Shelby Co. (ECWd) –

For years we have focused on a simple narrative in our local government accountability work: follow the law.  While simple to most, in many places we go, we have people jump to a false narrative that we have some ulterior agenda.  It appears to be human nature but sadly, those same people never actually speak with us but rather assume facts not in evidence or believe whatever they read online and share it with the world because they agree with it, all while not knowing if it’s actually true or accurate.  When their emotional convictions override logic, it tends to fester like a cancer among others who have either not been educated on critical thinking or are simply driven by an agenda, truth be damn.

Some of these same people create anonymous social media outlets to spread their beliefs, commonly filled with innuendos and half-truths rather than the whole truth or facts.  By being anonymous the person is void of any accountability for such ignorance being posted, all while those providing supportive comments end up showing their ignorance.

We The People have an obligation to protect the people’s right to say what they want, but we also have an obligation to call it out when it’s agenda-driven propaganda.

Shelby County is no newcomer to these types of games.

A recent addition to the door of the Shelby County State’s Attorney was his name and below that the words “no photography”.  That addition has triggered the naysayers and in a matter of a few hours, the level of ignorance as to our Constitutional Rights has risen to a point of sadness.

“Recently stenciled on the SA’s door is a prohibition of photography. A public office in a public hallway in a public building. What gives the SA the statutory right to do this?”

The post generated all kinds of misinformation and claims regarding people’s constitutional rights regarding taking pictures.  Only one person out of 46 at the time of publication asked a question as to where the no photography actually applied. Most understand a sign on the door applies to the room behind the door, such as a restroom.  The logic of some of the comments would lead people to believe a “mens” sign on a door indicates you can urinate in the common area rather than in the room behind the door.

When it comes to our First Amendment Rights, the courts have spoken on just about every imaginable scenario, including photographs in a courthouse.

The Illinois Supreme Court has forbidden pictures from being taken in the courthouse and directed circuit courts to do the same by issuing a court order, standing order, or local rules as outlined by the Illinois Supreme Court in their Policy on Electronic Devices as found in Section (d). Note it requires (d)(1), (d)(2) to be included in local policies and those too are subject to the restrictions in paragraph s (d)(3-6)

Paragraph (d)(3) pretty much covers the matter at hand.

3. Prohibited Uses in Common Areas and Courtrooms: The taking of photographs, audio, and video recordings are generally prohibited without prior approval of a judge or as governed by Illinois Supreme Court Rule 44.”

This is the time when people are going to say the Illinois Supreme Court does not trump our U.S. Constitution.  We agree.

From the U.S. Supreme Court: “Nothing in the Constitution requires the Government freely to grant access to all who wish to exercise their right to free speech on every type of Government property without regard to the nature of the property or to the disruption that might be caused by the speaker’s activities.” Cornelius v. NAACP Legal Def. & Educ. Fund, Inc., 473 U.S. 788, 799–800 (1985) – UNC Chapel Hill School – of Government

From UNC Document: Offices and Workspaces of Government Employees

“There is limited case law analyzing government employee offices as a “forum” for First Amendment purposes. However, courts that have evaluated the issue have consistently held that office spaces for government employees are nonpublic forums. As the Supreme Court stated: The [government] workplace, like any place of employment, exists to accomplish the business of the employer. ’[T]he Government, as an employer, must have wide discretion and control over the management of its personnel and internal affairs.’ It follows that the Government has the right to exercise control over access to the [government] workplace in order to avoid interruptions to the performance of the duties of its employees

Likewise, the Seventh Circuit has broadly stated: “A public agency’s administrative headquarters is presumptively not a public forum.”

Understanding our rights is a duty we have if we are going to exercise them.  Understanding the difference between a public area and a public forum is critical when it comes to knowing when our First Amendment right may not be absolute as some believe.

What gives the State’s Attorney the statutory right to prohibit photography in his office? The question is incomplete and implies a statute would be the source of such authority.  There is no statute, which is a state law, giving a SA the power to prohibit photography in his office.  However, that does not mean he does not have the power to do so.  An accurate question, assuming they want the actual answer, would be, under what authority can a State’s Attorney prohibit photography in their office?

Based on the included Illinois Supreme Court Policy and the numerous case law citations within the UNC Local Government Law Bulletin, it appears the authority for a State’s Attorney or any other officeholder in a courthouse to prohibit photos from being taken is vested in long-established case law.

The Illinois Supreme Court directed the lower courts to issue an order, policy, or rule on electronic devices that required key language to be included.  That being the case, it appears the courts have ordered no photography in common areas of a courthouse.

The sign on the door that has triggered the naysayers applies to the inside portion of the office. The outside area is under the control of the Supreme Court rules which it appears are being ignored by a select group of people.  In fact, one such fool took a picture from inside the courtroom and then published it.  Should he be held accountable for violating the court’s rules?

What makes this matter so sad is some of the same people concerned about their perceived right to take pictures in his office are the same people claiming records being taken out of the office to be scanned are not secured and could be copied by someone. If they are so concerned about someone copying or seeing a file are they so stupid to not understand a photograph could capture the very same information that he is duty bound to protect?

The protection of the information in those files is the very reason he does not permit photography in his office.  And for the confused, videotaping or filming is a form of photography.

For more reading on this subject see: https://www.oif.ala.org/auditing-the-first-amendment-at-your-public-library/

Photographer Michael Blanchard is known for his stunning photography and moving storytelling, but his creative journey wasn’t always smooth sailing. He hit some pretty big bumps along the way. Blanchard was once COO of a hospital laboratory system in Maine with 1,000 employees. From the outside, he seemed to be on top of the world. Yet he was arrested three times in three months for drunk driving. “The way I was living, I shouldn’t even be here today. I thought there was no way I could quit alcohol, so I thought, ‘I’ll just end it all.’ But when you lose everything, you get your priorities back,” Blanchard said.

Sober for 13 years, Blanchard’s photography has become therapy and a spiritual process for him. The joy and serenity he feels while shooting photos help him stay present and focused. Blanchard’s photography and stories have helped inspire many others struggling with mental health or addiction. As is often the case when ego chimes in, however, inspiring others wasn’t necessarily his original goal. “When I first started shooting, and began seeing all the likes and positive comments I was getting for my photography, my ego got in the way. I thought, ‘Wow, I take good pictures, I’m going to be a famous photographer.’ Didn’t work that way. But when I said, ‘I’m going to help people with my photography,’ everything changed. Photography got me out into the community, but I didn’t want to make it all about me. I wanted to give back,” Blanchard said.

Since 2016, Blanchard has created calendars from his photographs and donated a majority of the profits to various Island organizations, including Martha’s Vineyard Community Services, Rising Tide Therapeutic Riding Center, and then Misty Meadows Equine Learning Center, the National Alliance on Mental Illness, and Vineyard House, for those in early recovery. Over eight years, sales from Blanchard’s calendars have raised $42,500.

His goal for the 2024 calendar is to focus on food insecurity on the Island by raising $5,000 from calendar sales to help the Vineyard Committee on Hunger (VCOH). VCOH is a volunteer organization (no paid staff) that helps alleviate hunger on the Island by raising awareness and funds. Though Martha’s Vineyard is often viewed as a playground for the rich and famous, that isn’t the reality for many Islanders. “Creating my calendar is a way to give back, yes, but it’s also about raising awareness. When I tell people that there are people on the Island struggling, they’re horrified. They just know the Vineyard as a wealthy vacation spot, but we’re a community like any other community,” Blanchard said.

According to VCOH, one in six Vineyard families needs assistance to get through the winter months, and 30 to 40 percent of Island schoolchildren receive free or reduced-price lunches. VCOH does its best to help kids when they’re on school breaks and over the summer with meals, while also providing assistance to Meals on Wheels, M.V. Center for Living, Elder Services, community suppers, and more.

Blanchard’s gallery, Crossroads Gallery in Oak Bluffs, is more than just a place to view his work. It’s also become a gathering space for people to share stories about their own struggles. “The other day a guy came in, and he was jumping up and down. Literally. Turns out he was having a manic episode. I’d written about being diagnosed with bipolar, and he saw it. He told me that when he read about my experience, it didn’t feel as shameful. He felt some hope,” Blanchard said.

A few years back, when Blanchard was raising funds for M.V. Community Services’ New Paths program — an intensive substance use disorder recovery program — he got a call from a woman in hospice, during the last week of her life. “She told me her situation and I said, ‘Oh, I’m sorry to hear this,’ and she yelled at me. ‘I’ve lived long enough. I’m writing checks,’” Blanchard chuckled. “Then she asked me if I really believed that the New Paths program was a good one. When I told her I absolutely did, she said, ‘All right, that’s all I needed to know.’” Not long after this conversation, the director of M.V. Community Services called Blanchard and told him they’d received a check for $20,000 for a new wing. “Sometimes donations come in from outside the sales of my calendar, which is great. It’s all about raising awareness.”

The photos chosen for the calendars are printed on fine high-quality paper, which means if someone covets the October photo and can’t quite bring themselves to flip to November, they can easily frame October, hang it up in their living room, and gaze at it forever. Though creating the calendar is a lot of work, it’s clearly a labor of love for Blanchard. “Every year is like running a marathon,” he said. “You get done and say, ‘I’m never doing that again,’ but then the pain subsides, and you go back and do it again.”

As the saying goes, “it takes a village,” and luckily, Blanchard has a lot of support. The Island community and Blanchard’s Facebook fans play an integral role in bringing the calendar to fruition. “Each February I conduct The 12 Days of Calendar Voting. Day one is January, Day 2 February, and so on. On any given month, I post photos I’ve taken in that month from the previous year. My Facebook followers vote for the top five photos, which then make the cut for the calendar. Over that 12-day period I have had as many as 400,000 people clicking. So it is popular!” Blanchard explained. Locally, members of M.V. Community Services’ Daybreak Clubhouse, a service for folks living with mental health issues, play an important role as well, by volunteering to stuff thousands of envelopes from preorders.

Island businesses carrying Blanchard’s calendar include Tony’s, Cousen Rose Gallery, Craftworks, Sanctuary, Edgartown Books, Bunch of Grapes, SBS, Coastal Supply Co., Cronig’s Markets, and the Martha’s Vineyard Camp Meeting Association gift shop. Blanchard’s calendar is also available online and through his website, blanchardphotomv.com.

Blanchard’s two books, “Through a Sober Lens” and “Fighting for My Life,” won the Ben Franklin Award for most inspirational story and best art and photography. A portion of the sales from these books helps support addiction treatment on the Vineyard.

Photographer’s block, also known as creative block, is a common challenge that many photographers encounter during their artistic journey. It is a frustrating and sometimes overwhelming feeling of being stuck, unable to find inspiration or ideas for new photographic projects. Photographer’s block can affect photographers of all levels, from beginners to seasoned professionals. However, it is essential to recognize that it is a natural part of the creative process. In this article, we will explore the causes of photographer’s block and provide practical strategies to unlock creativity and overcome this creative hurdle.

Understanding Photographer’s Block

Photographer’s block can manifest in different ways. It may be a lack of motivation to pick up the camera, feeling uninspired by familiar subjects, or being dissatisfied with the results of one’s work. It can be caused by various factors, such as (but not limited to) the following:

1. Burnout: Continuous shooting, editing, and post-processing can lead to burnout, where photographers feel mentally and emotionally drained. We can feel uninspired by our work and even when we have a potential banger our frame of mind can act as a personal block to seeing what it actually in front of us.

2. Comparison Trap: Constantly comparing one’s work to that of others, especially on social media, can lead to feelings of inadequacy and a fear of not measuring up. Additionally, a guest on my podcast once said to me: “Don’t shoot for the gallery,” and this still resonates with me to this date. Shoot for yourself and don’t feel like you have to always compare yourself to others. Don’t shoot what you feel others will like.

3. Fear of Failure: The fear of not creating something good enough can paralyze photographers, preventing us from taking risks and trying new approaches. Remember, to get better, you have to make mistakes, it is the very fact of failing that helps us to improve.

4. Lack of Inspiration: A dry spell of inspiration or a lack of exposure to new ideas can lead to a creative block. This can come in many forms and also at different times of the day, week, or month. Without being inspired, we won’t make time for photography, and this will only fuel the lack of inspiration.

5. Personal Challenges: Personal issues or life events can take a toll on one’s creativity, affecting the ability to focus on photography. At times, real-life challenges need to take priority, of course, but most things in life will pass.

6. Perfectionism: Striving for perfection in every shot can be debilitating, as it sets unrealistic expectations and may lead to self-criticism. We can continually focus on the destination and forget about the journey. This journey will improve every time we click that shutter, and many a great masterpiece had a number of iterations until it was a masterpiece.

Solutions

1. Embrace Imperfection: To unlock creativity, we must learn to embrace imperfection. Photography is an art form, and like all art, it is subjective. Not every image will be a masterpiece, and that is okay. Embracing imperfection allows us to free ourselves from the pressure of achieving perfection and opens the door to experimentation and exploration. Accepting that creativity is a journey with ups and downs, successes and failures, is the first step to overcoming photographer’s block.

2. Explore New Techniques and Genres: When faced with a creative block, one effective strategy is to explore new techniques and genres. Stepping outside our comfort zone can lead to fresh perspectives and renewed inspiration. For instance, if you are primarily a landscape photographer, trying street photography or macro photography can offer a new outlook. Learning new techniques, such as long exposure, multiple exposures, or infrared photography can also ignite creative sparks and lead to innovative work.

3. Seek Inspiration Beyond Photography: We can find inspiration not only within the realm of photography but also in other art forms and disciplines. Literature, music, painting, and films can all evoke emotions and ideas that can be translated into compelling visual storytelling. Exploring the works of renowned painters, reading classic novels, or attending live performances can trigger new creative connections and enrich your photographic vision.

4. Engage in Mindful Observation: Mindful observation is a practice of being fully present in the moment and paying attention to the surrounding environment. Engaging in mindful observation can help us develop a deeper connection with their surroundings and become more receptive to inspiration. Take a walk in nature or through the city streets, and consciously observe the details, textures, colors, and lighting. This heightened awareness can reveal new perspectives and subject matters previously unnoticed.

5. Limit Your Gear and Focus on Simplicity: Photographer’s block can sometimes be amplified by an abundance of gear choices and complexities. To overcome this, consider limiting your gear to just one camera body and a couple of lenses. By restricting your choices, you force yourself to be more creative with what you have. Simplicity can also lead to a more focused and intentional approach to photography, enabling you to concentrate on capturing meaningful and impactful images.

6. Create Personal Projects: Personal projects are an excellent way to reignite creativity and passion for photography. Pick a theme or concept that excites you and develop it into a cohesive body of work. Personal projects provide a sense of purpose and direction, giving us the motivation to explore new ideas and invest time and effort in our craft.

7. Break the Routine and Experiment: A routine can become a comfort zone that stifles creativity. To overcome photographer’s block, break the routine and experiment with different shooting styles, lighting setups, and compositions. Try shooting at different times of the day, in challenging weather conditions, or with unconventional subjects. The element of surprise and novelty can spark fresh ideas and inspire innovative work.

8. Collaborate and Share Ideas: We can benefit from collaborating with other creatives or simply sharing ideas with fellow photographers. Engaging in discussions, workshops, or photography clubs can lead to valuable feedback, constructive criticism, and new perspectives. Collaborations can also lead to joint projects that challenge and inspire participants, fostering creativity and mutual growth.

9. Practice Mindfulness and Self-Reflection: Practicing mindfulness and self-reflection can help photographers understand the root causes of their creative block and address any underlying issues. Take time to explore personal motivations, fears, and aspirations related to photography. Self-reflection can lead to greater self-awareness, enabling photographers to develop a positive and growth-oriented mindset. Have you tried yoga or meditation?

10. Take Breaks and Recharge: Photographer’s block may be a sign that it is time for a break. Taking time away from photography can be rejuvenating, allowing photographers to recharge their creative energy. Engage in other hobbies, spend time with loved ones, or simply rest and relax. Returning to photography with a fresh perspective after a break can reignite passion and enthusiasm. Going for a walk without your camera can be great also, as it removes the pressure we put on ourselves to always be finding that shot.

11. Find Beauty in the Ordinary: Chasing extraordinary scenes and exotic locations can be overwhelming and may contribute to creative blockage. Instead, focus on finding beauty in the ordinary and everyday moments. Look for interesting compositions and captivating details in your immediate surroundings. Embracing simplicity and finding beauty in the mundane can open up a world of creative possibilities.

12. Accept Failure and Learn from It: Photographer’s block may be exacerbated by the fear of failure. Embrace failure as an essential part of the creative process. Not every image will be successful, but failures offer valuable lessons and opportunities for growth. Analyze your unsuccessful shots with a constructive mindset, learn from your mistakes, and apply those lessons to future work.

13. Practice Visualization: Visualization is a powerful tool used by athletes, artists, and professionals in various fields. It involves mentally picturing the outcome you desire before executing the task. In photography, visualization can help clarify ideas and improve the planning process. Close your eyes, imagine the image you want to create, envision the composition, lighting, and mood. Visualization can help us manifest their creative vision into reality.

14. Celebrate Progress, Not Perfection: Rather than striving for unattainable perfection, celebrate progress in your photography journey. Set achievable goals and recognize the small improvements you make along the way. Acknowledging your growth, no matter how incremental, boosts confidence and motivation, encouraging you to continue evolving as an artist. A great way to see this is to look back at your images from a year ago and see how much you have come on since.

15. Embrace Opportunities and Spontaneity: While planning is essential in photography, serendipity and spontaneity can lead to unexpected and magical moments. Embrace opportunities that present themselves spontaneously and be open to capturing unplanned shots. Spontaneity allows for genuine and authentic storytelling, unlocking creativity in surprising ways.

16. Seek Critique and Feedback: Feedback from peers, mentors, or professional photographers can offer valuable insights into your work. Sharing your portfolio and seeking critique can lead to constructive feedback that helps you identify strengths and areas for improvement. Constructive criticism is a stepping stone towards growth and encourages photographers to evolve their style and approach.

17. Document Your Creative Journey: Keeping a photography journal or sketchbook can be a helpful practice to document your creative journey. Write down ideas, observations, and feelings related to photography. Sketch compositions, make notes about lighting, and jot down any sparks of inspiration. Documenting your thoughts and experiences can serve as a reference point and a source of inspiration during moments of creative block.

18. Stay Curious and Keep Learning: Curiosity is the driving force behind artistic exploration and creativity. Embrace your curiosity, and never stop learning. Attend workshops, watch tutorials, read books on photography and art, and explore the works of masters in the field. Continuous learning fosters growth and helps photographers stay engaged and inspired.

Conclusion

Photographer’s block is a natural part of the creative process, and every photographer encounters it at some point. It is essential to understand that it is not a permanent state and can be overcome with patience, persistence, and a willingness to explore new approaches. By embracing imperfection, seeking inspiration beyond photography, engaging in mindful observation, and experimenting with new techniques, photographers can unlock their creativity and overcome the hurdles of photographer’s block. Developing a growth-oriented mindset, practicing self-reflection, and collaborating with other creatives can lead to transformative experiences and spark new ideas. Remember, the creative journey is one of constant evolution, and each step, regardless of its size, brings you closer to unleashing the full potential of your creative vision.

Has this article helped you, or have you more to add? Let’s continue in the comments below.

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HUNTINGTON, W.Va. (WSAZ) –

Eye Lens Visuals & Photography produces timeless wedding films, fashion photography, and other milestone events throughout West Virginia, Ohio, Kentucky, Pennsylvania, Virgina and beyond.

Click here for more information.

Copyright 2023 WSAZ. All rights reserved.

Hasselblad has announced the XCD 4/28P lens, a 28mm f/4 medium format lens that has an equivalent 35mm focal length of 22mm and is designed for use on the company’s X System cameras.

The Sweden-based company currently divides its XCD lens series into two: V and P. The P Series consists of what Hasselblad categorizes as “entry-level” lightweight optics that are designed to be used every day, while the V series tends to be larger, studio-focused optics.

This lens, a member of the P series, is the lightest and smallest that Hasselblad has made for its medium format mirrorless cameras and the company says that the XCD 28mm f/4 P is designed to support street photographers. While it’s not clear exactly how many Hasselblad customers are using the X System cameras for street photography and travel, the company says that the focal length and speed of the new optic make it suited to capturing a wide range of scenes from nature, city streets, and urban architecture.

The XCD 28mm f/4 P uses an optical structure of nine elements arranged into eight groups, which includes two aspherical elements and one ED element, which the company says ensures excellent imaging while effectively suppressing chromatic dispersion. The optic is also designed to support extreme resolution of up to 100 million pixels.

“The lens yields sharp imaging with high precision and high resolution from the center to the edges, achieving stunning image quality across the frame,” the company says.

Hasselblad’s latest has a minimum focusing distance of 22 centimeters (about 8.7 inches) with a 1:6 magnification that the company claims allows it to easily capture close-ups of flowers, food, and more.

For autofocus, the XCD 28mm f/4 P uses what Hasselblad calls a linear stepping motor that operates a smaller focusing lens group. It works in tandem with the phase-detect autofocus technology found in the X2D 100C in a way that Hasselblad claims allows it to quickly reach the focusing position and achieve a precise stop, which results in fast, accurate, and responsive focusing.

As a leaf shutter lens, the XCD 28mm f/4 P is capable of synchronizing with strobes at up to 1/4000 second. Below are a few sample images captured with the lens, courtesy of Hasselblad:

The Hasselblad XCD 28mm f/4 P is available starting today for $1,679.

Image credits: Hasselblad

The city of Ormond Beach celebrated the four winners of its first Young Adult Photography Contest on Aug. 5.

The contest, themed around the city’s parks, nature and green spaces, was created in memory of city photographer David Pizzo, who died in January at 73 years old. Pizzo — who, according to his obituary moved to Ormond Beach from New York in 2007 — had worked for Eastman Kodak Company for more than 20 years

“He was proud to hold the distinguished reputation of being the professional photographer for the city, as well as for local businesses and the community,” a Jan. 21 mayor’s proclamation in honor of Pizzo reads.

“… His work was an art, he did it well and with much zeal,” the proclamation states.

And art was created during the contest, which was open to all children ages 12-17 living in Volusia County.

Gabriella Rosa, of Ormond Beach, won best of show for her photograph, titled “Flowers.” She heard about the contest from her dad, who saw the city’s post about the contest on Facebook. She’d gotten a GoPro camera for Christmas and has spent the last couple months exploring photography.

Rosa, a freshman at Seabreeze High School, said she took her camera to a field with her sister one day, just for fun.

“I decided to take my camera for some sky pics, and then I noticed the flowers,” she said. “I’m like, ‘Hey I can get a really cool shot with this.’”

She wasn’t expecting to win the contest.

“It was incredible to see everybody’s artwork too,” Rosa said.

Evan Doane, an Ormond Beach 17-year-old, got a camera in June and started taking pictures. 

The Mainland High School senior won first place for his photograph, titled “Transparent.”

“For the past year and a half, I’ve taken photos on my phone, and I’ve always wanted a camera for myself so I can take photos like that,” Doane said.

Winning first place in his first contest caught him by surprise, he said. Everybody’s work was amazing, he added.

“It’s really cool to see a photo that you’ve taken be hung up around everybody else’s that has had experience with photography, and it kind of just looks like it fits in with everybody else’s,” he said.

DC Pickering, of Ponce Inlet, won second place for her photograph titled “Incognito.” Pickering has been interested in photography for a couple years and saw the local contest as an opportunity that doesn’t come very often — there aren’t that many competitions in the area, the Spruce Creek High School sophomore said.

This was Pickering’s first time placing in a competition.

“It was really awesome to see my photo in The Casements,” Pickering said. “And for future people who want to enter the competition, I would say it’s a great opportunity, even if you don’t win anything; it’s just a cool experience.”

Pickering’s mother Tara found the competition online.

“I think that having different organizations allow youth in our area to show their skillset and show their creativity is fantastic,” Tara Pickering said.

The third place winner was Lily Chiofalo, a seventh grader from Port Orange. Her photograph was titled “Orange Wings in Yellow Flowers,” and Chiofalo said she knew once she spotted the butterfly that it would make a great photograph.

“It really stood out against the flowers, and I love animals and taking pictures of them,” she said.

This was her first contest too. When she found out she’d won, she said, she was “really excited and surprised.”

Her mother, Shannon Chiofalo, added that the setup at The Casements was very professional.

“Everybody’s entries were so beautiful,” she said. “I felt really proud to see her work up there on the wall.”

The art will remain on display through Friday, Aug. 25. The prize ribbons were sponsored by The Casements Camera Club.

Technically, the first time I was at the Notting Hill carnival was in 1990. My mum went there when she was pregnant with me. I started going properly, though, when I was seven or eight. The first time I photographed it was 2014 but I messed up and didn’t get any shots. So I really went for it the next year. I was in the thick of the action. I’d just come from a confined space, almost like a mosh pit. As I stumbled out, I saw a group of youngsters climbing on top of a bus stop. I had to anticipate what was coming next. I needed to change lenses, which wasn’t ideal. As the trio on the left started moving, I bent down, put a different lens on, and started photographing.

It all happened so fast. I have no idea who the three people are. To this day, I’ve never been able to identify them. They’re just people celebrating carnival. What they are doing is called daggering, a form of dancing in the Caribbean. It usually has a run-up and a jump, then a dancing motion. It’s very common in Jamaican dancehall. This was an extreme version, performed on the top of a bus stop. They have since changed those bus stops as people would mount them and there were several accidents. This bus stop has been made into a glass one, to stop people getting on top of it during carnival.

Carnival is special. Being a Black Londoner, I feel as if I’m in a place where there are lots of people from the same walk of life as me. There are so many incredible smells, foods, sounds, cultures and clothes. It’s a natural environment for me to be in.

My family is from Nigeria. Over the years, carnival has become more inclusive, but it started off as a Caribbean/Jamaican thing – a lot of the Windrush generation ended up in that corner of London, and it was a way to celebrate all the cultures of the Caribbean islands. You see a lot of African, South American and other cultures now. It’s beautiful. It will keep changing for as long as they allow carnival to go on.

For almost 10 years now, I’ve made it my mission to document it. The crowds are intense but this is the kind of environment I thrive on. I’ve photographed all over London. Usually, you are walking, watching and waiting until something happens, but carnival is the opposite. There’s so much happening all the time. You have to take ownership of situations. Catching unique moments is my thing. It’s about being sharp. I become a hyper-focused version of myself.

I got my first camera in 2010 for my 20th birthday. Prior to that, I had a random conversation with a photographer on a bus coming back from a night out. He showed me his camera and talked me through his images. As I got off the bus, I felt inspired – the world of photography had just entered my life. A few months later, my uncle asked me what I wanted for my birthday and I said a camera.

I’ve always been a visual person, watching street life pass by and picking out details. My grandma raised me, mainly because my mum was working three jobs. She was always pushing me down busy high streets and through London’s markets, which got me used to seeing lots of things happening at the same time.

When I got into photography, I started going into central London, exploring empty underground tunnels and photographing landmarks such as Big Ben. Then I went travelling in 2015 in Europe and Asia. Hong Kong was where my street photography really developed. I came back to London with a different drive – I abandoned empty tunnels and landmarks and started focusing on people. I spent time exploring Peckham, which has a big Nigerian population, so I felt a real connection there.

As a tall Black guy, it’s not easy to blend in on the street. But I am good at connecting with people so, as well as capturing candid moments, I engage with characters I see around the city. I sometimes stop people and take a proper portrait. I hope that when people see my portraits, they feel as if they are looking into the eyes of real Londoners – and, with my street photography, that they’re seeing a side of the city people don’t always see. My eyes have really been opened up to how much there is in London. Every corner has so much going on.

Emmanuel Cole’s CV

Born: Hammersmith, London, 1990.
Trained: “Self-taught.”
Influences: “Shane Vincent, Bruce Davidson, Jeff Mermelstein, Trent Parke.”
High point: “Hiking up to the top of Lantau Peak in Hong Kong. It’s unusual that the clouds and mist don’t cover the city completely when you do that hike, but it was a rare morning – I got an incredibly beautiful view.”
Low point: “When my Canon EOS 5D Mark III camera was stolen in 2016. That really knocked my confidence, but I dusted myself off and just got on with it.”
Top tip: “Warm up by taking a picture of something mundane. That way, you are more likely to react when the right situation falls into your frame.”

Alton, IL

(62002)

Today

A mix of clouds and sun. Hot. High near 95F. Winds WSW at 5 to 10 mph..

Tonight

Partly cloudy skies. Low 77F. Winds light and variable.

Updated: August 23, 2023 @ 11:33 am



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#wildlife

All images © Laurent Ballesta, shared with permission

The earth’s oceans are mindbogglingly expansive, and less than 20 percent has been mapped, explored, or seen by humans. For Laurent Ballesta, the underwater world provides an endless stream of remarkable aquatic personalities. The French photographer seeks exciting formations of fish, coral, and crustaceans, capturing their behaviors and honing in on individual traits: a hefty crab carries numerous barnacles on its back, a colony of shrimp look as if they want to say hello, and a shiver of sharks swarms around a meal.

Trained as a marine biologist, Ballesta has been a photographer for National Geographic since 2011 and won the Wildlife Photographer of the Year award three times, capturing life below the surface with an eye for beauty and a focus on scientific inquiry. As the director of Andromède Océanologie for more than 20 years, in addition to leading group dives through Gombessa Expeditions, Ballesta emphasizes undersea exploration where there is “a scientific mystery to be solved, a diving challenge to be met, and the promise of unprecedented images.”

Prints are available for purchase on Ballesta’s website along with a selection of books. Follow updates on Facebook and Instagram to stay apprised of new releases. You might also enjoy taking a deep dive into footage of rare jellyfishes spotted over the past few years. (via Blind Magazine)

#animals
#fish
#Laurent Ballesta
#oceans
#wildlife

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