Photography

The Best Photography Festivals Opening This May

Scotiabank CONTACT Photography Festival, Photo London, Boutographies and Riga Photomonth are some of the photography festivals we selected for this month.

Scotiabank CONTACT Photography Festival / Toronto, Canada / 28 April – 11 June

© Jake Kimble

Toronto’s CONTACT photography festival presents a vast array of exhibitions and activities showcasing work by Canadian and international lens-based artists, which collectively come to critically frame the social, cultural, and political events of our times, and the way photography can reflect upon them, and intersect with them.

More than 180 projects will make CONTACT’s exhibitions program, featuring artists such as Wolfgang Tillmans, Persijn Broersen and Margit Lukács, Jake Kimble, African agency Sunday school, Jorian Charlton, John Delante & Ananna Rafa, and many more. Documentary approaches intersect the fictional, the personal and the political, video narratives present speculative reflections on today’s reality as well as intimate and personal perspectives, archival work and collages integrate in and ampliate the festival’s visual reach. Located in several sites around the city, both outdoors and indoors, exhibitions are activated by a rich program of talks, screenings, and workshops.

Discover more about the exhibited artists and the offered activities of the festival’s website.

Photo London / London, UK / 11–14 May

image
© Fatimazohra Serri

A UK landmark of photography’s dissemination, the Photo London fair is back this year with over 110 galleries presenting work from around the world.

Publishing houses such as Blow Up Press, Atelier EXB, Dewi Lewis Publishing and Overlapse, galleries such as Podbielski Contemporary, New Dimension, and O Gallery are just a few among the many names collectively representing the international photographic industry, and bringing compelling work crossing different formats and approaches. A public program of talks will foster the conversation between artists and curators on the themes and urgencies of contemporary photography, enriched by book launches, prizes presentations, and much more.

Explore the Fair’s program on their website.

Boutographies / Montpellier, France / 6–28 May

image
© Flavio Montrone

With three weeks of exhibitions and activities offered every May, Boutographies has been the photographic highlight of Montpellier, France, for twenty years.

Issued from an Open Call process, the selection of works that makes Boutographie’s exhibition program is presenting the voices of young European talents among whom Daniel SzalaÏ, Camilla de Maffei, Aurélien Goubau, Ekaterina Balaban, Andrea Gjestvang, Tamara Eckhardt, Pauline Vanden Neste, Flavio Montrone and Fatoumata Diabaté. Digital surveillance, salt mines and artificial suns, childhood and the struggles of entering adulthood are just some of the themes that cross this selection of mature, yet refreshing photographic creation, picturing a collective contemporary portrait of Europe.

Find out information about the festival program on Boutographies’ website.

Riga Photomonth / Riga, Latvia / 1-31 May

image
© Deep AI

Since 2014, Riga Photomonth tries to respond to current events, while exploring new ways to expand the photographic conversation.

Under the curation of Arnis Balčus, Riga’s photographic festival is back this year with a program entirely composed of AI work, announcing the initiative as the first AI photo festival. Artificial intelligence is going to be employed as a tool to reflect on Latvian identity, and on the ideas, stereotypes, prejudices, and ideologies defining any outcome AI generators DALL-E, DeepAI, and Stable Diffusion might produce. Thirty-one different subjects will be addressed, building a portrait of Latvia and of contemporary technologies and their biases at a time.

Find out more on Riga Photomonth’s website.

————–

ALSO OPEN THIS MONTH:

Fotografia Europea / Reggio Emilia, Italy / 28 April – 11 June

Since 2006, Fotografia Europea is one of the main international yearly appointments for contemporary photography in Italy, displaying historical as well as emerging work to the city of Reggio Emilia. With Luce Lebart joining Walter Guadagnini and Tim Clark’s artistic direction, this year’s edition titled explores the European countries’ sense of collective belonging, and the way it is shaped by myths and memory. Explore the festival’s program on their website.

Festival Circulation(s)/ Paris, France / 25 March – 21 May

Circulation(s) is bringing young, talented European photographers to Paris for the 13th time, searching for ways to explore today’s pressing questions through various conceptual and aesthetic approaches that blur the boundaries between photography and contemporary art. Find out more on their website.

Kyotographie / Kyoto, Japan / 15 April – 14 May

This year’s edition of Kyotographie, themed “Border”, will question how lines can shape our existence, and explore the breaking of boundaries as an essential act for survival. Across the several venues in Kyoto, a complex visual discourse around political, urgent topics is articulated through a vast array of approaches. More information is to be found on their website.

Shoot toy photography this Star Wars Day and create a mini cinematic scene

Shoot toy photography this Star Wars Day and create a mini cinematic scene

Interested in film stills photography, but don’t have access to detailed movie sets, ultra-realistic props and an army of actors? Toy photography might be a suitable way to scratch your movie-making itch – it’s a great way to create and shoot otherwise unattainable, cinematic sci-fi and fantasy-themed worlds from the comfort of your own home. 

Our space blizzard scene – inspired by The Empire Strikes Back’s infamous Battle of Hoth – might look like a fairly involved process, but it was created using a few Lego models, rocks found in the back yard, a bag of flour and Adobe Photoshop CC. You don’t need to be a master model maker to create a convincing scene, since you only have to worry about what the camera sees. 

• Here’s how to create a jump to lightspeed effect in Photoshop (opens in new tab)

Add a few in-camera special effects – including a specialist Adaptalux light – a shallow depth of field and a couple of editing tricks, and you can disguise anything rough around the edges. Just make sure you use a weatherproof camera, an old camera or a rain cover for protection, because it’s going to get messy…

01 Keep it constant

(Image credit: Future)

(opens in new tab)

Flash can often prove too powerful when shooting close-ups, so we recommend using continuous lighting. We directed an LED panel onto our diorama from the right. This created defined, cinematic shadows, so we opted not to fill them by placing another panel on the left. A second light (a Lume Cube) was placed behind the scene – without encroaching into the frame – to create a soft backlight that would mimic the sun. Many LED lights enable you to alter the color temperature. We set our panel to 5600K, to roughly represent daylight.

02 Cover your camera!

(Image credit: Future)

(opens in new tab)

Even if your camera is weather-sealed, we wouldn’t recommend knowingly exposing it to sand, grit or anything else with small particles that could potentially work its way into the body, unless you absolutely have to. Our scene involved using flour as snow, which gets everywhere, whether you protect your camera or not, so we used a makeshift camera and lens cover (using a freezer bag) to protect our setup from the bulk of the cooking ingredient. If you’re lucky enough to have an old camera or lenses, this would be the ideal time to use them. 

03 Camera settings

(Image credit: Future)

(opens in new tab)

We used an aperture of f/6.3 to provide a shallow depth of field that would effectively hide any inconsistencies within the scenery, and a shutter speed of both 1/100 sec and 1/400 sec. This enabled us to blur the flying flour and freeze it still before blending multiple images together in Photoshop using layer masks. However, if you’re not confident using layer masks, you can also use multiple air blowers (you’ll need an assistant to fire the shutter or operate a blower) to capture a similar effect in-camera.

04 Flour power

(Image credit: Future)

(opens in new tab)

Set burst mode to continuous high and use a remote shutter release (if you have one) to fire the shutter. Fire off a burst of shots while sprinkling flour to create snowfall, or use an air blower to fire particles across the frame. We directed our flour explosions away from the Lego Millennium Falcon, so it looked like the thrusters were creating the plumes. We focused on the screaming figurine using manual focus but, if you use AF, switch to manual focus before shooting to prevent refocusing or hunting.

05 Add a little flare

(Image credit: Future)

(opens in new tab)

The lens flare and glow from the ship’s thrusters were created in Photoshop CC. The latter uses a similar technique to our Lightsaber tutorial, with motion blur added via Filter > Blur > Motion Blur. The flare is created by going to Filter > Render > Lens Flare and selecting ‘105mm Prime’. In both instances, you need to create the effects on a black layer before changing the blend mode to Screen.

What’s the Adaptalux Studio?

(Image credit: Future)

(opens in new tab)

Although the blue blast from the spaceship’s thrusters was added in post, we used blue LED lighting to create the cool glow that it would emit in-camera. You could do this by simply attaching a blue gel to an LED light. However, we had access to a specialist piece of equipment called the Adaptalux Studio. This modular LED lighting system can house up to six Lighting Arms, of which various colours are available. Each arm is flexible, so you can set them in a variety of positions. We attached the Control Pod to a hot shoe mount via its 1/4-inch thread and then onto our camera’s hot shoe. The blue Lighting Arm was then angled over the scene accordingly.

How to get Adobe Photoshop CC

Adobe offers three subscription-based Photography Plans, which you can click on below. We recommend either the regular Photography Plan, or the Photography Plan (1TB), which costs more but comes with 1TB of online storage.

For this tutorial and for anyone who likes to work on a single main computer, we recommend the regular Creative Cloud Photography Plan (opens in new tab). This is the cheapest way to get started AND it comes with Lightroom and Lightroom Classic too.

Showing 3 of 3 deals

Filters

Arrow
Adobe (opens in new tab)
(opens in new tab)

View Deal (opens in new tab)

Adobe (opens in new tab)
(opens in new tab)

View Deal (opens in new tab)

Adobe (opens in new tab)

Read more:

Make your own Lightsaber in Photoshop (opens in new tab)
Top techniques for photographing action figures
(opens in new tab)Bring your toys to life with forced perspective photography (opens in new tab)

BisMan photographers capture memories with bridge

BisMan photographers capture memories with bridge

BISMARCK, N.D. (KFYR) – When photographers in the area think of the perfect backdrops that represent Bismarck and Mandan, they find themselves shooting toward sites like the Capitol and Fort Abraham Lincoln. But one of their favorites is the historic rail bridge, and now they might have to find a new background.

Josh Kadrmas has pointed his lens at the historic rail bridge for many years, but soon, he will have to shift focus.

“I think anytime you are taking pictures in the Bismarck-Mandan area, that’s usually the go-to spot, is the bridge in the background,” said Kadrmas.

For many, the bridge is seen as an iconic landmark in the Bismarck-Mandan area. From family photos to even magazine covers, it is one of the most photographed places in the capital city.

“It’s the kind of thing people like around here. They are just like, ‘We would really like to have the bridge in our pictures,’” said photographer Deborah Kates.

Photographers say they like how the bridge creates a unique background for their photos.

“It would be fascinating to see just how many people have used just the bridge as either the focal point or just the backdrop for family pictures,” said Kadrmas.

The bridge held strong through the shift from film to digital photography, but likely won’t be here for the next step. This will leave photographers without a muse.

“I’d probably have to look for another spot, I just think it would be a real loss,” said Kates.

In the meantime, photographers will surely be capturing the bridge so it will forever be preserved in pictures.

Last week, BNSF gained the final two permits the company needed to tear down and build a new bridge. Friends of the Rail Bridge say they are challenging those permits by looking to get them appealed.

‘As I grow older, my memories, they dissipate’: Newborn photographer steps in to save the day

‘As I grow older, my memories, they dissipate’: Newborn photographer steps in to save the day

NASHVILLE, Tenn. (WTVF) — After a newborn photographer bailed while a mom was in labor, a stranger showed up to save the day.

First-time parents Alysa and David DeVille are in love with Evangeline Nadine DeVille. She was born at Vanderbilt University Medical Center on April 28th.

But it didn’t go as planned. Their newborn photographer flaked when she was in labor.

“She blocked me, and it broke my heart, which is why I made that post on Facebook,” DeVille said.

Moon Haven Studios photographer Alyssa Coppett responded on social media.

“I decided to take Alysa’s session because something felt right in my heart to do it, and it’s like from the moment I took that session, my life has started having these other synchronicities click, and it’s telling me I should not give up on what I’m trying to do for the community,” Coppett said.

Not only do they have the same name, but they’re both married to Fort Campbell soldiers.

“Being able to step into that, and see that it was fate that brought us together, was something that I think a lot of people can really relate to and connect with themselves,” Coppett said.

When she arrived at the hospital, Alyssa found out why the photographs might be the most important ones she’ll ever take.

“Alysa having a prior injury that impacts her memory, and knowing that she’s going to forget, makes me sympathize with her because of my own experience in motherhood,” Coppett said.

Alyssa said she was in a car crash involving a drunk driver as a child and was diagnosed with a brain injury.

One day, these moments might be her only recollection of birth. DeVille said, “As I grow older, my memories — they dissipate. I don’t have any memories from my childhood my teenage years. I don’t even remember marrying my husband.”

As a mother who suffered from postpartum depression, it’s something Alyssa understands all too well.

“There are pieces that are blank that I can’t remember, and that is one major impact of postpartum disorders,” Coppett said.

Now, these photos serve as a reminder of why her work is so important.

“Whenever you’re able to make connections that are personal, it reignites that creative passion in you,” Coppett said.

Evangeline

Moon Haven Studios
Evangeline

As far as the deposit she sent to her original photographer — Alysa said she’s chalking it up to a loss.

“My pregnancy was really hard. I had a lot of ups and downs, and I was really feeling like the world was just yucky with everything going on, having a baby and wondering what her life is going to be like. Alyssa really showed me that there are still good people,” DeVille said.


Get NewsChannel 5 Now, wherever, whenever, always free.

Watch the live stream below, and download our apps on Roku, Apple TV, Amazon Fire TV and more. Click here to learn more.

6 art-school stars to watch

6 art-school stars to watch

The artists in our annual spotlight of talented MFA candidates scrutinize technology, motherhood, the natural world, and the communities that formed them. They’re studying at Boston University, the School of the Museum of Fine Arts at Tufts University, Massachusetts College of Art and Design, University of Massachusetts Dartmouth, and Lesley University College of Art & Design. We met and chatted in galleries and their studios.

Yukai Chen, “Untitled.” Archival pigment print. MassArt MFA Thesis Show, MassArt x SoWa Gallery. Yukai Chen

Yukai Chen, 24

Photography

MassArt

Growing up queer in Xiamen, China, Chen found roundabout ways to explore his identity.

At an opera, “I was amazed by a performer who is actually biological female,” he said. “She would dress up like a male character and sing boldly and powerfully on stage.”

Then, “I was obsessed with video games . . . because I can change my character to female. I can also change my character to a male,” he said. “I can change my character to a non-human creature. It just gave me a lot of freedom.”

At MassArt, photography has been Chen’s platform to integrate childhood influences and perform his true, evolving self. In his series “The Factory of Desire,” he said, “I’m trying to bring the unseen desire to the stage.”

The stage begins in his apartment, where he creates elaborate sets and performs for the camera in costumes reflecting opera, animation, and the Buddhist temple he grew up attending with his family. His photographs collapse traditional definitions of gender and play with notions of what’s real.

“When people think about a camera, all they think about is reality,” he said. “But I transfer this to blurring the boundary between reality and the virtual world.”

https://www.chenyukai.com/

https://www.instagram.com/cykkai/

Megan Arné, “Two Births in Orange,” 2022. Oil on canvas and canvas wrapped panel.Megan Arné

Megan Arné, 29

Painting

BU

A mind map on Arné’s studio wall has “WORRY” at the center. The painter and her husband have a 4-year-old and a 1-year-old; her work expresses the nitty gritty of motherhood.

When she first arrived at BU, pregnant with her second child, she said, “It was really hard to juggle home life and the studio.”

A series of small prints symbolizing her toddler’s foods proved a watershed.

“It’s progressed from compositions with these shapes into having them become other symbols — for the female body, for childbirth, for breast-feeding — and using them to make patterns,” she said.

In one series, Arné charts the sleep of family members. In the “Two Births in Orange” series, she layers food symbols to evoke “the birth canal, the shapes of the breast and the vulva, and cells dividing,” she said.

Paintings integrating her studio and home life are a mixed blessing.

“I’m working constantly. When I’m at home with my kids I’m tracking their sleep, what they’re eating. I’m tracking my guilty thoughts, my emotions, making little charts,” she said. “Then when I come to the studio, I’m still in the same mode.”

Her art reflects the invisible labor of mothers and caregivers. During our studio visit, she wore coveralls. Emblazoned on the back: “Milking It.”

https://megan-arne.com/

https://www.instagram.com/studioarne/

Tristan Lajarrige’s “Statue of Liberty (from Famous Tourist Attractions),” 2022. Photographs, inkjet print on archival paper mounted on Dibond.Tristan Lajarrige

Tristan Lajarrige, 23

Photography and Performance

SMFA/Tufts

Lajarrige wants to overthrow the creeping, surveillant pervasiveness of technology.

“I’m using it every day, but it’s also using me,” he said. “I’m going to try to render it useless by hiding from it.”

He borrowed a 360-degree camera and set it to shoot every 10 seconds, as he ducked behind trees in the woods. At home, he ran circles around his computer to avoid being photographed. He plays hide-and-seek until the camera battery dies, then mounts the photos in grids that invite us to see outside the tunnel vision between human and computer.

“It felt really satisfying to trick the camera,” he said.

For his thesis project, Lajarrige examined his tendency to document and post his life on social media.

“I’m participating in this surveillance subsystem,” he said. “That’s kind of scaring me.”

He traveled to London and San Francisco, but instead of photographing Big Ben or the Golden Gate Bridge, he pointed his camera toward the sky.

“I let the camera shoot a picture every second until it dies. While it’s taking pictures of the sky, I’m free to see the scenery through my eyes instead of through the viewfinder,” he said, “and really try to be present in this moment.”

https://www.tristanlajarrige.com/

https://www.instagram.com/tristanlajarrige/

Azin Majooni, “Revival,” 2023. Handmade paper, flax, kozo, and denim fiber.Azin Majooni

Azin Majooni, 41

Papermaking

UMass Dartmouth

Majooni, an Iranian artist, came to the US in 2016 from Malaysia, where she got a PhD in visual communication.

“After a long time working with computer and designing,” she said, “I wanted to have something more. Touch. And I wanted to have something very far from the computer.”

At UMass, she said, “Paper just grabbed onto me. I went inside it, and I couldn’t come out.”

Her large-scale works reflect the desert of central Iran, and women there who conserve water, selling traditional crafts to maintain ancient, underground aqueducts called qanats.

Majooni’s “Qanat” undulates across the floor; its wavelike form echoes water’s currents and the curves of the desert. “The Divinity of the Waters” represents Anahita, the Persian goddess of fertility and water. Each piece has holes in it; those in the figure are red-rimmed like bullet holes, representing the violence in life. The ones in “Qanat” signify life-giving breath.

Pulp-painted water froths and erupts in the wall piece “Revival.”

“I wanted to show a complicated cycle in a harsh, warm, and unbelievable place with the name of desert. There are many peoples that have different struggles, but they have hope,” Majooni said. “This is their hopes.”

www.majooni.com

Steve Aldeus, “Fractured Journey,” 2023. Acrylic, collage, and colored pencil on canvas.Steve Aldeus

Steve Aldeus, 40

Painting, collage

Lesley

As an art teacher at KIPP Academy Lynn, Aldeus points high school students toward careers in studio art, but he didn’t have one himself.

“You’ve got to practice what you preach,” he said. So he went back to school. His thesis show is in June.

At Lesley, he focuses on reclaiming Black history. Aldeus, who lives in Melrose, worked last fall with the Melrose Historical Commission on “Mining Melrose,” in which he portrayed Black figures from local history.

In a new piece, “Fractured Journey,” Aldeus paints a Union soldier inspired by Major Wesley Furlong of Melrose, who fought with the 54th Massachusetts Regiment. He collages in old newspaper clips and maps, and frames the soldier with the outline of a man. The effect is one of peering back through generations.

A collaged painting on a rusty saw depicts an anonymous athlete above shreds of an old basketball. The work considers the complexities of Black representation in sports. Aldeus sees the saw as being like an athlete.

“When you first get one, it’s brand new and it does what you need it to do. But after a while, it gets wear and tear and it breaks,” he said.

His work, he said, falls in three buckets: “The past, how Black people are represented. The present, Black identity. And the future. . . . that’s the space where I can try different things.”

https://www.stevealdeus.com/

https://www.instagram.com/stevealdeusstudio/

Sammy Polinsky’s “Matzoh Bong Soup” was part of the “Been Here Before” exhibition at the Aidekman Arts Center in Medford. Crock pot, silicone, air dry clay, acrylic paint, silc pig, glass bong stem, flex paste, dried dill, dried parsley.Samantha Polinsky

Sammy Polinsky, 26

Sculpture

SMFA/Tufts

“In seventh grade, I won the superlative of most likely to be on Comedy Central,” Polinsky said.

Her art uses cultural touchstones to riff on Jewish humor. The Jewish artist, who said she’s not very religious, is particularly drawn to iconic food.

A pot of “Matzoh Bong Soup” laced with green herbs evokes “teenage rebellion and the idea of wanting to be part of something but also not wanting to be told what you’re going to be a part of,” she said.

Her “Single Use Candle” series includes a drooping menorah. “This is the overbearing weight of being the chosen people,” Polinsky said, “which I thought was funny because there’s so much trauma that comes into what that means, but there’s also so much pride.”

Much of her work is uncomfortably comic. “B’rit Bat Baby Blanket” is embroidered like a diary page with one of her childhood fears: “I always write to an audience just in case I die and someone publishes my diary just like Anne Frank’s dad did.”

“Jewish people have a lot of experience being othered, as do many, many different kinds of people,” Polinsky said. “Jews are just famous, I think, for making jokes about it.”

https://sammypolinsky.cargo.site/

https://www.instagram.com/sammy.polinsky/

2023 MASSART MFA THESIS // PART I

At MassArt x SoWa, 460 Harrison Ave., through May 14. (Part II: May 20-June 4) https://calendar.massart.edu/event/2023_massart_mfa_thesis

MFA THESIS EXHIBITION 2023 — BEEN HERE BEFORE

At Tufts University Art Galleries, 40 Talbot Ave., Medford, through May 21. https://smfa.tufts.edu/events-exhibitions/virtual-exhibits/mfa-thesis/2023-been-here-before

2023 MFA THESIS EXHIBITION

At University of Massachusetts Dartmouth CVPA Star Store Campus, 715 Purchase St., New Bedford, through May 13. www.umassd.edu/cvpa/universityartgallery/


Cate McQuaid can be reached at catemcquaid@gmail.com. Follow her on Twitter @cmcq.

Empowering Students through Photography

Empowering Students through Photography

The arts are an important part of youth and education. Art teaches us to look at the world beyond ourselves and at the beauty of everyday occurrences around us and within each other.

Started by high school photography instructors, the Washington State High School, Photography Competition (WSHSPC), believes all children should have the opportunity to speak their minds through photography and express their art.

“Art and photography celebrate the moments in life worth capturing,” Kelly Atkinson, Executive Director of WSHSPC said. “Students exposed to photography gain flexibility in their thinking, independence and improved communication skills.”

The competition was formed by a group of high school photography instructors in the mid-80’s as a way of elevating student photography. Early competitions included only a handful of high schools and a few hundred entries, but with passionate instructors and eager students, entries are now up to 4,000. The panel of three judges consist of working professionals from the imaging industry.

“It’s the largest event of its kind in the country,” Atkinson said. “We receive more entries than in private contests like National Geographic. It’s a huge confidence booster for a student to be recognized in a contest like this.”

In the 1990’s the event attracted sponsorship and public awareness due to exhibits at the Seattle Art Museum (SAM), featured articles in the Seattle Times, and a segment on KING TV’s Evening Magazine and New Day programs.

Winners are recognized at the first through sixth place levels and finalist ribbons and select ribbons are also awarded. Nearly ten percent of the photos get recognized in some way, which gives students a sense of pride and accomplishment.

“Since 2006, Northwest Framing has been an important in-kind contributor to our event by expertly matting and framing our traveling exhibit,” Atkinson shared. “They help us advance our mission and submit art at SAM, which allows students to see their art on display. At the end of the contest Northwest Framing helps us provide the pieces back to the students as a gift, which they display in their homes.”

From 1995 to 2001 Atkinson along with Steve Dodd, Northwest Framing CEO, and Sean Dulan, Northwest Framing Museum Quality Framing Tacoma shop manager were on the board of directors at Youth in Focus, which is how Northwest Framing got involved with supporting WSHSPC.  Northwest Framing donates their time and materials so the student photographs can be framed for exhibit.

“If Northwest Framing and Kenmore Camera had not stepped in, this wouldn’t be going on,” Atkinson said. “The amount of volunteer help is crucial.”

The majority of WSHSPC support is in-kind. Entries fees help give a little support, but WSHSPC is always looking for additional sponsorship. For more information contact Kelly Atkinson, Executive Director, at [email protected].

To obtain more ideas and become familiar with the art of printing and framing, explore Frame Central or Museum Quality Framing, part of the Northwest Framing family. Trained designers are waiting to provide you with a free design consultation on custom and local handcrafted framing and professional digital printing

Photo Name: “Sunrise on the Moon”

Photo credit: Brennen Tse

About the photo: After driving three hours through the dark from Bryce Canyon in the badlands of central Utah, I was greeted by this beautiful sunrise. I am very proud of this photo.”

Photo Name: “Architecture”

Photo Credit: Aria Knutson

About the photo: “When I toured the University of British Columbia, I had no clue that I would be taking a photo that would win the architecture division in the Washington State Photography Contest. While I was walking around the campus, I noticed a set of red deck chairs sitting next to a fountain and immediately took notice. The light from the setting sun cast a beautiful shadow off of the red deck chairs and reflected off of the fountain’s water. This prompted me to take out my camera so I could capture the image.”

Photo Name: “Manipulation”

Photo Credit: Marcus Rodriguez

About the photo: “Through two seemingly simple pictures combined into one, I have realized that a good photo is waiting to be taken everywhere around us at every moment. This has opened me to a new world of creativity.”

Jennifer Lopez Directs Photographer on how Best to Shoot Her at Met Gala

Jennifer Lopez Directs Photographer on how Best to Shoot Her at Met Gala

JLO Giving Instructions to Photographers

Jennifer Lopez directed a professional photographer on exactly how to shoot her at the Met Gala.

In a video shared by Glamor, Lopez was filmed giving a photographer detailed instructions at the Met Gala held at the Metropolitan Museum of Art in New York City on Monday evening.

Lopez is seen instructing the photographer on how she wants to be shot for the full-length portrait.

The actress and singer tells the photographer to first go lower with his camera, Lopez then tells him to shoot upward with his camera.

Lopez says to the photographer that this specific camera angle will make her “look taller” in the images that he takes.

Lopez is seemingly still not content with the camera angle that he’s taking and she tells the photographer again that he has to tilt his camera upwards to get the best shot of her.

Lopez gestures at the camera and tells the photographer: “You have to point it up. You have to point it up.”

When she is happy with the camera angle, Lopez puts her hand on her hip and happily poses for the photographer.

Flattering Camera Angles

Social media users debated Lopez’s specific instructions to the photographer — as holding a camera high and angling downwards is traditionally considered more flattering for the subject. Some individuals suggested that Lopez’s directions to the photographer on camera angle would give a subject a double chin in the images.

@lookgoodinphotos Jennifer Lopez’s Secret To Great Full Body Photos | Want to look better in full body photos? Try out this photo hack @Glamour captured @JLO using at the 2023 Met Gala Red Carpet! THE HACK: Have your photographer lower the camera and tilt the lens upward. This gives the illusion that you’re longer and shows off your outfit beautifully! – #celebrityposes #fullbodyposes #MetGala2023 #metgala #jenniferlopez #jlo ♬ original sound – CHRISTINE BUZAN | POSING TIPS

However in a TikTok video, which has amassed 3.4 million views, posing expert Christine Buzan broke down Lopez’s instructions to the photographer.

“Basically she’s asking the photographer to go from a lower angle, and then to tilt the camera upwards so it’s looking at her from a lower angle going up,” Buzan says in the clip

The posing expert says that a lower camera angle will make the subject look taller and longer. She also adds that the camera can be held at the height of one’s stomach but the device should be tilted back slightly by the photographer.

“When you’re shooting at a lower camera angle, you don’t have to go all the way down to the ground,” Buzan explains.

“Instead, think about having the camera’s lens at about the height of your stomach and then instead of having it straight on, make sure that it’s titled upwards slightly.

“You’ll end up looking longer, more statuesque and you’ll be able to show off your outfit beautifully.”

Posing experts are on the rise and subjects want to have more control on how they are shot in photos. Last year, PetaPixel reported on David Suh who runs a course entitled “How to be Photogenic in 30 Days.”


Image credits: Images via Glamour.

Local photographer helps others connect to their culture

Local photographer helps others connect to their culture

PROVO, Utah — George Ngatuvai, who lives in Provo, captures the essence of those who came before him through his cultural portraits. It’s his gift to the younger generation to help them remember their roots.

Just before the sun set in Daybreak, Ngatuvai captured his latest subject.

“My niche is cultural photography, where I really specialize in the cultures of the South Pacific.”

Taylorsville High senior, Loa Reupena, wanted to do something special for her graduation announcement.

“She did her regular fits before this — her dress and then cap and gown,” Ngatuvai said. “She’s finishing off with her traditional Samoan attire.”

It’s quite a production his partner, Katrina Lesa, takes on at every shoot with a lot of pride.

“It means everything because some girls have never been back to the islands, and I like it because it helps them connect to their culture and their ancestors,” Lesa said.

That’s what drives Ngatuvai’s passion project, which he started during the pandemic.

“I’m Tongan. Both of my parents are from Tonga and we grew up very influenced by our culture,” Ngatuvai said. “I just loved seeing everything from the dances to the cultural get up. And I wanted to share it with the world and share it with the people who would find the joy in it as well.”

Frame by frame, Ngatuvai connects with his ancestors and gives the youth — like Loa — an outlet to proudly represent their culture.

“It’s fulfilling. It fills my cup to be able to help do my part. I’m not a cultural expert, but we’re always learning.”

Ngatuvai just recently wrapped up his high school senior shoots for the season.

He’s been traveling back and forth to New York City where he dabbles in fashion show photography.

He plans to move there in the next year or so to pursue his passion full-time.

Click here to check out his work.

Photography Club of Citrus Hills: A glimpse into the history

Photography Club of Citrus Hills: A glimpse into the history
image

In 2018, the Activities Department of our community offered a photographic presentation at a Lunch and Learn. As a new digital photographer, it was of great interest to me.

Jerry Dawson was the presenter and combined with a wonderful slide show of some of his work, he gave the audience a glimpse into his beginning interest in photography and how it has developed over the years.

Get more from the Citrus County Chronicle