Travel photography is one of the broadest genres in photography.

It involves taking pictures of landscapes, people, culture, food, nature, architecture, and more, documenting the experience and overall atmosphere of different places and destinations. 

Creators who have a passion for photography and exploring the world might want to pursue the career of a professional travel photographer. It offers the opportunity to capture breathtaking landscapes, explore diverse cultures, and gain unique experiences while sharing them with a global audience and getting paid for your adventures. Read further to learn what is required to start as a travel photographer and discover essential ways to monetize your work.

How to become a travel photographer

Starting a career as a travel photographer might sound like an immensely difficult and expensive challenge. However, with passion, dedication, and a strategic approach, it is entirely possible to pursue this goal. By following these simple tips, you can take your first steps toward your desired profession.

1. Find your niche

Travel photography is indeed very broad. You must narrow your options by identifying preferred subjects, techniques, and styles. Think about what excites you the most about this niche, whether it’s landscapes, portraits, street photography, nature, or adventure. Develop a unique style and experiment with different techniques, compositions, and post-editing to make your images visually distinct and reflect your creative vision.

• Study the works of other photographers to find inspiration

Take a look at the works of your colleagues who already sell photo art online. Analyze their compositions, use of light, storytelling techniques, and the way they capture surroundings in their travels. Doing that can help you understand what makes an eye-catching travel photo and help you discover different ideas and styles. 

You can also note where photographers travel to take these photos; it’s important to keep up with popular and unknown destinations, as well as the latest trends in travel photography. This will help you stay relevant and expand your creative horizons.

• Start building your portfolio

Creating a solid travel photographer portfolio is essential for demonstrating your skills and attracting potential clients. If you are a beginner creator who might find it financially challenging to travel across the globe, remember that there are other affordable ways to build a portfolio. Start with exploring nearby cities or countries and capturing their unique features. Look for interesting angles, details, and moments that reflect your unique vision and style.

After you’re satisfied with your images, carefully select the best of them to organize in a portfolio, highlighting your versatility and talent.

• Find ways to promote your work

To benefit from your photography adventures, you must learn how to promote your work to gain visibility and attract clients. You can start with social media—share your best photos consistently, engage with your audience, and don’t forget to use relevant hashtags for broader reach. 

You can also create a website to showcase your portfolio, run a travel blog, and share contact information with potential clients and associates. Joining online photography communities, participating in contests or exhibitions, and networking with other photographers can also help you get noticed. 

Essential skills needed to become a travel photographer 

Becoming a travel photographer also requires specific skills to have fruitful work trips and create eye-catching visuals. These skills include:

1. Planning

Travel photographers need strong planning skills for productive trips with great photo shoots. This includes researching destinations, scouting locations, and determining the best times for capturing specific events, natural phenomena, etc. 

Without effective planning, you might face unexpected challenges, such as bad weather conditions, cultural conflicts, or traditions you might accidentally violate. Having a well-thought-out plan allows you to make the most out of your time and opportunities.

• Quick reflexes

The best shots in travel photography aren’t always planned or staged. You have to learn how to capture fleeting moments and dynamic scenes.

Reacting swiftly to changing situations, movements, and expressions allows you to seize the moment and take outstanding photos. But to do that, you have to be alert, master your hand-eye coordination, and be able to adjust camera settings when necessary.

• Adaptivity

If you want to make the most out of your photography travels across the globe, you have to be adaptive. This means that you have to adjust your shooting techniques, composition, and gear according to your environment and circumstances. This also includes being flexible in your creative approach and being open to unexpected opportunities or challenges that may arise during the journey. This will help you capture extraordinary images even in less-than-ideal circumstances.

• Open mind and social skills

It’s important to react to cultural differences with an open mind to connect with locals, understand their way of living, and show it through the camera lens. Having strong social skills is just as critical. It involves being approachable and respectful of different cultures and traditions. When people trust you, they are more open to you taking pictures of them and their surroundings, resulting in more authentic and intimate portraits and better storytelling.

• Visual analysis

Strong visual analysis skills help travel photographers quickly come up with ideas for great pictures, evaluate scenes, notice appealing compositions, and work out potential stories. It also helps spot interesting patterns, lines, textures, and colors in the environment. To improve your visual analysis, consider learning basic composition principles, such as the rule of thirds, leading lines, and symmetry.

How can travel photographers monetize their work and maximize their earnings?

Understanding how to leverage your travels and earn income by selling photos is a crucial aspect of this profession. Many individuals prefer to assess the pros and cons before starting a new career, and potential earnings can significantly influence this decision.

So here’s how to sell your photos as a travel photographer.

Stock image selling

You can sell your images through stock photography websites like Depositphotos, where individuals and businesses can purchase your automatically licensed files for commercial, editorial, and personal purposes. This can help you not only earn your first check, but also gain recognition. If people like your visuals, they can check out your profile and look for you on social media.

You can also sell prints of your work through online marketplaces or your website. Art collectors, interior designers, or individuals looking for unique decor are often interested in such visuals. 

Freelance projects

You can work as a freelancer for travel magazines, websites, tourism boards, or commercial clients. For instance, you can get paid by traveling to specific destinations, documenting various cultural events, or creating promotional content, e.g., about vacation places.

Workshops and tours

Once you’ve gained recognition and become a professional, you can generate income by organizing photography workshops, tours, or mentorship programs. This way, you can share knowledge and experience with beginner photographers while earning money and helping upcoming talents.

Photography trips are also a great way to earn income and take other people on an adventure. Your role, in this case, would be planning and organizing the trip, choosing locations, and taking care of visas and documents if necessary.

To sum up

If becoming a travel photographer sounds like a dream job, don’t let the potential challenges deter you. With the tips mentioned in this article and some dedication, you can build the necessary skills and start exploring the world through your camera lens.

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Marcus Garvey In His Harlem Office, 1914

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DeSoto Youth Attends The New York Times Summer Academy

As part of her love for film and photography, Amelie Ojeda is spending two weeks this summer in a city known for being photogenic.

Amelie, a homeschooled sophomore in DeSoto, left on July 16 to attend The New York Times Summer Academy for two weeks. She was selected for their fashion/photography/film program.

“This program will give me the chance to have hands-on experience, dive deeper into my passions, and help me think critically and creatively about my future career,” she said. “It will help reassure me that film and photography are truly my passions and something I want to continue to pursue in the future.

“It will help me put myself out there and not shy away from showing my work. I will also learn a lot of new skills and get to build amazing connections with my teachers, peers, and the professionals who come to lectures.”

Amelie has never been to any summer camps before. However, now that she has decided to attend one, she chose big in a city she loves.

Focusing On Art & Culture In The Big Apple

In the course, she will be going on field trips around New York City to focus on the art and culture in the city. She will also learn about the importance of art through fashion, photography, and film.

“While having field trips, we will also have scheduled classes every day of the week where our professors will teach us about different subjects regarding the course, as well as other social events to build relationships with people who share the same interests as you,” she said.

Amelie is no stranger to The Big Apple. She has visited a good friend she’s known since childhood who moved there a couple of years ago.

“I love visiting her and hanging out around the city with her. We go to the touristy places, but she also takes me to lesser-known areas,” she said. “I could go to New York a million times and would never get sick of it. It just feels like such a welcoming environment, and I can’t wait to explore more.”

Amelie has been exploring since she was around four years when she started making videos. They were mostly tutorials for various things like doing her makeup with candy or making her mom record her planting fruits and flowers in her grandmother’s garden in Puerto Rico.

Then she started making videos about her Littlest Pet Shop animal figurines. She would build sets for them, making school lockers out of toilet paper rolls with markers or computers/phones out of old cereal boxes, and she would use anything around the house to create items for them.

“I would create stories with dialogue and would act them out while filming on my tablet or my family members’ phones,” she recalled. “As I got older, I started making vlog-style videos, and when I was a tween, I would film a lot of makeup tutorials or GRWM’s (Get Ready With Me). I would find free editing programs and would try to figure them out.

“I started photography when I was in ninth grade, and that enhanced my filmmaking, and I started creating more documentary-style videos about nature and stuff like that.”

Reaching People Through Creative Expression

Amelie has expressed herself creatively throughout her life – by writing, drawing, playing the guitar, songwriting, photography, painting, filming, and dancing.

“I’m actually not sure what my greatest passion is yet. I have a lot of interests, but I know that my main goal with all of them is to reach people in some way,” she said. “I want people to gain something from what I create; I want them to laugh, cry, smile, be frustrated or angry, have every emotion, or just enjoy it for simple entertainment.

“I think art is one of the best parts of the human experience. It’s incredible that we as people are able to create art that make us feel heard or seen. I truly believe that art in any form is the most beautiful thing that sets us apart from every other species. That is why I am so grateful to have this opportunity to be able to explore the amazing world of possibilities that come with film, photography, music, art, fashion, and everything else.”

If you’d like to help Amelie with expenses, here is a link to her GoFundMe account.

Edinburgh, UK

The Scottish first minister, Humza Yousaf, at the launch of a policy paper on citizenship in an independent Scotland, at the National Records Of Scotland

Photograph: Andrew Milligan/PA

BELEN — If a picture is really worth a 1,000 words, then Ronnie Torres’ vast collection of black and white photos of Belen is a novel worth reading.

Torres will have more than 300 photos on exhibit in his show, “Belen in Black and White” from 3-8 p.m., Saturday, July 29; and from 1-4 p.m., Sunday, July 30, at Studio 508 on Becker Avenue in Belen.

Torres, a former president of the Valencia County Historical Society, has been collecting black and white photos of the Hub City for more than 25 years, back when he was mayor of Belen.

Clara Garcia | News-Bulletin photo
Ronnie Torres, former Belen mayor and city councilor and local business owner, is displaying hundreds of old photos of Belen he’s acquired over the years.

“I love old pictures and the history of Belen,” Torres said. “I like to see what once was.”

Torres, who co-owns Hair Innovations in Belen, said he’s found that the Hub City continues to change, saying he’s been able to see through the photos the different uses of buildings throughout different decades.

“People will remember one thing, and other people will remember something else,” he said. “That’s what’s really cool because (the buildings) were memories for different reasons for different people.”

Torres said after going through his collection for the show, he’s inspired to create a different sort of map — a layered version of Belen — to show the difference of Belen through the decades.

While he always enjoyed his own family photos from days gone by, it wasn’t until Torres’ customers would talk to him about their own that he started collecting.

“Clair Ellermeyer and others had a lot of neat, old pictures,” Torres said. “I just started collecting. They would bring them in to me, and I’d make a copy and give them back.”

Torres said while others were more than willing to share their pictures and history with him, others would kindly refuse.

“I just hope people would reconsider because if when they’re gone and their kids throw the pictures away, I’m afraid they’ll lose the history,” he said. “If they share it with someone, and they document it, then the history will live on.

“It’s best to let other people see it,” Torres said. “What good is history if you don’t share it?”

Torres said some people might think their old photos might not be “worthy” of sharing, but he says everyone’s history is worth a walk down memory lane.

“Just because a family didn’t have a business or something like that, their photos of their family holding a matanza, being in a parade, at school — it’s all our history, our heritage of this community,” he said.

Little by little, Torres’ collection grew when people would bring him their photos. In all, he said, he probably has about 500 black and white photos — some of which are duplicates and others that aren’t very clear.

Torres’ photo collection, he says, is very diverse, including some personal photos, such as special events like numerous weddings, First Holy Communions and more.

He said nowadays, he’ll ask someone to take a picture of an old photo with their phones, and he’ll print it out.

“It’s not the same just having photos on your phone,” he said. “These old photos are so clear, and it’s so nice to be able to just handle them and look at all the details.”

As you look at this huge collection of photos, the history of the Hub City is clear as well as coincidental. The memories of what once was collides with what is here today, Torres said.

One of his favorite photos is the large black and white picture of what must be hundreds of local children packed into the Oñate Theater on Dalies Avenue. Another is a photo of an old bakery, Jenny’s, on Becker Avenue where the owner had the bakery on the first floor and they lived on the second floor.

At the show, Torres has set out sticky notes and pens for people to share their memories of a particular photo on display. The former mayor says while he knows a lot about the history of Belen, he doesn’t know everything.

“I just hope people will share their memories with me and the community,” he said. “I really want people to fill in the blanks of Belen.

“I want people to jog their memories, and to remember all the things they did back then,” Torres said. “I want them to be inspired to go home and dig out their old photos and share their history with their own kids and grandkids.”

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Clara Garcia | News-Bulletin Editor

Clara Garcia is the editor and publisher of the Valencia County News-Bulletin.
She is a native of the city of Belen, beginning her journalism career at the News-Bulletin in 1998 as the crime and courts reporter. During her time at the paper, Clara has won numerous awards for her writing, photography and typography and design both from the National Newspaper Association and the New Mexico Press Association.

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Sixth Circuit judges Friday will consider the reach of a new US Supreme Court ruling when they hear Louisville’s appeal of an injunction barring enforcement of its public accommodations law against a Christian photographer who doesn’t want to provide services for same-sex weddings.

In 303 Creative LLC v. Elenis, a 6-3 majority on June 30 ruled in favor of a Christian website designer, holding that the US Constitution requires allowances from public accommodations laws for businesses that engage in expressive activities.

Chelsey Nelson Photography LLC, which won its injunction in August 2022, could see that win upheld because of the justices’ ruling in 303 Creative.

A decision by the US Court of Appeals for the Sixth Circuit on Louisville’s appeal could be based on a straight application of 303 Creative’s holding that the business’s owner, Lorie Smith, can decline to provide wedding-related services for LGBTQ couples under the First Amendment, attorneys familiar with the case told Bloomberg Law.

Or it could signal that federal courts will struggle to apply 303 Creative’s holding, which some say was driven by unique circumstances, when determining whether other types of public businesses that provide services that include an element of expressive speech or conduct are protected by the First Amendment.

The 303 Creative decision “is not dispositive of this appeal,” Louisville said in a supplemental brief filed at the Sixth Circuit’s request after 303 Creative was decided. The outcome on Smith’s free speech claims turned on stipulated facts and there are numerous contested facts in Chelsey Nelson’s case, the county said.

Chelsey Nelson’s attorney, Jonathan A. Scruggs, told Bloomberg Law that her lawsuit lines up with 303 Creative and “in some ways” presents a clearer case for applying the First Amendment, despite the absence of stipulated facts. Scruggs is with the Alliance Defending Freedom, which also represented Smith in 303 Creative.

Louisville is appealing a summary judgment ruling, so there are “about 900 pages of undisputed facts” before the Sixth Circuit, Scruggs said. The county also conceded that it will enforce its public accommodation ordinance against Chelsey Nelson, he said.

Stipulation’s Significance Debated

Among the stipulated facts in 303 Creative was an agreement that wedding websites Smith said she planned to create will be customized, expressive, and convey her religious belief that marriage is strictly between one man and one woman.

That unique stipulation, which isn’t mirrored in Chelsey Nelson’s case, was key to the majority opinion in 303 Creative, employment litigator Frank B. Shuster said.

From there, the majority’s “constitutional conclusions flowed pretty-easily downhill” and led it to conclude that Smith’s websites are “pure speech” shielded by the First Amendment, Shuster said. The stipulation on expression sealed the fate for Colorado, despite its law barring anti-LGBTQ bias by businesses that offer services or products to the public, he said.

But University of Texas law professor Elizabeth W. Sepper sees the 303 Creative stipulation as a bit of a red herring. Courts can find facts for themselves, she said.

“In some ways, this dispute is so similar to 303,” Sepper said. “You have a wedding vendor” engaged in a type of activity that people might think of as artistic, but doing so through a commercial business.

Louisville’s law is also similar to the one at issue in 303 Creative, the professor said. And Chelsey Nelson, like Smith, doesn’t have much of a track record of providing the type of wedding-related services that she claims will involve expressive content, she said.

From Explicit to Implicit

The two cases, however, may be different in other ways, Sepper said. So a Sixth Circuit ruling for Chelsey Nelson would still expand 303 Creative’s holding, she said.

Chelsey Nelson wants to discriminate both at the moment of engagement and the moment of marriage, Sepper said. That would be one extension of 303 Creative’s holding, she said.

Another would be that 303 Creative focused on written expression while Chelsey Nelson’s case also involves images, Sepper said. A third would be that Colorado had a pattern of enforcing its law in contexts similar to Smith’s. There doesn’t seem to be that past enforcement history in Chelsey Nelson’s case, Sepper said.

The move in Chelsey Nelson’s lawsuit “is to expand from the explicit expression of a message to implicit expression,” Sepper said.

Significant Litigation Predicted

Shuster, litigator Iván Resendiz Gutierrez, and the ACLU—which is backing Louisville as an amicus—all see the potential for a swell of post-303 Creative litigation.

Lower courts are going to grapple with various issues when deciding whether speech or conduct by a business open to the public is expressive and protected by the First Amendment, they said. These will include whose speech it is, the business’s or the customer’s.

There “can be a real overlap” between speech and commercial services, Shuster said. It could be a while before the issue makes its way back to the Supreme Court for a definitive ruling on the contours of the distinctions between protected expression and speech, and unprotected products and services, he said.

It seems like 303 Creative opened the door to “pure speech” arguments in other contexts, Gutierrez said. The dissent in 303 Creative correctly anticipates that there will be significant litigation on these unresolved issues, he said.

Justice Sonia Sotomayor’s dissent uses the example of professional photographers, including those who shoot portraits, take school photos, prepare corporate headshots, and provide passport services.

That portion of the dissent highlights the difficulty of determining when a business engages in pure speech, Gutierrez said. People disagree widely on “what is art.” Some photographers may have a stronger basis for claiming expressive rights than others, he said.

“I don’t think the Supreme Court wants to be in the business of deciding each” public accommodation case based on the specific facts, the ACLU’s Louise Melling said. But the justices invited that approach with their ruling in 303 Creative, which is the first time the court has ever recognized a right to discriminate in the provision of public accommodations, she said.

The ruling was “completely and utterly gutting” to the LGBTQ community and creates “stigmatic harm,” Melling said. Sotomayor “does a gorgeous job of laying that out,” she said.

Nelson’s Team Confident

Scruggs said he’s “very confident that the Sixth Circuit will apply 303 Creative” and rule for Chelsey Nelson.

Chelsey Nelson is also cross-appealing on issues she lost at the district-court level, including whether she can collect compensatory damages.

303 Creative doesn’t resolve those questions, but Chelsey Nelson should still prevail on them on appeal, Chelsey Nelson said in a supplemental brief.

It’s “highly likely” that Louisville will lose its appeal, Sepper said. There also isn’t much chance that the county will seek Supreme Court review if it loses, she said.

The county’s best arguments are that Chelsey Nelson doesn’t seem to be publicly engaged in wedding photography anymore and doesn’t face a credible threat of enforcement, Sepper said.

Real Consequences, Limited Reach

“Every hole you punch in the public accommodation fabric has real consequences for people,” Melling said. A Sixth Circuit ruling against Louisville “would be a further hole in that fabric” when it comes to protections against LGBTQ bias, she said.

But the types of businesses offering services or products to the public that can realistically contend they engage in protected expression or speech are limited, Shuster and Melling said.

The 303 Creative ruling has no application to widget- or hamburger-makers, Shuster said.

Many businesses that oppose LGBTQ rights will nevertheless seek to expand the ruling’s reach, Melling said. The important thing is to fight against that expansion going forward, she said.

The 303 Creative decision “is a great thing,” Scruggs said. Governments shouldn’t be forcing a person to say things that the person doesn’t believe in, he said.

The ruling “works both ways,” Scruggs said. It protects LGBTQ photographers just like it protects Chelsey Nelson, he said.

The county attorney’s office declined Bloomberg Law’s request for comment. Kaplan Johnson Abate & Bird LLP also represents Louisville.

Additional amici in the case include the Kentucky Commission on Human Rights, Americans United for Separation of Church and State and others, Kentucky and 20 other states, and the owners of an Oregon bakery, Sweet Cakes by Melissa.

The case is Chelsey Nelson Photography LLC v. Louisville-Jefferson Cty., Ky., Metro Gov’t, 6th Cir., No. 22-05884, oral argument 7/28/23.

We initially found Andras Ladocsi’s work striking for its daring portrayal of human connection. He is sometimes shooting close ups where figures are in slumber or at ease, and other times with two subjects wrapped around each other, with dazzling shapes peering from the negative space. Starting out as a swimmer during his adolescence in Budapest, Hungary, he is often capturing bodies in action surrounded by water. “Whether it’s a river, lake or island, they all represent the water within us,” he tells It’s Nice That.

The power of the collective and the environment rings through in every single shot. Even when figures are alone, you can tell that they’re empowered by Andras and his lens. “I want to bring to light the intensity and resilience of the human spirit, in those moments where we push our minds and bodies to their highest potential,” he says. And, whether his figures are far away, pushed together or in complete isolation, in Andras’ world, “we all live in a place of connectedness, no matter how far we travel”.

‘This is my farewell letter to Hong Kong,” says Wong Chung-Wai, when I ask about the title of his astonishing photobook, Hong Kong After Hong Kong. “I wanted to use photography to preserve what’s left in the ocean of my brain, to create evidence of having lived in the city, as I don’t know if I could ever return.”

Wong recalls that, in 1980, his parents “waited for the guards at the border to rotate their positions” before swimming across Shenzhen Bay in mainland China to Hong Kong. Forty years later, Wong, like many Hongkongers, decided to leave the city after China introduced the national security law in June 2020, which has triggered continuous crackdowns and threatened civil liberties in the former British colony.

I videocall Wong two days after June’s summer solstice, and our conversation switches between Cantonese and English. The morning light in his London apartment appears muted, a far cry from the intense subtropical climate of Hong Kong.

In Wong’s book, we don’t see the typical neon signs of the bustling Mong Kok market district or the skyscrapers in Victoria Harbour. Instead, we find ourselves inside an empty cinema, a cordoned-off garden filled with broken statues, at the gate of a cement factory, and under highway bridges where porcelain Taoist deities find refuge.

“Hong Kong often comes across as an international tourist capital,” says Wong, “but I’ve downplayed its stereotypical image to rediscover my internal landscape,” and offer “a sense of intimacy through the camera”.

Without any identifying captions or dates, Wong’s photographs shift our attention away from information towards feelings. Intimacy and emptiness are juxtaposed in his images, which are filled with intransigent beauty. “The most difficult thing is to create intimacy in an empty place,” Wong says. In his landscapes we see a man walking solo by a canal under a concrete sky of crisscrossing flyovers; in his portraits we are drawn to young people’s blank faces. In one landscape shot, a mirror, leaning against a tree and decorated with Christmas tinsel, reflects an empty grey sky. “I’m interested in the half-hidden, the art of not being explicit,” Wong says. “I’m asking the viewers: what’s missing there?”

The atmospheric language of the cinema is never far away in Wong’s photos. Though he considers himself “an amateur photographer”, he has worked for more than 15 years in the film industry, in script-writing, production and location-scouting. When I ask him about the difference between photography and movies, Wong says: “Photography gives me freedom – a rarity in film-making, which is bound by the budget and other constraints. You can tell a story in a photo by one click, through a one-second connection with the world and the subject.”

Wong mentions the Nobel prize-winning author Gao Xingjian’s novel Soul Mountain, which was loosely based on the writer’s own sojourns in rural China, as an inspiration. “Like Gao’s protagonist, I walked to the four corners of a place searching for something in the past, something that no longer exists.”

Why did he leave Hong Kong, I ask. “I was heartbroken,” he says, “I was anxious for the future, which had turned into a sick relative. I needed to turn away from the sickbed. It wasn’t an easy decision but I’m gradually feeling settled here in London. It’s a new start.”

After we speak, a line by the late Irish poet Derek Mahon haunts me: “Home is where the heart breaks”. Wong’s photos capture a double loss: a home that he has lost, and a city that has also lost itself.

The lost city: three more images from Wong Chung-Wai’s Hong Kong

Sai Wan swimming shed
“I found this walkway for morning swimmers in the most westerly point in the city.” says Wong. “The light seemed ambivalent. At sunset, the woman was facing west as I was thinking of flying west to Britain.”

Graham Street wet market
“I’ve seen this man many times during my late-night photo trips,” says Wong. “I was in the back alley in Lan Kwai Fong, the Soho of Hong Kong, and suddenly there he was, dressed as Elvis with a guitar. The towers of air-conditioners enhance the surreal, cyberpunk feel of our concrete forest.”

Concrete cross, Tao Fong Hill
“I lived in Shatin, in one of the towers,” says Wong. “I could see the cross up the hill but had never visited until I decided to leave Hong Kong. The two Chinese words on the concrete cross read: ‘It is finished’. These are the last words of Christ. I am moved by the woman’s indecipherable posture. Was she praying?”

Main image: Causeway Bay typhoon shelter
When asked why the city’s stunning skyline is pushed to the background here, Wong says: “Whenever I think of Hong Kong, this is the image that encapsulates my feelings: the hazy yellow light, a small person in a big city overcoming the sense of an infinitesimal existence.”

Hong Kong After Hong Kong by Wong Chung-Wai is published by Gost on 6 August (£40). Kit Fan’s first novel is Diamond Hill and his latest poetry collection The Ink Cloud Reader is available at guardianbookshop.com. Delivery charges may apply