No matter what genre you shoot, understanding how light behaves and knowing how to leverage it in your images makes all the difference when it comes to making compelling photos. If you are a landscape photographer and want to improve your work, check out this excellent video tutorial that offers a ton of excellent information on the types of light in the genre and how to use them.

Coming to you from Photo Tom, this great video tutorial discusses light in landscape photography. If you find yourself struggling to learn to read the light in a scene, one of the best things you can do is switch your camera to monochrome mode. By removing the color, you will be far better able to focus on the luminosity in the scene. And don’t worry: as long as you are shooting in raw (which you should always do in landscape work), your camera will save the full color information in the raw file, allowing you to edit it as you normally would. Check out the video above for the full rundown. 

And if you really want to dive into landscape photography, check out our latest tutorial, “Photographing the World: Japan With Elia Locardi!” 

Anyone who has trawled through a historic photo archive knows the feeling of spotting a large-format photo. Like spotting a beautiful woman in a crowd, it’s hard to drag your eyes away. That depth and clarity, which seems to top reality itself, has only ever been possible with a film plane measured in inches rather than millimeters.

I was obsessed with recreating the large format feel of a 10×8-inch film camera until the reality – scores of dollars spent for each frame and days of waiting to see the results, killed the dream.

Then I saw the June 2021 PetaPixel article on Ukrainian photographer Alexey Shportun, who partly recreated the large format look.

By replacing the plane where film usually sits with a white wall, Alexey then photographed the projected image with a digital camera looking inside the large format camera.

An important sidenote here — the credit for this idea should really go to Zev Hoover who perfected a more advanced version of the same technique years earlier using a Ukrainian-made lens, but whose breakthrough seemed to go largely unnoticed.

Soon after seeing the PetaPixel write-up, I bought a Soviet-era 10×8-inch FKD “pavilion camera” with a 300mm f/4.5 lens to test things out myself. It quickly became clear the technique showcased in that article is fundamentally flawed. The digital camera is looking at the projected image from “around” the main lens of the large format camera, so the image is distorted to the point that it’s dizzying to look at, even after severe tweaking in Photoshop. Additionally, the focus point is limited to one horizontal section of the image.

On the Facebook post beneath that PetaPixel article I wondered publicly: Instead of photographing a white plane with a digital camera poked into the front of a large format camera, why not capture the image projected onto translucent material from the back under a light-proof cloth? I received a couple of answers as to why it wouldn’t work, but none made sense to me.

I started by playing around with different materials to photograph the projected image on. First came the obvious frosted glass – a non-starter due to an intense hotspot and the grittiness of the image. Then I attempted to coat a pane of clear glass with oven-melted wax (a kitchen disaster).

The eureka moment finally arrived when I pulled a sheet of baking paper over the back of the Soviet camera where the film would usually sit. I remember the following moments well. My daughter, then a little over one-year-old, was playing on the floor next to me as I ducked under the black cloth to focus the Soviet camera and then photograph the crinkly paper with my Lumix GH5. When I emerged and looked at the photo I’d made of my barbeque outside on the terrace I was stunned. “YES!” I exclaimed.

My little girl was equally surprised at seeing me, fist in the air, making such a loud noise. “Yass!!” she echoed — arguably her first word in English.

After a little more tweaking I ended up at the ropey but functional point where the technique stands today. I use artist tracing paper stretched across the film plane and held in place with double-sided tape. I photograph the paper from inside a lightproof cloth tunnel with a handheld Lumix GX9 and a 17mm f/1.2 Olympus lens. The cloth is held in place with bulldog clips and my teeth.

One thing worth noting: That super fast lens is essential. Even in a sun-drenched scene it’s hard to get a shutter speed faster than 1/200th so getting a sharp image on an overcast day or in the shade can be a struggle with anything slower than f/2.0.

The first outing for this technique was in the summer of 2021 in Ukraine. I used it on a couple more shoots, including in Armenia, but perhaps the perfect subject for the camera was the 2023 Zheravna festival in Bulgaria, where no technology is allowed inside the venue (they let me in with the giant, antique camera), and entry is only permitted for those wearing traditional or historic clothing.

With that I’ll stop talking, and unroll the photos I made that day. I will answer as many questions about the technique as I can, as I continue to iron out the technique’s many flaws. Enjoy the pictures.

About the author: Amos Chapple is the senior photo correspondent for RFE/RL and is based in Prague. You can find more of his work on his website and Instagram.

We’ve featured photographer Jvdas Berra several times on this site. His resume is huge, and perhaps we’re all really familiar with the work that he’s done in Vogue over the years. There’s a great reason why he’s rated one of the best fashion photographers of 2023. But we were also curious to hear his thoughts on AI. And believe it or not, they might surprise you.

All images by Jvdas Berra. Used with permission. This interview has edited with grammatical corrections. Check out his Instagram for more.

Phoblographer: We really liked your images partially because, as we’ve been going through various projects, there’s something that’s very human about it. With that said, what are your thoughts about all the AI projects out there these days and “AI photos” as they’re called?

Jvdas Berra: First of all, thank you very much. I always tried to make windows to surreal worlds but always with some reality, and that reality always comes from my subjects.

For me, AI is not the future, is the present. I think we as photographers need to evolve and learn how to use these tools cause AI is that, a tool. Personally, I have a year of working with AI and mixing it with my photography to improve and evolve my style. 

I believe that today is happening exactly the same as when Photoshop came, a lot of people were worried about the future of photography and started to criticize the post-production process made on the software. At some point, I think it will be completely unified and will be something normal for everyone.

Let’s embrace the new technologies. It’s evolve or perish in the process.

Phoblographer: How much post-production do you typically do? How much of a percentage of your photography would you say is pre-production, on set/in-camera, and post-production?

Jvdas Berra: For me, post-production is something really important, but for every photo I do the pre-production is 50% as I don’t like to prepare anything due I am a very improvised photographer, the production is the most important for me, and takes the 60% of it and to end the other most important is the post-production with the 40% of my effort.

With post-production, I have the chance to reach infinite possibilities that are not possible in real life. I feel I can create anything like a god.

Phoblographer: What do you think will help humanity with creation vs the use of AI?

Jvdas Berra: I believe that mixing infinite human creativity with limitless AI is going to take humanity to the next level of advances, talking about art and science. Let’s don’t forget that AI is an invention that we made as humans, and this is just an add-on. 

Since a long time ago, every day since last year, I have been impressed with the insane creations that people are doing with the AI. I feel that we are in the middle of a huge change as species. I’m very excited to see what’s next and what we can reach as creators. Let’s don’t forget this technology is advancing very fast.

Phoblographer: I’ve been going to a bunch of experimental film festivals, and through conversations with colleagues, I’ve concluded that humanity needs to get very weird for us to be able to compete against AI. That means that we really need to tap into our emotions. As someone who does that already, what do you think of this statement?

Jvdas Berra: I think this is a point of view that is coming from the wrong conception. We are not here to compete with AI, we are here to use it and improve our work and lives with it. 

Our emotions need to be conducted to the creation by using the AI, not about to compete against an intelligence that has all the resources and infinite options to resolve any kind of necessity we have.

Is not possible to compete against the machines. For the first time in our history, we have created something that is more capable and Intelligent than us, but we are lucky enough to have this power in our hands, so let’s use it until we come to the realization that we can be the used ones, speaking in the fiction mode, but remember sometimes fiction is more real than reality. 

To negate or try to compete with the technology once it’s out to the world is pure resistance, is trying to be in the darkness and to be destined to destruction or oblivion. We need to embrace it, adopt it, and make it our normal life.

I have one year of using this technology, and my photography has improved because of that. The mere existence of one does not means the destruction of the other, is just a matter of balancing both for a common good.

Incredible image of peregrine falcon swooping on pelican to protect her young wins Bird Photographer of the Year

• The picture was taken by Jack Zhi, a full-time computer engineer who looks for birds and other wildlife in his spare time 
• The photographer said he had waited for four years to capture the rare moment
• ‘The high-speed chase made it challenging to capture a closeup shot with a long lens,’ Zhi said

By Dolores Chang For Dailymail.Com

Updated: 14:25 EDT, 5 September 2023

A dramatic picture of a female peregrine falcon swooping on a brown pelican while protecting her young has won this year’s Bird Photographer of the Year award. 

The picture was taken by Jack Zhi, who had waited for four years to capture the rare moment in southern California. The incredible image ‘Grab the Bull by the Horns’ beat more than 23,000 entries to claim the prize.

‘For four years, I attempted to capture the rare sight of the female falcon attacking large brown pelicans with incredible speed and agility,’ he said in a press release. 

‘The high-speed chase made it challenging to capture a closeup shot with a long lens. The falcon’s precision was amazing as it struck at the pelican’s head,’ the US photographer explained. 

‘I love the eyes of the pelican in this image – surprised and scared. The action was fast, and over in the blink of an eye. But I’ll remember that moment forever,’ Zhi said. 

The annual competition is designed to highlight bird photography around the globe. and features pictures in different categories including Conservation Award, Portfolio Award, Video Award, and Comedy Bird Photo Award. 

Zhi, a full-time computer engineer, looks for birds and other wildlife in his spare time. He also won the Wildlife Photographer of the Year in 2021 and the grand prize of the Audubon Photography Awards in 2021. 

The photographer won the top prize of £5,000 ($6,280 USD) and the prestigious title. The image also won Gold Award in the Bird Behavior category. 

German photographer Anton Trexler, 17,  won the Young Bird Photographer of the Year award for his picture of a blackbird’s silhouette set against the backdrop of the moon. 

The gold award in the Comedy Bird category went to Italian photographer Antonio Aguti. That featured a wide-eyed bird with a massive fish in its mouth. 

‘The purple heron is a migratory bird that nests in the lake basins of the Italian Peninsula and feeds mainly on fish. In this shot, the heron caught a large crucian carp and voraciously swallowed it after several attempts to turn the fish on to its side,’ Aguti said. 

‘More Fish Please!’ taken by Levi Fitze in Saunders Island, Falkland Islands, won the Silver Award of Comedy Bird Photo, and features a baby penguin in the face of a King Penguin. 

‘This juvenile constantly begged until the annoyed adult walked away. However, the fact that the juvenile was more massive than the adult suggests good parenting overall.’ Fitze noted. 

The UK photographer Rachel Bigsby won the Best Portfolio Award this year for her ‘incredible ability to capture the beauty, resilience, and fragility of the lives of birds who are at home in the air, on land, and at sea.’

The Gold Award of Best Portrait went to Nicolas Reusens, who captured a rare glistening-green tanager in Ecuador. 

“After hours of waiting, I saw the vivid-green bird on a perfect heart-shaped leaf. Its shimmering feathers reflected a dazzling array of colors. I captured every detail, grateful for this magical moment amid the lush jungle backdrop,’ Reusens said. 

The Gold Award in the Bird in Flight category went to Rafael Armada’s image of sword-billed hummingbird with the world’s longest bill relative to its size.

“This bird’s unique bill, adapted to feed on flowers with long corollas, makes it a vital pollinator, as bees and butterflies can’t reach the nectar and so don’t pollinate these plants,’ the photographer said. 

The image of a peregrine falcon tackling a brown pelican that ventured too close to its nest (below) has snared the grand prize in the Bird Photographer of the Year 2023, the world’s largest bird photography competition.

This year’s winners were selected from more than 20,000 images entered from photographers from around the world to the different categories, with the £3,500 grand prize going to photographer Jack Zhi from the U.S. for his dramatic image taken in Southern California.

“For four years, I attempted to capture the rare sight of the female falcon attacking large brown pelicans with incredible speed and agility,” says Zhi. “I love the eyes of the pelican in this image: surprised and scared.”

Bird Photographer of the Year celebrates the world’s best bird photography, while supporting conservation efforts through imagery and financial support. This year, the competition donated £5,000 to partner charity Birds on the Brink, which provides vital funding to grass-roots bird conservation projects around the world.

“Each image is not merely a testament to the immense talent of the photographers, but a poignant reminder of the breathtaking beauty of birds,” says Will Nicholls, Director of Bird Photographer of the Year. “The astonishing calibre of these photographs underscores a vital message: Let us champion the cause of conservation, so that future generations can marvel at the real-life inspirations behind these extraordinary images.”

The 2024 competition is now open for entries by photographers of all ages and experience.

During the breeding season, a female Peregrine Falcon fiercely protects her young, attacking anything that ventures near the nest.

“For four years, I attempted to capture these rare moment of incredible speed and agility,” Zhi explains. “The high-speed chase made it challenging to capture a close-up shot with a long lens. The falcon’s precision was amazing as it struck at the pelican’s head.”

Gold Award Winners

The Sword-billed Hummingbird, common in the Andean forests, has the world’s longest bill relative to its size.

This bird’s unique bill, adapted to feed on flowers with long corollas, makes it a vital pollinator, as bees and butterflies can’t reach the nectar and so don’t pollinate these plants.

The Purple Heron is a migratory bird that nests in the lake basins of the Italian Peninsula and feeds mainly on fish, although it also preys on mice, snakes, toads and other creatures.

In this shot, the heron caught a large Crucian Carp and voraciously swallowed it after several attempts to turn the fish on its side.

During winter migration, owls from northern Finland often fly south where they can find more food due to less snow. This Great Grey Owl chose a cemetery with abundant voles as its hunting ground.

While hunting, the owl would often stop on tombstones or other structures to observe the area.

A young Musk Duck seems mesmerised by a drop of water falling from its mother’s mouth. Of course, it’s actually interested in the morsel of food that she has in her bill. Their coloration may be drab, but they more than make up for it with their beautiful expressions and fascinating displays

Blackbird singing in the dead of night in a blue atmosphere and a shining moon.

“Getting up before sunrise allows you to experience the magical awakening of animals, Trexler explains. “The blackbird is one of the first animals to awaken.”

In a small inlet in Örnsköldsvik, Sweden, there are terns everywhere during summer. “One afternoon on an overcast day, I headed down to the water with the goal of photographing terns in flight,” young Sedin said. “Instead of that, I ended up photographing an Arctic and Common Tern perched together on a railing. By utilising the white of their bodies, the overcast weather and the bright reflections in the water, I got this high-key image.”

Flooding meant that a field of sunflowers could not be harvested, and thousands of birds, including greenfinches, goldfinches and bramblings, flocked to it.

Despite their colorful plumage making them easy targets, when foraging their colours blend with the surroundings, making them hard for predators to spot.

A Maltese hunter stands proud, having legally shot a European Turtle Dove, a prized quarry on the island.

European Union legislation bans the hunting of Turtle Doves in the breeding season. Nevertheless, across the Mediterranean, an estimated 340,000 to 870,000 are killed each year.

Generations of Maltese have hunted this species on migration; a few continue to hunt following tradition.

In 2017, Malta introduced a spring hunting moratorium, which left some hunters feeling their ‘traditional’ way of life had been ruined.

Unfortunately, the ban was lifted in 2022, allowing European Turtle Doves to be killed once again. The decision has the potential to dramatically impact and further damage this beautiful bird’s chances of survival and drive it further towards extinction.

BirdLife International and their partner BirdLife Malta both condemn the hunting.

Silver Award Winners

Before capturing this image, the Vijayan spent two days observing these penguins, lying flat on the ice to avoid scaring them: “Waiting for the chick to appear, I finally got this touching shot of parental love. I trekked eight hours a day on soft snow to reach this colony and even made friends with some penguins.”

In early autumn, a sardine shoal in Los Islotes, Mexico, attracted seabird predators. Amid the shoal was an elusive Blue-footed Booby rising with a sardine in its beak.

At Samburu’s National Reserve, Kenya, among its most distinctive features are its Doum Palms. While moving away from the river, the photographer noticed this Black-headed Heron perched on one of the palm tree branches.

The Emperor Penguin breeds during winter in Antarctica, the coldest environment on Earth. It endures temperatures as low as -40°C during the long polar nights and 250 kilometers-per-hour blizzards. Adaptations allow it to maintain body temperature and conserve energy.

From October to March, Shenzhen, China, is a wintering ground for more than 100,000 migratory birds. In January 2022, tens of thousands of Great Cormorants were spotted flying over Talent Park, adding to the area’s avian diversity.

When observing King Penguins, Fitze was struck by how their behavior sometimes resembles that of humans. “This juvenile constantly begged until the annoyed adult walked away. However, the fact that the juvenile was more massive than the adult suggests good parenting overall.”

Southern Boobooks, the smallest Australian owl species, are often brought to veterinary hospitals after car accidents. Their large, outward-projecting eyes adapted for low-light hunting make them vulnerable to injury.

Bronze Award Winners

The best place to see Canada Jays for those living in Montreal is across the border in upstate New York. During a winter 2022 visit to Adirondack Park, the photographer captured the image of a jay seemingly concerned that the snow was ramping up — and rightly so, as it made driving back home a challenge.

A Great Grey Owl adult was hunting in a wheat field, and a juvenile flew to the edge of the field to be fed. Suddenly, the parent caught some prey. “I quickly pressed the shutter and captured a heartwarming moment between the parent and the next generation,” photographer Mu explains.

A Barn Owl flew over a crop field and was followed by several Common Nighthawks.

At an abandoned farmhouse in a Spanish town, seemingly nestled by the painting of a woman on the door, a European Stonechat perches as the sunrise sun bathes the space in light.

On a winter morning, fog swirled around perched birds and dead trees like tentacles. It was a breathtaking sight that filled the photographer with calm and tranquillity. Converting the image to black-and-white in post-processing, further emphasized the sense of stillness and peace.

A group of Northern Crested Caracaras was gathered around some pieces of chicken that had been placed out for them. This individual was more interested in displaying to all the others while they ate.

“Last winter, I spent considerable time at the Kitka River in Finland photographing White-throated Dippers,” Gerrits exlain. “The conditions were ideal, with abundant dippers, fresh snow and crystal-clear ice. However, the harsh temperatures, reaching as low as-27°C, were a challenge.”

A dead young Peregrine Falcon is being examined at the CRUMA wildlife rescue centre in Livorno, Italy. It had been shot by a poacher and X-rays revealed lead shot in its body – evidence of the danger of the migratory routes that cross Italian skies, an ongoing issue affecting wild birds in Italy.

Mountain photographer Arpan Das has traveled all over the world capturing incredible photos of dramatic peaks. But he says there’s one country that stands out above all of the others.

Das, who is an astrophysicist as well as a photographer, tells PetaPixel that mountains never cease to amaze him.

“They’re so massive and towering, it’s hard to fathom how small we are compared to them. It’s a humbling experience to stand in the shadow of a mountain and feel insignificant in the grand scheme of things,” he says.

“Mountains hold an air of mystery and intrigue. They’re always inviting exploration and discovery. There’s always something new to see around the next corner, from hidden waterfalls to serene alpine lakes, curving glaciers, or a variety of wildflowers.”

Das says that each mountain range possesses its own unique wonders.

“The Rocky Mountains are different from the Alps, which are different from the Himalayas. There’s always something new to learn about each range, and I love capturing the unique beauty of each one,” he explains.

“I’m also a big fan of the challenge of mountain photography. It’s not always easy to get the perfect shot. You have to deal with harsh weather conditions, difficult terrain, and unpredictable light.

“But when you finally get that perfect shot, it’s all worth it. I’m so grateful for the opportunity to photograph mountains. It’s a passion of mine, and I hope to continue doing it for many years to come.”

Which Country Has the Best Mountains?

Das, who is originally from India, has been to Europe, North America, and Asia to photograph mountains. But he says there is one country that stands out above all of the others.

“Coincidentally all of my favorite mountains are in Canada: the Canadian Rockies, Yukon, and the Coastal Mountains of British Columbia,” he says.

“Even though the Alps are super beautiful, when it comes to photography I have to give the wilderness of Canada my favorite award.”

What Makes a Great Mountain Photo?

When Das is shooting mountains he is looking for what’s in the foreground, midground, and background — great light helps too.

He tells the Daily Mail that while he uses post-processing techniques, he doesn’t digitally manipulate the images.

“I am using the same equipment from the beginning and haven’t upgraded yet,” he says. “A Nikon D810, Tamron 15-30 f/2.8 G2, Tamron 24-70 f/2.8 G2, and a Tamron 100-400.

“I have two tripods, Feisol for hiking trips because of its superlight weight and Promediagear for normal trips with car and walking.”

More of Das’ work can be found on his website, Instagram, and Facebook.

Image credits: All photos by Arpan Das.

The winning entries in this year’s Bird Photographer of the Year competition were just announced, with Jack Zhi named as the overall winner for his image of a falcon defending its nest. Competition organizers were once again kind enough to share some of the other winners here, in eight different categories, selected from a field of more than 20,000 entries.

Imagine a panoramic view of a field of stars or a beautiful desert landscape with a time lapse of galaxies crawling across the night sky. These are just some the amazing pictures captured by astrophotographer Nate Liles.

Nate is coming back to the Sun Valley Museum of Art to share some of his tips and tricks for taking pictures of the night sky and he joined Idaho Matters to chat ahead of his visit.