Photography

Yesterday’s Heroes: Gammy Smith, hand-coloured photographs, and the need for a national boxing museum

Yesterday’s Heroes: Gammy Smith, hand-coloured photographs, and the need for a national boxing museum

By Miles Templeton


I WAS recently contacted by John Vail, a very generous man. He had a hand-coloured photograph of a long-forgotten fighter, Gammy Smith of Cambridge, which he wished to go to a good home. Gammy was an old friend of John’s father and, when Gammy died in 1988, he did not leave a family behind to pass the photograph on to, and so John wished to give it to me.

I have long thought that there should be a national boxing museum around somewhere, as there is with football, and if there was such a place then it would prove the natural location for a lovely piece such as this to go to. When I get the time, it is my intention to see if something can be done along these lines.

Hand-coloured photographs were very popular at one time. Colour photography, at the time that Gammy was around in the1920s, was virtually non-existent and it wasn’t until the 1960s that the process became normal for personal photographs. This is why all the photographs of old greats like Jack Johnson, Jack Dempsey, Joe Louis, and even Rocky Marciano, are in black and white.   For a young boxer from Cambridge in 1927 to ask an artist to hand-colour his black and white photograph was quite unusual, but this is what Gammy did, and the resulting portrait is quite beautiful. While I knew of the name Gammy Smith and had researched his fight record, I knew little about him or the details of his ring career. I think it fitting now to adorn this colour image, so rare, with a brief look at his exploits.

Gammy was a middleweight and a big fellow for his time. In the 1920s most young lads were inches shorter than they are today, and stones lighter. Times were hard and the diet was not good, especially for working class lads. Most professionals in Britain in 1927, when Gammy’s photograph was taken, weighed no more than nine and a half stone and most of them boxed between flyweight and lightweight.

This made Gammy stand out, and he didn’t have to fight his way past a myriad of little lads to establish himself. He was part of what was known as the ‘Cambridge School’, a group of fighters from the city who all emerged at about the same time and who all trained together in a School of Boxing. Gammy, along with Archie Allen and brothers Ed and Gilbert Stubbings, formed the backbone of the ‘School’ and they filled the bills at the Corn Exchange in their native city throughout the 1920s. He had 20 professional contests, only eleven of which were reported in the pages of BN. 

There was so much boxing around back then and BN, whilst capturing most of it, still missed an enormous amount. This is why the careers of boxers from that period are so hard to research.   Early in his career, Gammy suffered two losses at Bedford, going down to Johnny Seamarks, a very good fighter, and to Harold Bass by knockout. He then boxed in Ipswich a couple of times, wining one and losing one, before re-establishing himself with a long series of wins back at the Corn Exchange.

His first 15-rounder took place there in 1928 against Londoner, Mick Harris.  This was a return, as Gammy had beaten him six months previously over 12 rounds. Harris was dissatisfied with the verdict in their first encounter and Gammy was only too happy to meet him again. The two fought in front of a packed house and the BN report states that Gammy won this contest clearly.  In his next contest, Gammy knocked out a Canadian in five rounds and then followed this with good wins over Bert Cannons and Bill Softley.

Gammy boxed at the Blackfriars Ring a few times before bowing out in 1930, with an 11-9 record. He is forgotten now, but this picture does him proud. Thanks, John!

Celebrity photographer Joseph Sinclair dies suddenly aged 49

Celebrity photographer Joseph Sinclair dies suddenly aged 49
  • Sinclair had been shooting professionally for almost fifteen years 

Celebrity photographer Joseph Sinclair has died suddenly aged 49.

Sinclair captured everyone from pop stars Dua Lipa and Nicole Scherzinger to Normal People actor Paul Mescal and, most recently, the young stars of royal drama The Crown.

‘Joseph sadly passed away last Friday,’ his agent, John Parkinson, confirmed. 

‘I spoke to him around 4pm on the phone, then later found out that he had died that evening. We are all very sad – he was a very talented man.’

Sinclair had been shooting professionally for almost fifteen years.

The Crown stars Ed McVey and Luther Ford shot by Sinclair

Popstar Dua Lipa posing for Sinclair in Disney+ documentary

Nicole Scherzinger poses up in white as Sinclair showcases his photography skills

Sinclair captured the iconic shot of Paul Mescal after winning The Olivier Award for Best Actor for his role in A Streetcar Named Desire

He was inspired by films and music while growing up in England in the 80’s and 90’s.

Specialising in Celebrity Portraiture, his work has appeared in publications such as GQ, Esquire, Vogue, Sunday Times and Vanity Fair. 

He also shot publicity campaigns for Netflix, Disney, Amazon & HBO.

‘I began taking photographs when I was around eight years old. Fascinated by capturing people on film’, he wrote on his website.

‘It’s the passion to create that drives me.’

‘The wonderful thing about having a camera is you never know where it will take you, who you will meet and what the next exciting project will be.’

Iowa Photographer Captures Epic Surprise Marriage Proposal

Iowa Photographer Captures Epic Surprise Marriage Proposal

Wedding season is in full swing in Iowa. Couples are looking at gorgeous wedding venues, tasting delicious food on their menu, and hunting for the best wedding photographers in Iowa.

One Iowa photographer captured the most beautiful moment for a special couple even before the wedding day! An Iowa photographer named Kayla Palm (Kay Eileen Photographyhelped her friends with a surprise engagement photoshoot. The bride’s reaction is priceless!

image

It was a cold day in January. The happy Iowa couple Kenzie Long and musician Casey Muessigmann were just having fun taking adorable couple photos together. Little did Kenzie know this “normal” photo session was actually a surprise proposal. She’s speechless!

Kayla posted an Instagram video on her Kay Eileen Photography page about a year ago. For whatever reason, this video is just starting to take over the internet. Recently, this video has been viewed 1 million times!

Kenize’s face really says it all…the epic surprise engagement was a success! Her fiancé Casey Muessigmann did an amazing job! But then again, Casey is used to having big moments on a major stage. If you’re a fan of NBC’s The Voice, you might remember Casey Muessigmann as being a member of Team Blake Shelton. Casey was part of Season Three of NBC’s The Voice!

Casey Muessigmann’s audition happened over ten years ago! He’s still on the road performing shows across the Midwest. Casey has shared the stage with Joe Diffie, Merle Haggard, Scotty McCreery, Craig Campbell, Randy Houser, Eli Young Band, Thomas Rhett, and Blake Shelton to name a few.

Looking at Kayla’s Instagram page and the Kay Eileen Photography website, she will travel anywhere to capture your special day! Whether you’re in Iowa, South Dakota, or Minnesota, Kay Eileen Photography will travel.

Cheers to the happy couple!

LOOK: Most common fast food chains in Iowa

Stacker compiled a list of the most common chain restaurants in Iowa using data from the Friendly City Lab at Georgia Tech.

The following statistics are based on data from the year 2022

Gallery Credit: Stacker

13 Famous Iowans

It’s a great day for Iowans. The first ever Major League Baseball game was played in Dyersville, Iowa last night (August 12) in The Field of Dreams game and it was awesome!

What a great way to showcase a beautiful state and celebrate the hospitality of Iowans.

Iowa may seem far away from Tinsel Town, but The Hawkeye State has produced many famous actors, musicians, and athletes!

The following 13 are just the tip of the iceberg!

Naima, the Publication Spotlighting a “New Black Surrealism”

Naima, the Publication Spotlighting a “New Black Surrealism”

Founded by Ahmed Alramly, new digital publication Naima features contributions by artists including Rhea Dillon, Dozie Kanu and Frank Dorrey

January 23, 2024

Publisher and creative director Ahmed Alramly was fairly young when he first heard John Coltrane’s Naima. “It was the first time I’d encountered this Arabic name in this Black jazz context,” he explains. “I became so curious as to why this Black jazz musician from the States would title his song with an Arabic name.” Alramly would go on to discover the works of Yusef Lateef, Ahmad Jamal, and Art Blakey, jazz musicians who drew from Eastern mysticism. Years later, when it came time to come up with a name for his magazine, “Naima” immediately came to mind. “What I like about culture is finding these strange meeting points of two seemingly disparate places, and where they converge to birth something entirely new,” says Alramly. “A new look, a new style of music, a new subculture – that’s what Naima’s manifesto is all about, the convergence of contraries, and how so much of culture that I admire can be found there.”

Naima, whose first issue launched this month, is a new magazine of independent culture that aims to “give voice to certain movements in a space outside of where they are usually defined.” Naima will then publish digitally three times a year, culminating in a special edition anthology published in print. Each issue is divided into two sections, a particular theme and “Stories of Cultural Interest.”

Naima’s first issue explores the concept of “New Black Surrealism,” a term coined by Alramly that expands on WEB Du Bois’s concept of “double consciousness” – the dual perception of self that arises out of a sense of difference – and suggests “this double has multiplied.” “We live in a time where there’s cause for the advent of a triple, or quadruple, or perhaps best put, a multi-consciousness,” explains Alramly in his editor’s letter. “What is of vital interest is the additional layers of consciousness that have arrived with the passage of time, for the children of the second, third, or fourth generation, of whom there isn’t the imminent displacement from one to another, only the idea of another place, or the teachings and passings on through previous generations of ideals, myths, religions and sensibilities.” For Alramly, the idea of a multi-consciousness doesn’t just apply to those who identify as Black or as members of the African diaspora. “But the Black person facing the conflicting realities of the contemporary world, and dragging on in a perpetual state of non-belonging ultimately produces this new, unique form of existence – a surreal existence,” he concludes. Alramly defines this new independent movement in art as “New Black Surrealism.”

Alramly first arrived at the concept through his love of surrealist literature. “One of the things that drew me towards surrealism specifically was their fascination with the unknown,” says Alramly. “It was almost mystical, even though they were tipped towards the subconscious more so than the soul. It’s as if they’re looking for clues in a mystery.” In his research, Alramly came across Jean-Claude Michel’s book on the Black Surrealists, a group of students and writers who “identified with some distinctive traits surrealism happened to share with traditional African art and literature: a common belief in the power of words, of objects, and of external occurrence.” New Black Surrealism is also a reference to this forgotten movement. “You don’t hear of Black Surrealism as a movement of itself in art, and that’s one of the things I want to do when I talk about defining movements or subcultures … giving space to those things usually left out of history,” Alramly explains. 

Naima explores the notion of a “New Black Surrealism” through a group of formidable artists spanning the diaspora, including multidisciplinary artist Rhea Dillon, sculptor and photographer Dozie Kanu, and painter Naudline Pierre. “If you look at the work of Marcus Jahmal, Pol Taburet, Frank Dorrey, or any of the artists that are featured in this movement, what do you see? This amalgamation of images – figures of Caribbean mythology, cops, Black bullfighters, liquor stores, Memphis rap album covers … a free association of images that make up the contemporary Black subconscious,” says Alramly. 

Although the sensibilities of the artists differ, certain motifs emerge: layers of context and meaning, invisibility vs. visibility, and an overall desire to focus on the subconscious rather than the body. At heart is a refusal to be bound to one singular thing; each of the artists featured push back against the pressure to make art that is “representative”, or only rooted in figuration.

For Naima’s design, Alramly wanted to “maintain the playfulness of a fanzine.” This is expressed through the publication’s graphics and interface – users can interact with references by hovering over them – and the “Stories of Cultural Interest.” The first issue’s “Stories of Cultural Interest” features artists who are all “crests of a convergence of contraries”: One notable contribution in the series is an essay by punk-rock legend singer and writer Richard Hell.

Alramly hopes Naima can offer “a peek into the minds of artists” and a way of reading “other than the classic form of an essay.” “The entire theme is one large essay, one large idea that a reader can access through multiple minds,” he says. “Naturally, as we look for and encourage subcultures and movements, we want to reach those readers that are curious about art and literature and where they can find a space that resonates with them.” Alramly has ambitious plans for the publication, including an exhibition on New Black Surrealism and a video series focusing on studies, archives, and houses. “It’s my form of documentation,” says Alramly. “It’s about capturing a generation and giving shape to what’s going on.” 

Discover Naima here.

Christian Purdie Photography Corporate Headshots with Innovative Technology and Lighting Techniques in Las Vegas

Christian Purdie Photography Corporate Headshots with Innovative Technology and Lighting Techniques in Las Vegas
image

Las Vegas, NV, January 23, 2024 –(PR.com)– Las Vegas, renowned for its vibrant business landscape and diverse professionals, now has a new luminary in the realm of corporate headshot photography. Christian Purdie Photography, recognized for their exceptional creativity and technical prowess, introduces a groundbreaking approach to professional headshots that goes beyond conventional practices. The fusion of innovative technology and updated lighting techniques sets them apart as a trailblazer in the competitive world of corporate photography.

In a world driven by visual impressions, the importance of a striking professional image cannot be overstated. Christian Purdie Photography understands this implicitly and has invested in the latest lighting technologies to achieve a more uniform and polished look in corporate headshots. The mastery of advanced lighting techniques is evident in the photographer’s ability to sculpt light, ensuring that each portrait radiates professionalism while highlighting the unique features of the individual.

The meticulous use of precision technology is a cornerstone of Christian Purdie Photography’s approach. High-resolution cameras, coupled with state-of-the-art post-processing tools, result in images that are not only visually captivating but also rich in detail. This commitment to technological excellence is aimed at providing clients with headshots that surpass expectations, leaving a lasting impact on viewers.

Every corporate headshot session with Christian Purdie Photography is a personalized experience. The photographer recognizes the distinctiveness of each professional and collaborates closely with clients to understand their preferences, brand identity, and the image they want to convey. This personalized approach ensures that each headshot is a true reflection of the individual’s personality and professional style.

Efficiency is another hallmark of their services. The integration of technology streamlines the photography process, allowing for a quick and seamless experience for clients. The photographer’s dedication to efficiency is complemented by a commitment to a swift turnaround time, ensuring that clients receive their edited and finalized images promptly.

The Future of Corporate Headshots in Las Vegas:
Christian Purdie Photography invites professionals in Las Vegas to experience the future of corporate headshots. The studio provides an environment where innovation meets creativity, resulting in images that transcend traditional boundaries. Book a session with Christian Purdie Photography to embark on a journey of professional image enhancement that will set you apart in the competitive business world.

Mobile Corporate Headshot Photography Studio:
In an era where time is a precious commodity, Christian Purdie Photography understands the value of convenience for busy professionals. Going above and beyond traditional photography services, they introduce a groundbreaking initiative – a mobile headshot studio that comes to clients, eliminating the need for them to travel. This innovative approach is designed to help professionals save valuable time while still benefiting from the expertise of a photography company with over 25 years of experience.

The mobile headshot studio is equipped with the same cutting-edge technology and advanced lighting techniques that define Christian Purdie Photography’s in-studio sessions. Whether it’s at a corporate office, a business conference, or any preferred location, the mobile studio ensures that professionals can access high-quality corporate headshots without the hassle of commuting to a photography studio. This flexibility aligns with the company’s commitment to providing a seamless and efficient experience for clients, allowing them to focus on what matters most – their professional image.

Working as a corporate photographer for 25 years Christian and his team understand how busy the corporate environment of business is and their creation of a mobile headshot photography studio enables them to perform studio headshots at their client’s business.

About Christian Purdie Photography:
Christian Purdie Photography is a distinguished corporate headshot photographer based in Las Vegas, renowned for blending innovation with artistic flair. With an unwavering commitment to excellence, Christian Purdie Photography continues to redefine the standards of corporate photography through the use of technology and advanced lighting techniques.

As Christian Purdie Photography continues to push the boundaries of corporate photography, professionals in Las Vegas can look forward to a new era of captivating headshots that reflect not only their corporate identity but also their individuality and success in the business world.

ony World Photography Awards student and youth competitions 2024 shortlists announced

ony World Photography Awards student and youth competitions 2024 shortlists announced

The World Photography Organisation announces today the shortlisted photographers in the Student and Youth competitions of the Sony World Photography Awards 2024. Winners of Student Photographer of the Year and Youth Photographer of the Year will be announced on 18 April and will be on view as part of the Sony World Photography Awards 2024 exhibition at Somerset House, London.

STUDENT COMPETITION SHORTLIST

The Student competition shortlist is a selection of bodies of work by 10 students at leading higher education institutions. This year’s competition invited students to enter a series of five to 10 images in response to the brief Home. The shortlisted projects highlight the student photographers’ diverse perspectives on place, community, identity and belonging, showing the nuanced stories and conversations they engage with as they develop their practices.

Family relationships and personal histories are key themes across a number of the shortlisted series. Brayan Enriquez’s (USA, Georgia State University, Ernest G. Welch School of Art & Design) series And Taste the Dirt Below explores the family stories passed down through generations, focusing on Enriquez’s parents’ immigration to the United States from Mexico; Gaoge Ouchen’s (China Mainland, Communication University of Zhejiang) series The Orange Tree chronicles a return to the photographer’s family house during the pandemic after a time away; Kayin Luys’ (Belgium, LUCA School of Arts Sint Lukas, Brussels) project Don’t Trust Pretty Girls is an intimate portrait of his in-laws, celebrating their day-to-day rituals and pastimes.

The shortlisted photographers also turned their lenses towards community, and the ways one finds a sense of home within a larger group. Chatal Home, by Kazi Arifujjaman (Bangladesh, Counter Foto – a Center for Visual Arts), looks at communal living in a ‘chatal’, a rice processing site where families from around Bangladesh reside and work together; in Ihubo Ikhaya (A hymn, a home), Makaziwe Radebe (South Africa, Michaelis School of Fine Art, University of Cape Town) reminisces about memories of Emdeni, Soweto, recalling time spent with neighbours, friends and family; meanwhile in Horses and Caravans, Frederik Rüegger (Germany, Ostkreuzschule für Fotografie) captures the customs and traditions of English and Irish traveller communities, focusing on the annual celebrations held at the Ballinasloe and Appleby horse fairs.

Elsewhere, the shortlisted photographers looked at how introspection allows one to find a sense of home. Yufei Ma’s (China Mainland, School of Visual Art, USA) Intermission contemplates the moments of tranquillity that punctuate daily life through a series of still-lifes of linens and garments drying in the sun. Siphosethu Sanelisiwe Sikhosana’s (South Africa, University of Pretoria) project Resting In Unfamiliar Places traces Sikhosana’s changing relationship to religion and sexuality in a series of artfully crafted pinhole camera self-portraits.

Also included in the shortlist are projects exploring the challenges of making a home in precarious conditions. In Lake Poopó’s Disappearance: The Uru Community’s Tale of Resilience, Gaston Zilberman (Argentina, Motivarte) examines how climate change has altered the lifestyle and culture of the Uru community as their natural resources become scarce. Juan David Aguirre’s (Colombia, Universidad EAFIT) poignant black-and-white series No Home No Future documents ways of living in the Andes tenement in Medellin, where homeless people take shelter.

The winner of Student Photographer of the Year 2024 will be selected from the 10 students and announced at the Sony World Photography Awards 2024 ceremony in London on 18 April. The overall winning university will receive Sony digital imaging equipment worth €30,000.

This year’s Student Competition shortlist was judged by Ravi Ghosh, Deputy Editor at The British Journal of Photography.

YOUTH COMPETITION SHORTLIST

The Youth competition shortlist comprises the works of 10 photographers aged 19 and under. For the 2024 competition, entrants were invited to respond to the brief Through Your Eyes.

A number of the shortlisted photographers reflected on their personal experiences of the natural world and environment. River Lewis-Gosch (USA, 15 years old) caught the first moments of a severe wildfire in the North Cascades National Park in Washington, just as the firefighting helicopters began to arrive; while Kas Christiaens’ (Belgium, 19 years old) striking night-time image depicts light pollution in rural Belgium, revealing how street lights have impacted the clarity of the night sky. Sebastián Fernández Lora (Spain, 15 years old) succeeded in capturing a photograph of comet C/2023 P1 (Nishimura), which was visible from Spain in September 2023; and Daniel Murray (UK, 15 years old) turns his camera to a lone surfer on an empty beach, meditating upon the scenery of the Cornish seaside.

The shortlisted photographers also explored questions of identity and individuality in their work. Shayna Cuenca (USA, 15 years old) created a stylised self-portrait using a cut printed image, and tea bags; while Joyce Xu (Australia, 18 years old) took a studio self-portrait in a moment of reflection. Across the shortlist, photographers demonstrated creative approaches to composition as they documented their surroundings. Zy Grei Zander M. Esperanza’s (Philippines, 16 years old) image of a flying flock of doves highlights their motion through intentional camera movement techniques. Elsewhere Chengchen Wang (China Mainland, 18 years old) captured the snow-covered peaks of Yala Mountain, glowing in the late-evening light; Afiq Sharkawi (Malaysia, 18 years old) portrayed a craftsman in the workshop, making a traditional weapon known as a ‘keris’; and Isaac Friend (UK, 18 years old) took a dramatic photograph of rock formations against the backdrop of a clouded sky and distant ocean waves.

Youth Photographer of the Year is judged by Daniel Blochwitz, Curator of the Foto Festival Lenzburg, Switzerland. The winner will receive a range of Sony digital imaging equipment to nurture their vision.

The overall winners in the Student, Youth, Open and Professional competitions of the Sony World Photography Awards 2024 will be announced on 18 April 2024. For more information about upcoming announcements and winners please visit www.worldphoto.org

STUDENT COMPETITION SHORTLIST

YOUTH COMPETITION SHORTLIST

Brayan Enriquez, USA

Georgia State University, Ernest G Welch School of Art and Design, USA

Afiq Sharkawi, Malaysia

Frederik Rüegger, Germany

Ostkreuzschule für Fotografie, Germany

Chengchen Wang, China Mainland

Gaoge Ouchen, China Mainland

Communication University of Zhejiang, China Mainland

Daniel Murray, UK

Gaston Zilberman, Argentina

Motivarte, Argentina

Isaac Friend, UK

Juan David Aguirre, Colombia

Universidad EAFIT, Colombia

Joyce Xu, Australia

Kayin Luys, Belgium

LUCA School of Arts Sint Lukas, Brussels, Belgium

Kas Christiaens, Belgium

Kazi Arifujjaman, Bangladesh

Counter Foto – a Center for Visual Arts, Bangladesh

River Lewis-Gosch, USA

Makaziwe Radebe, South Africa

Michaelis School of Fine Art, University of Cape Town, South Africa

Shayna Cuenca, USA

Siphosethu Sanelisiwe Sikhosana, South Africa

University of Pretoria, South Africa

Sebastián Fernández Lora, Spain

Yufei Ma, China Mainland

School of Visual Arts, USA

Zy Grei Zander M. Esperanza, Philippines

PRESS CONTACTS

FOR FURTHER INFORMATION, PLEASE CONTACT:

Polly Brock / Vanda Ivančić on media@creoarts.com
 

ABOUT SONY WORLD PHOTOGRAPHY AWARDS

Produced by the World Photography Organisation, the internationally acclaimed Sony World Photography Awards is one of the most important fixtures in the global photographic calendar. Now in its 17th year, the free-to-enter Awards are a global voice for photography and provide a vital insight into contemporary photography today. For both established and emerging artists, the Awards offer world-class opportunities for exposure of their work. The Awards additionally recognise the world’s most influential artists working in the medium through the Outstanding Contribution to Photography award; the acclaimed photographer Sebastião Salgado is the 2024 recipient of this award, joining a distinguished list of iconic names including William Eggleston, Mary Ellen Mark, Martin Parr, Candida Höfer, Nadav Kander, Gerhard Steidl, Graciela Iturbide, Edward Burtynsky and Rinko Kawauchi. The Awards showcase the works of winning and shortlisted photographers at a prestigious annual exhibition at Somerset House, London. Our hashtags to follow are #SonyWorldPhotographyAwards and #SWPA2024.  worldphoto.org/sony-world-photography-awards-exhibition

ABOUT WORLD PHOTOGRAPHY ORGANISATION

World Photography Organisation is a leading global platform dedicated to the development and advancement of photographic culture. Its programming and competition initiatives provide valuable opportunities for artists working in photography and help broaden the conversation around their work. The Sony World Photography Awards is World Photography Organisation’s principal programme. Established in 2007, it is one of the world’s biggest and most prestigious photography competitions; celebrating the work of leading and emerging practitioners and attracting tens of thousands of visitors annually to its exhibitions worldwide. World Photography Organisation is the photography strand of Creo, responsible for delivering initiatives and programming across three sectors: photography, film and contemporary art. Follow the World Photography Organisation on Instagram (@worldphotoorg), Twitter (@WorldPhotoOrg) and LinkedIn/Facebook (World Photography Organisation).

CREO

Creo initiates and organises events and programming across three key strands: photography, film and contemporary art. Established in 2007 as World Photography Organisation, Creo has since grown in scope, furthering its mission of developing meaningful opportunities for creatives and expanding the reach of its cultural activities. Today, its flagship projects include the Sony World Photography Awards, Sony Future Filmmaker Awards, PHOTOFAIRS Shanghai, Photo London and PHOTOFAIRS New York. Working in partnership with Angus Montgomery Arts, Creo helps deliver the group’s ventures, comprising some of the world’s leading art fairs. Taking its name from the Latin for ‘I create’, it is in this spirit that Creo sets out to empower and give agency to creative voices. www.creoarts.com

About Sony Middle East and Africa:

Sony Middle East and Africa FZE is a 100% subsidiary of Sony Corporation and is the regional headquarters for the Middle East and Africa regions. The company is engaged in the business of Sony Consumer Electronics, Mobile Electronics (Car Audio), broadcasting and professional products and Computer Entertainment (PlayStation) products in more than 40 countries in the region.

Apart from stock operations in the Jebel Ali Free Zone Establishment in Dubai, Sony Middle East and Africa leads execution of various logistics, sales, marketing, advertising and customer services activities through its business partners. 353 accredited third-party service centres reinforce Sony’s presence in key markets in the region.

For media inquiries, please contact:
Sony Middle East and Africa FZE
Yehia Hassaan
Email: Yehia.Hassaan@sony.com
BPG Group
Sai Talwalkar

Email: sai.talwalkar@bpggroup.com

The man who captured images of a long-forgotten Ghana

The man who captured images of a long-forgotten Ghana


CNN
 — 

While visiting London to see the work of her grandfather, the late Ghanaian photographer J.K. Bruce-Vanderpuije, at the 2023 contemporary African art fair “1-54,” Kate Tamakloe was surprised to discover another of his images, uncredited, in the collection at the British capital’s Victoria and Albert Museum.

“I asked how they got the photo and was told it was in the library,” she recalled in an interview with CNN. “We have the original (in our archives), but somehow a copy got taken to the UK, and along the line, its history got lost.”

One of West Africa’s foremost documentarians of the 20th century, Bruce-Vanderpuije created a prolific record of life in pre- and post-independence Ghana, illustrating the country’s changing fashions and cultural practices with portraits of young couples getting married, newborn babies and everyday life for over 70 years. He also encountered a number of important community leaders and political figures throughout his career, among them Kwame Nkrumah, the first president of Ghana following its independence from Britain in March 1957.

For more than a decade — since Tamakloe began managing the Deo Gratias Photo Studio, which her grandfather set up in the Jamestown area of Accra, Ghana in 1922 — she has overseen an archive of some 50,000 images. Championing them and rectifying oversights in international collections has become a vital part of her job.

In collaboration with Efie Gallery in Dubai, the Ethiopian photographer Aïda Muluneh has curated a new exhibition titled “Unveiling the Shadows of the Past: J.K. Bruce-Vanderpuije — The Hidden Icon of Photography in Africa” that highlights images from the 1920s and 1930s, when Ghana was still a British colony (then called the Gold Coast).

“When I look at Bruce-Vanderpuije’s work, I think about the responsibility we bear (for) preserving the changing faces of the continent,” Muluneh told CNN.

People socializing in Accra in 1958. “Photographers of that generation were not capturing images for recognition or with the aim of being showcased in an exhibition,” explained Muluneh. “It was a necessity to preserve a moment in history.”

“His dedication to the field and the amassed body of work is a diary of a country and its people,” she added, alluding to the significant events Bruce-Vanderpuije captured, including the moment three ex-servicemen protesting unpaid war allowances were fatally shot. The incident sparked the 1948 Accra riots and would inform constitutional changes that shaped the country’s eventual independence.

“Photographers of that generation were not capturing images for recognition or with the aim of being showcased in an exhibition,” explained Muluneh. “It was a necessity to preserve a moment in history.”

Telling the Ghanaian story

Born in March 1899, James Kobla (J.K) Bruce-Vanderpuije studied at the Accra Royal School and enjoyed photography as a hobby in his teens. Later, he trained with J.A.C Holm (another Ghana-based photographer) for three years before establishing his own studio aged just 23.

Despite growing up privy to the studio and her grandfather’s practice, Tamakloe’s involvement was almost happenstance; after an accident caused her to move her cybercafé business to the studio, she began supporting her father — Isaac Hudson Bruce-Vanderpuije, also a photographer and an earlier custodian of the studio — when his eyesight started to deteriorate.

This subject of this image of Miss Ghana taken in 1958 was identified by her grown-up children.

“Once, a photographer from South Africa visited and said, ‘You guys are sitting on a goldmine,’” she explained. “That’s when I paid more attention and realized that I needed to do this. I needed to sort out the archive.”

For the past 12 years, Tamakloe has been digitalizing her grandfather’s pictures. “I’m still making a lot of discoveries, which is very exciting,” she added, recounting how some of Bruce-Vanderpuije’s subjects were identified decades later — including Miss Ghana 1958 and Seth Anthony, the first Black African to be commissioned as an officer in the British army, who were both recognized in pictures by their grown-up children.

“I have always been fascinated to see the reaction of the young generation when they see images of people from the past,” noted Muluneh, who has worked on a number of archive-building projects in Ethiopia. “The magic of photography, for me, is that it can bring us back to a time and moments that offer a unique perspective of not only understanding our people, but also ourselves. I believe that a bigger discussion is needed as it relates to the preservation, publication and promotion of the visual archives of Africa.”

Tamakloe is similarly engaged in pursuing this conversation, and keen to export her grandfather’s work more broadly. Ultimately, she said, “I would like to tell the Ghanaian story, truthfully.”

Taken in 1936, this image portrays Nee Kodjo Ababio IV, an important figure in Accra's politics.

Today, nearly two years after celebrating its centenary, Deo Gratias is widely considered to be the oldest operational photo studio in West Africa, and is still largely used as it was in its early years (albeit with a different, smaller crowd), said Tamakloe. “It’s in a very densely populated area and we have a lot of festivals happening around us — we’re also surrounded by churches — so people still come and have their photograph taken all dressed up,” she explained.

With a shift in new technologies and the way we interact with photography evolving, however, Tamakloe acknowledged that most people now look elsewhere for their mementos. “People do come and have passport pictures taken, but it’s not as busy as it used to be,” she said. “These days, people take photographs on their phones. Those who do come in though, want a print to keep and probably frame.”

“Unveiling the Shadows of the Past: J. K. Bruce-Vanderpuije — The Hidden Icon of Photography in Africa” runs until Feb. 20, 2024 at Efie Gallery, Dubai.