Image and video hosting website Photobucket is reportedly in talks with a number of generative artificial intelligence companies to license its database of 13 billion images and videos for the purpose of training text-to-image algorithms. 

Photobucket once trumpeted more than 70 million users, but that number has dwindled to just 2 million in recent years. As a result, the company, which employs 40 people, has increasingly looked for alternative revenue streams. 

In an interview with Reuters, CEO Ted Leonard said Photobucket is in talks with “multiple tech companies” to license its database of material, with rates of between 5 cents and $1 US dollar per photo and more than $1 per video being discussed.

“We’ve spoken to companies that have said, ‘we need way more,’ Leonard said, with one buyer telling him they wanted over a billion videos, more than his platform has.

“You scratch your head and say, where do you get that?”

Leonard says he can offer the material because last October the company changed its terms of service to grant it “unrestricted rights” to sell any and all uploaded content for the purposes of AI training.

“We need to pay our bills, and this could give us the ability to continue to support free accounts,” Leonard told Reuters.

Tech giants like Google, Meta and Microsoft-backed have used reams of data scraped from the internet for free to train generative AI models like ChatGPT. The companies say the technology would be cost-prohibitive if they couldn’t use vast archives of free scraped web page data, which they describe as “publicly available.”

The companies also maintain this is both legal and ethical, but as the tools require seemingly endless information to train their algorithms, image and video databases, even those privately held, have become a valuable proposition.

According to Reuters, in the months after ChatGPT debuted in late 2022, for instance, companies including Meta, Google, Amazon and Apple all struck agreements with stock image database Shutterstock to use hundreds of millions of images, videos and music files in its library for training. These deals ranged from $25 million to $50 million each. 

Cover image: Wikimedia Commons 

Dave Maass, the director of investigations at the Electronic Freedom Foundation, will be in Tucson this week for the opening reception for “Infrastructures of Control,” a new exhibit on the University of Arizona campus featuring large-scale photographs of surveillance towers in Southern Arizona. 

The show continues through April 26 and will include an April 19 panel discussion with Isaac Espósito of No More Deaths, Dora Rodriquez of Salvavision, Pedro de Velasco of the Kino Border Initiative and journalists Todd Miller and Daniel Torres.

Maass, who previously worked as a journalist for publications such as Tucson Weekly, Santa Fe Reporter and San Diego City Beat (where the San Diego City Council declared “Dave Maass Day”), has spearheaded an Electronic Freedom Foundation project mapping the surveillance towers and will be distributing a field guide to them during at an opening reception at 5 p.m. Friday at the Environment and Natural Resources 2 Building, 1064 E. Lowell St.

EFF, a nonprofit dedicated to defending digital privacy, free speech and innovation, will host an EFF Speakeasy gathering afterward from 7 to 9 p.m. at Borderlands Brewing, 119 E. Toole Ave.

At a separate event, Maass will discuss his new graphic novel, “Death Strikes: The Emperor of Atlantis,” which is based on an opera that was written in a Nazi concentration camp. Author Neil Gaiman said the book “is beautiful and strange, for what it is and what it isn’t. As a story, it’s fascinating and excellently told, as artifact, it’s heartbreaking and affecting.” Maass will discuss the book from 6 to 7:30 p.m. Thursday, April 11, at the Tucson Jewish Museum and Holocaust Center, 564 S. Stone Ave. For more information, click here.

The Sentinel spoke with Maass about “Infrastructures of Control” and his new book. This interview has been edited for clarity and length.

What is this exhibit all about?

These two geographers from the University of Arizona, Colter Thomas and Dugan Meyer, have been traversing the U.S.-Mexico border looking for surveillance towers. And they have been using a map that I helped create last year to find them. In the process, they’ve been finding new ones and sending them to me, and I’ve been adding them to our map. 

So it’s kind of this collaboration to document surveillance infrastructure. But the exhibition is really work by Dugan and Thomas. As I understand it, there’ll be 30 photographs mounted on aluminum panels, along with a replica surveillance tower and a giant map of where we have found the surveillance towers.

What inspired this mapping?

We were going down to the border, we wanted to find these towers. So we tried to figure out where to find them. And nobody seemed to have any data, so we started building it ourselves. 

And pretty quickly, we discovered that other people would find it helpful. And so then it became what I like to call the most dystopian version of Pokemon, where we want to capture them all. And, you know, so I started reviewing public records and using Google Street View and Google Satellite View to try to find them, as well as going down there in person. 

I’ve been down to the border and looking for these towers about four times. And then Dugan and Colter themselves have gone on three big trips, but then they live in Tucson and travel down to the border quite regularly.

What did you learn as you began assembling this data?

One of the things is that is that in the public consciousness, in the zeitgeist of America, the border is just this desolate desert region—the only people near the border are going to be drug mules and cartel members and the migrants and that sort of thing. 

And that perception misses the fact that these are actually very populated areas. Not just on the U.S. side, but on the Mexican side. 

So when you start looking at where these towers are placed, they’re not always in the middle of nowhere. They’re in neighborhoods and have been in neighborhoods for decades and people have, in some senses, forgotten that they’re there. 

And it’s often quite shocking how these are able to peer into people’s backyards, and into their back windows and just gather information on people’s lives day to day. And the reason I bring this up is that CBP is undergoing a huge expansion of its surveillance tower network, with a plan to integrate them all with artificial intelligence or having a computer that is deciding what to look at, categorizing everything, tracking everything, identifying everything, and storing that data for who knows how long.

What kind of perils do you see ahead?

There are a huge number of concerns about this surveillance infrastructure. But one thing I’ll point to is that putting digital cameras on the border isn’t a new thing. This probably started in the ’80s, started picking up in the ’90s. 

And there’s this cycle where, every five years, there’s some sort of investigation or government report that finds that it’s been a big waste of money, not proven effective, open to abuse, etc., etc., etc. And yet, every five years, the government hears that, they’re like, “OK, well, we’ll start dialing this back, we’ll start doing something differently.” 

And then they just start doing the same thing again. And sure enough, it turns out to be a waste that’s totally ineffective again. There’s an immense amount of money going into these surveillance systems. And I think the only people it’s ultimately going to benefit are the tech companies selling it. They’re going to rake in a bunch of money, but I don’t think it’s going to have much impact on the border. 

I don’t think it’s going to really have any return on investment in terms of whatever “problem” they’re trying to address with it. What it will do is potentially gather data on everyone who lives at the border, who are just going about their lives, and that may result in adverse outcomes for them, particularly if an AI gets something wrong and tells CBP or Border Patrol that some kid in a park is an undocumented person, and they go and intercept when really, he wasn’t doing anything at all, except just playing soccer.

How much money has the federal government spent on these towers?

It’s really hard to track the money on this, because it doesn’t just come through CBP. It also goes through the Federal Aviation Administration, bizarrely enough. You find stuff going through the Army Corps of Engineers. I’ve never a comprehensive accounting for the stuff, but we’re talking hundreds of millions of dollars every time they re-up one of these programs. I would say that for every surveillance tower costs a minimum of a million dollars.

You’ll have a map of these towers to hand out at the opening reception on Friday?

As long as it comes back from the printers in time, EFF has put together a zine that serves as a sort of birdwatchers guide to how to spot this technology and how to identify it. People who come to the opening will get a copy.

You’re also going to be at the Tucson Jewish Museum and Holocaust Center to talk about your new graphic novel, “Death Strikes: The Emperor of Atlantis.” What is this all about?

I figured while I was in town, since Tucson is the place that I really got my start as a writer, that I would try to see if I can do a speaking engagement about my graphic novel. It is called “Death Strikes: The Emperor of Atlantis,” and it is based on an opera that was written by Peter Kien and Viktor Ullmann in 1943 in the Terezín concentration camp in the Czech Republic. 

It’s this satirical sci-fi fantasy opera with this weird, funny but dark, take on war. 

It imagines a world where Atlantis, the famed mythical city, never sank, and instead became this warring superpower that declares war on everyone. And one day, the emperor of Atlantis decides to declare all-out war against everyone. 

And in response, Death—the Grim Reaper himself— decides that’s one step too far, and decides to go on strike, creating a world of the living dead, where everybody has to fight, but nobody can die. And the story takes off from there. 

It came out in late January. We’re really proud of how it came out. And at the talk, I’ll be taking people through the secret symbolism and imagery and references baked into the book that we weren’t able to fit in what they call the back matter, the back end of the book. So it’ll help people appreciate a little bit more of the symbolism packed with each panel,

How did you stumble across this work?

I came across it in a Best Buy in Paradise Valley, in the late ’90s. I was just randomly walking around, this teenager looking for music. And this collection of music that had been suppressed by the Nazis was sitting on a shelf, and I grabbed the sampler and it came with a little VHS tape. 

And I took it home. And I watched it. And I listened to it. I became kind of obsessed. It just really grew on me more and more, particularly after 9/11 and the invasion of Iraq, and (I thought about) the power that a story from 1943 can have if you think about things that are going on today, particularly when it’s taking on an issue like authoritarianism or war.

Talk about how this came to be written in a concentration camp.

The concentration camp itself was a show camp. It was designed to be able to release images to the rest of the world saying, “Look, all these Jews are making art and they’re playing football and they’re able to do musical performances. Isn’t it great?” And so there were all these composers, these musicians, they were able to make music. 

However, this particular thing that they wrote was never performed. They did rehearse it in the camp, but they were never able to perform it. And then a few months later, they were sent to Auschwitz, where they died. And so in the 1970s, the opera reemerged and people started performing it. But that was long after the creators had passed.

Who’s your illustrator on this?

There are actually two artists involved in this project. Ezra Rose did the character design. Ezra Rose is this great nonbinary, anti-fascist, Jewish witchcraft-like artist that just really had the aesthetic that I was looking for in designing the characters. Patrick Lay is a cartoonist and an educator who I met at this thing called the Alaska Robotics Comics Camp, it’s kind of a miniature little convention at a at a summer camp for people who want to get into comics. He’s based in Ohio.

You ended up at Dark Horse with editor Karen Berger’s imprint.

We were really, really lucky here. When people hear that this is a comic and it’s based on something from the Holocaust, people think about “Maus” and think about very dark, serious graphic novels. I try to tell people that this is really more Neil Gaiman than Art Spiegelman. 

It’s got Death as a character and it’s got a lot of humor to it. It’s got a lot of fantasy and sci fi mixed together. And so it just happens that we actually got about as good to editor as you could get, because Karen Berger is a legend in the field. Probably the thing she’s best known for is from being the editor on “Sandman,” Neil Gaiman’s signature work. 

It’s really quite good to have somebody with a lot of experience, who was able to help the three of us—who are very new to a graphic novel—bring this to fruition. It was really just quite a dream, because you’re able to work with somebody who has basically full artistic control over her imprint and was always going to help us make the best possible version of the book, as opposed to the fastest version of the book, or the cheapest version of a book.

The solar eclipse was Monday, and for years a professional photographer from Fayetteville has made it his mission to travel the world capturing the best eclipse views with his camera.

Posted 2024-04-08T19:09:00-0400 – Updated 2024-04-08T19:09:00-0400

The renowned Denver family photographer offers portrait services for families, children, and high school seniors.

Denver, Colorado–(Newsfile Corp. – April 8, 2024) – Juliana Wilfong Photography, the renowned Denver family photographer, has unveiled a comprehensive range of services for capturing stunning portraits of families, children, and high school seniors alike.

All families are different, with their own equations, dynamics, and relationships. But what truly holds them together is the love between them, which is often reflected in simple and sweet moments in their daily lives. That is why many families want to capture these special moments through photographs that become treasured family heirlooms passed down through generations.

Juliana Wilfong Photography

In Colorado, Juliana Wilfong has become the trusted Denver family photographer for many. Originally from Brazil, she has found her home in this region, drawn by its stunning landscapes and the joy they bring. Above all, Juliana is passionate about photography and telling the stories of perfectly imperfect families through her lens.

Her clean, creative, and contemporary style has made Juliana Wilfong Photography a force to be reckoned with. Her work has been published in several top-notch publications, but the true testament to the quality of her portraits and overall photography services is the glowing reviews she has consistently received from her clients in Colorado.

Those looking for a Denver family kids photographer can reach out to Juliana Wilfong Photography with ease. Being the thorough and passionate professional that she is, she begins with a thorough consultation. In this stage, she will try to understand clients’ visions about the photographs they want, get insights into the family, and ensure that vision is brought to life.

That is how she has also become the chosen Denver maternity photographer for moms-to-be. Being a mother herself, Juliana understands the joy and anticipation of what is the life-altering moment for many women. Through her creative and stylish sense of aesthetic, she captures this special time in a mother’s life for posterity.

“I put my heart into this work so that my clients can gift children memories of their childhood,” she said passionately.

Now the people of Colorado and surrounding areas looking for a Denver senior photographer or Denver newborn photographer can benefit from the services offered to them by Juliana Wilfong Photography. It is interesting to note that the images created by the renowned photographer are a combination of posed and candid. But at all times, she ensures families are extremely comfortable during the photoshoot. Clients can also benefit from the printed artwork packages Juliana Wilfong Photography offers.

To learn more about the top family photographer in Colorado, visit https://julianawilfong.com/.

About Juliana Wilfong Photography

Known for her clean, creative, and contemporary style of photography, Juliana Wilfong, who has been published in several prestigious publications, has become the trusted name among families in Colorado who want to cherish their stories through images that put a smile on their faces.

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Media Contact

Juliana Wilfong Photography

Juliana Wilfong

Phone: 7204841876

Website: https://julianawilfong.com/

Email: julianawilfong@gmail.com

newsroom: news.38digitalmarket.com

Source: 38 Digital Market News

To view the source version of this press release, please visit https://www.newsfilecorp.com/release/204753

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Long time volunteer for the Clinton Art Association Board, Ron Blatchley, will have his photography on display at the River Arts Center in Clinton beginning this Wednesday. 

His work will be up through May 18 and will have a public reception on Sunday, April 14 from 1 to 3 p.m. The River Arts Center is open Wednesday through Saturday from 1-4 p.m.

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DOTHAN, Ala. (WTVY) – 2023 National Peanut Festival Parade Grand Marshal and Dothan businessman Art Solomon died late Sunday following an illness. He was 73.

Among Alabama’s most proficient professional photographers, Solomon started a Dothan business, Art Solomon Photography, that endured for decades.

However, his service went far beyond photos to his tireless community service.

As the president of the National Peanut Festival in 1985, his influence was profound. During his tenure on the board of directors, he and others signed Garth Brooks, who would become arguably the greatest country music superstar ever, to perform at the 1990 festival.

In 2023, the festival named Solomon its parade grand marshal, and the crowd cheered as he led the festivities down Main Street last November.

“I am deeply humbled and filled with pride that they chose me for this role,” he shared with News4.

Holman Headland Mortuary said funeral services from First Methodist Church of Dothan would be on Monday, April 15, at 2 p.m.

The mortuary will release an obituary on Tuesday.

Subscribe to our News 4 newsletter and receive the latest local news and weather straight to your email every morning. Get instant notifications on top stories from News 4 by downloading our mobile apps.

Copyright 2024 WTVY. All rights reserved.

A breathtaking cosmic event was captured from space on a recent Monday when Meteorologist Eric Burris unveiled stunning footage from the GOES-16 satellite, showcasing a total solar eclipse’s progress. The satellite imagery revealed the moon’s shadow as it traversed the North American continent.

This extraordinary phenomenon occurs when the moon passes directly between the earth and the sun, momentarily turning day into night across the impacted regions. As the celestial bodies align, the lunar shadow creates a path of totality, where observers within that narrow strip experience a complete solar eclipse.

The footage offered by Burris provides a unique vantage point, often unseen by terrestrial observers, highlighting the grand scale of this astronomical event. It also prompts curiosity regarding future occurrences. Floridians, in particular, may find themselves eagerly anticipating the next solar eclipse that will cast a shadow of totality across their sunny state, providing an opportunity for residents to witness day turn to twilight under the moon’s dramatic cover.

Summary: Eric Burris, a meteorologist, released footage from the GOES-16 satellite showing the recent total solar eclipse path over the United States, captivating viewers with a rare perspective of the moon’s shadow. The video energizes enthusiasts and the general public to anticipate future eclipses, including the next one to envelop Florida in darkness during the day.

The spectacle of a total solar eclipse has fascinated humanity for centuries, and with the advent of advanced satellite technology like the GOES-16, we are now able to appreciate these events from a whole new perspective. The footage captured by Meteorologist Eric Burris serves as a stunning reminder of the cosmic dance between celestial bodies. The satellite images demonstrate not only the beauty of the eclipse but also the advanced capabilities of modern meteorological satellites.

Total solar eclipses are not just awe-inspiring visual experiences. They also provide unique opportunities for scientific research, especially in the fields of solar physics and space weather. During these eclipses, scientists can study the sun’s corona, the outer atmosphere, which is usually invisible to the naked eye due to the overwhelming brightness of the sun itself.

The industry surrounding solar eclipses includes tourism, as locations in the path of totality often see a significant influx of visitors hoping to witness the event firsthand. According to market forecasts, these events can bring substantial economic benefits to these areas. However, accommodating large crowds and ensuring public safety during such events can present challenges.

The market for eclipse-viewing gear, such as protective glasses and specialized equipment, often sees a spike in demand as an eclipse approaches. Exporters and retailers prepare for such occasions well in advance to meet the enthusiastic public’s needs. Market forecasts suggest that regions with frequent eclipse occurrences may see a boost in various sectors, including travel, hospitality, and retail.

There are issues related to these astronomical events that must also be considered. For example, ensuring the public has access to accurate information and safe viewing methods is critical to prevent eye damage from looking at the sun without proper protection. Moreover, there is an environmental impact from increased travel and waste generation during such gatherings, requiring strategies for sustainable tourism and waste management.

Future eclipses are undoubtedly marked on many calendars, with the NASA website being a popular source for accurate dates and viewing locations. The next total solar eclipse expected to cast its shadow across parts of Florida and other areas of the United States is already generating interest among astronomy enthusiasts and the general public alike. Such extraordinary events remind us of our place in the cosmos and inspire a sense of unity as people from all walks of life come together to witness the beauty of our universe.

Roman Perkowski is a distinguished name in the field of space exploration technology, specifically known for his work on propulsion systems for interplanetary travel. His innovative research and designs have been crucial in advancing the efficiency and reliability of spacecraft engines. Perkowski’s contributions are particularly significant in the development of sustainable and powerful propulsion methods, which are vital for long-duration space missions. His work not only pushes the boundaries of current space travel capabilities but also inspires future generations of scientists and engineers in the quest to explore the far reaches of our solar system and beyond.