Imagine walking into a space where every corner whispers a different story, each snapshot a frozen testament to time. This is what greets you at the Boothbay Region Art Foundation starting Wednesday, March 28, as it becomes the pulsating heart of Maine’s photographic art scene. The 2nd annual Maine Photographers Showcase is not just an exhibition; it’s a celebration of vision, capturing the essence of Maine through the lenses of its most distinguished photographers. Names like Kathleen Clemons, Jane Davis, and Jeff Bazinet stand out in the lineup, promising a visual feast for attendees. Unlike last year’s event, this showcase strips away the layers of competition to focus purely on the art, eschewing jurors, themes, and awards. The opening reception, set for Saturday, April 6, offers a rare opportunity to dive into the minds of these visual storytellers.

A Canvas of Diversity

Within the walls of the Boothbay Region Art Foundation, each photographer is allotted space equivalent to a mini-gallery, displaying up to five images. This curated selection allows the audience to traverse through a diverse landscape of creativity – from the rugged coasts of Maine to the soft, ethereal world captured in macro photography. The showcase, as organized by Bruce Burnham, a dedicated BRAF board member, is a testament to his commitment to magnifying the voices of Maine photographers. The event is poised not only to celebrate the established but also to introduce new talents in the photographic realm.

Art For Everyone

One of the event’s distinguishing features is its accessibility. The showcase invites art enthusiasts and collectors alike to experience the photographic journey, with the added opportunity to own a piece of this journey. Both framed and unframed pieces are available for purchase, making it an inclusive event for both seasoned collectors and first-time buyers. The Maine Photographers Showcase distinguishes itself by focusing solely on the art, making every photograph a narrative waiting to be explored. This approach not only democratizes art acquisition but also strengthens the bond between artist and audience.

Looking Forward

The showcase, running until May 3, with the gallery open from Thursday to Sunday each week, is more than an exhibition; it’s a vibrant community event that promises growth and continuity. Burnham’s vision extends beyond this year’s exhibition, with plans to introduce new talents in subsequent editions. This forward-thinking approach ensures that the Maine Photographers Showcase will remain a dynamic platform for showcasing the rich tapestry of Maine’s photographic talent. The Boothbay Region Art Foundation, through this annual event, reinforces its role as a cornerstone of Maine’s artistic community, nurturing and celebrating the art of photography.

The Maine Photographers Showcase is a reflection of the state’s diverse beauty, seen through the eyes of those who know it best. It’s an invitation to pause, look closer, and discover the stories woven into each frame. As the doors open to the public this Wednesday, attendees are not just stepping into an exhibition but into the heart of Maine itself, captured one snapshot at a time.

The New York Public Library for the Performing Arts at Lincoln Center will soon celebrate the theater photography of the Friedman-Abeles Studio through a unique presentation of a selection of lenticular prints. These prints will animate a series of photographs from some of Broadway’s most beloved productions. The exhibition, entitled Reanimating Theater: The Photography of Friedman-Abeles, opens March 15 and runs through September 25, 2024.

From 1954–1970, the Friedman-Abeles Studio photographed the majority of the plays and musicals on Broadway. Although their black and white images are familiar to fans and historians, the studio also photographed many shows in color, and the Library for the Performing Arts received them as color slides.

The cost of reproducing these images in the pre-digital era meant that, aside from a few selections in record album liner notes or on magazine covers, these photographs have never been seen before. Over the last three years the Library has digitized all of the negatives for dozens of shows along with most of the color slides in the collection. The images are now showcased in a unique way in this exhibition.

This exhibition showcases selections of some of the studio’s most iconic images from Broadway hits like the original productions of Camelot, West Side Story, and Bye, Bye Birdie.

Rather than selecting a single shot from these shows, the Library for the Performing Arts has used the technology of lenticular printing to simulate animations of several of

the shots. These animations give a sense of the movement of the original production, and can reveal details that would be impossible to notice in a static image.

The exhibition is curated by Doug Reside, Lewis and Dorothy Cullman Curator, Billy Rose Theatre Division.

Digitization was made possible through the generous support of the Joseph S. and Diane H. Steinberg Charitable Trust, the Estate of June Reig Maxwell, The Schloss Family Foundation, and the Frederick Loewe Foundation, Inc.

The New York Public Library for the Performing Arts gratefully acknowledges the leadership support of Dorothy and Lewis B. Cullman. Additional support for exhibitions has been provided by Judy R. and Alfred A. Rosenberg and the Miriam and Harold Steinberg Foundation.

About the Library for the Performing Arts

The Library for the Performing Arts is dedicated to enhancing access to its rich archives of dance, theater, music, and recorded sound. As one of The New York Public Library’s renowned research centers—and one of the world’s largest collections solely focused on the performing arts—our mission is to amplify all voices and all of our holdings. At present, the collection at the Library for the Performing Arts includes upwards of eight million items, notable for their extraordinary range and diversity—from 11th-century music, to 20th-century manuscripts to contemporary hip-hop dance. The Library also is well known for documenting live theater, dance, and music, and is home to the Theatre on Film and Tape Archive, which houses over 8,000 recordings of live Broadway and Off-Broadway productions.

Photo Credit: Friedman-Abeles. Billy Rose Theatre Division, The New York Public Library for the Performing Arts

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The global tech stage is set at the annual Mobile World Congress (MWC) 2024 in Barcelona, where industry giants are showcasing the latest breakthroughs in mobile technology. This year, Alphabet seized the spotlight, revealing new features in its Google Android ecosystem designed to enhance user experiences worldwide.

Menaka Shroff, Senior Director of Global Android Product Marketing, announced on Monday, “At MWC Barcelona, we’re unveiling how our latest AI technologies and multi-device experiences can elevate your productivity across the Android ecosystem.”

1. Try Circle to Search

Only on Android, Circle to Search lets you instantly search anywhere on your phone without switching apps. In the Circle to Search exhibit at MWC, explore what you can circle, highlight, scribble, or tap — like interesting landmarks, dishes you want to try, and more. Circle to Search is available now on select Android premium phones, including the Google Pixel 8, Google Pixel 8 Pro, and the Samsung Galaxy S24 series.

2. Get that picture-perfect shot with Best Take on Google Pixel 8 and Google 8 Pro

Best Take is an AI-powered feature in Google Photos on Google Pixel 8 and Google Pixel 8 Pro that helps you nail a group photo. Try it out with your group at MWC — just take a few photos and Best Take will capture everyone’s best expression in one shot.

3. See Google Pixel Fold’s Dual Screen interpreter mode in action

Google Pixel Fold’s Dual Screen interpreter mode displays live translations to help break down language barriers. At MWC, you’ll see that the Fold’s unique design displays translations on both screens (one on each side), so you can have a natural, uninterrupted conversation — which is especially helpful when you’re traveling.

4. Give new Android Auto features a spin

Step into the BMW i5 M60, and be one of the first to experience new messaging features on Android Auto. Using AI, Android Auto automatically summarizes long texts (even group chats) and suggests relevant replies so you can keep in touch without compromising safety on the road. While you’re behind the wheel, explore the latest apps on Android Auto, including productivity apps like Zoom, smart home apps, and more.

5. Tune into a discussion on AI

On February 26 at 15:15 CET, Google DeepMind CEO and Co-Founder Demis Hassabis will join renowned tech journalist Steven Levy on the MWC Main Stage, Hall 4 for a fireside chat called “A new era of intelligence.” They’ll discuss the ways AI is poised to transform our world — from tackling major scientific problems like energy, climate change, and drug discovery, to transforming the way people create, communicate, and do business. Tune in live. And if you’re feeling inspired after the session, swing by our space to chat with Gemini and collaborate with the best of Google AI.

6. See how McLaren’s F1 racing team uses Google technology

From Chrome browser to Android, McLaren’s Formula 1 racing team relies on our technology in the McLaren Technology Centre and at the track to improve collaboration and better analyze track data. This technology contributed to McLaren’s world record-breaking fastest F1 pit stop last season (at 1.80 seconds).

In Google’s demo space, check out how the McLaren F1 team uses Android devices to take their performance to the next level. You’ll see how McLaren uses Android-powered Samsung devices — including Galaxy smartphones, watches, and tablets — across its race weekend operations. For example, they used Samsung Galaxy S22 Ultra devices to provide live, 360-degree footage to the team during pit stop practice. They also used Quick Share to share clips to a Samsung Galaxy Tab S8 Ultra to allow for real-time viewing and annotation of their pit stops.

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Randy Johnson

“Gentle Giant, Amboseli National Park, Kenya” photograph by Randy Johnson

As spring training kicks off, a new exhibition of photos taken by Arizona Diamondbacks pitcher Randy Johnson has opened to coincide with the season.

The exhibit is at the Scottsdale Center for the Performing Arts.

Images on display come from Johnson’s travels with a specific emphasis on scenery from African safaris he took.

One photograph is a snapshot of an elephant with a bird perched atop its head.

Another is a momentary snapshot taken with a smart phone which features an African child.

The exhibition shows Johnson’s passion for photography, according to Gerd Wuestemann, CEO and president of Scottsdale Arts.

“One of the interesting things to experience, of course, he is an icon as a ball player and had probably one of the most illustrious careers in pitching and major league sports. But in his college days, and actually in his youth, he was a dedicated photographer,” he said.

Wuestemann also says young people would see Johnson beyond the sport of baseball.

“Kids may only know Randy as a famous ball player that they’ve idolized, but now they also get to see him as a great photographer and we think that’s a great takeaway from this,” he said.

Wuestemann says Johnson is as excited about exhibiting in his home state as he was when he first stepped on the mound and likens Johnson’s dedication to photography as similar to training for sports. The exhibition closes April 28.

Dame Dash has found himself in some new legal trouble with a photographer who claimed he cost her some major money. 

According to court documents obtained by HipHopDX, the photographer, Monique Bunn, wants her case reopened regarding damages caused by Dash’s alleged actions, which include not payiong her for photographs she tool and he used. In the 285-page document, Bunn stated Dash confirmed the price of the photographs and was aware that he didn’t pay her properly for using the pictures outside of their intended promotional use. 

“The evidence at trial – which was uncontroverted – established that each photo was worth $1,500, which should have resulted in a verdict for at least $384,750,000,” Bunn’s lawyer wrote in the memorandum of law. “It is well known that professional photographers earn much of their income through licensing their portfolio of photographs, and Defendants’ actions destroyed Ms. Bunn’s economic prospects. The jury ignored the valuation evidence and awarded zero to Ms. Bunn.”

He continued, “It is impossible to conceive how a jury could conclude that a professional photographer’s portfolio of thousands of photos, as well as photography equipment, could be worth zero. Especially when the Plaintiff and the Defendants both testify that the damages are in the millions. A new trial is warranted under these circumstances.”

Bunn also sued Dash all the way back inm 2019, when she alleged that he toched her inappropriately while she was asleep at his house.