Photography
SlickPic Photography Challenge: One Color
By Admin in Photography
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Wildlife Photographer at Library
By Admin in Photography

SOUTHBURY — The Southbury Public Library will host an artist’s talk by wildlife photographer James Ward from 1 to 2 p.m. Thursday, February 11, in the Kingsley Room at 100 Poverty Rd.
There is an exhibit of his photography on view at the Gloria Cachon Gallery in the library from February 2 through Wednesday, February 29.
James Ward is a wildlife photographer with a passion for preserving the beauty of the natural world. He is dedicated to capturing breathtaking moments in the lives of animals big and small. The talk will address the importance of wildlife conservation through the lens of Mr. Ward’s camera.
Mr. Ward is also a safari guide and agent and his company, Safari Professionals, specializes in designing tailor- made conservation-based safaris to Africa, India, Malaysia, Patagonia, Antarctica, and other wildlife destinations around the world. He also leads wildlife photography workshops to unique wild locations globally. He is a resident of Southbury.
Like all Southbury Public Library programs, this program is free to attend and open to anyone regardless of town of residency.
This program is sponsored by the Friends of the Southbury Library.
Registration is required. For more information and to register visit www.southburylibrary.org.
These photos document a Parisian teenager’s coming-of-age
By Admin in Photography

Taking inspiration from the ascetic beauty and drama of filmmaker Robert Bresson’s onscreen worlds and the compelling, narrative-suffused paintings of Shannon Cartier Lucy, Elise Toïdé’s images are likewise composed with an eye for storytelling and enchantment.
The Paris-based photographer’s latest project, Gabrielle, is a coming-of-age tale capturing moments in the real life of a Parisian teenager as she moves inexorably towards adulthood. The pair “connected right away” in 2019 when Toïdé was working on her book Les Vagues and needed a teenage model. What initially began as a few proposed shoots evolved into a distinct and ongoing body of work as the photographer began to feel increasingly curious about the changes she noticed in Gabrielle over time. Shot in various locations across the city and in the privacy of her home and bedroom, Toïdé documents the model’s subtle shifts in taste and mood as she gets older.
“As I photographed Gabrielle at irregular intervals, in small ellipses, I sensed that something I was having trouble grasping was constantly evolving… small variations in Gabrielle’s expressiveness, her attitude, her poses or the assertiveness of her gaze, as much as in the very concrete choices that govern the life of an adolescent: haircut, clothes, make-up or jewellery,” Toïdé tells Dazed in a conversation over email. “There was a kind of instability, a diffuse metamorphosis in her that, although unspectacular, I thought would be interesting to capture through photography, as if to understand the nature of what leaves and what stays with a person as they grow up. In this sense, my work with Gabrielle has no end, and I could go on photographing her little variations for a long time to come.”
“I’m attached to the intimate notion of time passing and how it can be wrapped up in objects, settings or faces” – Elise Toïdé
The photographer soon found there was something reciprocal about the project. Her own practice and research “coexist in parallel” with Gabrielle’s experimentation with “the signs she sends back to the world”. Toïdé explains: “This slow, delicate process puts us both on the same level, which is important for my approach. She also appreciates that I don’t see her as a ‘teenager’ but as a collaborator.”
While the portraits aren’t documentary photography, there is a semi-spontaneous aspect to their production. Toïdé tells us, “We meet in the neighbourhood – we live close to each other – and walk around, talking at random in the streets. When a moment seems right, we stop and shoot in silence or while talking. The process is very natural and soft. We also meet at her place, and we have the same process – we move from room to room looking for the right place or moment.”
While Toïdé doesn’t necessarily feel there are recurring themes in her work, something she remains fascinated by is time. “I’m attached to the intimate notion of time passing and how it can be wrapped up in objects, settings or faces. That’s also why I shoot in film.” As an ongoing body of work, Gabrielle is concerned with the ephemeral and the constant; markers in time which express themselves in the subtle alterations of Gabrielle’s appearance.
For the photographer, this particular passage of time is especially fascinating. “I’m touched by a specific time of youth, which I call the ‘last summer’, and which would be – if it exists – a last possible time of contemplation and indecision before the injunction of choice and affirmation are imposed on us.” This period, as adolescence gives way to adulthood is such a potent, important period in our lives – a time of accelerated change and clear horizons. “I think Gabrielle is really evocative of this,” says Toïdé. “Would you agree?”
Visit the gallery above for a closer look.
Follow the progress of Elise Toïdé’s projects, including Gabrielle, on Instagram here.
Las Vegas Tradeshow Photographer Christian Purdie Uses Cutting-Edge Technology for Real-Time Visual Impact in Las Vegas
By Admin in Photography

Las Vegas, NV, February 07, 2024 –(PR.com)– Las Vegas tradeshow photographer Christian Purdie is leveraging the latest advancements in camera bodies, lenses, wireless lighting, and computer software. Specializing in tradeshow photography, the company is at the forefront of capturing and promoting brands in real-time during industry events, providing clients with a dynamic and immediate visual impact.
Christian Purdie Photography employs state-of-the-art camera bodies and lenses to ensure the highest image quality and clarity. By embracing the latest advancements in photography technology, the team can capture the vibrant atmosphere of tradeshows and showcase products and services in their best light.
One of the key features that sets Christian Purdie Photography apart is its integration of wireless lighting systems. This allows the team to adapt quickly to different lighting conditions on the tradeshow floor, ensuring that every shot is perfectly illuminated. The flexibility provided by wireless lighting not only enhances the overall quality of the photographs but also allows for creative and dynamic compositions that showcase products and branding elements effectively.
In addition to cutting-edge hardware, Christian Purdie Photography utilizes advanced computer software to streamline the post-production process as a Las Vegas tradeshow photographer. This includes the latest photo editing and retouching tools, ensuring that images are polished and ready for immediate use in promotional materials. By harnessing the power of technology, the company can deliver high-quality, professionally edited images promptly, allowing clients to capitalize on the momentum of the tradeshow in real time.
In the dynamic landscape of trade shows, the seamless integration of cutting-edge technology has revolutionized the way images are delivered in real time, creating an immersive and engaging experience for attendees. Harnessing the power of WiFi connectivity and sophisticated software solutions, exhibitors can now effortlessly transmit high-quality images instantaneously, fostering a dynamic and interactive environment. This technological synergy allows for the swift dissemination of product updates, captivating visuals, and live demonstrations, providing attendees with a firsthand glimpse into the latest innovations. The integration of WiFi technology ensures a reliable and high-speed connection, enabling exhibitors to showcase their offerings with precision and clarity. From real-time product launches to interactive presentations, the convergence of WiFi and software at trade shows has redefined the boundaries of communication, propelling the industry into a new era of connectivity and engagement.
Christian Purdie, the founder and lead photographer, expresses his enthusiasm for embracing technological advancements in photography: “We understand the importance of making a lasting impression in the fast-paced environment of tradeshows. By investing in the latest camera bodies, lenses, wireless lighting, and software, we aim to provide our clients with a competitive edge in promoting their brands. Our commitment to innovation reflects our dedication to delivering exceptional visual content that resonates with the target audience.” – Christian Purdie
The use of Bluetooth and WiFi technologies not only enhances the efficiency of the photography process but also facilitates the rapid delivery of polished images to clients. By eliminating the need for the physical transfer of memory cards, Christian Purdie Photography a tradeshow photographer company can now expedite the editing workflow, ensuring that clients receive professionally crafted images promptly. This real-time delivery model enables businesses to share their professional event coverage on social media platforms immediately, maximizing the impact of their tradeshow presence and engaging their audience at the moment.
By utilizing Bluetooth and WiFi technologies, we’ve created a seamless bridge between our mirrorless cameras and editing computers, allowing us to deliver top-notch images in real time. This not only empowers our clients to share their tradeshow experiences on social media promptly but also enhances their overall brand visibility in an ever-evolving digital marketplace.” As the demand for real-time content continues to rise, Christian Purdie Photography’s adoption of these technologies positions the company as an industry leader as a corporate photographer in providing dynamic and instantly shareable visual content for Las Vegas tradeshows.
Clients who choose Christian Purdie Photography for their tradeshow coverage can expect a seamless and efficient process from start to finish. The team’s expertise in utilizing cutting-edge technology ensures that they capture the essence of each event and deliver compelling visual narratives that leave a lasting impact on viewers.
As Las Vegas continues to be a hub for tradeshows and industry events, Christian Purdie Photography stands ready to meet the evolving needs of businesses looking to elevate their brand presence. With a reputation for excellence and a commitment to staying ahead of the curve, the company solidifies its position as a premier choice for tradeshow photography in the dynamic and competitive landscape of Las Vegas.
Feast your eyes on the winners of the Sony World Photography Awards 2024
By Admin in Photography
Napping polar bear image wins top wildlife photography prize
By Admin in Photography
Editor’s Note: Call to Earth is a CNN editorial series committed to reporting on the environmental challenges facing our planet, together with the solutions. Rolex’s Perpetual Planet initiative has partnered with CNN to drive awareness and education around key sustainability issues and to inspire positive action.
London
CNN
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An image of a napping polar bear curled up on an iceberg has captured the hearts of voters to become the winner of this year’s Wildlife Photographer of the Year People’s Choice Award.
British amateur photographer Nima Sarikhani called it an honor to win the award for the dreamy scene “Ice Bed,” captured off Norway’s Svalbard archipelago, saying that the image “stirred strong emotions,” such as hope, in those who saw it.
“Whilst climate change is the biggest challenge we face, I hope that this photograph also inspires hope; there is still time to fix the mess we have caused,” Sarikhani added in a press release.
Organizers said more than 75,000 people voted in the competition — a record number.
“Ice Bed” was chosen from a shortlist of 25 images, which was previously narrowed down from around 50,000 entries. The Wildlife Photographer of the Year is developed and produced by the Natural History Museum, London.
Douglas Gurr, director of the Natural History Museum, described the winning shot as “poignant” and “breathtaking.”
The “thought-provoking image is a stark reminder of the integral bond between an animal and its habitat and serves as a visual representation of the detrimental impacts of climate warming and habitat loss,” Gurr said in the release.
As well as the winner, there were four highly commended finalists. All five images will be exhibited at the Natural History Museum in London until June 30.
Scroll through the gallery above to see the winner and highly commended images.
Groundbreaking Photography exhibition frames the future of Wales, Scotland and Catalonia
By Admin in Photography
A groundbreaking photography exhibition, Head / Heart: Framing the Future: Photography from Wales, Scotland, and Catalonia takes place this half-term (10-17 February), showcasing 46 photographs from 35 photographers from across the three nations.
The exhibition, hosted by Caernarfon’s Oriel CARN,will offer visitors a rare insight into how people’s life experiences in the three nations can impact on how they think and feel about the future of their own country.
Dyfodol Cymru
The unique exhibition also gathers visitors’ own feelings and thoughts by posing the question: what is important to you about the future of Wales?
Curated by Dr Elin Royles and Dr Anwen Elias from the Centre for Welsh Politics and Society at Aberystwyth University, the free exhibition is integral to their non-partisan, academic study on the sentiments and experiences that shape people’s perspectives on Independence.

Dr Elin Royles explains: “A vital component to our world-first research is this exhibition, which captures people’s emotions and feelings.
“We’re interested in how people from different backgrounds, from different nations, think and feel about their different futures, and what experiences shape their views.
“These photographs provide striking responses to the issue of Independence. Through captions accompanying the photographs, viewers can assess whether their reflections on the images correspond to what the photographers were trying to convey.
“We’ll be sharing the research findings in Cardiff in May.”

The Aberystwyth team has collaborated with photography clubs and students in this brand-new approach that is set to challenge academics’ conventional reliance on survey responses and demographic data such as age, gender or class to examine attitudes to independence.
Dr Anwen Elias, a member of the Independent Commission on the Constitutional Future of Wales, explains:“Photography is a powerful tool in providing a more rounded understanding of what’s going on, and to help determine to what extent emotion dictates people’s standpoints on issues like independence.
I’ve certainly been persuaded by this new methodology, which I now believe has a real role to play in continuing the conversation about Wales’s constitutional future.”
Head and heart
Ahead of the official exhibition reception on Thursday 15 February, special guest Siân Gwenllian MS (Arfon MS) said: “This exciting photography exhibition at Oriel CARN, led by Aberystwyth University, is a real eye-opener.
“I’m particularly struck by the fact that there was often a tension between the head and the heart. Whatever your political views, this contributes a new layer of understanding to the ongoing debates about constitutional futures in Wales, Scotland, and Catalonia.”
The exhibition comprises work by photographers from Aberystwyth Camera Club; Workers Gallery in Ynyshir, y Rhondda; Foto-Cine Mataró d’UEC (Mataró Camera Club); and IEFC: Institut d’Estudis Fotogràfics de Catalunya (Catalonia Institute of Photographic Studies).
North Wales photographer Richard Jones has two of his photographs in the exhibition, and said: “My photographs ‘Dolbadarn yn deffro’ (Dolbadarn awakens) and ‘Annibyniaeth Barn’ (Independent Opinion) express the kind of new dawn that I believe Independence could bring to Wales.
“Because the exhibition itself does not promote a particular position on Independence, it has been illuminating to see my photographs alongside the work of photographers from different sides of the debate.”

CARN Co-ordinator, Menna Thomas, said: “We are delighted to have this thought-provoking, pioneering exhibition at Oriel CARN in Caernarfon over half term.
“We recommend very much for the public to come along and explore this fascinating collection of 40+ photographs and contribute to Aberystwyth University’s project if they so wish. With free family activities throughout the week, it has something to offer each and every member of the family.”
The exhibition is part of a project funded by the Economic and Social Research Council as part of the WISERD/ ESRC Civil Society Research Centre (Wales Institute of Social and Economic Research and Data).
Head / Heart: Framing the Future at Oriel CARN, Caernarfon takes place from 10-17 February 2024; 10am-3pm (except Sunday)
Admission: Free
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James D. ‘JD’ Howard, Marine Corps veteran and photographer, dies
By Admin in Photography
James D. “JD” Howard, a Marine Corps veteran who became an internationally known photographer for the AFRO American Newspapers, died Jan. 29 of complications from dementia at the Perry Point Veterans Administration Hospital in Cecil County. The West Baltimore resident was 82.
“Ever since he came home from Vietnam, JD has been truly one of our great heroes. He set the standard for what our generation should be doing,” said friend of 50 years and former state Sen. and Del. Clarence “Tiger” Davis, regional coordinator for the National Association of Black Veterans.
“He is a man who is known worldwide for his photography. The Congressional Black Caucus hired JD to do their photography and he brought along with him young proteges whose work he respected.”
James Dennis “JD” Howard was the son of James Cruter Howard, a Navy shipyard mechanic, and Eliza Peed Howard, a nursing assistant. He was born and raised in Norfolk, Virginia, where he graduated in 1960 from the Booker T. Washington High School.
He played guard on the recreation center football team and won the Virginia Golden Gloves welterweight championship in 1957.
The second of six children, he was “known for his bravery, athletic skill, and always testing his limits,” wrote a son, James D. Howard Jr., of Tokyo, in a biographical profile of his father. “In the summers, he and his brothers would go back to North Carolina each year from Norfolk to earn money for school supplies by working with their uncles harvesting tobacco.”
Mr. Howard enlisted in the Marine Corps and was sent to Camp Lejeune, where he was a member of the boxing team.
In 1962, he married the former Geraldine Stevenson, and three years later after the birth of two children, he was deployed to Vietnam.
Under enemy fire, Mr. Howard was wounded and received the Purple Heart.
After being discharged, he returned to Baltimore and joined the police department. When his wife needed surgery and he “lacked sufficient tenure to qualify for insurance,” his son wrote, he reenlisted in the Marines and was sent to Vietnam, for a second tour of duty, where he attained the rank of staff sergeant.
While in Vietnam, he learned photography and “documenting what he saw in the field and taking pictures during breaks. Gradually, he discovered he had a knack for capturing the most essential visual elements of people and places and using them to tell stories,” his son wrote.
Discharged in 1970, Mr. Howard opened a small photography studio behind the old S. & N. Katz Jewelry store at 105 N. Charles St.
Not content to just sit in his studio waiting for business to come his way, he instead made inroads in the city’s African American churches, where he covered weddings, christenings and funerals, among other events.
He expanded his work to city schools, photographing graduation ceremonies, and into politics, where he became the official photographer for various candidates.
He shot the National Black Beautician Convention and covered the Bronner Brothers International Beauty Show in Atlanta.
His work was published in The Baltimore Sun, Jet and Ebony magazines, and for decades until retiring in 2015, he was a staff photographer for the AFRO.
From the 1970s through the 1990s, he documented construction projects such as the Baltimore Metro, Fort McHenry Tunnel and Harborplace.
His work for the AFRO took him far from Baltimore. He photographed the inauguration of Barack Obama, the funeral of Nelson Mandela and the aftermath of the devastating earthquake in Haiti in 2015.
His work was featured in an exhibition at the Jubilee Arts Center in West Baltimore.
In 2019, his wife told the AFRO: “JD is a strong-willed individual who makes up his mind to do something and doesn’t stop until it is complete.
“He has always been very passionate about photography,” she said. “What I love most about his work is that he made photography work for him and his family.”
“JD was always trying to make life better for everybody and he did it in a quiet way,” Mr. Davis said. “He led by example.”
Mr. Howard’s wife, who was an administrative assistant, died in 2020.
Funeral services for Mr. Howard will be held at 11:30 a.m. Wednesday at the March Funeral Home at 4300 Wabash Ave.
In addition to his son, he is survived by another son, Lester Howard, of West Baltimore; two brothers, Theodore Howard, of Washington, and Victor Howard, of Norfolk; two sisters, Phyllis Dogget, of Randallstown, and Kay Collins, of Virginia Beach, Virginia; and two grandchildren. His daughter, Denise Howard-Johnson, died in 2016.
Photographers celebrate Mountain Culture at Dahl Arts Center
By Admin in Photography

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RAPID CITY — The participants of the 20th Annual Dahl Mountain Photo Competition and Exhibit, where photographers from the region celebrate mountain culture through their own lens. Have been named.
This exhibition is on display at the Dahl Arts Center from Feb. 23 through April 20.
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