draws attention to the interconnectivity of all beings and things. His approach tunnels across traditionally siloed fields so as to crystallize the idea that both the human world, and all other worlds around us, are a collection of enmeshed networks – even if many are hidden. Yellin’s glass works in particular, in which paint and images clipped from various print media are embedded within laminated glass sheets to form grand pictographic allegories, invite viewers to engage with the legions of their own consciousness and its embodied emotions, as well as that of our collective society and its infrastructures. Yellin is the founder and director of Pioneer Works, a multidisciplinary cultural center that builds community through the arts and sciences. The artist balances descriptive poetry with a prescriptive social practice so as to span new ways of seeing and being, and build a bridge to a more holistic world.

Dustin Yellin (B. 1975, California) lives in Brooklyn, New York. His artwork has been exhibited at Brooklyn Museum, Amorepacific Museum, Museo Del Palacio de Bellas Artes, SCAD Museum of Art, The Kennedy Center, Lincoln Center for the Performing Arts, City Museum, Colección Solo, Corning Museum of Glass, and with Creative Time, amongst many others. Yellin is often featured in diverse media ranging from the New York Times, to Artforum, Vanity Fair, and TED. He holds an Honorary Doctor of Humane Letters from the Savannah College of Art and Design.

About Pioneer Works

Pioneer Works (PW) is an artist and scientist-led nonprofit cultural center in Red Hook, Brooklyn that fosters innovative thinking through the visual and performing arts, technology, music, and science.

We provide visual and performing artists, musicians, scientists, technologists, community organizers, and educators the resources and platform they need to expand their practices. Pioneer Works has three floors of interconnected studio, performance, exhibition, and multipurpose spaces, which cultivate collaborations past the boundaries of traditional institutions by placing makers and thinkers in proximity to each other. We support onsite production through our science, design, recording, and ceramics studios; media, virtual environment, and technology labs; darkroom; and garden. Multi-disciplinary programs, exhibitions, residencies, and performances are presented to the public, of which the majority are free.

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Clemson’s first digital brand communications cohort moves into their second and final year

Clemson’s first digital brand communications cohort moves into their second and final year

This is what they’ve covered so far and what they’re excited to tackle next.

By: Drew Henry

In the fall of 2022, Clemson University partnered with the Erwin Center for Brand Communications to launch an MBA with an emphasis in digital brand communications (DBC). The well-received program is built around traditional analytics, focusing on the creative skillset of marketing and branding — preparing students for a market where consumer connections and data reign supreme.

“This program resonated with students and became so popular because it is so unique,” explains Academic Program Director Jane Layton, Ph.D. “MBA programs traditionally are designed for a broad range of students, but this concentration appeals to creative minds who want to implement data for more compelling branding.”

The two-year part-time hybrid program is designed for working professionals, many of which are already in marketing roles looking to further enhance their brand communications. Classes are taught in a way that allows students to immediately implement what they learn in their careers, addressing real-time work challenges and exploring new tools.

“We selected professors for the program because of their direct corporate marketing and branding experience alongside their academic qualifications,” Layton continues. “Additionally, we coordinate speakers on the cutting edge of industry tools and trends to enhance the coursework. It really sets this program apart from others out there because it is so adaptable to the quickly evolving world of branding and communications.”

Classes covered in year one

DBC concentration year one coursework centered around marketing and branding strategies and the appropriate tools and platforms for effective delivery. “These classes gave them the tools to better understand branding, how consumers interact with brands, how to reach the right audience and how to tell that story in an engaging way,” adds Layton. Designed as a cohort-style schedule, students from various professional backgrounds attend the same classes together throughout the program. This format builds networking, peer-to-peer learning opportunities and a strong bond among classmates.

Brand insights and digital trends covered how brand strategy fits into a cohesive marketing plan. Course content included brand strategy development, design, program implementation and equity measure in the digital era.

Digital content strategy

Ankita Bakre, Ph. D., has over 20 years of corporate brand-building experience.

Taught by Professor Ankita Bakre, digital content strategy looked at how brands build audiences through digital channels and how to evaluate effectiveness with company goals. “The most challenging and enjoyable part of the first year was creating the course, keeping in mind the learning needs of marketers with varying lengths of professional experience and diverse industry backgrounds,” Bakre explains. “The strategic focus was on organic learning through a robust suite of curated resources and case studies, incisive discussion forums, virtual meet-ups, hands-on projects and industry-leading insights with guest speakers from varied industries, such as fast food, social media tech, global communications and international consulting. The goal was to help these professionals connect with the value of long-term content strategy in brand building and its alignment with business ambitions in an increasingly digital world while also focusing on the emerging industry outlook and trends to help build a strategic viewpoint that would help boost their careers. The experience of teaching the course to the first cohort of DBC was simply unparalleled with the energy, engagement and sheer brilliance of our insight-driven discussions.”

What Clemson MBA students are saying

While the DBC concentration is rigorous, students completing their first year relish in the experience and look forward to their second and final year of coursework. Here’s what they have to say.

“The friendships we’re building and the skills we are sharing to collaborate and elevate each other are invaluable.” —  Jenny Nichols

“It is such a pleasure experiencing this journey with the first cohort of the digital brand communications concentration. These individuals come from various backgrounds and bring invaluable insights to our current marketing courses. Beyond their wealth of knowledge, they are incredibly creative and fun.” — Victoria Roth

“I have really enjoyed the time spent with my Clemson MBA cohort. The digital brand communications focus has been a great fit, and I am already looking forward to learning from Brian Stearns this summer!” — Daniel Austin

“It hasn’t been easy thus far, and we sure have many more hills to climb, but I wouldn’t want to climb them with any other group of superstars!” — Bubba Britton

Classes anticipated for year two

While year one focused on the foundations to become an innovative marketer and brand strategist, year two will use tools and data to explain the strategy behind the creative assets. “These courses will empower students to make strategic decisions as leaders in their field,” explains Layton. “We introduce analytics and digital strategy into this concentration because we believe this holistic approach will give them the cross-functional strategy necessary to work across teams.”

Digital media planning

Brian Stearns, a Clemson MBA graduate in 2017, returns to teach digital media planning.

Digital media planning is a summer course taught by Brian Stearns, a Clemson MBA graduate and owner of RingoFire, a Greenville-based marketing agency. This course will take an experiential approach to media buying and planning amid constant shifts in the media landscape. “How we approach media is changing every five to 10 weeks now,” explains Stearns. “So rather than laying out a blueprint, we’ll be engaging in discussions with media planners, influencers and other guest speakers to examine the human connection that’s at the root of these virtual platforms. Rather than celebrities, billboards and mascots, we — the audience — are becoming the spokespersons for brands. We’ll examine how to unlock the power of user-generated content as its importance grows.” As a former Clemson student, the opportunity to teach in the MBA program is a full-circle moment for Stearns. “My business concept started in a Clemson classroom seven years ago,” says Stearns. “Now, I’m returning to that same classroom to teach. It simply couldn’t get sweeter than that. I’m beyond excited to contribute to the program that was the launching pad for everything I’ve built today. Without Clemson, it wouldn’t have happened.”

Data visualization

Data visualization is a course found in other Clemson MBA concentrations. This coursework teaches students how to use data to inform branding and justify marketing decisions.

E-commerce platforms

E-commerce platforms will focus on how industries can stay relevant in changing e-commerce platforms to drive growth. The coursework will cover e-commerce tools, direct-to-consumer platforms, enterprise resource planning and customer service and conversion strategies.

Digital strategy capstone

Finally, two years of coursework will come together in a real-life application through the digital strategy capstone. For this capstone, students split into groups and work together to identify and solve an active problem in their career through an effective communication plan. Students share cross-industry learning and utilize their expanded experience to deliver a real-world solution they can enact in their current roles.

The first cohort looks to what’s next

As the first digital brand communications cohort enters its second year, students will continue to perfect their understanding of the art and science of brand building. After graduating with their degrees, they will have strategic insight to leverage creative content within digital branding to advance their professional development. “We’re excited to see the full program come together,” says Layton. “Watching the DBC family grow over first-year residency weekends and online chats has been amazing. In this second year of coursework, we’ll see the skills they’ve learned come together through real-life digital marketing strategies to solve current problems in their industries, setting the stage for their next career moves. Upon graduation, we are excited to see this group stay connected and engaged while continuing to give back to future DBC cohorts!”

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