Growing up in South East London, Arthur later went on to study commercial photography at Arts University Bournemouth. He got his first proper insight into the industry by chance, after he was cast by Jamie Hawkesworth to model for a story for Arena Homme. “I was obsessed with his work at the time”, Arthur adds. He then went on to model for the likes of Campbell Addy, Tim Walker, Jurgen Teller, Tom Johnson and Nadia Lee Cohen. “It was a massive learning curve to be able to see behind the camera and look at what all these photographers did, to see how a set worked and what went into each shoot” Arthur reflects. From there, Arthur went on to assist in photo studios across London, before beginning his own practice.

Primarily, £1 Entry involved approaching people who stood out to Arthur at the boot sales – not an easy task, but one that he says he acclimated to quickly. “I think with every project you have to immerse yourself, and quickly strangers become people you see every weekend,” Arthur outlines. One such person was Gerald, a figure who pops up a few times throughout the zine, in a stand out image he smiles down the lens of the camera, a bright red flat cap on his head and in a suave fur collared leather jacket. A regular at the boot sales, Arthur says he’s “always the best-dressed person with the best clothes going”.

While many of the photos are candid shots of the boot sale attendees, half of the project also involved Arthur buying a load of clothes, and then styling people he had “cast”. Although styled and planned, keeping the location to the car boot kept these images “a lot more natural and authentic”, Arthur says.

Reflecting on the series as a whole, there’s one image that particularly resonates with Arthur, both for its palpable warmth, and the way it represents the sentiment of the whole series. In the image three women are huddled together, their closeness evident upon even a preliminary glance. But, as Arthur explains, the subjects in fact hadn’t seen each other for years. “I’d taken a picture of one of them before, and then later on they all came over – they hadn’t seen each other since primary school,” Arthur says. “It felt like a really authentic moment to catch.” It’s this coming together of people – old friends, eccentric figures and fashion lovers – that really encapsulates the £1 Entry, a beautiful portrayal of a close-knit London community where you may not initially expect it.