Photography

From Gridiron to Shutterbug: Marquis Pickering’s Journey in Sports…

From Gridiron to Shutterbug: Marquis Pickering’s Journey in Sports…
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Marquis Pickering, a 26-year-old photographer from Staten Island, has carved out a name for himself shooting major athletes and celebrities like Saquon Barkley, Drake, Lil Baby, and Emily Engstler. Born and raised in St. George, Pickering played football in high school and college before finding his passion in photography. In 2017, his mother gifted him a camera for Christmas, and he started shooting local college and high school athletes, quickly building a clientele that included professional athletes and musicians.

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From Football Field to Photography Studio

Pickering’s journey from the football field to the photography studio is one of passion and determination. Born into a family of sports enthusiasts, he was always surrounded by the thrill of competition. However, it was a Christmas gift in 2017 that set him on an unexpected path.

Armed with his new camera, Pickering began shooting local college and high school athletes at nearby parks. He found himself captivated by the ability to freeze moments in time and tell stories through images. As his skills improved, so did the demand for his work. Soon, he was shooting professional athletes and musicians, all while pursuing a degree in business.

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Building a Brand: PicksPics

In 2018, Pickering launched PicksPics, his photography brand. This allowed him to showcase his talent and connect with clients ranging from professional athletes to corporate entities. His unique style and dedication to his craft have earned him a reputation as an emerging force in the industry.

Pickering’s commitment to his community is evident in his work with local schools on Staten Island for media days. He has also photographed Saquon Barkley’s golf outing, a party, and private workouts at his home. His ability to capture the raw emotion and energy of these events has made him a sought-after photographer.

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A Passion for Women in Sports

Pickering is particularly passionate about showcasing women in sports. He believes that their stories are often overlooked and is dedicated to giving them the recognition they deserve. His work with Emily Engstler, a standout in the Women’s NBA, is a testament to this commitment.

“There’s so much talent out there, and I want to help these athletes tell their stories,” says Pickering. “I also want to provide opportunities for young athletes to have their memories captured, whether it’s on the field, court, or stage.”

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Currently, Pickering works as the athletic content coordinator at the College of Staten Island, where he continues to hone his skills and expand his network. He attributes his success to the people who have helped him along the way and is looking to continue growing his network.

Pickering’s story is a reminder that sometimes, the most unexpected gifts can lead us down the most rewarding paths. As he continues to make a name for himself in the world of photography, one thing is certain: Marquis Pickering is a force to be reckoned with.

With his sights set on becoming a photographer for the New York Knicks, Pickering’s journey is just beginning. His dedication to his craft, passion for storytelling, and commitment to showcasing women in sports make him a photographer to watch in the years to come.

Milkshake Festival Is Paying Tribute To Photographer Erwin Olaf

Milkshake Festival Is Paying Tribute To Photographer Erwin Olaf

Milkshake Festival, on Friday 26, Saturday 27 and Sunday 28 July 2024 at the Westergasterrein in Amsterdam (Netherlands), will this year extensively commemorate Erwin Olaf. The top photographer, who died on September 20, 2023, was closely involved with Milkshake Festival since its founding in 2012.

Olaf was most famous for his commercial and personal work. He was commissioned to photograph advertising campaigns for large international companies such as Levi’s, Microsoft, and Nokia. Some of his most famous photographic series include “Grief”, “Rain”, and “Royal Blood”. Never one to shy away from controversy, Olaf’s work was often daring and provocative. Humorously however, one of his early photographs was once expelled from a show on the basis of not containing nudity.

His photography style was characterized by his staged settings and poses, where he had every detail under control. Olaf had a great reputation worldwide and was one of the best-known photographers in the Netherlands. The human body was central to his work, from sexuality to transience. Olaf made several portraits of the Dutch royal family. Time magazine described his work as straddling “the worlds of commercial, art and fashion photography at once”

“What can I say? Milkshake without Erwin. That is difficult to imagine, but a tribute is the least we can do. We have always worked well together. He was and is part of the Milkshake Family. As an organization we are still heartbroken and we miss Erwin terribly. We will certainly feel that during the Milkshake Weekend.” – Marieke Samallo (founder of Milkshake Festival)

The Grand Opening of Milkshake Festival will take place on Friday, July 26 from 8:00 PM to 2:00 AM. This evening is presented in collaboration with Mighty Hoopla from the United Kingdom. Mighty Hoopla is a celebration of alternative club culture led by Sink The Pink and Guilty Pleasures with their Hoopla friends and family in tow. Mighty Hoopla presents a new pop extravaganza and guarantees a mix of legendary and new live acts, energetic DJs, beautiful dancers and artists galore. About 4,000 tickets are available for this Grand Opening.

From Friday 26 to Sunday 28 July, the Westergasterrein will be dedicated to the Milkshake Festival. Kinky Sundays from Hamburg and Café t Mandje on Zeedijk Amsterdam are responsible for part of the programming. The full line up for Milkshake Festival will be announced soon.

18,000 tickets are available per day for the weekend. The combined travel packages can be purchased from today, while regular ticket sales will start on February 14. If the festival alone is not enough, you can go to Paradiso for the afterparties on Saturday and Sunday. Tickets will also be available for this from February 14.

About Milkshake Festival

Milkshake Festival was founded in 2012 and has grown into a two-day festival since its fifth edition in 2016. The dance festival was developed from the philosophy ‘nothing is mandatory, everything is allowed’. It shows that entertainment, choice of music, choice of clothing and status has nothing to do with sexuality. During Milkshake there is an atmosphere that is free from the compartmentalization created by society. Life is a party thanks to the great diversity of skin colors, sexual preferences, gender and a range of appearances. Milkshake celebrates the city and its initiatives and is committed to a little more courtesy and love for each other. Fat, thin, small, big, gay, straight, trans, black or white: people are the salt of the earth and we are going to celebrate this!

Glimpses from Prince Hussain Aga Khan’s Photography Exhibition in Kenya

Glimpses from Prince Hussain Aga Khan’s Photography Exhibition in Kenya
imagePrince Hussain Aga Khan Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya_01.jpg?w=375″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya_01.jpg?w=768″ width=”867″ height=”1156″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya_01.jpg” alt=”Prince Hussain Aga Khan Photographic Exhibition Nairobi, Kenya, February 2024. Photograph: © FON.” class=”wp-image-46277″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya_01.jpg 867w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya_01.jpg?w=113&h=150 113w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya_01.jpg?w=375&h=500 375w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya_01.jpg?w=768&h=1024 768w” sizes=”(max-width: 867px) 100vw, 867px”>
A night time view of Prince Hussain Aga Khan’s The Living Sea – Fragile Beauty photographic exhibition, Aga Khan University Centre, Nairobi campus, Kenya; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01b.jpg?w=500″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01b.jpg?w=1024″ width=”1156″ height=”867″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01b.jpg” alt=”Prince Hussain Aga Khan Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.” class=”wp-image-46274″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01b.jpg 1156w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01b.jpg?w=150&h=113 150w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01b.jpg?w=500&h=375 500w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01b.jpg?w=768&h=576 768w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01b.jpg?w=1024&h=768 1024w” sizes=”(max-width: 1156px) 100vw, 1156px”>
A night time view of Prince Hussain Aga Khan’s The Living Sea – Fragile Beauty photographic exhibition, Aga Khan University Centre, Nairobi campus, Kenya; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01a.jpg?w=500″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01a.jpg?w=1024″ width=”1392″ height=”862″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01a.jpg” alt=”Prince Hussain Aga Khan Fragile Beauty Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.” class=”wp-image-46273″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01a.jpg 1392w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01a.jpg?w=150&h=93 150w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01a.jpg?w=500&h=310 500w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01a.jpg?w=768&h=476 768w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-01a.jpg?w=1024&h=634 1024w” sizes=”(max-width: 1392px) 100vw, 1392px”>
A night time view of Prince Hussain Aga Khan’s The Living Sea – Fragile Beauty photographic exhibition, Aga Khan University Centre, Nairobi campus, Kenya; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-4.jpg?w=375″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-4.jpg?w=768″ loading=”lazy” width=”867″ height=”1156″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-4.jpg” alt=”Prince Hussain Aga Khan Fragile Beauty Photographic Exhibition, Aga Khan University, Nairobi campus, Kenya, February 2024. Photograph: © FON.” class=”wp-image-46276″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-4.jpg 867w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-4.jpg?w=113&h=150 113w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-4.jpg?w=375&h=500 375w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-4.jpg?w=768&h=1024 768w” sizes=”(max-width: 867px) 100vw, 867px”>
A night time view of Prince Hussain Aga Khan’s The Living Sea – Fragile Beauty photographic exhibition, Aga Khan University Centre, Nairobi campus, Kenya; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg?w=500″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg?w=1024″ loading=”lazy” width=”1263″ height=”865″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg” alt=”Prince Hussain Aga Khan Fragile Beauty Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.” class=”wp-image-46275″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg 1263w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg?w=150&h=103 150w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg?w=500&h=342 500w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg?w=768&h=526 768w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg?w=1024&h=701 1024w” sizes=”(max-width: 1263px) 100vw, 1263px”>
A night time view of Prince Hussain Aga Khan’s The Living Sea – Fragile Beauty photographic exhibition, Aga Khan University Centre, Nairobi campus, Kenya; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg?w=427″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg?w=810″ loading=”lazy” width=”810″ height=”948″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg” alt class=”wp-image-46296″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg 810w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg?w=128&h=150 128w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg?w=427&h=500 427w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg?w=768&h=899 768w” sizes=”(max-width: 810px) 100vw, 810px”>
Prince Hussain Aga Khan’s Fragile Beauty photographic exhibition is a joint collaboration between the National Museums of Kenya, the AKDN, the United Nations and FON and is being held at the National Museums of Kenya, Nairobi; February 2024. Photograph: © FON.

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imageA panel introducing Prince Hussain Aga Khan and his exhibition Fragile Beauty that is being hosted at the National Museums of Kenya, Nairobi.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-0.jpg?w=276″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-0.jpg?w=526″ loading=”lazy” width=”526″ height=”953″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-0.jpg” alt=”A panel introducing Prince Hussain Aga Khan and his exhibition Fragile Beauty that is being hosted at the National Museums of Kenya, Nairobi.” class=”wp-image-46316″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-0.jpg 526w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-0.jpg?w=83&h=150 83w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-0.jpg?w=276&h=500 276w” sizes=”(max-width: 526px) 100vw, 526px”>
A panel introducing Prince Hussain Aga Khan and his exhibition Fragile Beauty that is being hosted at the National Museums of Kenya, Nairobi; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg?w=500″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg?w=1024″ loading=”lazy” width=”1280″ height=”960″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg” alt=”Prince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.” class=”wp-image-46278″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg 1280w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg?w=150&h=113 150w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg?w=500&h=375 500w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg?w=768&h=576 768w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg?w=1024&h=768 1024w” sizes=”(max-width: 1280px) 100vw, 1280px”>
A view of Prince Hussain Aga Khan’s Fragile Beauty photographic exhibition, National Museums of Kenya, Nairobi; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg?w=375″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg?w=768″ loading=”lazy” width=”960″ height=”1280″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg” alt=”Prince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.” class=”wp-image-46280″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg 960w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg?w=113&h=150 113w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg?w=375&h=500 375w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg?w=768&h=1024 768w” sizes=”(max-width: 960px) 100vw, 960px”>
A view of Prince Hussain Aga Khan’s Fragile Beauty photographic exhibition, National Museum of Kenya, Nairobi; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg?w=500″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg?w=1024″ loading=”lazy” width=”1280″ height=”960″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg” alt=”Prince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.” class=”wp-image-46279″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg 1280w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg?w=150&h=113 150w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg?w=500&h=375 500w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg?w=768&h=576 768w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg?w=1024&h=768 1024w” sizes=”(max-width: 1280px) 100vw, 1280px”>
A view of Prince Hussain Aga Khan’s Fragile Beauty photographic exhibition, National Museums of Kenya, Nairobi; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg?w=375″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg?w=768″ loading=”lazy” width=”810″ height=”1080″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg” alt=”The Wonder of Bees, an upcoming exhibition in the Aga Khan Hall at the National Museum of Kenya, Nairobi. The Aga Khan Hall is named in honour of the 48th Ismaili Imam, His Highness the Aga Khan, Mawlana Sultan Mahomed Shah (d. July 11, 1957). Photograph: © FON.” class=”wp-image-46281″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg 810w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg?w=113&h=150 113w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg?w=375&h=500 375w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg?w=768&h=1024 768w” sizes=”(max-width: 810px) 100vw, 810px”>
The Wonder of Bees is an upcoming exhibition in the Aga Khan Hall at the National Museums of Kenya, Nairobi. The Aga Khan Hall is named in honour of the 48th Ismaili Imam, His Highness the Aga Khan, Mawlana Sultan Mahomed Shah (d. July 11, 1957). Photograph: © FON.

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Intimate Storytelling: May Pang’s ‘The Lost Weekend’ Photography E…

Intimate Storytelling: May Pang’s ‘The Lost Weekend’ Photography E…
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A beacon of intimate storytelling, ‘The Lost Weekend: The Photography of May Pang,’ a captivating exhibit showcasing the enigmatic and often overlooked facets of John Lennon’s life, will make its debut at the Keshet Gallery in Boca Raton on February 16th. The exhibit features 31 evocative photographs, captured by the former Beatle’s lover and travel companion, May Pang, during his 18-month hiatus from 1973 to 1975 known as the ‘Lost Weekend.’

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A Glimpse into the Past

May Pang, the photographer behind this poignant collection, was not only Lennon’s companion during this period but also a witness to the unguarded moments of his life that are seldom explored. The photographs offer an alternative perspective of Lennon’s life during this time, revealing a more vulnerable and relatable side of the iconic musician. Alongside Pang, these images paint a vivid picture of Lennon’s journey as he reconnected with his family, friends, and the music that defined his existence.

Among the most compelling photographs in the exhibit are those capturing tender moments between Lennon and his son Julian, offering a unique insight into their relationship. Additionally, the exhibit features images of Lennon visiting Disney World, and reconnecting with fellow musicians, including Paul McCartney, providing a fascinating glimpse into the world of one of the most influential artists of the 20th century.

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The Lost Weekend: A Love Story

The exhibit serves as a companion piece to the documentary ‘The Lost Weekend: A Love Story,’ which delves deeper into Pang’s relationship with Lennon and their shared history. The documentary, available on various streaming platforms, provides an in-depth look into the lives of the two individuals who found solace and companionship in each other during a tumultuous time.

Unveiling the Exhibit

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As the Keshet Gallery prepares to unveil ‘The Lost Weekend: The Photography of May Pang,’ anticipation continues to build among fans, photography enthusiasts, and those captivated by the enduring legacy of John Lennon. The exhibit promises to offer a fresh perspective on the life of a musical icon, as seen through the lens of the woman who stood by his side during a crucial period in his life.

May Pang, whose photographs have been featured in numerous publications and exhibitions, will be present at the gallery on February 16th, offering visitors a unique opportunity to engage with the artist and hear firsthand accounts of her experiences with Lennon during the ‘Lost Weekend.’

In an era where the lines between the public and private lives of celebrities are increasingly blurred, ‘The Lost Weekend: The Photography of May Pang’ stands as a testament to the power of intimate storytelling and the enduring allure of one of the most influential musicians in history. The exhibit invites viewers to embark on a journey through time, exploring the complexities of John Lennon’s life during a period that has often been shrouded in mystery and speculation.

As the world continues to grapple with the legacy of John Lennon and the indelible impact he left on the music industry and popular culture, ‘The Lost Weekend: The Photography of May Pang’ serves as a poignant reminder of the man behind the myth, offering a rare and intimate glimpse into the life of a true icon.

‘Ice Bed’, a napping polar bear photo, wins Wildlife Photographer People’s Choice award

‘Ice Bed’, a napping polar bear photo, wins Wildlife Photographer People’s Choice award

An image of a napping polar bear curled up on an iceberg is the winner of this year’s Wildlife Photographer of the Year People’s Choice award.

It’s called “ice bed.”

British amateur photographer Nima Sarikhani captured the image off Norway’s Svalbard archipelago.

He said he hopes it inspires hope that there’s still time to reverse climate change.

More than 75-thousand people voted in the competition, a record number.

It was chosen from a shortlist of 25 images.

Those were narrowed down from around 50-thousand entries.

In addition to the winner, there are four finalists.

All five images will be exhibited at the natural history museum in London through June 30th.

‘They ask only not to be forgotten’: Barry Lewis’s heartbreaking portraits of the Soviet Union’s gulag survivors

‘They ask only not to be forgotten’: Barry Lewis’s heartbreaking portraits of the Soviet Union’s gulag survivors

“We Russians have always had a sadomasochistic relationship with our country.” This is a reflection by Galina Ivan Levinson, an elderly survivor of the Gulag, Stalin’s gigantic empire of labour camps. Barry Lewis’s often utterly heartbreaking photographs are the illustration to Galina’s words. In a rare, probably unrepeatable period of change – the last months of Mikhail Gorbachev’s rule and of his short-lived policy of glasnost (openness) – Lewis was allowed to visit the Gulag regions of north-eastern Siberia. It was 1991. The archaeology of the gulags was still lying in the snow: the wreckage of huts and fences, wooden stakes and rusted barbed wire, an old boot stiff in the permafrost. Starting in the port of Magadan, he travelled north along the “Road of Bones”, the 2,000km (1,240 miles) Kolyma Highway, to the gold and uranium mines built by slave labour at the cost of uncounted lives.

Lewis was able to explore the aftermath as well as the past. An unimaginable total of 18 million people experienced the Gulag system from the 1920s to 1953, the year that saw the end of mass political arrests, deportations and executions after Stalin’s death. But huge numbers of survivors stayed in the region after the end of their sentences. Some were condemned to further exile, but many – just as in the tsarist times – chose to remain and settle in ramshackle villages near their old sites of suffering. Their former camp guards, now elderly pensioners, often became their neighbours. It’s often said that warders are as much in prison as their convicts.

Reading the savaged, unforgettable faces here in these photographs, you see human beings whose experience has led them far beyond any thirst for vengeance, “restorative justice” or a rebalancing of official history.

They ask only not to be forgotten.

One of the most extraordinary images here is a worn-out hank of string with a series of knots. This was Asir Sandler’s memory. As a convict, there was no way he could keep anything like a written journal. So instead he tied a succession of tiny knots in his lengths of string, each knot coded differently to remind him of a separate incident or significant moment. He had been serving a 25-year sentence, commuted from a death penalty, for carrying a book of forbidden poems. His “crime” was meaningless, his sentence was meaningless, and his long life in the gulags and in exile would also have been without meaning if it were not for the little knots on pieces of string – memory, the last and inmost shelter to which the soul of a brutalised man or woman can retreat.

A handful of good, brave Russians decided, well before the Soviet Union ended, to make memory into a public institution. Memorial – abused, bullied and now closed down by Vladimir Putin – set to counting the dead and deported millions, giving them names, recording their fates and publishing the terrible history of the Stalin years, the “Great Terror” of the 1930s, the Ukrainian famines, the pantomime of the treason trials. Its work was never popular, and it was not only the leaderships of the Soviet Union and then Russia who resented all these revelations. For very many ordinary Russians, there was something unpatriotic, even perverse, about resurrecting a particular past that could only bring shame and international contempt on their great country.

In a very small way, it’s worth comparing that reaction to the indignation of British super-patriots over revelations about the contribution of Caribbean slavery to national and private wealth. Why bring all that up again? Why – in the Russian case – recall distant bad times when we should eternally be celebrating a closer history: Russia’s victory in the Great Patriotic War against fascism?

The ordering of public memory has always preoccupied autocrats. Few nations have plural versions of history and even relatively free countries promote something like an “approved’ account of their recent evolution. But private memory is harder to get at. Dictators burn books and they close journals that are nostalgic in “the wrong way”. But they scrabble in vain to find the key to that small sealed room, the place in which individuals remember what happened to them and what their mothers whispered to them when nobody else was about.

This is why Putin is so anxious about memory. It’s a well-worn joke that the Russian past is unpredictable, but his reordering of history is not hard to understand. He wants people to recognise him in Peter the Great, in the Empress Catherine – great tyrants who expanded Russia and fashioned it into an empire feared by its neighbours. Today, once again, critics are sent to labour camps, like the opposition protester Alexei Navalny, or simply murdered (the fate of journalist Anna Politkovskaya). And yet Putin is not a tsar. His authority rests not on popular adoration but on a gang of ambitious men who might conspire against him if he shows weakness. He has said that he is a “Eurasian”, turning Russia away from the west towards its own “traditional values” and civilisation. But that requires silencing the public memories which have warned that – not so long ago – traditional values of pity, mercy and humility were hideously distorted, that there was once also a “westernising” policy that promised Russians more liberty and prosperity. In the hands of a rising Russian generation, the women and men who will take their country into climate change and up to the 22nd century, there is a hank of string. They feel the knots, which cannot be undone, and begin to remember what they mean.

Photographer Tyra Mitchell’s Intimate Exploration of Parenthood

Photographer Tyra Mitchell’s Intimate Exploration of Parenthood

Photographer Tyra Mitchell’s Intimate Exploration of Parenthood | Atmos

 

02.11.2024

In her ongoing photo-documentary series, Raising Our Youth, Mitchell turns her lens on how families are navigating parenthood in a heavily gentrified Washington, D.C.

Raising Our Youth is an exploration of the young families who inhabit Washington, D.C.; a reflection of how they are navigating their heavily gentrified hometown along with the many obstacles of parenthood. But the series is also focused on highlighting the beauty that still resides in the former “Chocolate City.” 

Through film photography, Raising Our Youth aims to encapsulate the stories of the city’s natives, capturing the many ways gentrification has affected our city’s rich culture, its implications, and its impact on generations to come. The hope is that the project will start a conversation surrounding what it’s like to be young and raising a family in your hometown that now feels foreign.

A young parent and their child smile as they lean their foreheads together.

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World ShootOut: 964 entrants aimed for bait

World ShootOut: 964 entrants aimed for bait

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The winners of the World ShootOut 2023 underwater photography competition have been announced, with the Best of the Year award going to Spanish photographer Eduardo Acevedo for his freediver in baitball shot (above).

A total of 964 photographers based in 54 countries sent in 11,680 online entries across the nine categories, lured by the diving holidays, equipment and 5,000 euros in cash prizes up for grabs. 

One photographer, Dennis Corpuz from the Philippines, succeeded in coming top in two categories: Macro and Blackwater, winning both 1,000 euros and a week-long dive-trip in his home country.

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The international judging panel for the Israel-based competition, now coming up to its 19th year, consisted of Imran Ahmad, Alberto Muro Pelliconi, Renee Capozzola, Roni Sofer, Ariel Fuchs and Alex Kassler, with the video-clip category judged by Christian Petron, Phil Simha and Andrés Clarós.

As usual with this contest – though unusually among photography competitions – no image background stories or technical details are issued. Below are the first-placed exponents in each category:

Best 5 Images Portfolio: Luc Rooman, Belgium

(Luc Rooman / World Shootout)
(Luc Rooman / World ShootOut)
(Luc Rooman / World Shootout)
(Luc Rooman / World ShootOut)
(Luc Rooman / World Shootout)
(Luc Rooman / World ShootOut)
(Luc Rooman / World Shootout)
(Luc Rooman / World ShootOut)
(Luc Rooman / World Shootout)
(Luc Rooman / World ShootOut)

Amateur Photographer: Alexandra Ceurvorst, USA

(Alexandra Ceurvorst / World Shootout)
(Alexandra Ceurvorst / World ShootOut)

Wide Angle: Alessandro Raho, Italy

(Alessandro Raho / World Shootout)
(Alessandro Raho / World ShootOut)

Macro: Dennis Corpuz, Philippines

(Dennis Corpuz / World Shootout)
(Dennis Corpuz / World ShootOut)

Underwater Fashion: Thomas Heckmann

(Thomas Heckmann / World Shootout)
(Thomas Heckmann / World ShootOut)
(Thomas Heckmann / World Shootout)
(Thomas Heckmann / World ShootOut)
(Thomas Heckmann / World Shootout)
(Thomas Heckmann / World ShootOut)

Environmental & Conservation: Pasquale Vassallo, Italy

(Pasquale Vassallo / World Shootout)
(Pasquale Vassallo / World ShootOut)
(Pasquale Vassallo / World Shootout)
(Pasquale Vassallo / World ShootOut)
(Pasquale Vassallo / World Shootout)
(Pasquale Vassallo / World ShootOut)

Blackwater: Dennis Corpuz, Philippines

(Dennis Corpuz / World Shootout)
(Dennis Corpuz / World ShootOut)
(Dennis Corpuz / World Shootout)
(Dennis Corpuz / World ShootOut)
(Dennis Corpuz / World Shootout)
(Dennis Corpuz / World ShootOut)

Video Clip: Alfred Schaschl, Austria, The Magic Triangle

[embedded content]

The Magic Triangle (Alfred Schaschl / World ShootOut)

The winning entries were announced at the recent Boot Dusseldorf water sports exhibition in Germany, and a digital album containing all the competition entries and prize details can be dowloaded from the World ShootOut competition website.

Registration is not yet open for the next competition, but the organisers have decided that for 2024 the Environmental & Conservation category will focus on the impact of plastic on the oceans, and embrace the potential of AI or other editing software “as a tool to amplify the conservation message”.

Entrants will be invited to submit three original underwater photographs dealing with plastic pollution, along with their final AI-assisted processing.

Also on Divernet: Divers hit form at World ShootOut, World ShootOut photo winners surfaceBe The Champ!: Shooting SchoolsThe New BlackCritter FiddlingFisheye