Photography

What Photographers Really Want for Christmas

What Photographers Really Want for Christmas

Please, no more mugs shaped like lenses. No more photography pun t-shirts. Photographers, filmmakers, and content creators; send this article to the gift givers in your life for some handy hints on what gifts you would actually like to receive.

Dear Generous Gift Givers

We know that it can be hard to buy gifts for the creative people in your life, who do seem to self-gift regularly with a variety of gadgets all year round in the pursuit of perfecting our images. It seems like we already have it all, but actually, we don’t! Photographers, whether they are professionals or passionate hobbyists, are always in search of the latest tools and accessories to elevate their craft. At MPB, photographers can buy, sell, and trade equipment as a means to keep their equipment up to date without breaking the bank. We have hand-picked some ideal gifts and contained them here together as a handy guide to help choose the perfect gift for the camera enthusiasts in your life that will leave them wondering “How did you know!”

For the Portrait Perfectionist

There is nothing quite like an 85mm lens for portrait work. Portrait photographers love nothing more than the 85mm lens because this particular focal length offers a flattering perspective that minimizes distortion and facial exaggeration. The Sigma 85mm f/1.4 Art lens excels at producing a beautiful background blur that isolates the subject from the surroundings, creating a dreamy, professional look. Its versatility allows photographers to work comfortably in a variety of settings, making it a sought-after choice for both studio and outdoor portrait photography.

For the Enthusiast Who is Ready to go Professional

A light meter is an exceptional gift idea for a photography enthusiast who is ready to elevate their practice to professional level. This indispensable tool allows photographers to achieve precision and consistency in their exposure settings, ensuring that every shot is perfectly exposed, whether shooting with natural light or with strobes in the studio. This Sekonic L-758DR Digitalmaster Light Meter is highly regarded for its accuracy. It is pocket sized for on-the-go reference when needed.

For the Smartphone Shooter

Smartphone filmmakers need some extra tools in order to achieve the best results. Consider investing in a gimbal stabilizer, which helps create smooth, cinematic shots. This Zhiyun Smooth 4 3-Axis Handheld Stabiliser, combined with the ZY Play app enables Android and iOS users to control both gimbal and smartphone camera functions such as focus, zoom, time-lapse, and still photo settings. The Smooth-4’s controls reduce the need to touch the phone screen, thereby minimizing unintended jostling while recording. 

For the Filmmaker in Your Life

A set of professional-grade LED lights can make all the difference in low-light shooting situations. These Rotolight AEOS Location lights are very popular due to their high quality and color accuracy and are sure to be a well-received gift. For great quality lighting on the go, these lights are a great investment.

For the Content Creators and YouTubers

These creators often spend hours in front of the camera, and good audio is crucial. A high-quality external microphone can significantly enhance their recording and streaming quality. The Rode NT-USB Mini microphone brings the world renowned sound quality of Rode’s studio mics to a compact usb platform. Compact and crystal clear, what more could content creators want in a microphone?

For the Adventurous Types

If your photographer is an adventurer who loves capturing action-packed moments in the great outdoors, a GoPro camera is an excellent choice. These compact cameras are built to withstand tough conditions and capture stunning action shots, whether they’re skiing down a mountain or on horseback. MPB has a selection of GoPro Hero11 Black models to choose from.

For Landscape Photographers

Working in all kinds of terrain, it is best to pack as light as possible. With this in mind, tripods can add considerable weight. That’s where the Manfrotto 190go! MS 4-Section Tripod will afford some steady shots while on the move without overloading on weight. Measuring at only 45cm in length when closed, and weighing only 1.35kg this is a compact and lightweight solution.

For Music Photographers

Music photographers often want to add a creative touch to their shots. Consider gifting them a star filter which can create beautiful starbursts around points of light, such as stage lights or sparkly stage costumes.

For the “Little Bit of Everything” Photographers

A versatile zoom lens is a sure-fire hit. Who doesn’t want a new lens for Christmas? This will expand their creative possibilities, enabling the capture of a wide range of subjects with a single lens, from street photography to child portraits. The Fujifilm XF 18-120mm f/4 is versatile, high quality, and sure to delight anyone unwrapping it as a gift. 

For the Photographers Who Seem to Have It All Already

These are the types who crave every new photography gadget that comes to the market. You might think that these are the hardest to buy for as they seem to have parcels delivered all the time with new photography gear, but trust me, these photographers still have a list of wants and needs as long as their arm. For this type of photographer, you can’t go wrong with gifting a high-quality camera bag, such as the Think Tank Airport TakeOff Rolling Bag which will hold 2 DSLR bodies, up to 7 lenses, 2 flashes, a 15” laptop, and tablet. 

For the Fussy Photographers

When you don’t quite know if your gift will fit the needs of the photographer in your life, you can always rest assured with MPB’s generous return and exchange policy, and a 6-month warranty as standard to provide peace of mind when buying used equipment. This ensures that the recipient can exchange or return the gift if it doesn’t quite meet their specific needs or preferences.

Whatever you decide, MPB has options for a wide variety of photography-related gifts to make this Christmas a truly special one for the photographers in your life. From specialized gear to versatile accessories, there’s no shortage of ways to make their photography dreams come true. So, this holiday season, surprise them with a thoughtful gift that will not only bring a smile to their face but also enhance their creative journey behind the lens.

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Q & A: Photographer Thomas Hennessey

Q & A: Photographer Thomas Hennessey
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Thomas Hennessey is a part-time photographer based in Mechanicsville. He recently received an honorable mention for his photo, “Bear Rocks Preserve,” in the Adult Landscapes category of the Jamestown, New York, Audubon Community Nature Center 2023 Nature Photography Contest. Last week, he spoke with Mechanicsville-Ashland Local staff writer Payton Kifus about being recognized for his work and his journey to becoming a photographer.

Kifus: Are you currently a full-time photographer?

Hennessey: No, I’m not. I am an amateur photographer, it’s my retirement hobby.

I read that you have a degree in biology, what inspired you to pursue photography as well? Did that play into your interest in nature photography?

It did. I did a little bit of photography in college, actually, with some of the things we were doing in biology. We had to take photos of things. We were using an electronic microscope and so you end up with a photograph that you had to then develop and print, and I thought that was interesting. After college, while I was working, I decided to pursue photography part-time. I went to the Art Institute of Pittsburgh to study photography at night school. That was back in the 35 millimeter days and for awhile I had a dark room at home that I used to do all of that. I ended up eventually taking a job where I was traveling pretty much full-time, so the photography fell to the wayside.

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What drew you back into it?

I often would carry around a little digital camera with me when I traveled, just to help me with my job and take pictures of things that I was doing for my reports. Then, back in about 2011, I was at a friend’s house and they had just had their house remodeled, and he had asked me to take a couple of pictures of him and his wife. He handed me his Canon digital 35 millimeter camera and I was like, “Oh, this is pretty nice. I kind of like this,”. So, I thought maybe I could get back into this. I bought one of my own back in 2011 and I’ve been working at it ever sense.

I was reading your profile and I saw that you prefer minimal editing. What led to this preference?

Well, the goal is to take a photograph that right out of the camera doesn’t need anything. Back when I was doing the 35 millimeter, when I did a lot of color work, I was doing color slides. With color slides, you send them off to be developed, you get them back and then you have what you have, there was no post-processing. So, I kind of like, as much as possible, to get the result without having to do a whole lot to it. I mean, I will edit, I’m pretty good with Lightroom [photo editing software]. However, what I don’t like is when people do so much photo shopping and you can’t tell what a real photograph from what’s fake is. I see people with photographs where it’s obvious that they took a picture of something, like the sky, and then they take that sky and edit it into another photo. It’s a nice image, but it’s not what I want to do. I want to take a picture with the sky that’s there at the time. Sometimes it works out, and sometimes it doesn’t. You’ve got to do the best with what you can and try other things.

What drew you to Crossroads Art Center?

Back after I bought my camera, I was taking these photographs and a friend of my wife’s mentioned Crossroads Art Center and another place where they have art shows. I thought, “Well, that’s interesting,” so I entered what they call their Media Show. They happen about every two months and it includes photography, painting and sculpture. Back in 2012, I entered one of their shows and a print I had was accepted and it sold. I thought that was a pretty cool thing, so I continued entering the shows and a lot of that is because it drives me to try to do better. They’ve gotten bigger and more and more people entering the shows and I still enter. I have a piece that was accepted for the September show and won second prize. So, you know, I’m happy about that and doing that. I now have a space at Crossroads where I sell my photography.

You recently received an honorable mention in the Audubon Nature Photo Contest. What sparked your interest in submitting your work there and what was that experience like?

A friend of mine had sent me a link to it and I thought, “Hey, that looks good,” so I entered. Then I heard from them that I received an honorable mention and that felt good to be recognized. I enjoy entering contest and I got to be the judge for one as well. I know it’s a very difficult thing to do because the judge is always wrong. Everybody who has entered a contest has experienced going and seeing something that won and thinking, “Oh, that’s not the best in the show,” because everyone has a different take on it. I felt very much that way when I judged a show a few years ago. It’s stressful. There’s a lot of things here and every time I look at them I have a different opinion of what I think is the best. So, I was aware of that going into it, but it’s always nice to be recognized. Whether it be first place, second place, honorable mention, it’s nice to have the recognition on something you worked on. You get a sense of accomplishment with it.

What is the story behind the photograph that received the honorable mention?

The photograph I took is a sunrise at Bear Rocks Preserve, which is an area in the Dolly Sods Wilderness in West Virginia. I went there with my wife a few years ago. It’s a really nice rocky place. We didn’t get there until mid-morning the first time we went there, so the sun was up in the sky, but I could tell from where I was that that would be a really nice location for a sunrise. Last year, we went back there and I knew I wanted to go back to that spot for sunrise. It takes about an hour to get there from where we were staying and the sunrise was supposed to be at about 7 a.m., which means having to get there at 6:30 a.m., so we left around 5 a.m. to drive there. The last five miles are up a steep and windy gravel road, and when we were about a mile from where we needed to get, there was a tree across the road that had blown down during the night. My wife and I had managed to drag the tree off the road so that we could continue to get where we needed to get. We eventually set up and got to see a very nice sunrise. I took some photographs from different angles and that one I was very happy with.

Hennessy will have another piece of his work featured at the Crossroads Art Center show on November 17. To see more of his work, visit https://tomhennessy.zenfolio.com/all-photographs

For more information about Crossroads Art Center, visit https://www.crossroadsartcenter.com/.

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How you can photograph the Leonid Meteor Shower tonight?

How you can photograph the Leonid Meteor Shower tonight?

Capturing meteor showers with a camera demands patience and technique. Tailored for DSLR or mirrorless cameras, these tips also apply to some point-and-shoot cameras with manual controls.

Meteor showers, occurring regularly, are named after stars or constellations close to their apparent origin. Ensure clear weather and avoid bright Moon or clouds.

Dimming the camera’s LCD screen helps eyes adjust to darkness and prevents image flooding. Meteor showers peak after the new moon, providing a moonlight-free sky.

AMAZING meteor shower captured on video

Photography requires long exposures, and even steady hands can’t eliminate all shaking. Tripods, even lightweight, help, and sandbags add stability. Propping a camera securely without a tripod is an option.

Wide-angle lenses increase sky coverage, enhancing meteor capture chances. A tripod reduces camera shake, and self-timers or shutter release cables avoid button-induced shaking.

Autofocus struggles at night, so set focus to infinity and fine-tune using test images. Repeat adjustments until satisfied. Zoomable electronic viewfinders may help.

Meteor showers radiate from specific sky points, following the 500 Rule helps avoid star trails. Divide 500 by the lens length in millimeters for the maximum exposure time before trails appear.

Set shutter priority based on the maximum exposure time and adjust aperture and ISO manually for improvement. Changing one setting at a time enhances understanding.

These tips, coupled with a touch of luck, can reward photographers with stunning meteor shower images using their DSLR, mirrorless, or manual point-and-shoot cameras.

When is the Leonid Meteor Shower peak?

The Leonid Meteor Shower is currently active, running from November 3 to December 2, 2023, with its peak on November 18, offering around 15 shooting stars per hour.

Unlike some meteor showers limited to specific regions, the Leonids can be viewed starting at midnight local time from virtually anywhere.

NASA recommends lying flat on your back with your feet towards the east and looking up to observe the shower. Alternatively, heading to a dark-sky location like a National Forest enhances the experience, providing a darker backdrop for the shooting stars.

Wandering Central Washington: Writing and photography are ways to appreciate the positive

Wandering Central Washington: Writing and photography are ways to appreciate the positive
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It feels like a year has passed in the blink of an eye, but somehow, we’ve reached November 2023. I was first introduced in the Yakima Herald-Republic in November 2022, which means this month marks one year of my column, “Wandering Central Washington.”

I’m very grateful for this opportunity to come full circle with my childhood dreams of pursuing photojournalism while also utilizing my conservation background. Being able to communicate and share information and stories with you has been one of the great honors of my life.

Over the last year I’ve found myself actively seeking out different perspectives and tidbits that I can share with our community. I approach even the simplest act, such as going for a walk, with a new perspective. I’ve noticed that I’m much more aware and inquisitive to things around me – such as staring at the changing leaves outside my window and imagining what the inside of a leaf looks like as chlorophyll breaks down. Having the ability to share these thoughts and musings with my community has made me more positive and outgoing. It’s given me purpose and I believe it’s changed the way I approach most days, even the not-so-great ones.

There’s value in writing and taking photos – even if it’s just for your own diary, a shared journal or a blog. The benefits of writing are far reaching.

According to Psychology Today, regular writing is beneficial for mental health as well as personal growth. Writing is known to reduce symptoms of depression and anxiety, and can even be used as a form of stress management. While these statements may be more geared towards keeping a personal diary, I personally believe that these benefits can be achieved even with creative writing or photography.

Psychology Today goes on to describe the increase in creativity, improved memory and self-awareness as a result of regular writing. The act of writing can stir up unique ideas and insights, and writing down experiences and particular details can aid in memory function and serve as a reminder of the meaningful moments in your life.

Forbes detailed an entire article on the benefits of embracing photography as a hobby. Prior to the smartphone, photography was much less accessible. It was an expensive, time-consuming craft that required specialized equipment, especially if you wanted to develop your own film. Today, I find that one of the few benefits to owning a phone is having a camera in my pocket that is comparable to a low-end professional camera.

The article reinforces a few of my core practices. Taking photos every day and capturing small moments of happiness with not only family and friends, but also inconsequential moments of beauty throughout the day keeps me engaged and immortalizes the good times. Rather than fixating on the negative, I’m actively using photography to try to train myself to notice, capture and reflect on the positive aspects of life.

While you most likely don’t write for a newspaper, you can still write for yourself and perhaps even for others too. Organizing a low-effort photography or journal club that meets once a month can spur you to write stories, share experiences and seek out special moments within ordinary days.

Having a community to share thoughts, feelings and interesting observations with is a great way to encourage yourself to seek out new information. Have you ever driven down the road and watched the clouds float by and pondered over how they exist? I find that having a reason to write forces me to think of new prompts and research the meaning behind many everyday occurrences that I take for granted.

I hope that you find this as inspiration to pick up a pen and paper, a camera, or clack away at a keyboard to document some of your thoughts and experiences. Remember, you don’t have to be a professional or an expert to enjoy or benefit from a hobby.

From the bottom of my heart, thank you Yakima Valley for tagging along on all of my musings, rants, and thoughts, no matter how big or small, for the last year. As autumn turns into winter it’s my sincerest hope that you can get outside and muse about your own wanderings.

Holiday Gift Books: Photography

Holiday Gift Books: Photography

“Lee Miller: Photographs” presents more than 100 of the photographer’s best images; an essay by her son, the photographer Antony Penrose; and another essay by the actress Kate Winslet, who will play Miller in an upcoming movie. Miller had careers as an enormously successful fashion model, a studio photographer, a collaborator with Man Ray, a fashion photographer and a World War II combat photographer. In Paris after World War I she knew the avant-garde Surrealists; their habit of unlikely juxtapositions informed much of her photography. Surrealism worked well in fashion, and surprisingly also in documenting the dislocations of war—even in her harrowing images of the dead and dying in newly liberated concentration camps. Herself a beauty, she created images that command attention.

None of the 95 pictures in Stephen Shore’s “Topographies: Aerial Surveys of the American Landscape” has a title. Instead, they are designated by the GPS coordinates of where they were taken: The crisp color photos were captured from a drone. In one essay, Richard B. Woodward writes that “these are photographs about the particulars of the physical world.” It is mostly an attractive world of farms, highways, mountains, lakes and rivers, and places of habitation and industry. The fine details exemplify, as Mr. Shore describes it, his “experiencing the everyday with attention.”

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Civil rights, motorcycle clubs and New Mexico landscapes: 60 years of Danny Lyon’s photography

Civil rights, motorcycle clubs and New Mexico landscapes: 60 years of Danny Lyon’s photography
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Lyon became internationally known through his photographs of the civil rights movement. Hired as a photographer for the Student Nonviolent Coordinating Committee in 1962, he spent years immersed in the movement, documenting sit-ins, arrests, speeches, marches, and the great leaders driving the movement for freedom for black Americans

Great photography demands great patience, perseverance, practice

Great photography demands great patience, perseverance, practice
November 17, 2023 at 8:39 AM

Nov. 17—COEUR d’ALENE, Idaho — From big game in the most inaccessible of foreign lands to hummingbirds on a feeder in the handiest back yard, the principles of good wildlife photography can be translated to success by those willing to put in the work.

Learning to capture images that capture imaginations has been a quest of decades for the Mountain West’s Tim Christie. Christie divides his year between Idaho and Arizona, spends his days outdoors in the areas where critters are found and is rarely afoot without camera gear in hand. His advice for those who want to take the show-stopping photos of their dreams, whether for fun or profit or both, is condensed in three essential tips.

Know your gear

“The first step is to make sure you understand the technology of the camera in your hand,” Christie said. “While modern cameras are meant to be bulletproof, allowing you to just point and shoot and have everything come out perfectly, that doesn’t work reliably if everything is not right. If your subject is backlit, if there are obstacles between you and it to distract the autofocus, the camera won’t do it for you.

“More than just working out how the camera works, it’s well worth your time to learn photography from the ground up. Don’t let the fact you can do some things with the camera keep you from learning to do everything with the camera. Whether you take a class from someone who knows what they’re doing, or find a good book that outlines the basics and builds from there, it’s important to understand lighting and composition, to know how shutter speed and aperture affect your depth of field and so on. It’s simple stuff, but if you don’t know why things work, you’ll limit your ability to create the sort of magic you otherwise could.”

Elements of the art that are unchanged from the days of Ansel Adams are still important to understand today. In fact, they’re the key to unlocking the gear’s greatest potential and, in so doing, your own as well.”

Know the critters

“Like many photographers I know, I started out not planning to be a photographer but was introduced to the outdoors early on,” Christie said. “My mom and dad loved the outdoors and really liked to camp. I got interested in hunting and my dad, who didn’t hunt, would take me hunting and hooked me up with people who knew how to hunt. That’s something for which I’m immeasurably grateful, something I only partially appreciated at the time. He went out of his way to do for me what’s proven one of my life’s greatest favors.”

Christie was teaching classes on public speaking and interpersonal relations at North Idaho College when his interest in the science and art of real photography began to grow.

“I had a Kodak Instamatic, a little fixed-focus camera I was using to take well-composed photos of just the crappiest quality you could imagine,” Christie laughs. “I had a friend who taught a photography class and, when I signed up for one of his sessions, the first thing he told me to do was arm myself with a ‘real camera,’ which meant a 35 millimeter. I bought one second hand from a student in one of my classes and really impressed myself with the quality of the photos it took. Pretty soon, I discovered I was spending more time with the camera in my hand than I did with a rod or a gun. I invested in some decent lenses and went from there.”

The ability to put himself into position to see critters to photograph in the first place is one skill Christie already had.

“One of the true gifts hunting has done for me is, it’s let me see the world through the vision of an animal or a bird that makes me say, ‘Wow!'” he said. “It’s hard to describe to someone who doesn’t love the outdoors, but people who hunt, birds or elk or whatever, when you see an animal in a certain situation in a certain light, it takes your breath away, and that’s a gift I was given by hunting.

“I’ve learned to anticipate what’s going to happen next, and I can put myself into a position to make the most of what’s going to happen.”

Know the goals

Good photography of wild critters requires the same elements a good photo of anything would need, which means a good photo can be deconstructed by someone who looks at it from the photographer’s point of view.

“Look at magazines that have the sort of photos you’d want to capture, then figure out what makes that photo what it is,” Christie said. “The composition, the light, the expression on the critter’s face, all of those play a part. Great photographs create great emotional responses, the reaction that makes people say, ‘I wish I could have been there,’ or that makes them think of experiences they’ve had themselves. That’s what you’re after.”

Christie’s first show-stopping photo of a critter in the wild brought all three of those key elements together.

“I knew where some mountain goats were, in a national park in Canada,” he said. “It was March, and the temperature was 25 degrees below zero when I left my car. I could see the goats, and I climbed for an hour to get onto their ridgeline and be on the same level they were.”

The minute he got into position to take his first photo, the goats began moving away and both his effort and opportunity seemed lost.

“They didn’t run away exactly, but mountain goats don’t have to run,” Christie said. “They walked away until they had put a shoulder of the ridge between us, and I knew they’d be walking across the top of an avalanche chute where they were going.”

Christie followed carefully, taking his time. When he rounded the corner he found himself face to face with the billy of any hunter’s dreams.

“Mountain goats in the winter have some of the most glorious hair anyone could ever see,” Christie said. “They look like they’ve just been to the beauty parlor and gotten blow dried.”

Yards away, a record-book goat stood in the mountain breeze, his long, wispy hair floating against a background of royal blue on a day so clear you could see forever.

“I was so close, I’d made the goat nervous, so I carefully backed away, and that made him calm down,” Christie said. “He was standing on a precipice with all of the Canadian Rockies behind him, and I shot every frame of film I had.”

When the editor of American Hunter saw the images that had met Christie’s eye, his first cover photo was sold. The world was introduced to Christie’s photography with the magazine’s April, 1981 edition. Since then his work has appeared on magazine covers more than 500 times. From big game to birds on the wing, Christie’s mastery of the art is one he hopes to always continue to grow and improve.

“Any kind of photography can be really exhilarating, or you can wait around a lot and hope something happens and, when it does not, you can know at least you’ve been alive today and free on the Earth,” he said. “It’s a great way to enjoy a life.”

To see more of his work and to purchase his latest book, “Stories painted with light: Amazing wildlife photographs and how they were made,” visit www.timchristiephoto.com.

Kevin Tate is the weekend edition editor for the Daily Journal. Email kevin.tate@journalinc.com.

Mossback’s Northwest: Asahel Curtis’ photography gets a new life

Mossback’s Northwest: Asahel Curtis’ photography gets a new life

But since this episode aired, what more have they learned about Asahel Curtis?

“The response to the episode was amazing,” says Berger. “Viewers let us know that they had Asahel Curtis images in their scrapbooks at home. People were finding things like lantern slides in their garage. And so we suggested that people contact the Washington State Historical Society because they have the largest collection of Asahel Curtis images.

“And the head of collections, Margaret Wetherbee, said that they were about to embark on this project of digitizing 55,000 Asahel Curtis images … [their] entire collection. They’re working from the original glass plate and nitrate negatives, which they keep in a giant freezer because they’re so fragile.”

The digitization is going well but slowly, Berger reports: “They can do about a hundred images a day.” But amazing discoveries are being made already: “They’re finding everything from news photos [to] promotional photos of landscapes, pictures of all kinds of people in all walks of life.”

Berger offers a backstory for a few of the collection’s more striking images: “This is the old Washington Hotel in Seattle on Denny Hill. And of course, neither of them still exist. One was washed away and the other torn down.

“The hotel is rimmed in incredible lights. It’s a night shot. And this was part of a welcome for Teddy Roosevelt. In 1903 he visited Seattle, and the city fathers wanted the entire city lit up as a kind of welcoming beacon. And this hotel where Roosevelt stayed was the centerpiece … Taking a photograph like that at night, it’s pretty amazing.