Photography

Meet Spurs’ Alfie Whiteman, the goalkeeper with a passion for DJing, photography and arthouse cinema

Meet Spurs’ Alfie Whiteman, the goalkeeper with a passion for DJing, photography and arthouse cinema

Perfect Days is a Wim Wenders film that was released last year.

It tells the story of Hirayama, who works as a cleaner at a public toilet in Tokyo, dedicating himself every day to cleaning its surfaces as thoroughly and diligently as he possibly can. The film was lauded at the Cannes Film Festival, winning two awards, and was nominated for an Academy Award at last month’s ceremony. The Guardian called it a “zen meditation on beauty, fulfilment and simplicity”.

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It is the film that Alfie Whiteman, Tottenham goalkeeper, points to when discussing the mentality of a backup keeper. Whiteman is a valued and popular member of the Spurs squad, but he has not been involved in a match this season after recovering from a broken leg in pre-season. But his answer to the question of where he finds his motivation to keep performing to his best in training every day is typical of Whiteman.

First, because it underlines his personal commitment to his craft; his determination to keep his own standards high in everything that he does. And second, because not many other Premier League footballers would illustrate a point about their own career with reference to arthouse cinema portraying a Japanese toilet cleaner.

“He’s cleaning toilets,” Whiteman says of the character Hirayama, “but he does it to the best of his ability, so they’re clean as a whistle. It shows that no matter what you’re doing, you need to do it well. There’s no point in doing something badly; just don’t do it then.”

Whiteman, 25, has been at Tottenham for 15 years, made a first-team appearance under Jose Mourinho, and has had two loan spells at Degerfors in Sweden, where he lived by himself in a log cabin with water provided by a nearby lake.

Perhaps it should be no surprise that Whiteman recently read Where I Lived, and What I Lived For, part of the 1854 book Walden by Henry David Thoreau, in which the transcendentalist writer lives by himself by a pond so that he can “front only the essential facts of life”.

Alfie Whiteman, Tottenham


Whiteman (centre) pictured in Tottenham training last season (Daniel Leal/AFP via Getty Images)

Whiteman is a fascinating interviewee — not only for his football life but also for his one away from the game.

Not many players have a hinterland quite like he does. Whiteman is creative, enthusiastic about his photography and art and, in February, he recorded an hour-long show on independent online radio station NTS called “Sweet Tooth w/ Alfie”. It starts with The Warnings by jazz producer David Axelrod and goes from there, skipping genres, taking in Cocteau Twins and Elliott Smith along the way.

The idea for the show came about during the 2022 World Cup. Whiteman had just returned from his second loan spell in Sweden and had some time off. He went on holiday to Tokyo and a friend introduced him to Femi Adeyemi, the founder of NTS. The two connected over their shared interest in music and stayed in touch. Adeyemi suggested that Whiteman put together a show.

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Music has always been a huge part of Whiteman’s life. His father was a jazz guitarist and Whiteman starting his NTS show with Axelrod was a personal tribute to him — a nod to how a young Whiteman used to hear that song in his car. Whiteman senior used to take Alfie to the famous Soho jazz club Ronnie Scott’s and thus, growing up, he saw performances by Roy Ayers, Lonnie Smith, Eumir Deodato and British funk pioneers Cymande. Even now, Whiteman still raids his dad’s record collection.

What Whiteman most likes about music is the sense of exploration. He goes to Reckless Records in Soho and buys some records online, but he also frequents car boot sales to buy cassette tapes, on the off-chance he might love what he hears. “I’m not looking for a specific thing where I know what it sounds like and I’ve got a favourite album,” Whiteman says. “I like the music discovery aspect of it.”

The last gig he went to was to his friend Pigbaby supporting Vegyn at EartH in Dalston. “That was a great show; all quite experimental.”

Whiteman’s particular music taste slightly marks him out from the rest of the squad, but he laughs at the suggestion that he forces his team-mates to listen to Boards of Canada before games. The changing room playlist, he reveals, is usually chosen by a member of staff, or James Maddison, or sometimes Giovani Lo Celso, now that Eric Dier has left. Drake and Lil Baby feature heavily. Sometimes they just listen to Smooth Radio.

go-deeper

In the past, Whiteman has tried to maintain the distinction between his life as a professional goalkeeper and his many hobbies and interests. When he first published a mix online, he did so under his mother’s surname.

“I’ve always kept my private life and football separate,” he explains. “I feel the stigma of, ‘You’re a footballer, that’s it, and anything else is a distraction’, which I think is a complete fallacy. You need a broad range of things in life that stimulate you to be a rounded person.”

Alfie Whiteman, Tottenham


Whiteman making his Spurs debut against Ludogorets in the Europa League in November 2020 (Ian Kington/pool/AFP via Getty Images)

Ultimately, what is the difference between spending your spare time trying to get your handicap down and spending it listening to records or taking photographs? (Whiteman has an interest in documentary-style photography and admires how Jeff Wall and Alex Prager structure their scenes.) Why would it be a distraction to spend time off at Pirate Studios but not at a golf course? For Whiteman, it is just about being authentic to who he is.

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“As ‘the stereotypical footballer’, we are pigeon-holed and painted with the same brush,” says the goalkeeper.

“If you talk about hobbies, a lot of footballers play golf. They spend a whole day off and dedicate a lot of time to it, and I don’t see any difference between doing that and doing a show on NTS, for example, or taking photographs. People are into different things in every walk of life. It should be celebrated. That’s also kind of a reason why I kept it quiet, my life away from work. I’m just Alfie with my friends.”

In part, Whiteman does not want to use his football career as a “platform” for his other interests, which he wants to develop organically. He has already worked very hard to get to where he is in the game, having signed for Spurs when he was 10. Tottenham scouted Whiteman as a boy playing for Norsemen, a popular amateur club based not too far from Spurs’ Enfield training ground. He also played Sunday league for Edmonton All Stars.

Whiteman was always a Spurs fan and of all the players who have gone from the academy into the first-team squad in recent years, no one could claim to be more Tottenham than him. He grew up near Broadwater Farm, the housing estate just over a 20 minutes’ walk south west of the ground. He attended Park View School, just a bit further down the road. He then moved to near South Tottenham station, just off the High Road most fans use to get to games, and now he lives just “two roads away” from the stadium, meaning that he walks there for games.

Whiteman’s commitment to the local area is evident at this event at Project 2020, a community centre a short walk from the stadium. There is a recording and podcast studio where Whiteman takes questions from a long line of schoolchildren about football, music, career choices and how to handle disappointments.

“I’m also a local resident, so I’m talking to my fellow residents,” Whiteman says afterwards. “The kids had some really interesting questions. It’s always fascinating, a child’s mind, because they don’t know the rules. They haven’t quite yet been affected by the world’s pressures and the things you can’t do. Their curiosity is really inspiring.”

Alfie Whiteman, Tottenham


Whiteman answers questions during his session with Project 2020 (Tottenham Hotspur FC)

This has been a frustrating season for Whiteman, who did not go out on loan but stayed to be part of the squad for pre-season under Ange Postecoglou.

But after a good start, Whiteman broke his leg and then had to spend months recovering before he could return to full training. He feels “very fortunate” to be working with Guglielmo Vicario (“an incredible professional and an outstanding keeper”), who has made the No 1 spot his own since arriving from Empoli. With Fraser Forster established as No 2 and Brandon Austin there as well, Whiteman knows how tough the competition to play is.

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“The reality of the position of the goalkeeper is that there is only one,” he says. “You’re not subbed in and subbed out and, playing for a big club, there is going to be fierce competition. When you’re not playing, it’s always difficult because everyone wants to play — hence why I went on loan to go and play games. The main thing is just focusing on today’s training, doing well, and then the day after that — and being ready, because you never know when your opportunity may arise.”

So every day, Whiteman goes in and trains as well as he possibly can because those are the standards and values he holds himself to. A bit like Hirayama from Perfect Days.

“It’s all very intrinsic motivation,” he says. “I feel with everything I try to do — if that’s making the bed, or eating the right things, or just picking up a piece of rubbish — I want to do things well. I feel like people don’t understand how intense training can be. It’s not just a kickabout. It’s competitive and it’s high-paced.

“You’re performing every day on the training pitch to try to prove to the coaches and the gaffer that you deserve to be there, you deserve to be in the team. The motivation just comes from me wanting to do well in whatever I’m doing.”

Which makes me wonder whether, given the frustrations of working hard but not being in the team, Whiteman’s hobbies provide him with a much-needed creative outlet.

“I feel like I’ve always had it,” says the former England Under-19 international. “It’s just me being who I am. I’ve been taking photos and have been into music for a long time.

“Whatever you’re doing, you need a switch-off. If you have a bad day, you can’t let that just dictate everything involved in your life. That’s why it’s good to have good people around you and things you appreciate. These creative endeavours, or whatever you want to call them, really benefit my work life because it gives me a broader purpose. And I’m learning. I definitely think it’s beneficial.

“You need to have variety in your life.”

Whiteman was speaking at Project 2020, a community hub in Northumberland Park, which offers a range of free engagement activities for young people across Tottenham.

(Top photos: Tottenham Hotspur FC and Andrew Kearns – CameraSport via Getty Images)

Local photographer captures picture-perfect proposal during eclipse – Cross Timbers Gazette | Southern Denton County | Flower Mound

Local photographer captures picture-perfect proposal during eclipse – Cross Timbers Gazette | Southern Denton County | Flower Mound

A local photographer’s work is being shared and seen by millions of people around the globe after she captured the once-in-a-lifetime moment of a couple’s proposal in Flower Mound during Monday’s total solar eclipse.

Alex Hoffpauir and Austynn Harbison shortly after their engagement, photo by Maxy Alex Photography.

Macy Alex, a professional photographer from Lewisville, said she was recently contacted by Alex Hoffpauir of Lake Charles, Louisiana, who wanted to propose to his girlfriend, Austynn Harbison, in North Texas during the eclipse. They ultimately decided on Murrell Park, located in Flower Mound on the eastern shore of Grapevine Lake.

“I suggested Murrell Park because to be able to capture them and the eclipse at the same time, I needed to be lower than them, and the cliffs at Murrell made that possible,” Macy said, adding that she was stressing over the details to make sure she got the shot, since there were no do-overs. “I showed up 45 minutes early, and I was just trying to maintain my composure. I really wanted to nail it.”

Macy was worried Alex would have a hard time finding the spot she wanted them to be for the photo, so she sent him coordinates and maps and also drew an X in the dirt with her foot “and prayed he saw it.”

“All of sudden Austynn popped up on the ledge and asked if they were in my way, and I said, ‘No, you’re in the best spot in DFW to see the eclipse,’” Macy said.

As they waited for the moment of totality, the happy couple was sitting and laughing and talking about how much they loved each other.

“They were having a lovely moment,” Macy said.

Then the moon fully covered the sun, and Alex dropped to his knee, and Macy triggered the flash she had set up.

“I got the shot,” she said. “I couldn’t believe I got it.”

After congratulating the newly-engaged couple and another 20-minute photo shoot, Macy went home and quickly edited the photo and posted it online, then did the same thing with a TikTok video, and then she forgot about it while hanging out with a friend. The next time she checked her phone, she almost threw it out of surprise that she had 2,000 notifications. By Tuesday evening, Macy’s TikTok video has 3.8 million views, and the photo has been shared millions of times on X (formerly Twitter) and tens of thousands of times on Facebook. Her previously most viewed post on social media was a TikTok video with 150,000 views.

“It’s a joy to be so seen,” Macy said. “I love a good story … My ultimate goal is to share joy when and where I can.”

@macyalexphoto

Come with me for the most stressful. Ut rewarding shoot of my career ❤️💍🌑

♬ Total Eclipse of the Heart (Radio Version) – Bonnie Tyler

Click here for more information about Macy Alex Photography.

Friends reflect on life of longtime Dothan photographer Art Solomon

Friends reflect on life of longtime Dothan photographer Art Solomon

DOTHAN, Ala. (WDHN) — If you have gotten your picture taken in the Circle City there’s a chance it was taken by Art Solomon.

He passed away at his home late Sunday night after a nearly three-year battle with glioblastoma, a cancer that starts in the brain

During his 73 years of life, Solomon left an impact on everyone he met.

“People take a passion in what they do and Art Solomon had a great passion for his photography,” Tournament Coordinator for the Future Masters, Angelia Turner. “There are probably not many families in Dothan that hadn’t been touched by his photography skills and what he loved doing.”

Known for owning his photography studio in the Circle City, Solomon also was a mainstay on the golf course as the official photographer for the Future Masters in Dothan for 38 years before retiring in 2022.

During each tournament, Solomon would grab photos of each contestant when they teed off on day one and would give them their developed photo the next day when awards were handed out.

“Ms. Thornton, 40 years ago ran into a tight and needed a photographer to come in and fill in at the last minute and he jumped right in,” Turner said.

When he was not snapping photos for thousands to hold on for years, Solomon could be seen volunteering with the National Peanut Festival. He also served as president of the organization in 1985.

“He just really in my opinion helped make the festival the organization and all that it is today,” NPF President for 2022 and 2023, Frances Cook said. “He was one of the main people that did that.”

Last year, during his battle with cancer Soloman served as the Grand Marshal of the Peanut Festival Parade

“I said well Art will you be my Grand Marshal in 2023 and he said, ‘Well Frances, I think I will stick around for that.’ and he did,” Cook said. “He was so honored and so appreciative of being chosen.”

A service is scheduled for next Monday at the First Methodist Church of Dothan to honor Solomon’s life.

For the latest news, weather, sports, and streaming video, head to WDHN – wdhn.com.

Nine East Bay photographers, including two de Young Museum Alumni, featured in Walnut Creek advanced photography exhibit

Nine East Bay photographers, including two de Young Museum Alumni, featured in Walnut Creek advanced photography exhibit
Published April 10th, 2024
Nine East Bay photographers, including two de Young Museum Alumni, featured in Walnut Creek advanced photography exhibit
From left: Jeff Heyman, Sunyo Suhaimi, Westeigh, Rosemary Wheeler (front), Jonathan Bitz (rear), Robin Sullivan, and Kimberley Enright. Photo Bill Helsel

Nine East Bay photographers are featured in a photography and art exhibit, including two who have previously shown at San Francisco’s de Young Museum. The show, at the De Valle Educational Center in Walnut Creek, runs now through May 23, 2024.

The exhibit is the culmination of an Advanced Photography Workshop led by longtime Acalanes Adult Education photography instructor Bill Helsel. The nine photographers are Jonathan Bitz, Kimberley Enright, Rob Hamner, Jeff Heyman, Rich London, Sunyo Suhaimi, Robin Sullivan, Westeigh, and Rosemary Wheeler. Also on display are paintings and drawings by students in several Acalanes Adult Education art classes.

The Advanced Photography exhibit is a wide-ranging collection of photographic genres and styles: Bitz displays a unique array of black and white and color photos, while Enright presents a series of “rustic” photographs. Hamner explores camera movement in beautifully rendered color images, and London uses a lightbox to create a unique view of everyday objects. Suhaimi explores Niles in vivid, nostalgic color photos. Sullivan tells

a uniquely “noir” story in black and white, and Wheeler features photographs of outdoor scenes from a different perspective.

Heyman and Westeigh both had landscapes exhibited as part of The de Young Open, held at the de Young Museum in San Francisco last year. In the Advanced Photography exhibit, Heyman juxtaposes clouds, land, and water, while Grant explores “Echoes of Absence.” Both are a series of black and white photographs.

Running now through Thursday, May 23, the exhibit can be seen at the Del Valle Education Center, 1963 Tice Valley Blvd., Walnut Creek, Calif., Monday through Friday, from 8 a.m. to 3 p.m. See the photographers and their work here:
https://heymanfoto.smugmug.com/Exhibits/Advanced-Photography-Exhibit

A Mustang’s Magnificent Moment During The Solar Eclipse

A Mustang’s Magnificent Moment During The Solar Eclipse

The totality of a solar eclipse is a sight to behold across the country, serving as a breeding ground for once-in-a-lifetime photography opportunities. The theoretical idea of conducting a photoshoot during such a unique event was an enticing prospect I couldn’t ignore. An experience of this caliber demanded a vehicle of equal rarity—a pairing so extraordinary that it defied replication. It was a chance for a photograph to define a career as the epitome of automotive photography’s unrepeatability. Swikar Patel, the creative director for Toyota Driver Development, once told me, “Photography isn’t about making moments; it’s about capturing them.”

All photography by Jonah Werbelow

Finding The Right Car

After reaching out to various contacts, I found the perfect car for the shoot: a Lead Foot Gray 2021 Ford Mustang RTR Vehicles Spec 5 10th Anniversary. This iconic gray Mustang was a local legend in my town, boasting menacing looks and a sinister silhouette—an ideal candidate for the task at hand.

With the car secured, the next challenge was finding the ideal location. Unfortunately, popular spots were expected to be crowded, necessitating unconventional thinking. After scouting, I stumbled upon a secluded stretch of road parallel to the highway—a hidden gem devoid of traffic, with a deep ditch providing an ideal vantage point. It met all the unique requirements necessary to make the shoot possible.

On the designated Monday, after meeting the owner at a predetermined rendezvous point, we set off for the location. We had some time for beauty shots, but the window for capturing the solar eclipse totality was limited to a mere 3 minutes and 27 seconds. During this time, the sun would appear as a ring of fire — a phenomenon that promised a truly unique image.

As totality approached, I hurried to set up my camera on a tripod, aiming to capture the shot of a lifetime. However, despite my efforts, the camera struggled to keep both the car and the sun in focus simultaneously. I was devastated — all the planning and anticipation seemed to culminate in disappointment.

Desperate for a solution, I tried everything to make the DSLR setup work, but to no avail. With precious time slipping away, I reluctantly abandoned the camera and hastily snapped a photo on my phone as a last resort. Disheartened, we parted ways, and I sat in my truck, grappling with the sense of defeat.

A Pleasant Surprise

Upon returning home and reviewing the photos, I was pleasantly surprised to discover that, despite not being my preferred method of photography, the picture taken with my phone captured something remarkable — the greatest image I would ever produce using such a device. It was a testament to the unpredictability and resilience inherent in the pursuit of capturing fleeting moments of beauty.

$25m gift puts focus on photography at the Art Institute of Chicago

$25m gift puts focus on photography at the Art Institute of Chicago

The impact of the recent $25m gift to the photography department of the Art Institute of Chicago (AIC) will perhaps be most visible to the public with the creation of the Bucksbaum Photography Center, although its completion is bound up in an even larger construction project. When the museum engaged the Barcelona-based design firm Barozzi Veiga in 2019 to begin the process of devising a plan for a campus makeover, it was intended to be a slow process even before the Covid-19 pandemic delayed it.

The museum’s photography collection began auspiciously with a gift in 1949 of 231 images and photogravures from the collection of Alfred Stieglitz (151 by the trailblazer himself), and has grown to nearly 25,000 pieces that include installation art, albums, photobooks and time-based media. The AIC’s commitment to photography dates to 1900, when it hosted the First Annual Photographic Salon; Stieglitz and Clarence H. White, a founder of the Photo-Secession movement, served on the jury.

In the meaty Art Institute of Chicago Field Guide to Photography and Media (Yale University Press, 2023), the museum’s first survey of the collection, co-edited by the former curator Elizabeth Siegel (now the chief curator of the Milwaukee Art Museum, after 25 years at AIC), there are some hints about the department’s existing facilities being less than optimal. For instance, the subterranean galleries were previously part of a café connected to the interior courtyard. In the Modern Wing, the Renzo Piano-designed 2009 expansion, there is a dedicated gallery for photography, thanks again to the generosity of the Bucksbaum family.

Improving the visitor experience

Matthew Witkovsky, the chair and curator of photography and media at the museum, who has spearheaded the growth of the photography department since arriving at the AIC in 2009, elaborated on its collecting strategies. (Witkovsky also serves as the museum’s vice-president for strategic art initiatives.) While the acquisition in 2019 of the W. Bruce and Delaney H. Lundberg collection of historic images notably filled one gap in the AIC’s holdings, the collection has slowly been evolving in other areas.

“The Bucksbaum family gift has been made to further visitor experience of the collection. That said, the acquisition of the Lundberg Collection of 500 American daguerreotypes did transform our holdings of 19th-century photography; other initiatives over the past decade and more have made the Art Institute a centre for the study of post-war Japanese photography and media, African Modern and contemporary, and international conceptual art,” Witkovsky says. “European Modernism remains a pillar of the collection and there is more to do to strengthen our attention to Central and Eastern Europe, as the current show of photograms by Hungarian artist János Megyik [until 8 July] makes clear.”

Entire collection online

Witkovsky described the collection as highly visitor-oriented. “With the opening of dedicated galleries in 1980 came a study room that is open by appointment to the general public—no special diplomas or credentials needed,” he says, adding: “The entire collection of nearly 25,000 objects is online.”

A gift of this magnitude impacts not only the museum but the city and the photography community at large. Chicago’s roots as a centre for American photography run deep, beginning with the New Bauhaus that started in 1937, with László Moholy-Nagy at the helm, to the Institute of Design’s photography programme. (The school’s eminent alumni includes Harry Callahan, who went on to establish the photography programme at the Rhode Island School of Design in 1961.) Then there is the growing Museum of Contemporary Photography (MoCP) nearby, with around 17,000 works in its collection. The MoCP is part of Columbia College, where the revered photographer Dawoud Bey has been on faculty for more than 20 years.

“Chicago has a very rich history of photography and media—far more widely distributed across the city’s neighbourhoods than has commonly been acknowledged—and attention to it in recent years has diversified appropriately,” Witkovsky says. In 2018, the AIC’s exhibition Never a Lovely So Real—referencing Nelson Algren’s 1951 book Chicago: City on the Make—focused on photojournalists and documentary film-makers on the south and west sides of Chicago. In 2021, the show Subscribe brought attention to the queer photo-illustrated magazine Thing/Think Ink. The museum also partnered with the Chicago collective Floating Museum to commission portraits from ten local photographers.

“The Bucksbaum Photography and Media Center will help the Art Institute mightily in bringing the world to Chicago—and, just as much, in ensuring that Chicago achievements stay visible in the world,” Witkovsky says.

Solar eclipse photography

Solar eclipse photography
image

Local photographer Morgan Somers captured the eclipse Monday, April 8 using his Masphoto company’s photography equipment that he set up in downtown Flint. He added a 20 stop solar filter to the end of his camera lens to properly expose for the image on a tripod. Somers said, “I was shooting a timelapse of the eclipse and when I saw the plane fly through I was so excited.”

Yale Administrators Stand By as Students Unveil ‘Free Palestine’ Banner During Official Class Photograph

Yale Administrators Stand By as Students Unveil ‘Free Palestine’ Banner During Official Class Photograph

‘I was incredibly disappointed that there were over 5 school officials there that did nothing,’ Jewish student says

Pro-Palestinian rally at Yale (Fox 61/YouTube)

Yale University officials stood by silently as students unveiled a large “Free Palestine” banner during an official class photograph for the School of the Environment. The move came after university officials said they had warned students not to display “political messages,” according to internal emails obtained by the Washington Free Beacon.

Students in the school’s 2024 class met Tuesday morning for a class photo. Those photographs are displayed at Yale’s Forest School. The photo shoot was derailed, however, when students unfurled a large banner that displayed a message that included the words “Free Palestine,”  according to an email from School of the Environment dean Indy Burke reviewed by the Free Beacon.

While Burke advised students in a message sent ahead of the photo shoot to avoid “displaying political messages as they may not represent all students,” Yale officials “did nothing” and “still took the photo” after the banner was displayed, according to a Jewish member of the class.

“I was incredibly disappointed that there were over 5 school officials there that did nothing,” the student said in an email to Shmully Hecht, a rabbi who serves Yale students. “I felt that the Jewish students were targeted by this poster because there was no protest occurring at the time that was relevant to this banner. It was just about denouncing Israel for all memory and stating that it should not exist.”

Burke acknowledged the ordeal in a follow-up email sent to Yale professors, administrators, and students. “The staff members present were in a tough position,” Burke wrote in an email following the event, which included Yale University professors and other members of the media, adding that the sign “definitely broke the rules.” She pledged to “destroy” the photo in question.

She did not indicate whether the students who displayed the banner would face disciplinary action. A spokeswoman for Yale University did not respond to a request for comment.

Yale is no stranger to anti-Israel protests. In February, the law school’s Students for Justice in Palestine chapter called on Yale to cancel an event with an Israel Defense Forces soldier, saying his presence on campus “will make students unsafe.”

In the wake of Hamas’s Oct. 7 terror attack on Israel, meanwhile, the head of Yale Law School’s Schell Center for International Human Rights wavered on whether to address the massacre, calling the situation “more complex than people hurt so directly by last week’s atrocities in Israel might feel.”

The law school’s dean, Heather Gerken, issued a statement three days after the attack that did not include the words “Jewish” or “anti-Semitism.” Gerken is now gunning for a promotion to serve as Yale’s president.

The School of the Environment’s photo shoot invitation, which was sent to the school’s 2024 class Monday afternoon, informed students that “TWO photos” would be taken: “one with signs and one without signs.” The school asked students to display “smaller more personal signs” and discouraged both political signs and “signs that may block the persons around you from being seen in the class photo.”

“Also, important to note (per previous feedback from students) that we encourage everyone to think carefully before displaying political messages as they may not represent all students,” the message said.

“The hope is for the class picture to live on as a celebration of and for the entire group,” the invitation said. “Thank you in advance.”