After two years and 1,460 photographs, they stopped. “Our mindset had already shifted,” they reflect. Left with a vast diary of portraits, they started to form a sequence. The result is a breathless universe of light and shadow that chronicles their return to intimacy. It presents 164 image combinations, but also a fold-out poster of all 730 to show the full process. This is all bound in a reflective silver cover to echo its title, because since the beginning, the duo always referred to themselves as each other’s mirror. “There are things we don’t know about ourselves, but through each other, we can see ourselves more clearly,” they say. “In a mirror, you don’t always see what you want. Good or bad, it gives you a clear image of yourself.”

Some images are dynamic and playful, full of gestures and movement. Others are delicate and obscure, like a secret whispered between lovers. In many photos, it is hard to distinguish between the couple. Both have long black hair, and their faces and body parts are often disguised. This was intentional. They weren’t concerned about making a record of their daily life, the focus was to employ abstraction and performance to express “how reality is not always what you see.”