Photography

‘Breathtaking’ shot of polar bear on iceberg wins photography contest

‘Breathtaking’ shot of polar bear on iceberg wins photography contest

A “breathtaking” image of a young polar bear drifting off to sleep on an iceberg has won the Wildlife Photographer of the Year People’s Choice Award.

The shot, captured by British amateur photographer Nima Sarikhani, came top in a public vote that saw a record 75,000 nature and photography enthusiasts choose their favourite picture from shortlist of 25 images.

Dr Douglas Gurr, director of the Natural History Museum, which runs the annual Wildlife Photographer of the Year competition, said the picture is a visual representation of the impacts of climate change and habitat loss.

A shot of moon jellyfish in a fjord lit by the aurora borealis was one of the finalists for the People’s Choice Award / Credit: Audun Rikardsen/Wildlife Photographer of the Year/PA

Mr Sarikhani, from London, said he wanted the photograph to inspire hope, as polar bears are incredibly adaptable and there is still time to “fix the mess we have caused” to their environment.

After three days searching for polar bears in thick fog off Norway’s Svalbard archipelago, the expedition vessel Mr Sarikhani sailed to an area with where there was sea ice, and encountered two of the animals.

The most popular images in the public vote included a shot of a starling murmuration forming the shape of a bird / Credit: Daniel Dencescu/Wildlife Photographer of the Year/PA

Just before midnight, a young male climbed on to a small iceberg and used his paws to scrape away the ice to carve out a bed for himself, allowing Mr Sarikhani to capture the moment the bear drifted off to sleep.

He said: “I am so honoured to have won this year’s People’s Choice Award for the Wildlife Photographer of the Year, the most prestigious wildlife photography competition.

“This photograph has stirred strong emotions in many of those who have seen it.

“Whilst climate change is the biggest challenge we face, I hope that this photograph also inspires hope.

“Polar bears are incredibly adaptable and, in some areas, increasing in number, and there is still time to fix the mess we have caused.”

Among the top images in the public vote was this shot of two lionesses grooming a lion cub / Credit: Mark Boyd/Wildlife Photographer of the Year/PA

Dr Gurr said: “Nima’s breathtaking and poignant image allows us to see the beauty and fragility of our planet.

“His thought-provoking image is a stark reminder of the integral bond between an animal and its habitat and serves as a visual representation of the detrimental impacts of climate warming and habitat loss.”

Among the 25 pictures, four shots that also proved favourites with voters included the interaction between a pond turtle and a northern banded groundling dragonfly, and a starling murmuration forming the shape of a bird.

A Balkan pond turtle shares a moment of peaceful coexistence with a northern banded groundling dragonfly in Israel’s Jezreel Valley / Credit: Tzahi Finkelstein/Wildlife Photographer of the Year/PA

Two lionesses grooming a cub and two moon jellyfish illuminated by the aurora borealis in a fjord in Norway were also among the highly commended finalists in the public vote.

The shortlist for the People’s Choice Award was chosen by the Natural History Museum and an international judging panel from almost 50,000 images submitted for the Wildlife Photographer of the Year competition.

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UK photographer wins top wildlife competition with poignant shot of polar bear

UK photographer wins top wildlife competition with poignant shot of polar bear

A “breathtaking” image of a young polar bear drifting off to sleep on an iceberg has won the Wildlife Photographer of the Year People’s Choice Award.

The shot, captured by British amateur photographer Nima Sarikhani, came top in a public vote that saw a record 75,000 nature and photography enthusiasts choose their favourite picture from shortlist of 25 images.

Dr Douglas Gurr, director of the Natural History Museum, which runs the annual Wildlife Photographer of the Year competition, said the picture is a visual representation of the impacts of climate change and habitat loss.

Mr Sarikhani, from London, said he wanted the photograph to inspire hope, as polar bears are incredibly adaptable and there is still time to “fix the mess we have caused” to their environment.

After three days searching for polar bears in thick fog off Norway’s Svalbard archipelago, the expedition vessel Mr Sarikhani was on changed course to where there was still some sea ice, and encountered two of the animals.

Undated handout photo issued by Natural History Museum of Ice Bed by Nima Sarikhani, UK, of a polar bear in Norway’s Svalbard archipelago, which voted as winner for the Wildlife Photographer of the Year People’s Choice Award. Issue date: Wednesday February 7, 2024. PA Photo. See PA story ENVIRONMENT Photography. Photo credit should read:

Undated handout photo issued by Natural History Museum of Starling Murmuration by Daniel Dencescu, Germany/Romania, of a murmuration above the city of Rome, Italy, one of the ‘Highly Commended’ images in the Wildlife Photographer of the Year People’s Choice Award

Just before midnight, a young male climbed on to a small iceberg and used his paws to scrape away the ice to carve out a bed for himself, allowing Mr Sarikhani to capture the moment the bear drifted off to sleep.

He said: “I am so honoured to have won this year’s People’s Choice Award for the Wildlife Photographer of the Year, the most prestigious wildlife photography competition.

“This photograph has stirred strong emotions in many of those who have seen it.

“Whilst climate change is the biggest challenge we face, I hope that this photograph also inspires hope.

“Polar bears are incredibly adaptable and, in some areas, increasing in number, and there is still time to fix the mess we have caused.”

Dr Gurr said: “Nima’s breathtaking and poignant image allows us to see the beauty and fragility of our planet.

“His thought-provoking image is a stark reminder of the integral bond between an animal and its habitat and serves as a visual representation of the detrimental impacts of climate warming and habitat loss.”

Among the 25 pictures, four shots that also proved favourites with voters included the interaction between a pond turtle and a northern banded groundling dragonfly, and a starling murmuration forming the shape of a bird.

Undated handout photo issued by Natural History Museum of Aurora Jellies by Audun Rikardsen, Norway, of Moon jellyfish swarm in the waters of a fjord outside Tromso in northern Norway illuminated by the aurora borealis, one of the ‘Highly Commended’ images in the Wildlife Photographer of the Year People’s Choice Award

Undated handout photo issued by Natural History Museum of The Happy Turtle by Tzahi Finkelstein, Israel, of a Balkan pond turtle with a northern banded groundling dragonfly in Israel’s Jezreel Valley, one of the ‘Highly Commended’ images in the Wildlife Photographer of the Year People’s Choice Award

Two lionesses grooming a cub and two moon jellyfish illuminated by the aurora borealis in a fjord in Norway were also among the highly commended finalists in the public vote.

Undated handout photo issued by Natural History Museum of Shared Parenting by Mark Boyd, Kenya, of lions in Maasai Mara, Kenya, one of the ‘Highly Commended’ images in the Wildlife Photographer of the Year People’s Choice Award

The shortlist for the People’s Choice Award was chosen by the Natural History Museum and an international judging panel from almost 50,000 images submitted for the Wildlife Photographer of the Year competition.

The five images will be displayed online at www.nhm.ac.uk/wpy/peoples-choice and at the Natural History Museum in London until June 30 2024.

Nikon Z9 Mirrorless Cameras Reach International Space Station, Mar…

Nikon Z9 Mirrorless Cameras Reach International Space Station, Mar…
image

The International Space Station (ISS) has ushered in a new era of space photography with the recent receipt of 13 Nikon Z9 mirrorless cameras, 15 FTZ II adapters, and over 15 Nikkor Z lenses. Delivered via the 20th Northrop Grumman commercial resupply services mission for NASA, aboard the SpaceX Falcon 9 rocket, the new equipment marks a significant shift from Nikon DSLR cameras previously in use.

A Historic Moment for Nikon and NASA

This transition to the Nikon Z9 cameras represents the first time mirrorless cameras will be used by the ISS crew. This milestone is another feather in the cap for Nikon, which has enjoyed a long-standing relationship with NASA, starting with the Apollo 15 mission over 50 years ago.

The Challenges of Space Photography

Photography equipment in space faces a unique challenge: exposure to cosmic rays reduces their lifespan to about six months. In response, Nikon has customized the firmware of the Z9 cameras to withstand the harsh space conditions. The cameras now feature enhanced noise reduction and optimized file naming, settings, and controls suitable for the ISS environment.

Protecting the Equipment

During spacewalks, the cameras are safeguarded by a special NASA-developed blanket. This is part of Nikon’s commitment to support NASA’s mission of space exploration and ensure that astronauts are equipped with reliable camera gear.

As the ISS crew transitions from DSLR to mirrorless technology, the world can expect to see even more stunning images of Earth and beyond, captured with unprecedented ease and precision.

Pic of polar bear wins Wildlife Photographer of the Year People’s Choice Award

Pic of polar bear wins Wildlife Photographer of the Year People’s Choice Award
ByTrisha Sengupta

Feb 07, 2024 02:12 PM IST

Nima Sarikhani searched for polar bears on for 3 days before taking the pic that won the Wildlife Photographer of the Year People’s Choice Award.

An image of a polar bear sleeping on a small iceberg has bagged the 2023 Wildlife Photographer of the Year People’s Choice Award. As per reports, Nima Sarikhani, the winner, captured the image after searching for polar bears for three days on Norwegian islands.

This image called 'Ice Bed' which shows a polar bear sleeping on ice won the Wildlife Photographer of the Year People's Choice Award. (Nima Sarikhani)
This image called ‘Ice Bed’ which shows a polar bear sleeping on ice won the Wildlife Photographer of the Year People’s Choice Award. (Nima Sarikhani)

Each year, this photography competition is organised by the Natural History Museum. The organisation also shared a blog about the pictures that made it to the top of the list in the recently concluded competition.

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About the photo of the sleeping polar bear:

Sarikhani’s picture called the ‘Ice Bed’ was ‘crowned champion following a contest in which a record 75,000 people voted’. While talking about this accomplishment, the photographer told the museum, “I am so honoured to have won this year’s People’s Choice award for Wildlife Photography of the Year, the most prestigious wildlife photography competition. This photograph has stirred strong emotions in many of those who have seen it”.

“Whilst climate change is the biggest challenge we face, I hope that this photograph also inspires hope. There is still time to fix the mess we have caused,” he added.

Also Read: ‘Moody’ baboon to ‘curious’ cheetah: Comedy Wildlife Photo Awards pics

“Nima’s breathtaking and poignant image allows us to see the beauty and fragility of our planet,” said Dr Douglas Gurr, the Director of the Natural History Museum.

‘His thought-provoking image is a stark reminder of the integral bond between an animal and its habitat and serves as a visual representation of the detrimental impacts of climate warming and habitat loss,” the director added.

A glimpse at the other photographs:

The photographs submitted to the competition by people from across the world were regularly shared on the official X handle dedicated to the contest.

Here is a glimpse of several images, including the one that won:

These images, shared in a tweet, capture animals and insects of different species ‘talking’ to each other:

Other than ‘Ice Bed’, ‘The Happy Turtle’ by Tzahi Finkelstein and ‘Starling Murmuration’ by Daniel Dencescu were highly commended. As for Sarikhani’s work, it will be displayed in the Wildlife Photographer of the Year exhibition until June 30 in South Kensington in Central London.

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Honor hypes up Magic6 Pro sports photography prowess, signs fencer Cecilia Berder to test it

Honor hypes up Magic6 Pro sports photography prowess, signs fencer Cecilia Berder to test it

Honor launched the Magic6 Pro in China last month, and now we are approaching the moment when the phone will go global at MWC 2024. The company is very proud of what it achieved with the phone’s camera setup and in the latest teaser it is hyping up the sports photography prowess of the flagship.

Honor hypes up Magic6 Pro sports photography prowess, signs fencer Cecilia Berder to test it

The Honor Magic6 Pro’s Falcon Camera system promises to leverage AI Motion Sensing capabilities, to auto-capture the incredibly fast sporting moments, such as the highlights of facing match. The company worked with Cecilia Berder, fencing World champion and Olympic silver medalist to give it a try.

Honor Magic6 Pro camera capabilities
Honor Magic6 Pro camera capabilities
Honor Magic6 Pro camera capabilities

Honor Magic6 Pro camera capabilities

The AI algorithm helps detects motion and automatically captures multiple frames to let you identify that perfect one. Obviously, fast-paced action requires fast shutter speeds, so high light sensitivity is required and Honor is confident the Magic6 Pro has what it takes. We’ll obviously need to give the phone a proper test before believing all that, but the hardware does look promising.

Honor Magic6 Pro camera specs

  • Wide (main): 50MP OmniVision OVH9000, 1/1.3″, f/1.4-2.0, 23mm, Laser AF, PDAF, OIS; 4320p@30/60fps
  • Telephoto: 180MP Samsung ISOCELL HP3, 1/1.49″, f/2.6, 2.5x optical zoom, PDAF, OIS
  • Ultrawide: 50MP Samsung S5KJN1, 1/2.76″, f/2.0, 13mm, 122 degrees FoV, AF
  • Front camera: 50MP, f/2.0, 22mm, AF

The Honor Magic6 Pro will be accompanied by the Magic V2 RSR Porsche Design at the event in Barcelona. Rumors suggested there might be a luxurious variant of the camera flagship as well; we will be at the event and will have the latest info once everything is official.

This Facebook Group Shares Spectacular Photos Of Unspectacular Things, Here Are 116 Of The Best

This Facebook Group Shares Spectacular Photos Of Unspectacular Things, Here Are 116 Of The Best

A major pitfall to avoid is perfectionism. With a subject as subjective as photography, there’s no such thing as ‘perfection.’ You cannot expect to be artistically satisfied with every shot you take.

Nor can you expect absolutely everyone to ‘get’ the ideas behind your snaps. It takes a lot of courage to look at a photo you took, label it as ‘good enough,’ and then share it with the world.

The feedback that you get from other people can be incredibly valuable for your personal growth. But it takes humility to accept constructive criticism for what it is.

Stunning Sleepy Polar Bear Image By UK Photographer Wins Top Picture Prize

Stunning Sleepy Polar Bear Image By UK Photographer Wins Top Picture Prize
Stunning Sleepy Polar Bear Image By UK Photographer Wins Top Picture Prize

His photo was crowned as champion following a contest in which a record 75,000 people voted

A stunning picture of a sleeping polar bear has won the prestigious Wildlife Photographer of the Year People’s Choice Award. According to BBC, the portrait titled ‘Ice Bed’ has been clicked by British amateur photographer Nima Sarikhani. His photo was crowned as champion following a contest in which a record 75,000 people voted.

Notably, Mr Sarikhani captured the image after three days of searching for polar bears off the coast of Norway. When his expedition vessel changed course, he finally encountered two polar bears and caught the younger one climbing onto a small iceberg and carving out his bed. The image he took shows a male polar bear having a peaceful night’s sleep. 

See the picture here:

”Sarikhani’s breathtaking and poignant image allows us to see the beauty and fragility of our planet.His thought-provoking image is a stark reminder of the integral bond between an animal and its habitat and serves as a visual representation of the detrimental impacts of climate warming and habitat loss,” Natural History Museum director Dr Douglas Gurr said.

Reacting to the win, Mr Sarikhani said, ”I am so honoured to have won this year’s People’s Choice award for Wildlife Photography of the Year, the most prestigious wildlife photography competition. This photograph has stirred strong emotions in many of those who have seen it. Whilst climate change is the biggest challenge we face, I hope that this photograph also inspires hope. There is still time to fix the mess we have caused.”

Wildlife Photographer of the Year is developed and produced by the Natural History Museum, London. The annual contest was originally founded in 1965 by BBC Wildlife Magazine. 
 

Notre Dame professor emeritus does more than just teach

Notre Dame professor emeritus does more than just teach

Nimble hands, a metal lock and a key fill the camera’s lens. A hairy hand twists the key to crack open the lock. The camera snaps. An orangutan mother opens the door, grabs her child and flees the dark cage, yet again.

Richard Sheehan, Notre Dame professor emeritus and independent photographer, captured this moment years ago in the Los Angeles Zoo. According to him, it was a common occurrence.

Before becoming a Notre Dame finance professor and capturing wildlife pictures, Sheehan worked at the Federal Reserve as an economist. During his time at the Federal Reserve, he recorded the macroeconomy, monetary policies and their growth over time.

He said sports-related data piqued his interest in pursuing a career as a macroeconomics professor and researcher.

“It led me to think of the question: Suppose you could split off football programs from colleges … and then you can sell that. How much would that be worth?,” he said. 

Sheehan was the first who “asked that question.” It commenced his research, teaching and career at Notre Dame.

This idea, along with others, prompted him to release his book, “Keeping Score: the Economics of Big-time Sports.” In his book, Sheehan addresses the value of professional and collegiate teams. He also answers questions about “paying [college] athletes” and “competitive balance.”

Throughout his time as a finance professor, Sheehan also pursued photography as a hobby. He accredits his interest in photography due to the revolution of the digital camera.

A digital camera was his present to himself after defending his Ph.D. dissertation. It was barely used, but his first family African safari was “a real breakthrough” for two reasons.

One reason was because Sheehan did not have to rely on developers and “was in control all the way through.” Another reason was the instant feedback allowed him to learn more throughout the safari than previously.

Over his 40 trips to Africa, he has taken digital pictures of nearly every wild animal. 

zebras3.jpg

Five zebras drinking water from a canal in Africa.

“If you can think of a wild animal, I have probably photographed it from lions to leopards to tigers to cheetahs … ” he said.

Sheehan said that one of his friends has a history of leopard and tiger conservation, which prompted Sheehan’s hobby of wildlife photography. In his most recent trip to the Orange Free State, South Africa, Sheehan photographed these tigers and their cubs outside of their den. 

Sheehan said one of his favorite animals to photograph is the African wild dog, a critically endangered species whose hunting patterns are distinct from the common cat predators.

He said the monochromatic aesthetic of zebras are “always graphic.” He also said intelligent animals, like the orangutan and elephant, are his favorite to capture, pointing to the common orangutan outbreak in the Los Angeles Zoo. 

After his recent trip to South Africa, Sheehan returned to Notre Dame to temporarily teach macroeconomics this semester.

Mumbai through the lens of filmaker and photographer Nirvair Singh Rai

Mumbai through the lens of filmaker and photographer Nirvair Singh Rai

“Mumbai is the sweet, sweaty smell of hope, which is the opposite of hate; and it’s the sour, stifled smell of greed, which is the opposite of love. It’s the smell of Gods, demons, empires, and civilizations in resurrection and decay. It’s the blue skin-smell of the sea, no matter where you are in the island city, and the blood-metal smell of machines…” was what Gregory David Roberts wrote in ‘Shantaram’ when he migrated to the hot and heavy cauldron of everything good and bad that the world has to offer, the city of dreams: Mumbai.

Film-maker and photographer Nirvair Singh Rai similarly found himself drawn to the streets of Mumbai eight years ago, camera in hand; following the practice he picked up while studying documentary photography in Bangladesh. “It could be a vacation or if I’m at home, I’ll try to just shoot something on an everyday basis. I came to Bombay and started doing that without anything in my mind at that moment. I just wanted to get out and explore the city meet people, get into confrontations good or ugly.” He tells us. With ‘Reclaiming Spaces’ the photographer’s solo exhibition at Method Juhu that is on display till February 11th, he takes us on a walk through his archives of the spaces of Mumbai that have been lost in the throes of industrialisation and time. “I feel this whole reclaiming space came from that understanding that nothing is permanent. When I go back and look back at the same streets – what has changed there over time? There are so many memories attached to it, it’s a walk down memory lane where you just revisit everything.” He says.

Nirvair Singh Rai
Mumbai through the lens of Nirvair Singh Rai

Somewhere all souls who wander to the streets of Mumbai are searching for something, holding different dreams and aspirations in their hearts. And yet both Gregory David Roberts and Nirvair Singh Rai meet at the intersection of expression as they interpret the gritty, grey urban landscapes of Mumbai along similar lines; albeit different mediums. A rather symbolic example of something Nirvair says to me as we catch up with the artist, “We all ring at a frequency in our lives, we attract people, places, things we see- they all come from our frequencies. Interconnectedness in some ways in a larger scheme of things.”

Through the lens of Nirvair, we see Bombay in its most naked avatar, in frames of lovers hidden by tetrapods and the unmissable distance between older lovers, and most importantly the looming grey sheen of the urban threat carefully drawn out across the horizon in black and white.  Nirvair dances among emotions, memories and human nature with his imagery that captures the raw essence of the city of dreams. He tells us, “With photography, with art comes a lot of empathy. You feel responsible for the group of people who are less privileged than we are. There are many ways of looking at photography- there’s a professional way and there’s something that I do for myself,” the artist’s burden of balancing both the narratives that need to be told and the ones you want to be seen for yourself.

The initial introduction to documenting in Nirvair’s life began with his father who while an engineer by profession was a lover of the art of photography; so much so that he had a dark room of his own where he would develop film at home. “that’s where I picked it up from, a very loving fatherly perspective about photography.” He added. And since there the artist has never looked back, on the road of constant development of his craft. While the photographer/filmmaker has also garnered much appreciation for his work documenting fashion it’s his control of spaces, the way he sees landscapes and areas that truly sets him apart, a trait that can be traced back to his years growing up in his hometown of Punjab. “Landscapes for me, I just go back to either Punjab or the Himachal. It’s like such an open land and you feel so small in these places because you can see the horizon, you can see the whole world around you. Visually there are no buildings, nothing obstructing your view. And like reclaiming spaces, you tend to go back to the places and the places change, the person is not there anymore. Something that you shoot after a while will always cook up into something very special. Because it has taken its course and its time and you have gone back to the place, and you can talk about it because you’re related now- you know that place or a landscape for 10 years 15 years, for a lifetime.” He tells us. Talking of the passage of time, the theme is a common element perceived in the frames of ‘Reclaiming Spaces’, a display of the death caused by urbanisation and the contrasting reclamation of its soul through art.

The artist’s ideology is hence reflected in his body of work- a harmonious display of natural aesthetics in unusual positions and yet un-orchestrated- a simple coming together of real elements that are evident in the captures.  “I feel even when you’re asked to make a movie, I will try not to give visuals or cloud my mind with so much out there. I feel if you do something that is truly yours it’ll work for you it’ll work for your audience because that is the best that you can do. You own the space; you own the conversations that you’re having and you kind of create this whole world in that place.” He adds. The synergy of the subject and the story it’s telling is what Nirvair puts his faith in, allowing the images to be the most unadulterated versions of themselves. “I feel if you’ve had a good time there’s going to be something in your film or images. There’ll be some life rather than just posing, so I think you just have to connect with the person to get the things out when it comes to the commercial photography films- and that also kind of binds me to where I come from, from a very documentary lens nature lens. It all kind of flows into each other very well.” He adds talking about the visual process that has led to some of his most striking collaborations with the likes of Sabyasachi, Rahul Mishra, Falguni & Shane Peacock and Tarun Tahliani to name a few.

Talking about what’s next for the dynamic photographer and filmmaker is an upcoming Netflix documentary on the effervescent Yo Yo Honey Singh, directed by Mozez Singh with Nirvair as the DOP. While the artist continues to capture and narrate stories one by one, collecting a fair share of laurels in the process. He believes in reaching the masses while setting a larger stage for storytelling. “I want to make a Bollywood film much later in my life. I believe in reaching out to the masses. I keep questioning, why are you in Bombay? It took me some time to realize that Bollywood is the gate to the masses and that’s in Bombay. You want to say something out loud, you have something to share with India, with all of us. Come to Bollywood, share your story over here.” He tells us. One can only wait and watch for the future stories Nirvair Singh Rai weaves through his vision. But in the moment, we take a step back in time rather than forward, and visit archival Mumbai and its unheard stories with ‘Reclaiming Spaces’.

Hero and Feature images: Courtesy Nirvair Singh Rai