Titled Joel Meyerowitz: Dialogues, the Huxley-Parlour exhibition opens on 18 January and runs through until March. Representing Joel’s fourth solo exhibition at the gallery, Dialogues is fittingly named as it coincides with another important display of the photographer’s work at London’s Tate Modern.

The theme of pairing runs even more profound, as the work presented in Dialogues is displayed in couples to reveal the unexpected parallels that emerge in Joel’s imagery. And by doing so, the photographer’s enduring fascination with colour and the experimental ways he uses it comes to the surface.

According to Joel, the pairs of photographs on display are “relational” images, each linked by light, colour and composition. Both exhibitions use pairing to investigate the colour in Joel’s pictures and his characteristic use of “complex compositional structure and unresolved, non-hierarchical imagery.”

As for the subjects in Joel’s work, the photographer tends to lean on distinctly American aesthetics, such as the stars and stripes, while blending them with meditative palettes. The photographs on display span from 1964 to 2011 and include lesser-known images from his extensive archive alongside his best-known pieces, such as his early street work and images from his seminal series, Cape Light.

“Meyerowitz is widely acknowledged to be one of the first photographers – amongst others such as William Eggleston and Stephen Shore – to bring colour photography from the periphery to the centre of fine art photography,” says Huxley-Parlour.

In a modern world where everything can be recorded and reviewed with a couple of smartphone screen taps, Joel’s revolutionary approach to colour can almost be easy to underestimate. “Historically, where black and white photography was understood to be a serious medium, colour was widely considered to be technically inferior and aesthetically limiting – occupying the realm of advertising campaigns, television, and personal holiday photographs,” adds the gallery.

“In defiance of this, Meyerowitz’s work demonstrated how the medium allowed nuanced contemplation of form, composition, and mood.”

Meanwhile, at the ongoing display at Tate Modern, London, visitors will see Joel’s progression from colour to black and white in the 1960s, when he first began to embrace the limitations and aesthetics introduced by colour film. Featured works include A Question of Color, in which Joel carried around two cameras and shot nearly the same scene both in colour and black and white.

Winner of the sharing the planet category: Saving Orangutans 01, by Alain Schroeder

‘Sibolangit, SOCP quarantine centre, North Sumatra, Indonesia. The whole SOCP team works together to prepare Brenda, an estimated three-month-old female orangutan (she has no teeth yet), for surgery. A sedative is administered, the arm is shaved, her temperature is taken, while others hold her head or her hand out of compassion for the baby … Brenda was confiscated from a villager in Blang Pidie on the west coast of Aceh who was keeping her as a pet’

Photograph: Alain Schroeder

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The UK has provided satellite photographs of North Korean cargo shipments to Russia to a panel of UN experts as part of an attempt to trigger an official investigation into arms deals in violation of international sanctions.

North Korea has been accused of supplying ballistic missiles and hundreds of thousands of artillery shells to the Russian government for its war in Ukraine since Vladimir Putin met with Kim Jong-un in Russia’s far east in September.

Their bilateral relationship appears to be expanding. Putin met the North Korean foreign minister, Choe Son-hui, in the Kremlin this week during a rare, five-day trip by the senior Pyongyang official. The two discussed “further development of our relations in all areas, including sensitive ones”, according to a Kremlin spokesperson.

An unpublished UK defence intelligence report seen by the Guardian shows imagery taken between September and December of three Russian ships, the Maia, Angara and Maria, loading containers at North Korea’s revived Najin port before transiting to Russian ports in the far east. While the agency said it could not identify what was in the containers, it followed a US announcement last week that ballistic missiles from North Korea had been used by Russia in Ukraine last week.

“Russia’s use of North Korean weapons in Ukraine is a violation of multiple UN security council resolutions,” said a UN diplomat. “It undermines international efforts to prevent the spread of nuclear weapons and exposes just how desperate Russia has become in its failed invasion. This and other evidence submitted to the UN sanctions committee should trigger a full investigation into Russia and DPRK’s [North Korea’s] flagrant breaking of international sanctions.”

The report, along with other evidence from the United States and other countries, was provided to the UN panel of experts on North Korean proliferation, which is expected next month to publish its first final report since suspected North Korean shipments of ammunition to Russia sharply increased this year.

The ships in the report were all placed under sanctions by the US government in 2022 for their links to the Russian ministry of defence’s shipping company, Oboronlogistika OOO, which has “been involved in Russia’s illegal seizure and occupation of Crimea since 2014, as well as private Russian maritime shipping companies that transport weapons and other military equipment for the [government of Russia]”.

Two of the three ships were also identified in a recent report by the Royal United Services Institute thinktank. It showed a growth in transshipments from North Korea to Russia that “reveal that Russia has likely begun shipping North Korean munitions at scale”. A third was identified by NK News, an independent news website focusing on North Korea, as “part of a group of commercial vessels that have completed multiple deliveries of military equipment and munitions provided by the DPRK to Russia”.

The deliveries have been cited as enabling military strikes against Ukraine in December and January that “killed dozens of people and injured hundreds more”.

Prosecutors in Kharkiv told the Guardian that suspected fragments of North Korean-made Iskander missiles had been sent to Kyiv for analysis and said the missiles had subtle differences: hand-drawn lettering for serial numbers, and a different nozzle exhaust cone and welding.

A statement released by eight members of the security council, including the UK and US, said: “These heinous attacks were conducted, in part, using ballistic missiles and ballistic missile launchers procured from [North Korea].”

The White House’s senior director for arms control, Pranay Vaddi, said this week that the military cooperation between Russia and North Korea was “unprecedented” and warned that Russian military assistance to North Korea could undermine the US nuclear deterrence policy in South Korea and Japan.

“I think the nature of North Korea as a threat in the region could drastically change over the coming decade as a result of this cooperation,” he told the Center for Strategic and International Studies thinktank.

Choe met Putin, the foreign minister, Sergei Lavrov, and the deputy prime minister Alexander Novak during her visit to Russia.

North Korea also signalled that it may be receiving Russian help for its space programme.

Before the meeting with Putin, a member of the North Korean delegation was photographed with a document apparently titled Observation List in Space Technology Field, according to South Korea’s Yonhap news agency.

The list appeared to include the Progress Rocket Space Centre and the Voronezh mechanical plant, known to produce engines, although the writing was not completely clear, the news agency wrote.

Putin had previously pledged to help North Korea build satellites, and North Korea managed to launch its first spy satellite in November. South Korea alleged that Russia had helped build the spy satellite.

CAPE GIRARDEAU Mo. (KBSI) – Pet owners got a chance to get professional photos taken with their furry friends at Busch Pet Products for Valentine’s Day.

Stacy Busch-Heisserer, owner of Busch Pet Products says, “You get a good, quality, professionally done digital image that you can have forever.”

She believes a lot of pet owners have a special bond with their pets and believes creating everlasting memories with them is important.

“Their pets are their children; pets are their furry family members. So, for them having a professionally done portrait is something that they can remember their pet by for years to come.” Said Busch-Heisserer.

It’s something she has loved doing for 13 years now saying, “Basically, we have a different backdrop every year. We try to use some props. People are welcome to bring their dogs or cats, or- we’ve had rabbits.”

The business also boasts of doing other holiday-themed shoots as well, like Halloween and Christmas.

Shift Lead Jasmine Brown believes the frequent events to be popular by saying, “We had a whole line of people going from the party room all the way down to the stock room. It was really great. We had a lot of animals and everything. It was awesome.”

“I really want to do some Christmas pictures, this year, with my pups.” Said Brown.

Portraits were provided by Elaine Rohde Photography and made available from 11 a.m. to 1 p.m.

The next portrait event is said to be for Mother’s Day.

In a remarkable shift from his previous career as a sports photographer, Gilles Bertrand has employed his lens to portray the poignant narrative of a wildfire’s aftermath on the Causse de Sauveterre, a vast limestone plateau in France. The exhibition, titled ‘Sauve Terre’ (Save Earth), is currently on display at the Arts Court in Saint-Affrique until February 9, following a successful debut at the Phot’Aubrac festival.

The Genesis of ‘Sauve Terre’

Bertrand’s journey into this new domain of photography was kindled by a catastrophic wildfire in August 2022, sparked by a farmer’s negligence. The inferno mobilized an army of 500 firefighters, necessitated the evacuation of 1,000 individuals, and razed thousands of hectares within the Grands Causses Regional Natural Park. Motivated by his longtime passion for natural environments and forestry, Bertrand felt compelled to document the aftermath of this devastation.

From Sports to Environmental Photography

Transitioning from a distinguished three-decade career as a sports reporter and photographer, Bertrand embarked on this venture a few weeks after the fire. His photographic expedition spanned from the end of November 2022 to August 2023. The shift from sports to nature photography was not an abrupt one for Bertrand, as his love for the outdoors was deeply ingrained from his childhood experiences.

‘Sauve Terre’: A Call to Action

The ‘Sauve Terre’ exhibition comprises 40 photographs printed on weather-resistant aluminum plates. Bertrand’s work, more than being simply an exploration of unique landscapes, is a clarion call for viewers to reconsider their lifestyles in the face of mounting climate threats. His photographs vividly illustrate the impact of wildfires and climate change on natural landscapes, inviting viewers to reflect on their behavior and its potential repercussions on the environment.