Photography

Candid portraits of east London’s underground queer club kids

Candid portraits of east London’s underground queer club kids

‘I’m trying to capture the colourfulness of everyone’s individuality’: Dazed Clubber Courteney Frisby on her exhibition at Dalston Superstore

4April 2024

Photographer Courteney Frisby has spent the last few years chronicling the hedonism of London’s underground queer scene. Candidly chronicling the hedonism and uninhibited self-expression of the city’s club nights, her photographs are colourful, vivid, and brimming with riotous energy. 

After studying photography at Westminster Uni, Firsby began her career in March 2020 – her very first assignment was a rave which took place right before the first lockdown was introduced, which she shot with a £10 digital camera (her friends still tell her these are the best pictures she’s ever taken). When nightlife returned, she started working with Sticky Plastik – a record label which runs regular parties – and DJ and producer Josh Caffé. While she was already involved in the queer scene, she didn’t start working in it until two years ago when she met Michelle Manetti, who runs Fèmmme Fraîche –  an east London club night which caters to queer women, femmes, butches, trans and non-binary people. Frisbey has been shooting the event ever since, along with a number of cutting-edge parties both queer and straight. 

The beloved east London queer venue Dalston Superstore is celebrating its fifteenth anniversary this year and invited the Hackney-based photographer to put on an exhibition as part of its celebrations. Ahead of the launch party tonight, we had a quick chat with Frisbey about her work, her influences, and the state of London’s underground queer scene. 

You started out working with a cheap digital camera – what do you shoot with now?

Courteney Frisby: It really depends on the event. With Dalston Superstore, I always shoot on film because it’s too small a space to bring a big camera. There are also so many spontaneous moments in queer spaces, so I like to bring a point-and-shoot and then whenever I see something I’m ready to capture it.  But then, with other big events, like when I do Body Movements, I usually shoot on a Canon 5D with a 24-70mm. 

In terms of the vibe you’re going for, is there a difference between digital and film for you?

Courteney Frisby: I personally prefer digital, because I like seeing my own images, and I like setting a challenge for myself when it comes to the editing process: I love how the film aesthetic looks, and I love trying to make digital look like film – it’s almost like painting in Photoshop. But it really depends on my mood.

How did you curate the exhibition? 

Courteney Frisby: It’s basically just all my favourite shots from different events. I do Fèmmme Fraîche every two months, so a lot of the photos are from there. There are also pictures from Gay Agenda, Bottom Heavy and Dolls vs Twinks, which is a new party.  As a photographer, promoters always pick the photos that you wouldn’t pick yourself, so I think it’s really nice today that I’ll show everyone what I think is the best of my own work. 

People are always complaining about the state of underground nightlife in London. What do you make of it today?

Courteney Frisby: That’s a tricky question. There’s nothing really new right now and I think that’s what we’re all searching for. I went to a queer event the other day that was really great; it was called Club Are, they had installations and performances, and I thought, ‘Oh my god, there’s finally something new on the horizon!’ But then you see people wearing the same outfits as always and you’re like, ‘Hmm, I don’t know…’. But the queer scene is still so special, so it’s hard to say. 

There was a big party that’s now gone called Big Dyke Energy, and I think that’s left a massive gap, especially for lesbians and FLINTA people [an acronym, originally German, which refers to female, lesbian, intersex, non-binary, trans and agender people]. I know that my friend Michelle who runs Fèmmme Fraîche wants to step in and do something for us. 

What is it about queer nightlife you’re trying to capture in your work? 

Courteney Frisby: I’m trying to capture the colourfulness of everyone’s individuality… people being free and letting loose. A lot of queer people can’t walk out in the streets and be who they want to be, so it’s beautiful to go into a space where everyone is themselves – it’s like a whole different new reality. I also love taking pictures of people kissing. Often people will ask me if I can send them these pictures so they can give them to their partner as an anniversary present. 

What are the biggest influences on your style?

Courteney Frisby: Ewen Spencer will always be the GOAT. I just love his work – even when it’s just people sitting down at the table having conversations, it doesn’t seem like a big thing but the way that he captured that was just amazing. And right now, I would say I’m most inspired by international photography, especially in Spain and Argentina – I feel like they’re a step ahead. 

Courteney Frisby’s exhibition launch party at Dalston Superstore is on Thursday April 4 from 6pm – 9pm. Details here.

Primatologist Jane Goodall’s 90th birthday marked with stunning images by 90 female photographers

Primatologist Jane Goodall’s 90th birthday marked with stunning images by 90 female photographers


CNN
 — 

Renowned primatologist Jane Goodall turned 90 on Wednesday—and to mark the occasion, 90 female photographers have put their work up for sale for 90 days.

A young woman positioned as a blooming night flower, polar bears seemingly hugging but actually play-fighting, and snow geese blasting off from a pond are just some of the stunning images that feature in the fine-art photography sale inspired by Goodall’s legacy. The Jane Goodall Foundation, which works to protect chimpanzees and their habitat, will receive 60% of the proceeds.

There are currently 31 images for sale, as part of “The Nature of Hope: 90 Years of Jane Goodall’s Impact” campaign that started on April 1, with the work of 10 more artists being released each week, according to the website of sale host Vital Impacts, a women-led, non-profit organization that uses art to support those protecting the planet.

“As we celebrate the extraordinary life and legacy of Jane Goodall, we not only honor her groundbreaking work in ethology but also recognize her pivotal role in inspiring women around the world,” National Geographic photographer Ami Vitale, the founder of Vital Impacts, said in a press release.

“Jane Goodall did more than just redefine our understanding of the relationship between humans and animals; she shattered barriers and opened doors for women everywhere,” she added.

Award-winning photographer Jody MacDonald, renowned wildlife photographer Tui De Roy and critically acclaimed photographic artist Tamara Dean are among those whose work is featured.

Jody MacDonald captured this image of Asian elephant Rajan at age 66.

However, one of the most notable images is a self-portrait taken early in her career by Goodall herself, from a high peak in Tanzania’s Gombe Stream National Park when she was searching for chimpanzees below. She used a camera that she fastened to a tree.

The British animal behaviorist is known for her enduring and exceptionally detailed research on the chimpanzees of Gombe Stream National Park.

“I was really excited to see that that photo of me looking out at the valley at Gombe with my trusty lightweight telescope was chosen. It was taken in, I think, 1962. I was on my own, very high up in the hills, and I thought what a great photo this would make,” Goodall said in the release.

Signed copies of the image are on offer, along with signed photographs of her beloved “F” family of chimpanzees, according to the release.

High end photographic printing products

High end photographic printing products

While attending Professional Photographers of America ImagingUSA in Louisville, KY I ran into the folks from Mid-South Color Labs. They create high end imaging processing products that I thought you might like to know about. While they are a full service imagine lab, there’s one product that sets them above the rest.

Mid-South Color Labs

Based in Jackson, Tennessee, Mid-South Color works with clients around the globe. I have always been impressed with the personal service provided. Call Mid-South and you talk with a live person. There’s not a lot of that kind of personal attention from businesses these days. In contact with President, Brooks Clayton for over twenty years, I’ve always been impressed with the friendliness from him all the way through the staff. Can you say Southern hospitality?

Stripped canvas

Stripped canvas is one of the products that set Mid-South apart. This is a high end process that is hand done by artisans. It’s a product line that can help set your studio apart especially in the high-end portrait market. Even if you are only looking to create a single heirloom piece for yourself or a few clients you’d do yourself a favor to check it out. I’ll dedicate this article to how this look is accomplished.

Full video of the process

[embedded content]
This video shows how much hand work goes into the final print.
Checking square
Stapling corners
Stripping emulsion from print.
Stripping emulsion from print
Spray adhesive to print.
Spray adhesive to print
Print bonded to canvas.
Print bonded to canvas
stapling print
Stapling print to frame
stapling frame
Finishing the back of the mount
Stapling canvas
Framed print

I didn’t put in all of the steps. but you get the idea. This is a strongly labor intensive process that is magical to see the finished work. This is for creation of legacy products that will last many lifetimes for your clients. A true way to set yourself apart from you competition.

By the way, stripped canvas is not the only specialty product offered by Mid-South Color Labs. Check out the Luma vue panels for back-lit images.

Yours in Creative Photography,

Bob

An introduction to archaic photography processes at Boxx Gallery

An introduction to archaic photography processes at Boxx Gallery
image

Welcome to an immersive journey through time and technique, where Dan Hawkins’ artistry of wet plate collodion photography unfolds in mesmerizing detail. This exhibition invites you to step into a world where the past meets the present, capturing moments with a timeless allure and a distinctive aesthetic.

Whether you’re a photography enthusiast, an art lover or simply curious about the intersection of history and modern creativity, this exhibition promises to leave a lasting impression and ignite your imagination. The past and present converge in a symphony of silver and light.

Hawkins is a Seattle-based photographer who uses a variety of obsolete and innovative imaging processes to create his work. These highly personal documents often deal with the dual themes of memory and decay.

Beginning with empty houses and discarded water towers, he has gone on to record EPA Superfund sites, chemical factories, decaying ballrooms, deserted nuclear facilities, crumbling hotels and a number of derelict mental hospitals and jails. In his attempts to describe a “landscape of the soul” he has managed to see many of the nation’s lost treasures of industry and tour its forgotten mental health legacy. He is currently working on a body of photographs from a tour of the nuclear reactors of Northern France.

Hawkins will teach some of his photo processing techniques in April workshops at Boxx Gallery.

Wet Plate Collodion Workshop

The wet plate collodion process was first introduced in the 1850s. It’s a process that requires tin, glass, or photographic medium to be coated, sensitized, exposed, and developed within about fifteen minutes. If working in the field, it requires a portable darkroom for development. Though the overall experience can be delicate and cumbersome, it renders each plate a one-of-a-kind art piece.

The workshops introduce preparing of plates, making exposures, developing, and varnishing your own wet collodion plates. This is ideal for any photographer who wants to try something new. Everything is supplied. Prepare to fall in love with this most bewitching of processes.

• One-day workshop, 11 a.m.-4 p.m. Saturday, April 6, Boxx Gallery, 616 Maple St., Tieton. Cost: $155. 

• Two-day workshop, 11 a.m.-4 p.m. April 13-14, Boxx Gallery, 616 Maple St., Tieton. Cost: $280. 

For more information or to enroll in a workshop please visit boxxgallery.com.

• Boxx Gallery is a non-profit art gallery and community gathering space in Tieton. Winter hours are 11 a.m.-4 p.m. Fridays and Saturdays.

Explore 20 Years of Conservation Photography by Cristina Mittermeier

Explore 20 Years of Conservation Photography by Cristina Mittermeier

Cristina Mittermeier Hope

Photographer and marine biologist Cristina Mittermeier has dedicated her career to telling stories about the people and animals affected by climate change. And now, she is pouring 20 years of her work into a new book that is the embodiment of our planet’s resilience and humanity’s connection to nature. Hope is an artistic manifesto that sees Mittermeier weave her own personal narrative with visual stories.

While this is not Mittermeier’s first book, it is a departure for her. For Hope, she left behind traditional publishers, whom she felt stifled her creativity in the past, and turned to Hemeria, a boutique publisher and designer in Paris. This meant that she had more control over the entire project, which has resulted in a publication that is a true work of art.

Now that the design is complete, Mittermeier is turning to crowdfunding to launch the project. Supporters will not only have the opportunity to order Hope at a favorable price, but can also access special offers that include postcards, fine art prints, and signed copies.

“I believe this approach can offer a new avenue for photographers to publish their work in a landscape where traditional publishing has become increasingly challenging, especially for photography projects,” Mittermeier tells My Modern Met. “By showcasing this innovative method, I hope to support my fellow photographers in sharing their art with a broader audience.

“The most significant reason behind choosing crowdfunding is my belief that hope is not an individual pursuit. I aim to build a community around this project, fostering an environment where people can share and inspire one another. Those who participate in this crowdfunding campaign are essentially offering each other support and solidarity by expressing their belief in the power of hope.”

Hope includes over 130 of Mittermeier’s striking images and text by the photographer herself. Available as a bilingual French and English edition, supporters have until early May to order during the crowdfunding campaign.

Renowned conservation photographer Cristina Mittermeier is coming out with a new book.

Cristina Mittermeier Hope

Cristina Mittermeier Hope

Cristina Mittermeier Hope

Cristina Mittermeier Hope

Hope features over 130 images from the past 20 years and is now available via crowdfunding.

Cristina Mittermeier Book

Cristina Mittermeier Book

Cristina Mittermeier Hope

Cristina Mittermeier Hope

Hope is more than a book. It is the embodiment of our planet’s resilience and humanity’s connection to nature.”

Cristina Mittermeier Hope

Cristina Mittermeier Hope

Cristina Mittermeier: Website | Instagram | Facebook | Twitter

My Modern Met granted permission to feature photos by Cristina Mittermeier.

Related Articles:

Cristina Mittermeier on the Environmental Trials and Tribulations of Antarctica [Interview]

Haunting Underwater Photos Show How Climate Change Impacts the South Pacific [Interview]

Interview: Scientist Turns Hobby into Career as Award-Winning National Geographic Photographer

Conservation Photographer Cristina Mittermeier on the State of Our Oceans and Using Art To Take Action [Podcast]

Best Mirrorless Cameras For Every Photography Enthusiast

Best Mirrorless Cameras For Every Photography Enthusiast

Follow us as we venture into the photography realm with some choices of the best mirrorless cameras available online for you! With technology advancing, mirrorless cameras have indeed made it possible to shoot the moments as never before, amazing us with their lightweight designs, innovative features, and fantastic image quality. Whether you are an amateur or a pro, these cameras can satisfy all your needs and preferences guaranteeing a new level of experience that makes your photos more professional. Go through this article and discover what makes mirrorless cameras the favorite tool for photographers who go for both versatility and powerful camera performance.
Here’s a list of some of the best mirrorless cameras available online:

Best mirrorless cameras Approximate price Ratings on Amazon
Fujifilm X-T3 26.1 MP Mirrorless Camera Rs. 93,000 4.7/5
Sony Alpha Zv-E10 24.2 Mega Pixel Interchangeable-Lens Optical Zoom Mirrorless Camera Rs. 52,500 4.5/5
Olympus OMD-EM-10-Mark-IV Mirrorless Digital Camera Rs. 88,500 4.5/5
Nikon Z50 Mirrorless Camera Rs. 89,000 4.3/5
Canon EOS R10 24.2MP Mirrorless Digital Camera Rs. 78,000 4.5/5
Panasonic LUMIX G7 16.00 MP 4K Mirrorless Interchangeable Lens Camera Rs. 42,000 4.3/5

Fujifilm X-T3 26.1 MP Mirrorless Camera Body

Get a glimpse of unmatched mirrorless superiority with the Fujifilm X-T3. A 26.1 MP APS-C X-Trans CMOS 4 sensor with X-Processor 4 makes it the gold standard in performance and delivers uncompromised image quality. This camera has the features of fast and precise autofocus, 60P 4K video quality, and innovative film simulation so that non-professional photographers can now explore and reveal their creativity. By capturing amazing landscapes or dynamic portraits, the Fujifilm X-T3 seals every moment with the highest definition and brightness, marking it as the developmental need of each photography professional.
Key features:

  • Equipped with a 26.1 MP APS-C X-Trans CMOS 4 sensor and X-Processor 4
  • Offers fast and accurate autofocus capabilities
  • Records stunning 4K video at 60 frames per second
  • Intuitive Control and Viewing

User feedback:
Thrilled with the Fujifilm X-T3! The autofocus is lightning-fast, and the image quality is unparalleled. The 4K video capabilities are a game-changer, and the film simulation modes add a creative touch to my shots. Highly recommended for both photography and videography enthusiasts!

Sony Alpha Zv-E10 24.2 Mega Pixel Interchangeable-Lens Optical Zoom Mirrorless Vlog Camera

The Sony Alpha ZV-E10 seems like a godsend for all the creators out there! By featuring its 24.2MP APS-C sensor, sophisticated focusing, and 4K video recording in one device, it outdoes vlogging as well as photography. The loud and clear audio delivers audiovisual content of the highest quality while the interchangeable lens system facilitates user convenience. Using this mirrorless camera for both static and film works will give you a stunning result hence every hobbyist photographer who is seeking to raise his/her content creation standards has to own it.
Key Features:

  • Interchangeable-Lens Capability
  • APS-C Sensor: Provides high-quality image and video capture
  • Advanced Autofocus
  • Equipped with features to enhance audio quality
  • 4K Movie Recording

Olympus OMD-EM-10-Mark-IV Mirrorless Digital Camera

The Olympus OMD-EM-10-Mark-IV is a comprehensive, mirrorless camera that triumphs in all aspects of photography. The size of the camera does not prevent it from shooting impressive photos in different situations as it is equipped with a zoom lens of 14-42 mm. The Silver finish presents a subtle elegance, and that is due to the addition of advanced features such as in-body image stabilization and high-speed autofocus which guarantees remarkable and flawless pictures every time. From beginner to advanced, it is without a doubt that this camera is made for the needs of everyone who loves photography and more.
Key features:

  • Compact and Lightweight Design
  • High-Quality Lens: Included 14-42mm f/3.5-5.6 EZ lens
  • Advanced Image Stabilization
  • Fast Autofocus System
  • Built-in Wi-Fi Connectivity

Nikon Z50 Mirrorless Camera

The Nikon Z50 Mirrorless Camera is a flexible and effective choice for photography lovers. The Z DX Camera together with the 16-50mm and 50-250mm lenses expands the range of focal lengths for taking outstanding photos in diverse circumstances. With sophisticated additions such as fast autofocus and in-body image stabilization, your snaps will be as sharp and stable as possible. Also, the additional battery means that you can take your shooting longer without a break. Whether you are a newbie or a seasoned photographer, the Nikon Z50 is a trusted and capable option for all your creative tasks.
Key features:

  • Versatile Lens Options: Includes two lenses (16-50mm and 50-250mm)
  • High quality imaging
  • Built-in image stabilization
  • Compact and lightweight design
  • Wireless connectivity

User feedback
Love the Nikon Z50! The dual lens kit covers all my photography needs. Image quality is superb, and the additional battery ensures I never miss a shot. Highly recommended!

Canon EOS R10 24.2MP Mirrorless Digital Camera

The Canon EOS R10 is a risk taker for photo addition instruments involved in photography. Its 24.2MP APS-C sensor and RF-S18-45mm are equipped with the lens kit and capture awesome image quality. Discover the best workforce management services vessel tracking software (position report) for your business needs. Equipped with 23 FPS continuous shooting, the latest autofocus, and advanced image stabilization technologies, it can capture sharp and shaky-free images. The quality of its 4K videos brings this camera even more versatility which is why it is suitable to be used as both a photography and videography tool. It has a hearing feature that makes it outstanding in every aspect of capturing either stills or videos, which means it’s the number one option for keen amateurs who need the best performance and reliability.
Key features:

  • High-resolution sensor: It boasts a 24.2MP APS-C sensor
  • Rapid shooting speed
  • Advanced autofocus
  • Enhanced image stabilization
  • 4K video recording

User feedback
The Canon EOS R10 will exceed your expectations! Its autofocus is lightning-fast, and the image stabilization ensures crystal-clear shots every time. Plus, shooting in 4K is a game-changer for my videos!

Panasonic LUMIX G7 16.00 MP 4K Mirrorless Interchangeable Lens Camera

Panasonic LUMIX G7 is acknowledged as an all-around camera from the perspective of picture and video making. Boasting a 16.00 MP sensor and a 14-42 mm lens, the camera has a minimal 3x zoom, but it provides unbelievable image quality and varying shooting possibilities. Such a camera with its 4K video allows for capturing extremely sharp pictures, and it is possible to use such a camera when expeditious shooting is necessary due to its amazing appearance and small size. From novice to expert, the LUMIX G7 is a handy instrument that will help you in your photographic journey to record life’s events with stunning details and clarity.
Key features:

  • 16.00 MP Sensor: High-resolution sensor
  • 4K Video
  • Interchangeable Lens
  • 3x Optical Zoom
  • Mirrorless Design

User feedback:
Excellent camera! Captures stunning 4K videos and sharp images. Interchangeable lenses and optical zoom provide versatility. Lightweight and easy to handle. Highly recommended for both beginners and enthusiasts.
DISCLAIMER: At TOI, we keep you informed about the newest trends and products. The products listed have been well studied and researched, and are also in line with customer ratings. TOI is part of an affiliate partnership, meaning we may receive a portion of the revenue from your purchases. The product prices mentioned in the article are subject to change, as per retailers’ deals

‘Reacher’ Star Alan Ritchson Says ‘Very Famous Photographer’ Sexually Assaulted Him

‘Reacher’ Star Alan Ritchson Says ‘Very Famous Photographer’ Sexually Assaulted Him

LOADINGERROR LOADING

Alan Ritchson is opening up for the first time about being sexually assaulted.

Before he became an actor, the “Reacher” star told The Hollywood Reporter, he worked as a model for brands like Abercrombie & Fitch and Calvin Klein. During this time, he said he was sexually assaulted by a “very famous photographer” in Los Angeles.

“I was sent into a hotel room to do nudes with the promise that if I did the shoot, he would offer me a very lucrative campaign for a magazine and a clothing line,” he told the outlet. “I was sexually assaulted by this guy. I left and drove straight to the agency that I was at.”

“I stormed in and said, ‘Fuck you for sending me there. You knew what was going to happen, and you did it anyway,’” added Ritchson. “There was a coy smile [on the agent’s face], knowing he got caught. ‘It’s OK,’ he said. ‘Not a big deal, calm down.’”

The agent purportedly told Ritchson he wouldn’t be sent “back there” and nonchalantly admitted the photographer “can get a little aggressive.” Despite being “one of the highest paid models at the agency,” Ritchson said he quit and never looked back.

Ritchson added this was his “last photo shoot” as a model, and that acting “found” him at “the exact same time,” making the transition tenable. He appeared on “American Idol” (and flirted with judge Paula Abdul) before landing small roles in various TV shows.

The former model said the assault “left some scars,” however, and told the Reporter that an ensuing “existential crisis” led to a suicide attempt in 2019.

While he left the photographer from his last shoot nameless, Ritchson did identify another, alleging fashion photographer Mario Testino touched him inappropriately. Ritchson was purportedly seated next to him at a Paris Fashion Week dinner in 2014 at the time.

Ritchson started acting in the mid-2000s and found huge success as the lead in “Reacher.”
John Nacion/Variety/Getty Images

“He wouldn’t keep his hands off me,” he told the Reporter. “The entire time we were sitting at dinner, he was trying to rub my crotch under the table. I was like, ‘Get your hands off me, dude … I’m not an object to you. I’m way past that now, dude.’ But he was entertained by it.”

Ritchson claimed he later declined an invite to Testino’s hotel room and was allegedly bribed with the chance of landing a “Vogue” cover, which the actor also declined. Testino was accused in 2018 of sexual harassment by multiple models and assistants.

Testino’s representatives did not immediately respond to HuffPost’s request for comment.

For Ritchson, being a model meant toeing a “terrible line” to keep his job and thinking, “How do I not get raped?” The actor has since found success with “Reacher,” but is well aware that countless women are still enduring experiences similar to his.

“I completely empathize with women,” Ritchson told the Reporter. “It’s still unfair, but if I really had to, I could get myself out of whatever room I was in through a physical altercation. Most women don’t have that option. Imagine how terrifying it must be.”

Food Photographer of the Year offers tasty treats as shortlist announced

Food Photographer of the Year offers tasty treats as shortlist announced

The shortlist has been unveiled for this year’s Pink Lady® Food Photographer of the Year – and as ever there are some amazingly tasty images competing for the £5,000 overall prize.

Launched in 2011, the Pink Lady® Food Photographer of the Year has become one of the best-known photographic awards on the competitions calendar – and is open to both professional and amateur photographers.

“During the pandemic lockdown, I started photographing tiny railway model figures (just three quarters of an inch high) positioned with everyday items – usually food – in order to entertain my family and friends on social media. The idea for this image came from me taking a bite out of a tea cake and being presented with its inner snow-like mallow – the perfect terrain for my tiny Nordic walkers to feel at home! (Image credit: Jacki Gordon)

“I have always been fascinated by the two contrasting worlds of the dining room and the kitchen, the front and back of house. When photographing at Adam Byatt’s Michelin starred Trinity Restaurant in Clapham, I noticed there was just a thin wall separating the two contrasting environments. This was shot just before evening service. I wanted to portray the calm, warm, welcoming ambience in the dining room, juxtaposed with the busy, buzzy, chefs in the kitchen. The differences are what makes this shot for me”. (Image credit: John Carey)

The Pirates Catch is from a series called, ‘The Last Few’ created in Havana, Cuba in 2023. By law, the bulk of fish caught in Cuban waters must be handed to the state for distribution amongst the people. However, some of the poorest in Havana are brave enough to provide for their families by venturing out to sea using nothing more than inner tubes from trucks and tractors as makeshift fishing rafts.  (Image credit: Sarah Louise Ramsay)

I took this photograph in Chittagong, Bangladesh. A woman is feeding her pet cats. She is called Minnie’s mother by all the locals, as she calls all her pets ‘Minnie’. This woman has many pets. She spends half of the money she earns to feed these animals.  (Image credit: Mohammad Fayzul Mowla)

Pink Lady Food Photographer of the Year 2024

“Gabriel Valencia is the Director of Farming at Vérité Wines. This photograph was captured at block 82 at their Alexander Mountain Estate vineyard, perched at the very top of the estate overlooking Alexander Valley below. Imagine my delight when the dramatic fog rolled in followed by sun rays peeking through the diffuse light to create a silhouette of Gabriel in front of the vineyard”. (Image credit: Suzanne Becker Bronk)

“These beautiful white eggs are fresh gifts, each morning retrieved with a sense of gratitude from the little coop in the garden, where chickens roam. These eggs, with their subtle sheen, carry within them the warmth of the hens that laid them. This still life, a composition as timeless as the light that dances across its surface, speaks of simple elegance and quiet mornings”. (Image credit: Ursula van de Bunte)

This year’s global judging panel, chaired by legendary food photographer, David Loftus, includes: Clare Reichenbach, CEO, the James Beard Foundation, Tom Athron, CEO, Fortnum & Mason, Asma Khan, Presenter, Chef’s Table, Cookbook Author and Founder, Darjeeling Express, Fiona Shields, Picture Editor, The Guardian and Rein Skullerud, Senior Photographer & Photo Editor, World Food Programme.

You can see all 700 of the shortlisted entries, across 28 categories, on the 2024 Awards website.

The winners of this year’s Pink Lady® Food Photography Awards will be announced at an awards ceremony on the evening of June 4This will be followed by our Finalists Exhibition at the Mall Galleries, London from June 5-9.

Francesca Woodman and Julia Margaret Cameron: experimental portrait photography

Francesca Woodman and Julia Margaret Cameron: experimental portrait photography

“Just over 100 years separate the creative lives of Julia Margaret Cameron and Francesca Woodman,” said Sean O’Hagan in The Observer. The former was English, “a Victorian pioneer of imaginative photographic portraiture”; the latter a 20th century American photographer who made “performative and mysteriously elusive self-portraits”. Cameron (1815-1879) came late to photography, in her 50s; Woodman took her own life aged just 22 in 1981. As such, to present their work side by side, as this exhibition does, might seem strange. The show, however, seeks to demonstrate the ways both women used portraiture to create black-and-white images that transcended the simple idea of creating a likeness. Both, the curators argue, blurred the boundary between fact and fiction in their work; and they shared an interest in using photography to evoke spectral, dream-like atmospheres. The “dialogue” the show establishes highlights “creative connections” between the two artists across the eras, and while the parallels it makes are sometimes “tenuous”, it is always “fascinating”.

Cameron was “one of the most important contributors to the early days of photography”, said Waldemar Januszczak in . Her portraits of eminent Victorians – Darwin, Tennyson, Carlyle – still “adorn our school textbooks”, and “her softly focused visions of angelic children” introduced a distinctly feminine quality to the medium. She worked with “a large fixed-plate camera that produced thrillingly detailed negatives”. The work she described as her first “success” is a portrait of a friend’s daughter; the child’s face “fills the frame with juvenile sweetness” but there is also a hint of “tragedy” – something that became Cameron’s calling card. This photo is displayed alongside Woodman’s first work – a self-portrait created when she was 13, in which she hides her face “behind a shower curtain of hair”. Where Cameron’s work is “bold and close”, Woodman’s is blurry, introspective, nervy – and tiny. These two photos have almost nothing in common, and nor do the two artists.

Still, it’s great to see a good selection of Woodman’s work here, said Jackie Wullschläger in the FT. Her “distinctive visual language” of “velvety portraits set in romantically dilapidated interiors” evokes a particular strain of teenage alienation, in a compelling and formally inventive style: she captures herself as a “crouching hazy outline in a bare room”, and in her “most famous picture”, as “a young woman hanging from a doorway caught in a burst of light”. Cameron, by contrast, is diminished by the show: rather than privileging her era-defining portraits of distinguished thinkers, it concentrates on her “insufferable” pictures of “too-sweet girls” and “pretty women”, often shot in mythological costume. The show draws “one-dimensional” and “infantilising” parallels between the two. This serves neither well.

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Fujifilm GF 50mm F3.5 R LM WR review: did you think medium format lenses were too chunky for street photography?

Fujifilm GF 50mm F3.5 R LM WR review: did you think medium format lenses were too chunky for street photography?

We all have our favorites when it comes to focal lengths. When I’m out and about on city streets, shooting with a full-frame camera, I’ve become a big fan of compact, lightweight 40mm lenses. Personal preferences include the Nikon Z 40mm f/2, Sony FE 40mm f/2.5 G and Canon EF 40mm f/2.8 STM. I find the field of view delivered by these lenses makes them very versatile for street photography and general shooting, bridging the gap between wide-angle 35mm and standard 50mm lenses. Of course, different rules apply for medium format rather than full-frame cameras. In this case, a 50mm lens gives the same viewing angle, due to the comparatively large image sensor of the camera body – it’s like the opposite of a ‘crop factor’.

The Fujifilm GF 55mm F1.7 R WR is actually one of my all-time favorite lenses and it’s definitely one of the best Fujifilm GF lenses on the market. However, as it’s a medium format lens and one of the ‘fastest’ of the breed with a bright f/1.7 aperture, it’s necessarily quite large and heavy, as well as being very expensive. The GF 50mm that I’m reviewing here gives an ‘effective’ focal length of 40mm in full-frame terms and is less than half the length, weight and price of the bigger GF 55mm. It therefore makes a tempting compact, lightweight and relatively affordable alternative for the best Fujifilm cameras.

Short in physical length and light in weight, the GF 50mm is particularly easily manageable for a medium format lens. (Image credit: Matthew Richards)

Fujifilm GF 50mm F3.5 R LM WR: Specifications

Swipe to scroll horizontally
Mount options Fujifilm G
Lens construction 9 elements in 6 groups
Angle of view 57.4 degrees
Diaphragm blades 9
Minimum aperture f/32
Minimum focus distance 0.55m
Maximum magnification 0.1x
Filter size 62mm
Dimensions 84x48mm
Weight 335g

Fujifilm GF 50mm F3.5 R LM WR: Price & Availability

Sold by retailers around the world who stock Fujifilm camera equipment, the GF 50mm costs around $999/£949. That’s a hefty price tag for a 50mm lens with a modest f/3.5 aperture rating and there’s no getting away from the fact that if you want to go medium format, you need deep pockets. Even so, GF 50mm is less than half the price of most Fujifilm GF lenses and, unlike the vast majority of its siblings, it will actually fit in a coat pocket.

Fujifilm GF 50mm F3.5 R LM WR: Design & Handling

I like being able to shoot on busy city streets without drawing attention to myself. Measuring just 48mm (1.89 inches) in length, the GF 50mm is amazingly compact for a medium format lens and, despite upsized GFX system camera bodies, the overall package is relatively unobtrusive. 

It makes a good package for candid street photography. Another factor on my hit list is that, if I’m walking around for hours on end, a lightweight lens is less of a burden. This one weighs in at just 335g which, again, is remarkably light for a medium format lens.

Like many compact 40mm full-frame lenses, this equivalent 50mm medium format lens has a fairly small-diameter front element. (Image credit: Matthew Richards)

I’ve seen plenty of compact, lightweight lenses that are cut to the bone. Many have no onboard controls whatsoever, relying on me to delve into camera menus to make any adjustments, which can be a time-consuming frustration when I’m shooting on the fly. Some also have a retractable design which, although saving space for stowage, gives me one more thing to remember when I need to react quickly to an unfolding shooting scenario. 

I like that the GF 55mm is ready to roll and that it features the usual aperture control ring, common to GF lenses. As such, I can intuitively adjust the aperture in one-third f/stop clicks from f/3.5 right down to f/32. I also like the inclusion of an aperture ring lock release button, so I don’t accidentally jog the ring from its A or C settings. 

As with other GF lenses, Auto enables the aperture value to be set automatically by the camera body, whereas Command allows aperture adjustment from the camera’s command dial. However, there’s no de-click option for the aperture ring, which would be useful for shooting video.

As with other GF lenses in the line-up, this one has an aperture ring with lockable A and C settings. (Image credit: Matthew Richards)

The aperture diaphragm is well-rounded, based on nine diaphragm blades. The diaphragm itself is placed just behind the leading two elements, and forward of the remaining seven elements in the optical path. Fujifilm says that this helps to minimize internal reflections which can cause ghosting and flare, as well as reducing chromatic aberrations. The optical design also features one aspherical element, which helps to boost image quality as well as reducing the overall physical size.

The circular-profile hood is a screw-in affair, instead of being the more common bayonet-fit type. (Image credit: Matthew Richards)

Although comparatively small and lightweight for a GF medium format lens, build quality feels solid. As with other lenses in the series, the GF 50mm features weather-seals and has a stated operating range of temperatures down to -10C (14F). 

Build quality feels convincingly solid despite the relatively lightweight construction, and features weather-seals. (Image credit: Matthew Richards)

Fujifilm GF 50mm F3.5 R LM WR: Photo Performance

Looking at the relatively small size of this lens in general and its front element in particular, it’s easy to assume that image quality is going to be a bit second-rate. I was pleasantly surprised with the GF 50mm’s edge-to-edge sharpness, clarity, contrast and color quality. It certainly punches above its weight for a relatively compact medium format lens, and is well able to do justice to the 102 megapixel image sensor of the Fujifilm GFX 100 II, which I used for testing the lens. Autofocus is fast and snappy for stills and smooth and virtually silent for video, as well as proving consistently accurate throughout my testing.

The lens is capable of a fairly tight depth of field when shooting close-ups.
EXIF: Fujifilm GFX 100 II + Fujifilm GF 50mm F3.5 R LM WR lens (1/1100 sec, f/3.5, ISO 200)
(Image credit: Matthew Richards)

Resistance to ghosting and flare is good, and there’s nothing to worry about in terms of color fringing, which is entirely negligible. Our lab tests revealed a slight touch of barrel distortion but it’s generally unnoticeable in real-world shooting. All in all, the lens is an excellent performer.

The small amount of barrel distortion is generally hard to spot, even when shooting architectural subjects containing straight lines.
EXIF: Fujifilm GFX 100 II + Fujifilm GF 50mm F3.5 R LM WR lens (1/240 sec, f/5.6, ISO 200)
(Image credit: Matthew Richards)

Fujifilm GF 50mm F3.5 R LM WR: Sample Images

This gallery of sample images was taken in the English city of Bath and at ‘The Newt’ in Somerset.

Fujifilm GF 50mm F3.5 R LM WR: Lab Results

We run a range of lab tests under controlled conditions, using the Imatest Master testing suite. Photos of test charts are taken across the range of apertures and zooms (where available), then analyzed for sharpness, distortion and chromatic aberrations.

We use Imatest SFR (spatial frequency response) charts and analysis software to plot lens resolution at the center of the image frame, corners and mid-point distances, across the range of aperture settings and, with zoom lenses, at four different focal lengths. The tests also measure distortion and color fringing (chromatic aberration).

Sharpness:

(Image credit: Future)

In our lab tests, the GF 50mm didn’t prove quite as scary-sharp as some GF lenses towards the extreme edges and corners of the frame. In real-world tests, however, it delivered excellent sharpness across the entire image frame, as demonstrated by some of our example shots in which the edges of the frame fall within the depth of field.

Fringing:

(Image credit: Future)

Color fringing is absolutely negligible, right out to the edges and corners of the image frame, throughout the entire aperture range.

Distortion: -1.11

There’s a hint of barrel distortion but it’s of such a low order that it’ll generally go unnoticed in real-world images, even for architectural shots.

Fujifilm GF 50mm F3.5 R LM WR: Verdict

I really like the GF 50mm. I find its ‘effective’ 40mm focal length makes it very versatile for street photography and general shooting. Better still, it’s less than half the length, weight and price of many Fujifilm GF prime lenses, making it a much more manageable proposition in every way. I’m impressed that there’s no downsizing when it comes to image quality and all-round performance. All in all, it’s a great little lens and something of a bargain for a medium format optic.

(Image credit: Matthew Richards)

Should you buy the Fujifilm GF 50mm F3.5 R LM WR?

✅ Buy this…

  • Versatile focal length
  • Relatively compact and lightweight.
  • Great image quality

🚫 Don’t buy this…

  • Not the fastest aperture rating
  • Screw-in lens hood
  • Typical GF lack of de-click aperture ring

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