Photography

Atlanta Braves photographer visits LOA

Atlanta Braves photographer visits LOA

GREENSBORO, Ga. — t was an exciting day for Lake Oconee Academy’s photography class when the Atlanta Braves team photographer, Kevin Liles, visited to share his knowledge and experience as a photographer with the budding photography students.

Liles began his career as a small-town reporter in South Georgia. After covering local high school sports, Kevin discovered he had a growing interest in photography, especially when it came to sports. He went on to photograph hundreds of assignments for The New York Times, Washington Post, Sports Illustrated and The Wall Street Journal. In 2018, he found his home as the team photographer for the Atlanta Braves where he continues his work today.

Liles shared some of the amazing moments he has captured over the years with the photography students. While most of the photographs he shared were epic ones he has taken for the Braves, he also shared some amazing moments he’s been fortunate to capture outside of The Braves organization over the years — from a regal portrait of former Pres. Jimmy Carter to a rare moment with University of Alabama head football coach, Nick Saban. He even shared an unexpected moment he was fortunate to capture of a pastor praying with a police officer that landed on the front of The New York Times Sunday edition. His was the lead photograph of every photographer across the country covering this story. It was an incredible honor.

In addition, Liles shared great advice with the young photography students as they prepare for their futures in any area of study. Liles suggested, “It takes about 10 years, in my experience, to be really good at anything…”

He later stated, “I think a lot of kids come into photography and try to be great very, very quickly. They want to be shooting a Braves game next week and it doesn’t work that way.”

His advice was to just put in the time to gain experience, suggesting that in order to grow in photography one needs good critiquing of his or her work to excel in the field.

Liles enjoyed bantering back and forth with ninth grade student, Ben Reber. He noticed Ben had a superior knowledge of the Braves stats and playfully tested his knowledge throughout. Ben later shared how much he enjoyed seeing Liles’ work from games he had attended or viewed on TV, recalling the moments from memory.

Before the event, Jordynn Chafin, a 10th-grade student, was unsure if photography was a career path she was interested in, “I wanted to do something in the technology field, but I thought photography was kind of boring. Seeing his work made me realize there is more to it and technology can be fun if you make it,” said Jordyn. She emphasized, “He definitely made me give photography a second thought.”

Being in the presence of such an accomplished photographer was a special experience for these young photography students. Before departing, Liles gave the students an opportunity to hold his official Braves World Series ring, an experience many of the students will never forget.

Photographer Captures New York at its ‘Worst and its Very Best’

Photographer Captures New York at its ‘Worst and its Very Best’

Phil Penman New York photography

Wandering the empty streets of New York during the dark days of the COVID-19 pandemic, photographer Phil Penman captured the city at one of its lowest ebbs.

“I have mixed emotions about this time,” Penman tells PetaPixel. “It was very sad to see the streets I love boarded up, due to the rise in shoplifting and theft.”

Phil Penman photography

Phil Penman photography

Despite the bleak times, Penman found comfort in chance conversations with strangers as people yearned for human connection during a period when authorities were enforcing lockdowns.

“This is New York at its worst and its very best,” says Penman. “The images take you on a journey. Quiet streets of New York like we have never seen before right through to the characters and personalities on the street that were less fortunate and had nowhere else to go.”

Phil Penman photography

Phil Penman photography

“I spent a great deal of time wandering the streets documenting everything and anything I saw,” he continues. “I found the conversations I had with people on the street helped me mentally and appreciate just how much we all need each other. Zoom calls were nice but no substitute for talking with people in the flesh.”

Big Empty Apple

Penman’s photos play on isolationist themes, amplified by the Leica Monochrom camera he chose to shot the project on. Like any street photographer, he knows patience is a virtue.

“Coming from the U.K. and knowing how much the rain just sucks, I now find myself looking for the bleak weather to act as a backdrop for the characters I like to capture,” he explains.

“I know from my 30 years on the streets that those extraordinary moments are few and far between. It requires a lot of man hours on the street walking and observing. If you go out with the mindset that you are going to get these images all the time you are setting yourself up for failure.”

Phil Penman photography

Phil Penman photography

Phil Penman photography

Despite hailing from Britain, Penman says he is “very much a New Yorker” after living there for 23 years. He points to Arnold Newman, Elliot Erwitt, and Josef Koudelka as influences but one inspires him more than others.

“Always have to go with Salgado on this one. From both a photographic point of view but also as a businessman and the way in which he handles himself with projects he chooses to do,” he says.

Phil Penman photography

Phil Penman photography

Penman has built an enviable following online with his Instagram page boasting 180,000 followers.

“Back when I started photographers had to have the gatekeepers approve of them and maybe they could have a career,” he says.

“These days young photographers don’t realize how great it is. You now can build an audience and make money doing something you love without going to the gatekeepers. Many photographers now can reach millions of people every month.”

Photographer Phil Penman.
The cover of Penman’s book New York Street Diaries.

His photos have been collated into a book called New York Street Diaries which is published by teNeues.

More of Penman’s work can be found on his Instagram and website.


Image credits: Photographs by Phil Penman

Applications Open for the 2024 New York Portfolio Review

Applications Open for the 2024 New York Portfolio Review
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Apply now for this free event for photographers

Applications are now open for the free New York Portfolio Review, which is produced by The New York Times photo department, Photoville and the Craig Newmark Graduate School of Journalism at CUNY.

This year we are bringing together 140 talented photographers with 70 top photo editors, publishers and curators for the 11th annual New York Portfolio Review on April 13 and 14, 2024.

Due to popular demand, and the need to be as accessible as possible for those who cannot travel, the 2024 review will take place in-person and remotely. On Saturday, April 13, the review will be in-person in New York. On Sunday, April 14, the review will be held virtually over Zoom. Photographers can apply for either the in-person review on April 13, or the online review on April 14. But not both. Once you apply, you will not be able to change which day, or format, that you wish to participate in.

Participation is open to anyone 18 or older. The review focuses on photojournalism, editorial and documentary photography, though all types of work will be considered.

A mainstay of photo events in the United States, the review convenes members of the photographic community to share work, exchange ideas, help each other — and have fun. On Sunday, April 7, there will be online workshops and presentations open to all the photographers attending either day of the review. Topics will include working with photo editors, running a business, negotiating contracts, editing and sequencing your own photos and self-care.

Each in-person participant will receive five private critiques. Each photographer attending remotely will receive four private critiques.

  • Photographers who attended last year’s review are not eligible to apply. Those who attended once in previous years can apply for this year’s review, but they must submit new work. Those who have already attended the review twice cannot apply.

  • When you apply, you will be asked to select your top choices for the reviewers you most want to see. You must choose 15. We will match the photographers chosen to attend with as many of those reviewers as possible using an algorithm.

  • To apply, send no more than 10 photos total, from one or two projects or bodies of work, using this form.

  • The files should be jpegs, 1,500 pixels at the longest side and 72 D.P.I.

  • Each file needs to be less than four megabytes each. Entries with files larger than four megabytes will be disqualified.

  • You can only apply once. Choose either Saturday (in person) or Sunday (remote). Not both. If you apply more than once you will be disqualified.

  • We will inform those who are accepted by March 8, 2024. Be sure to triple-check the email address you submit.

  • Photographs submitted will only be used to choose who attends the review. They will not be used for any other purpose.

  • If you have any questions email us at newyorkportfolioreview@gmail.com

  • Here, again, is the application form to submit photos.


  • Craig Allen, Senior Photo Editor, The New York Times

  • Sam Barzilay, Creative Director & Co-Founder, Photoville

  • Jacqueline Bates, Photography Director, NYT Opinion, The New York Times

  • Heather Casey, Photo Editor, The New York Times

  • Sandy Ciric, Director of Photography, Getty Images

  • Samantha Clark, Senior Photo Editor, National Geographic

  • Tanner Curtis, Photo Editor, The New York Times

  • Sean Corcoran, Senior Curator, Photographs, Museum of the City of NY

  • José Ginarte, Visuals Director, Bon Appétit

  • David Gonzalez, Writer/Photographer, The New York Times

  • Alyssa Goodman, Photo Editor, Associated Press

  • Angelika Hala, Photo Editor-Producer, Stern Magazine

  • Stephanie Heimann, Photo Director, New Republic

  • Jehan Jillani, Visuals Editor, Atlantic

  • Natalia Jimenez, Senior Photo Editor, Washington Post

  • Amy Kellner, Senior Photo Editor, New York Times Magazine

  • Danese Kenon, Managing Editor of Visuals, Philadelphia Inquirer

  • David Y. Lee, Senior Program Officer, Storytelling, National Geographic Society

  • Adriana Teresa Letorney, Founder, VISURA

  • Virginia Lozano, Photo Editor, NPR

  • Renee Melides, Photo Editor, The New York Times

  • Kara Milstein, Photo Editor, Time

  • Marie Monteleone, Features Photo Editor, Bloomberg

  • Quentin Nardi, Chief Photo Editor, Smithsonian Magazine

  • Megan Paetzhold, Photo Editor, New York Magazine

  • Corinne Perkins, North America Editor, Reuters Pictures

  • Sadie Quarrier, Director of Photography, National Geographic

  • Akili Ramsess, Executive Director, NPPA

  • Stephen Reiss, Photo Editor, The New York Times

  • Luise Stauss, Visual Editor, Pentagram

  • Sandra M. Stevenson, Deputy Director of Photography, Washington Post

  • Noelle Flores Théard, Senior Digital Photo Editor, New Yorker

  • Bernadette Tuazon, Director of Photography, CNN Digital

  • Amanda Webster, Photo Editor, The New York Times

  • Andrea Wise, Visual Strategy Editor, ProPublica

  • Ariel Zambelich, Lead Photo Editor, National + Politics, The Wall Street Journal


  • Tina Ahrens, Director of Photography, Zeit Online

  • Anna Alexander, Director of Photography, WIRED

  • David M. Barreda, Senior Photo Editor, National Geographic

  • Dudley M. Brooks, Deputy Director of Photography, Washington Post

  • Kim Chapin, Executive Director of Photography, Los Angeles Times

  • David Carthas, Senior Photo Editor, The New York Times Magazine

  • Elissa Curtis, Deputy Photo Director, Wall Street Journal

  • Melissa Dale, Associate Director of Photography, The Nature Conservancy

  • Adam Dean, Photo Editor, The New York Times

  • Matt Fidler, News Photo Editor, Guardian

  • Sarah Gilbert, Features Photo Editor, Guardian

  • Alessia Glaviano, Head of Global PhotoVogue, Condé Nast

  • Sam Hall, U.S. Assignment Photo Editor, Bloomberg News

  • Boyzell Hosey, Senior Editor Visual Storytelling, ProPublica

  • Sangsuk Sylvia Kang, Photo Editor, Time

  • Hideko Kataoka, Photo Editor, Curator, Educator, Newsweek Japan

  • Alexa Keefe, Assistant Managing Editor, National Geographic

  • Matej Leskovsek, Photo Editor, The New York Times

  • Eve Lyons, Photo Editor, The New York Times

  • Sabine Meyer, Photography Director, National Audubon Society

  • Matt McCann, Photo Editor, The New York Times

  • Mark Murrmann, Photo Director, Mother Jones

  • Evan Ortiz, Photo Editor, Bloomberg Businessweek

  • Emma Raynes, Director of Programs, Magnum Foundation

  • Joe Rodriguez, Senior Visuals Editor, Rolling Stone

  • Carla Rosorius, Director of Photography, GEO Germany

  • Jennifer Samuels, Interational Photo Assignment Editor, Washington Post

  • Steve Sapienza, Senior Editor, Pulitzer Center

  • Danielle A. Scruggs, Photo Editor, Wall Street Journal

  • Mikko Takkunen, Photo Editor, The New York Times

  • Jovelle Tamayo, Visuals/Multimedia Editor, Marshall Project

  • Amanda Voisard, Climate photo editor, Washington Post

  • Elijah Walker, Photo Editor, The New York Times

  • Nicole Werbeck, Deputy Director, Visuals, NPR

  • Maye-E Wong, Senior Editor, Wider Image & Special Projects, Reuters

Inside the world of 90s gamers and LAN Party culture

Inside the world of 90s gamers and LAN Party culture
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Before high-speed internet connection and Discord servers, multiplayer gaming meant lugging your bulky CRT monitor to a friend’s house, convention centre or random basement for a LAN (Local Area Network) party. In the late 90s and early 2000s, owning a personal computer was still a relatively new thing. For early adopters, LAN parties were an opportunity to meet up with fellow tech enthusiasts, and typically consisted of hours spent in sweaty rooms playing Doom or Quake 2 surrounded by empty bottles of Mountain Dew.

“Anyone who was on the internet in the late 90s and early 2000s was probably something of a misfit who found people who shared their sensibilities and interests online and that was a very powerful feeling,” says merritt k, the video game designer and archivist behind the upcoming book LAN Party. Since first talking to Dazed back in 2022 when she initially began contemplating the project, the artist has collected hundreds of images from an open call – all of which capture the Web1 era in all its hacked-together glory, with burnt CDs strewn across tables, cables snaking across floors, and packed-out sports centres with rows of PCs. Players can be seen wearing nu-metal t-shirts in rooms covered in 90s anime posters. Bulky monitors are framed with stacks of energy drinks, empty junk food packaging and Y2K relics such as Nintendo Gamecubes and digi-cams.

“What’s interesting is that the photos in the book show off not just LAN parties themselves, but the trends, fashions, and objects of interest of their participants at the time,” agrees merritt k. “You see a lot of these cultural threads merging in various ways, for instance in the anime music video (AMV) where footage from anime shows like Dragon Ball Z was set to tracks by groups like Linkin Park. These videos were then shared on forums and file sharing services like Napster and Limewire, because centralised repositories like YouTube didn’t exist yet.”

What’s most interesting is the DIY and community spirit of gaming’s early days, especially when compared to today’s ultra-sleek and official tournaments. There’s something deeply nostalgic about the chaotic, ad-hoc set-ups that feels optimistic, a time when personal technology was seen as liberating. “LAN parties specifically harken to a period before the internet affected everyday life and before the ubiquity of cell phones, meaning that most people still had to play games and hang out together in person,” agrees merritt k. “I grew up during the period when LAN parties were at their peak but my parents would never let me drag our Dell machine out to a friend’s place for one.” 

In recent years, there’s been a growing interest in LAN parties, which is unsurprising really when you consider the effect that lockdown has had on gaming culture – QuakeCon, one of America’s biggest LAN parties, is an event that hosts over 3,000 gamers each year. “I think COVID and the ways in which it forced people to retreat from public gatherings also played a big role in making images of people having fun with computers together in basements or living rooms more appealing to people viewing them today,” adds merritt k. This is particularly true for many of us, who’ve grown up alongside the internet, spending most of our time staring at a phone screen. In contrast, LAN parties offer a glimpse into a world before social media took over every aspect of our lives, a time when switching on a computer felt new and exciting. 

LAN Party: Inside the Multiplayer Revolution is out January 22 via Thames & Hudson

The Most Important Lessons I Learned as a Professional Photographer

The Most Important Lessons I Learned as a Professional Photographer

Not so long ago, I was sitting, browsing through the work I did in 2023. This year was marked by me going outside of my comfort zone. Having spent yet another year as a professional photographer, here are the takeaways I will bring into 2024.

I often say in private conversations that those of us who become photographers do it for the love of the art, not for the money associated with it. Perhaps this opinion is very traditional. After all, I aim to be an artist using photography, rather than simply a photographer. Money aside, it is a sweet job to have. You get to play around in your studio, be an artist, and ideally do what you love. Indeed, when I look back at 2023, I lived by doing what I love. At 21, it’s more than anybody can ask for. While I am very far from being wealthy by doing what I love, I can’t say I’m starving either. I invest quite a lot of what I make back into my photography. Most of what I make goes straight back into making new work, traveling for work reasons, and other work-related activities. In some ways, I see photographing fashion as my calling, which I’ve been fortunate enough to discover at such a young age. This year I managed to land editorials in some of the best-known magazines, as well as work with people I could only dream of working with.

Travel 

A lot of my success in 2023 came from travel. At the moment, I definitely lost more money on it than I made; however, it’s not a sprint, it’s a marathon. Building a client base in a completely new market takes time and money. I would be a lot more profitable if I stayed in my home base and shot locally. However, local success can only do so much. At an age when I have no kids, partner, or frankly anything that is holding me back, I can go and spend time anywhere I want, assuming I have the funds for it. This year, I managed to visit key markets for fashion work such as Paris, Milan, Barcelona, Berlin, some of these several times. The general trend I am noticing at the moment is that the first visit will be a loss financially; however, you will find people to work with. On the second visit, you will break even, and on the third, leave with a plus. Additionally, travel has enabled me to move to a new city and establish a studio there. Thanks to some very fortunate circumstances and pure luck, I am now proud to call Munich my home. Compared to Budapest, the Munich market is larger, and there are more opportunities. Key cities such as Milan and Paris are a short train ride away. To sum up, had I stayed in Budapest for the year, I would’ve not been able to leave that market or make connections and find work in other places. In fact, some of my best work has been shot away from Budapest.

Network

Networking is something I was really scared of doing at the start of this year. The thought of going to an event and trying to talk to as many relevant people terrified me. The way I got over it is by treating it as a game of bingo. Note down a few people that you recognize at the venue and go up, talk to them. Complimenting their outfit, recent work, or anything else that they’ve done will be a sure way to get into their good graces. If the conversation goes well, you can invite them later on for a one-on-one meeting. Etiquette dictates that the one who initiates the meeting picks the spot as well as pays for the other party. Don’t be greedy in these cases. A coffee that you paid for can go a long way. Networking is a time and money investment, an investment that is sure to pay dividends later on. Instead of buying a new camera, try to set aside a monthly budget for attending various events and going into meetings. Sometimes this may involve traveling to a different city. While it may seem like a stretch to fly into another city for a meeting, it is really worth it. I tend to batch such meetings together and visit a town for a few days with a schedule full of meetings.

Find the People You Work Well With and Stick With Them

This is another point that I really honed in on in 2023. While I encourage everyone to work with as many people as they can, there comes a point when you keep working with the same person. A lot of what photography is about is collaboration. A good team behind your work can make your images miles better. While the photographer is responsible for the overall success, the team can be the actual deciding factor in how a shoot goes. Work with as many people as you can, and then pick a few that will form the backbone of your team.

Outreach

Outreach goes hand in hand with networking, especially online. In 2023, I worked hard to get to know the right people in a variety of markets stretching from up in Stockholm to down in Milan. In my line of work, fashion photography, I strive to reach the people that hire photographers. These would be fashion editors, agency directors, art directors, art buyers, designers, and so on. Outreach was one of the key factors in being able to invest so much in my business. It was also the factor behind me being able to push my creativity beyond what I could ever imagine.

Move to a Larger City

This was the ultimate goal I had set for 2023. Being based out of Budapest, I always knew that the market there would never be able to accommodate the number of photographers that have populated it. While other markets are equally as saturated, there tends to be a lot more work happening as well. I won’t bother going into my detailed analysis of the Hungarian fashion market. I do want to point out that this analysis led me to set a goal to move away. So, as soon as there was an opportunity to have a studio in Munich, I said yes immediately and signed the contract the week after. This sudden move was more a stroke of luck than anything. However, had I not been traveling, networking, and reaching out to people, I would not have had this opportunity.

A Moment in the Life of UCLA

A Moment in the Life of UCLA

By Delan Bruce | Photography by UCLA Magazine |

January 18, 2024

“Be happy for this moment. This moment is your life.” 
—Omar Khayyam, 11th century Persian scholar and poet

Watch our video, capturing selected moments from the day:


The Dalí Bruin | Margo Leavin Graduate Art Studios

At the graduate art studios in Culver City, Nehemiah Cisneros, an M.F.A. candidate at the UCLA School of the Arts and Architecture, works on larger-than-life surrealist paintings that express his Angeleno identity.

Under the Microscope | Biomedical Sciences Research Building

Jennifer Achiro, an associate project scientist, studies how the brain forms long-term memories.

Reaching the Peak | Rock Wall

A bold climber takes on the Rock Wall in the John Wooden Center.

I’m Only Humanoid | Robotics & Mechanisms Laboratory at UCLA

Professor Dennis Hong works with a student on the robot Artemis, possibly to increase its 2.1-meters-per-second walking speed.

Face Time | Kerckhoff Hall

Colorful stained-glass windows surround stylist and model as they prep for a UCLA Store photo shoot.

No Badge Needed | UCLA Campus Police Station

Police K-9 Kylo lends a helping paw (or two, or four) to UCLA Police Department officer Tiffanie Hand and another officer.

Social Studying Black Bruin Resource Center

Students in the Black Bruin Resource Center — backpacks and laptops in tow — enjoy the 2-year-old center’s space in Kerckhoff Hall.

Tapping In | MacGowan Hall

Students warm up for a Dance for Music Theater class with Cheryl Baxter in the School of Theater, Film and Television.

Room to Roam | Stunt Ranch

The UCLA Stunt Ranch Reserve in Calabasas got its name from the family that homesteaded the property in 1885. These days, plant physiology studies, conservation genomics and other research projects progress on the 310 acres of the reserve, overseen by assistant director David Blake (pictured) and others. 

All That Racket | Sunset Tennis Courts

Two competitors square off on a court at the Sunset Canyon Recreation Center.

On the Road Again | Santa Monica

The Mobile Clinic Project at UCLA has been serving the Southland since 2001. The wheeled service provider pops up all over L.A., connecting underserved communities with social and health resources.

Figure of Speech | Near Mildred E. Mathias Botanical Garden

Chancellor Gene Block giving remarks at the fifth anniversary celebration of the UCLA Pritzker Center for Strengthening Children and Families.

Primed to Play | Outside the Faculty Club

Student musicians Carlos Oliva (vihuela), Alaina Stark (harp) and Aviv Schifrin ’23 (trumpet), on their way to give a mariachi performance.

The Moment of Tooth | School of Dentistry

A student in the UCLA School of Dentistry practices on an artificial set of pearly whites.

Split the Difference | Mildred E. Mathias Botanical Garden

A twisty tree with a split trunk symbolizes Bruin perseverance.

The Sound of Music | Herb Alpert School of Music 

The UCLA Herb Alpert School of Music Wind Ensemble perfects a piece with Professor Travis Cross.

Hammer Time | The Hammer Museum at UCLA

Museumgoers walk around and through the Hammer Projects: Chiharu Shiota installation in the newly redesigned lobby of the Hammer. The Osaka-born, Berlin-based Shiota is the first artist featured in the lobby since its reopening in March 2023.

It Takes Five to Tango? | Royce Hall

Staff set up for a concert featuring Latin Grammy Award–winning ensemble Quinteto Astor Piazzolla, ingenious interpreters of the music of the legendary Argentine composer, who created New Tango in the 1960s.

Architechnique | Perloff Hall

Fanciful models and materials await the hands of architecture and urban design students in the brightly lit makerspace.

Accommodation Station | BruinHub

The John Wooden Center’s BruinHub, a collaboration between cityLAB and a host of campus administrators and advocates, supports student commuters.


Read more from UCLA Magazine’s Winter 2024 issue.

Perfect SSD for iPhone Photographers

Perfect SSD for iPhone Photographers

The new USB-C port on the iPhone 15 has opened up a whole universe of different accessories that can now be used, like USB-C hubs, universal chargers, universal dongles but most importantly (to me), the ability to use SSDs with your iPhone. Even though you can use everything with any of the iPhone 15s, the iPhone 15 Pro and Pro Max are the ones that have USB 3.2 Gen 2 speeds, allowing for up to 10 Gbit transfer speeds. For us creatives, that unlocks a lot of functionality. Combining this new functionality with enhancements to SSDs, you now have a full studio in your pocket. I might have found that perfect SSD companion in the new Dockcase Pocket NVMe SSD – Photography Edition.

I have been a fan of Dockase products for a few years now. I have used the USB-C hubs as well as their external SSDs and their claim to fame has been their amazing and rigid build quality as well as their unique real-time status/diagnostics display. They use this display on almost all of their products which is amazing!

The Specs

The Dockase SSD comes in two different finishes with matte black as well as stripe mirror, I have the strip mirror version which looks fantastic. The build of this little guy is great, using a combination of aluminum and tempered glass for the display, so you do not have to worry about this thing breaking.

Here are the specs that make this SSD the perfect iPhone companion:

  • Supports ProRes HDR footage, meaning you can record directly to the SSD from the iPhone
  • Max capacity of 2TB
  • USB 3.2 Gen 2
  • 10 Gbit transfer speeds (includes 60W 10 Gbit braided cable)
  • USB-C port
  • Only 50g in weight
  • Two 1/4in screws for simple mounting onto tripods or iPhone rigs
  • Power Loss Protection
  • SSD swap with enclosure access

Now of course this also works with Android devices and dedicated cameras but I have been using it with my iPhone 15 Pro Max and it’s been great.

Diagnostics display

This 1.3in by 1.3in LCD display gives you all the small details every photographer would want to know in real time. It lets you know statistics like the storage size, the amount of storage left, real-time read and write speeds as well as the life span of the capacitor. One of my favorite use cases is when I record in ProRes HDR on the iPhone. It will show me exactly how fast the footage is being saved onto the SSD so I have peace of mind to know exactly what is happening with my ProRes footage.

The display is bright, easy to read, and very self-explanatory. It has one physical button on the side that allows you to control the screen by changing the orientation as well as diving deeper into each aspect of the SSD.

Pricing & availability

The Dockcase Pocket – Photographer Edition is currently available on Kickstarter with shipments set to start in March of this year. This will be Dockcase’s 11th Kickstarter project and they have a 100% success rate on reaching their backing goal and their estimated delivery date! They have also already exceeded their backing goal and have over 400 backers already.

There are multiple variations of this Dockcase Pocket, you can purchase the entire package with an SSD already installed or you can just buy it as an enclosure and then find your SSD to install after the fact. The stripe mirror edition with no SSD starts at $79, the matte black with no SSD starts at $85. Then you have the 1TB version that starts $129 and then the maxed-out 2TB version is $249.

So if you are looking for a new SSD for your iPhone setup, or you are just looking for a reliable yet unique SSD for your workflow, this tiny SSD by Dockcase could be a great option. Its well built, serves its purpose and has a cool trick up its sleeve with the display. Let me know what you think. Is this something you see yourself using? Let’s discuss in the comments below!

FTC: We use income earning auto affiliate links. More.

This night photography gadget offers 4K UHD image quality

This night photography gadget offers 4K UHD image quality

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7-3 =
Discussion
Product Specifications
Image Quality
4K UHD
Viewing Distance
1970′
Night Vision
Full Color

YASHICA Vision night photography gadget gives you 4K UHD image quality in low light

YASHICA Vision night photography gadget gives you 4K UHD image quality in low light

YASHICA Vision night photography gadget gives you 4K UHD image quality in low light

YASHICA Vision night photography gadget gives you 4K UHD image quality in low light

YASHICA Vision night photography gadget gives you 4K UHD image quality in low light

YASHICA Vision night photography gadget gives you 4K UHD image quality in low light

YASHICA Vision night photography gadget gives you 4K UHD image quality in low light

YASHICA Vision night photography gadget gives you 4K UHD image quality in low light

YASHICA Vision night photography gadget gives you 4K UHD image quality in low light

YASHICA Vision night photography gadget gives you 4K UHD image quality in low light

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YASHICA Vision night photography gadget gives you 4K UHD image quality in low light

Unveil the outdoors at night with the YASHICA Vision night photgraphy gadget. It offers 4K UHD image and full-color night vision.

This item is eligible for $113 OFF
Discount

Unveil the outdoors at night with the YASHICA Vision night photography gadget. It offers 4K UHD image and full-color night vision.

 

Full-Color Night Vision: YASHICA Vision offers a full-color night vision mode. It provides a natural view in challenging lighting conditions.

4K UHD Image Quality: With advanced optics and a superior CMOS sensor, YASHICA Vision delivers high-resolution 4K UHD images.

Up to 600m View Distance: Extend your observational reach with an exceptional view distance of up to 600 meters. And that’s in complete darkness. You get clarity and detail during nocturnal exploration.

3x Optical Zoom, 5x Digital Zoom: With a 3x optical and 5x digital zoom, YASHICA Vision ensures precise framing and observation without compromising image quality, catering to diverse scenarios.

Long Battery Life: YASHICA Vision boasts up to 16 hours of battery life, making it an ideal companion for wildlife observation or night exploration.

 

Discover the nocturnal world with this gadget!

YASHICA Vision night photography gadget gives you 4K UHD image quality in low light
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Gadget Flow Rating 8.8/10

View Product Specs

Discovered on Jan 18, 2024, 10:30 am EST

Discovered by Lauren Wadowsky

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Why Use Gadget Flow?

We keep you updated with the latest tech product announcements for everything from the newest drones to obscure gaming gadgets. Our team discovers unique products and covers the latest crowdfunding campaigns. Save gadgets to your private or public wish lists, check out our team’s expert reviews, and purchase products directly from trusted sellers.

Meet the Team

Gadget Flow is headquartered in New York City, and most of our team works remotely from the US and Europe. We are tech enthusiasts who love to learn about new technologies and the latest innovations. Talented individuals who are passionate about the future, we work tirelessly and love to excite you and teach you about advancements in our field.

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Explore the world of Gadget Flow so you know when any new tech launches—anywhere. Create your account using your email or any of our supported third-party logins, such as Google, Apple, and Facebook.
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Sign up to create private and public wish lists that you can share with family and friends. It’s also easy to organize your favorite gadgets into different collections, like gift guides, smart home products you love, and more.
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What do you do when you find a product that you love but aren’t ready to buy? Simply create a notification! Click the three little dots by the buy now button and select Add Reminder to get notified. Receive a reminder when it’s discounted, Black Friday, the next season, or any date you choose.
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See all of our features:

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Our Mission: Help You Find the Best Gadgets

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What Is a Gadget?
It’s the gear you can’t live without: the smartphone you constantly check, the camera that goes on every vacation, and the TV for binge-watching and gaming. All the coolest gadgets owe their existence to a new technology that changed it all.
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Gadgets include everything from phones like iPhone and VR headsets like Oculus to gaming consoles like PlayStation 5 and robots like Roomba.
What Gadgets Are Trending Today?
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item_name: ‘YASHICA Vision night photography gadget gives you 4K UHD image quality in low light’,
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Helpful Tips and Advice for Landscape Photography

Helpful Tips and Advice for Landscape Photography

It pays to take time to reflect on your work, and perhaps no time is better for that than the arrival of a new year. This fantastic video tutorial features an experienced landscape photographer doing just that and offering loads of helpful tips and advice as well. 

Coming to you from Michael Shainblum, this awesome video tutorial walks viewers through various settings, techniques, and challenges he faced while creating some of his best shots of 2023. His first photograph, a spontaneous capture of Bridal Veil Falls with a rainbow at Yosemite National Park, exemplifies the magic of patience and timing in landscape photography. He emphasizes the value of waiting for the perfect moment, a lesson that’s crucial for photographers who often find themselves at the mercy of nature’s unpredictability. Another notable mention is a moodier scene captured under rainy conditions, demonstrating that great images can emerge even in less-than-ideal circumstances. Shainblum’s experiences reinforce the idea that landscape photography is not just about capturing beauty but also about embracing and adapting to the environment’s challenges.

Shainblum also explores the concept of stepping out of one’s comfort zone, highlighting a photograph with coastal textures that he likens to dragons. This shift in perspective and subject matter underlines the importance of creativity and experimentation. His journey through various landscapes, from the swamps of Texas and Louisiana to the streets of New York City, showcases the diversity and adaptability required in this field. Each image tells a unique story, not just of the landscape but of the photographer’s interaction with it. Check out the video above for the full rundown. 

And if you really want to dive into landscape photography, check out our latest tutorial, “Photographing the World: Japan With Elia Locardi!”