NASA’s Photographer of the Year Awards Showcase Amazing Images

NASA’s Photographer of the Year Awards Showcase Amazing Images

NASA Photographer of the Year

NASA has announced the winners of its fifth annual Photographer of the Year awards. The winning photos showcase NASA’s people, places, and projects, as captured by NASA’s talented photographers.

12 photos won awards this year, with first, second, and third-place winners selected across four categories: Documentation, portrait, people, and places.

Documentation

In the documentation category, photographer Eric Bordelon earned the top honor with his photo of the Artemis I Prelaunch. Bordelon’s telephoto image was shot with a Nikon Z7 and 150-600mm telephoto lens at 210mm. The photo shows NASA’s Space Launch System (SLS) rocket with the Orion spacecraft aboard a mobile launcher at Launch 39B at NASA’s Kennedy Space Center in Florida. The prelaunch photo was captured on August 30, 2022.

NASA Photographer of the Year
Documentation, 1st Place | © Eric Bordelon/NASA

Photographer Bill Ingalls earned second place with his image of the SpaceX Crew Dragon Freedom spacecraft preparing to land off the coast of Florida, with NASA astronauts Kjell Lindgren, Robert Hines, Jessica Watkins, and European Space Agency (ESA) astronaut Samantha Cristoforetti aboard.

NASA Photographer of the Year
Documentation, 2nd Place | © Bill Ingalls/NASA

Bridget Caswell’s photo of an engineer mapping out the position of rocks during VIPER testing at NASA’s Glenn Research Center won the bronze in the Documentation category. A test version of the VIPER rover is helping NASA prepare for its mission later this year to find water at the Moon’s South pole. The test rover navigates a simulated lunar surface inside NASA’s SLOPE lab, providing critical feedback to engineers.

NASA Photographer of the Year
Documentation, 3rd Place | © Bridget Caswell/NASA

Portrait

Photographer Josh Valcarcel won the portrait category with his fantastic portrait of NASA astronaut Bob “Farmer” Hines in an Extravehicular Mobility Unit (EMU) spacesuit at the NASA Johnson Space Center photo studio.

PetaPixel recently interviewed Valcarcel to discuss his incredible Artemis II crew portraits. In the interview, Valcarcel discusses his photographic background, including training as a photographer in the Navy, the in-depth planning and execution of the Artemis II crew portraits, and what it’s like to be a NASA Scientific Photographer.

NASA Photographer of the Year
Portrait, 1st Place | © Josh Valcarcel/NASA

For her portrait of NASA quality engineer John Tota, photographer Desiree Stover earned second place. Tota is posing inside NASA’s Electro Magnetic Interference (EMI) chamber, where Tota works to ensure the quality of the flight hardware builds on the Ocean Color Instrument (OCI). OCI is an advanced optical spectrometer that will be used to measure properties of light over portions of the electromagnetic spectrum, and it will deliver more precise wavelength resolution than previous NASA satellite sensors.

NASA Photographer of the Year
Portrait, 2nd Place | © Desiree Stover/NASA

Valcarcel also earned third place in the portrait category for his hair flip portrait of NASA astronaut Loral O’Hara.

NASA Photographer of the Year
Portrait, 3rd Place | © Josh Valcarcel/NASA

People

Compared to the “portrait” category, NASA’s Photographer of the Year “people” category celebrates images of people that aren’t strictly portraits. For example, Jordan Salkin’s image of the Moog Hover Test shows a lone individual walking through the fog at the NASA Glenn Research Center at Lewis Field.

NASA Photographer of the Year
People, 1st Place | © Jordan Salkin/NASA

Bill Stafford’s second-place photo shows a NASA JETT3 engineering night run in Arizona. It was NASA’s third simulated moonwalk in preparation for future Artemis missions. During Artemis III, astronauts will visit the lunar South Pole region, an area no person has ever explored.

NASA Photographer of the Year
People, 2nd Place | © Bill Stafford/NASA

Valcarcel is back again, with an image of a Navy pilot and NASA astronaut candidate Jack “Radio” Hathaway inside a NASA T-38 jet. This image was captured during a mission to photograph the Artemis I on the launchpad at NASA’s Kennedy Space Center.

NASA Photographer of the Year
People, 3rd Place | © Josh Valcarcel/NASA

Places

Rounding out the awards is the “places” category, recognizing excellent images that show the environments where NASA’s diverse team of astronauts, researchers, and engineers work.

Photographer Jef Janis won first place with a mind-boggling image of the Aero-Acoustic Propulsion Laboratory (AAPL). Located at Glenn Research Center, AAPL is a world-class facility for conducting aero-propulsion noise reduction research.

NASA Photographer of the Year
Places, 1st Place | © Jef Janis/NASA

Josh Valcarcel’s aerial photo of a squadron of T-38 jets flying overheard the Artemis I rocket on Launch Pad 39B won second place in the category. The image was captured during the same mission on August 23, 2022, as Valcarcel’s second-place winning image in the “people” category.

NASA Photographer of the Year
Places, 2nd Place | © Josh Valcarcel/NASA

Valcarcel earned third place, too, with an image of astronaut Loral O’Hara, of hair-flip portrait acclaim, commanding a virtual frontier within the mock-up cupola in NASA’s Systems Engineering Simulator at Johnson Space Center.

NASA Photographer of the Year
Places, 3rd Place | © Josh Valcarcel/NASA

More Great NASA Photographs

Many talented photographers work alongside the astronauts and scientists at NASA, and it’s always amazing to see behind-the-scenes looks at the important work NASA conducts. Even more great photos are available in PetaPixel’s coverage of last year’s NASA Photographer of the Year Awards.

There’s a lot of detailed information about the work of NASA photographers like Josh Valcarcel in PetaPixel’s recent interview with him about his Artemis II crew portraits.


Image credits: Images courtesy of NASA

COR Explores the Art of Seating With the Nook Sofa + More

COR Explores the Art of Seating With the Nook Sofa + More

During Salone del Mobile 2023 at Fuorisalone, COR is providing a glimpse into its specific vision of the future of furniture design. The new Nook sofa, along with updates to the Shrimp chair and the addition of the Jalis Club chair, are all on display through April 23rd. Looking to put the focus on the appeal of a retreat, COR’s furniture is reduced to only the essentials to create a safe, secure place to feel comfortable and relax.

Nook sofa

With the inclusion of the Nook sofa, the brand adds a welcome cozy, nest-like seating option. Designed by Jehs + Laub, the compact design is set low with a high back, a unique form with an unexpected air of lightness about it. Nook’s exterior features clean lines, while the interior is soft and delicate, creating an almost sculptural appearance.

green brown modern sofa on white background

Nook sofa

Piping, in either a contrasting color or tone-on-tone, adds a playful separation to the interior and exterior of the sofa. And while its narrow joints may be mistaken for modularity, they perform the function of making the sofa’s large format stand out. In fact, they’re responsible for providing the distinctive appearance of the organically shaped body.

two yellow swivel chairs and a sofa in a styled living space

Shrimp 23

Shrimp 23 is a revamped edition of the iconic easy chair designed by Jehs + Laub that was first released in 2011. “When we review older designs we always ask ourselves if we’d do it the same way today,” explained the designer duo. “We wouldn’t change anything about the Shrimp seat shell, because the fact that it’s made from a single piece of wood makes it iconic and special. However, we don’t think the seat core reflects contemporary tastes.”

two modern white lounge chairs with ottomans in a styled living space

Shrimp 23

Their contemplations led to the design of a new seat cushion with additional volume that provides a higher contrast to the chair’s shell. Slightly larger in size than its predecessor, the soft cushion sits loose in the shell, forming an armrest  and supportive back. What hasn’t changed is Shrimp’s flexible bentwood shell responsible for its iconic silhouette and name. Reinforced bentwood, veneered in oak or walnut or lacquered, pair well with the fabric or leather cushion for a contrast that lets Shrimp’s character shine.

yellow swivel chair on white background

Shrimp 23

yellow swivel chair on white background

Shrimp 23

three sage green swivel club chairs in a styled interior space

Jalis Club

COR’s Jalis Lounge has been joined by a new family member: the Jalis Club chair. Smaller and also designed by Jehs + Laub, the new arrival speaks the same design language with its folded cushion. A low back provides comfortable support in a more upright position as the Lounge. The Jalis Club is available in two bases: a wire frame or rotating plate base with optional release mechanism. The standard version of the frame is powder coated in black, but can be requested in other colors subject to an additional fee.

two sage green swivel club chairs in a styled interior space

Jalis Club

brown leather club chair and sofa in a styled living space

Jalis Club

brown leather club chair and sofa in a styled living space

Jalis Club

grey swivel club chair on white background

Jalis Club

To learn more about COR’s new releases, visit cor.de.

Kelly Beall is senior editor at Design Milk. The Pittsburgh-based graphic designer and writer has had a deep love of art and design for as long as she can remember, and enjoys sharing her finds with others. When undistracted by great art and design, she can be found making a mess in the kitchen, consuming as much information as possible, or on the couch with her three pets. Find her @designcrush on social.

Street photography inspiration: Chasing light like Trent Parke

Street photography inspiration: Chasing light like Trent Parke

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A Photographer Asked Drag Queens One Question, And Everyone Needs To Read Their Answers

A Photographer Asked Drag Queens One Question, And Everyone Needs To Read Their Answers

With recent legislation around the country targeting LGBTQ+ people and drag queens specifically, North Carolina-based photographer Matt Ramey decided to start a new ongoing photo series called “Ancestral Fantasy: Tales of Freedom, Beauty, and Truth.”

The series features portraits of North Carolina drag queens in and out of costume, along with their responses when Ramey asked them a question: “Why is it important to live your truth?”

“The inspiration for this project started once the rumblings that demonized drag started taking hold in the political discourse. Ever since I can remember, LGBTQ+ folks have been under attack in America,” Ramey told HuffPost. “It’s so upsetting to see queer folks become the boogeyman. They are our family, neighbors and community. I want to do my part to help amplify their voices and tell their truth.”

Just this week, North Carolina House Republicans introduced a bill that would ban drag in public areas or where there are minors present.

Ramey hopes the portraits of drag queens out of their dazzling makeup and stunning costumes help others realize they are just regular people.

“It is easy to demonize something you don’t see as real,” the photographer said. “It’s important to remember that behind the makeup and performance is a real person, a human, just like you. They have a life, a family, goals, struggles, dreams and a truth they live in. They are entertainers and it’s important to see them as people, and not as a caricature.”

Below, check out the portrait series “Ancestral Fantasy: Tales of Freedom, Beauty, and Truth” by Matt Ramey and the answers to the question “Why is it important to live your truth?”

Brenda The Drag Queen

Matt Ramey for HuffPost

“When a drag queen pops on that first wig, pump, nail or lash, she’s taking back something the world has convinced her doesn’t exist over who she can be. Then, merely the existence of that character gives everyone they interact with the permission to be a little bit more themselves. When a young queer person sees a drag queen, they might think, if that towering person in a mermaid-cut sequin gown can do that, maybe I can make it one more day at school in the face of those bullies — as opposed to ending my life.

Anti-drag legislation takes away these opportunities. I can sing filthy parodies in nightclubs on Friday night and read a book to children on Saturday morning just like Chris Rock can do stand-up one day and voice a character in an animated movie the next. It’s called range — and drag queens have it the same as any other entertainer does. If 99.9% of the content I absorbed as a child situating heterosexual love as the only love didn’t somehow groom me to be straight, I can’t imagine that my reading to kids in a ball gown is going to groom them to be anything other than someone with more permission to be whoever they want to be.”

Matt Ramey for HuffPost

Alex Thee Rabbit

Matt Ramey for HuffPost

“Because freeing myself and living in that freedom lets others know that they too can dream and live the fantasies of their ancestors, just as I do.”

Matt Ramey for HuffPost

Chanté Elise Cassidy

Matt Ramey for HuffPost

“For all we truly know, we only have one life to live. You’d be doing yourself and the people around you a disservice by not being yourself and living your truth. One Love.”

Matt Ramey for HuffPost

Chloe Cassidy

Matt Ramey for HuffPost

“It’s very important to be the person you needed when you were younger.”

Matt Ramey for HuffPost

Emory Starr

Matt Ramey for HuffPost

“It’s important to live your truth because each individual has something specific and unique to offer. If you’re not living your truth then you’re denying not only yourself but the universe this special thing that only you can provide. True fulfillment is found in living your truth.”

Matt Ramey for HuffPost

Dana St. James

Matt Ramey for HuffPost

“Living my truth is important to me because, as a transgender woman of a certain age, I have been able to show younger generations that living an honest and joyful life is possible. While leading by example, I feel I can inspire others and show them that you don’t have to limit yourself to others’ concept of gender, and be your authentic self.”

Matt Ramey for HuffPost

Miss B Haven

Matt Ramey for HuffPost

“In a world full of so much deception, living in your truth is one of the bravest acts of resistance. To live in your truth is to choose yourself despite all the odds.”

Matt Ramey for HuffPost

Poison Venemisis

Matt Ramey for HuffPost

“There is a magnetic fire in my spirit that pulls me to dance and perform, almost a celestial force. The way my outward expression has been perceived or consumed has always pushed me outside of the norm, made me an outlier or outcast. I only found my place in the world through experiencing things that were more like me: music, art, fashion. I am so grateful that certain people have this unshakable urge to live in authenticity and make it known that we exist in a community; that everything and everyone has its time and place.

It’s important for me to live in my truth to honor those people ahead of me who fought for my liberty and for everyone who comes after to find themselves in me, to find this fuel to live in unshakable authenticity. I believe the world is abundant and accepting diversity is the foundation to social success. We need for everyone to be empowered to be exactly who they care to be, to listen to their calling and fulfill that in support and freedom.”

Matt Ramey for HuffPost

Ruby Liquer

Matt Ramey for HuffPost

“Organized religion taught me lies. And nearly killed me. My community taught me truth. And they accept me!”

Matt Ramey for HuffPost

Shelita Bonet Hoyle

Matt Ramey for HuffPost

“Because I need to be who I needed when I was younger. Growing up, no one around me looked like me or sounded like me or acted like me. And it took me a long time to realize that was OK. I live in my truth to show them that they can learn to love their truth, too.”

Matt Ramey for HuffPost

Teagress

Matt Ramey for HuffPost

“Queer kids out there deserve to see people like them thriving as adults as who they want to be. To put it frankly, the world doesn’t like to see people like us thrive. They want us to fall into place, be what they expect us to be, fall into the roles they expect us to fall into. Open your eyes: Drag and trans bans are being passed all around the country. It’s important now more than ever to not back down and show that queer people aren’t dangerous, but people that have been here for millennia.”

Matt Ramey for HuffPost

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Ucross to Host Native American Artist Talk and Reception

Ucross to Host Native American Artist Talk and Reception

The Ucross Foundation invites the community to meet the artists and curator behind the Ucross Art Gallery’s current exhibition, Field Guide: Teresa Baker + Anthony Hudson + Jessica Mehta + Eliza Naranjo Morse,” during an artist talk and reception on Friday, May 5.

The exhibition features art by recent recipients of the Ucross Fellowship for Native American Visual Artists program that supports the creative process of contemporary Indigenous artists through a month-long residency at Ucross, the opportunity to present work publicly and a monetary award. The featured artists include Teresa Baker (Mandan/Hidatsa) of Los Angeles, California; Anthony Hudson (Confederated Tribes of Grand Ronde, Siletz) of Portland, Oregon; Jessica Mehta (Cherokee Nation) of Portland, Oregon; and Eliza Naranjo Morse (Santa Clara Pueblo) of Santa Clara Pueblo, New Mexico.

Andrea R. Hanley and Eliza Naranjo Morse, artwork by Morse (photos courtesy of Caitlin Addlesperger and C, Vannoy)

The program starts with an artist’s talk at Sheridan College’s Kinnison Hall at 11 a.m. Guest curator Andrea R. Hanley (Navajo), who serves as chief curator of the Wheelwright Museum of the American Indian in Santa Fe, New Mexico, will moderate a conversation among Baker, Mehta and Naranjo Morse, discussing the artists’ work and creative process, before inviting questions from attendees. At 6 p.m., the Ucross Art Gallery will host a reception, which will include an artist meet-and-greet, exhibition tours and refreshments by Ucross Chef Cindy Brooks. Tickets to both events are free and available at ucross.org.

“The art in ‘Field Guide,’ which was created by the 2020 and 2021 recipients of our Fellowship for Native American Visual Artists, is an excellent reminder that the scope of contemporary Native art is deep and wide-ranging,” said Ucross President William Belcher. “We are proud that several works in the show were created while the artists were in residency at Ucross, which is a further testament to the freedom of time and space we provide artists here in Sheridan County.”

Teresa Baker, Jessica Mehta, and Anthony Hudson (photos courtesy of Caitlin Addlesperger)

In the exhibition, the four artists explore diverse cultural traditions while forging new personal identities and investigating topical issues, such as the diasporic experience, resilience and autonomy. Offering a complex view of the present and past, “Field Guide” engages in contemporary Indigenous discourse through art ranging from sculptures and paintings to video installations to a mural spanning a gallery wall.

“Field Guide” is on view at the Ucross Art Gallery, located at 30 Big Red Lane in Ucross, through July 30. The gallery is open with free admission Monday through Saturday from 10 a.m. to 4 p.m.

Plastic Bags Have Value in Sculptural So Plast!c Tables + Vessels

Plastic Bags Have Value in Sculptural So Plast!c Tables + Vessels

Let’s face what we’ve known for a long time: plastic products, like food and drink packaging and plastic bags, typically have a very short lifespan before inevitably ending up in the closest landfill. Studio Karyn Lim, a multidisciplinary design studio based in Singapore, set out to give them another chance. So Plast!c small tables and vessels gather the potential that plastic waste holds to create permanent pieces as an alternative, which can then be recycled again and again.

So Plast!c is currently on display at SaloneSatellite at Salone del Mobile 2023. The event, founded by Marva Griffin in 1998, is dedicated to designers under 35, with the aim of creating relationships between businesses and young designers as they prepare to enter the industry.

round confetti side table

The overall design of the So Plast!c small tables follows the principles of geometry, asymmetry, and positive and negative elements of design, though the use of horizontal and vertical lines. Each table is made using HDPE (high-density polyethylene) from bottle caps and PP (polypropylene) from food and drink packaging. (Each one uses approximately 6kg of plastic waste, or 1200 bottle caps!) These recyclable plastics are collected, sorted, cleaned, and processed into a raw material used to produce eco-polymer sheets for new products.

round abstractly colored coffee table

round abstractly colored coffee table

round confetti and black side table

abstract angular white spattered black side table

abstract angular white spattered black side table

white abstract vessel made using recycled plastic bags

Plastic bags have been banned in 99 countries, while others implement a per bag charge. There are also restrictions on state and city levels. Lim said, “It made me wonder why education about the urgency of reducing waste could not change user behavior, but adding a perceivable value on the product could.” So Plast!c sculptural vessels are handwoven using plastic bags in an effort to change the perception of these disposable items by making them more precious.

yellow and orange abstract vessel made using recycled plastic bags

Used plastic bags are collected, cleaned, and converted into balls of ‘plarn’ – plastic yarn – which are crocheted in geometrical patterns to form the vessels. The finished form looks almost fragile in its skeletal-like shape, each unique from the others. Some carry color from commercial branding, while others are multicolor from the use of bags from more than one store.

Lim poses the question: “Should these vessels be considered disposable since they were made from disposable bags? Or are they precious since they have been manually made by a human into a sculpture – a supposed object of value?”

detail of yellow abstract vessel made using recycled plastic bags

detail of yellow and black abstract vessels made using recycled plastic bags

detail of white and black abstract vessels made using recycled plastic bags

detail of black abstract vessel made using recycled plastic bags

light-skinned black haired woman wearing a black shirt and red lipstick

Karyn Lim Photo: Sayher Heffernan

So Plast!c will be on display at SaloneSatellite, April 18-23, 2023 9:30am-6:30pm at the Milan Fairgrounds, Rho. Entrance gates are Porta Est, Porta Sud, and Porta Ovest. To learn more about So Plast!c, visit karynlim.com.

Kelly Beall is senior editor at Design Milk. The Pittsburgh-based graphic designer and writer has had a deep love of art and design for as long as she can remember, and enjoys sharing her finds with others. When undistracted by great art and design, she can be found making a mess in the kitchen, consuming as much information as possible, or on the couch with her three pets. Find her @designcrush on social.

Sculpture demonstration will follow the story of one of Yellowstone’s wolves

Sculpture demonstration will follow the story of one of Yellowstone’s wolves
JACKSON, Wyo. — On April 20, the National Museum of Wildlife Art (NMWA) will host an interactive sculpting presentation where sculptor George Bumann will take the community on an artistic journey following one of Yellowstone National Park’s (YNP) most famous wolves. NMWA is partnering with the Yellowstone to Yukon Conservation Initiative for the program, called Canines, […]

Mayor Wu Announces Street Theory as City of Boston Mural Consultant

Mayor Wu Announces Street Theory as City of Boston Mural Consultant

Investment in murals across the City to foster neighborhood placemaking, support summer activations, and revitalize communities.

 Mayor Michelle Wu and the Mayor’s Office of Arts and Culture (MOAC) today announced Street Theory, Inc. as the City of Boston’s mural consultant. This three year contract, which totals $3,525,000, includes artist payments and all related project costs. It is funded through the American Rescue Plan Act (ARPA) and capital funds through the City’s Percent for Art program. As the mural consultant, Street Theory will be responsible for the administration and completion of 10 to15 murals or other mutually agreed upon public art projects across Boston through December 2025. It is the largest contract awarded by the Mayor’s Office of Arts and Culture for public art to date. 

“Murals in Boston are a critical part of highlighting and amplifying culture and beauty in our communities,” said Mayor Michelle Wu. “Arts help to create dynamic, connected and welcoming communities representative of our residents. I’m grateful to Street Theory for their partnership and dedication to equity in the creative space. This historic investment will uplift the work of diverse artists in all of our neighborhoods.”

Street Theory will work with MOAC to identify potential mural sites across Boston, provide feedback on Calls to Artists, and facilitate artist selection processes. They will also lead the documentation and community engagement processes related to these new mural projects. This support allows for the City to commission more artists for projects all over the city, with the goal of bringing more public art to every neighborhood. Projects that Street Theory will oversee include three basketball court murals at Malcolm X Park and a mural on a wall of the BCYF Shelburne in Roxbury, as well as murals in partnership with the Boston Public Library, Boston Housing Authority, Boston Public Schools, and Boston Centers for Youth and Families (BCYF).

“Public art has an incredible impact on communities, and we’ve seen that through some of the artworks we’ve been able to install in different neighborhoods over the past year, like Rita’s Spotlight by Rixy in Allston and The Joy of Growing by Mattaya Fitts in Dorchester,” said Kara Elliott-Ortega, Chief of Arts and Culture. “We’re looking forward to continuing our partnership with Liza and her team to transform neighborhoods across the city through more murals.”

“Murals are a form of public expression that create powerful experiences,” said Councilor Gabriela Coletta, Chair of the Committee on Arts, Culture, and Special Events. “They represent community values and foster the vibrancy of our beloved neighborhoods. Thank you to Mayor Michelle Wu and Street Theory for their investment that will ultimately empower artists across the City.”

Street Theory, Inc. is an award-winning creative agency that activates communities, spaces, and global brands through street art, experiential marketing, cultural placemaking, branding and design. Established in 2016, Street Theory is an artist-centric agency, owned and operated by its founder Liza Quiñonez. In 2021 and 2022, Street Theory served as Mural Consultant for the Mayor’s Office of Arts and Culture, through which Liza supported 11 mural projects across the city, including:

Street Theory’s overarching mission and strategy is to empower BIPOC creatives by fortifying and amplifying their respective artforms through talent and business development, intergenerational mentorship, cross-sector collaboration, and local engagement to increase equity in creative industries and build a more inclusive creative sector. The organization believes in breaking down barriers to the art industry by meeting BIPOC artists at every stage of their careers and creating pathways towards becoming thriving career artists through education, training, advocacy and exposure, while beautifying cities, communities, and neighborhoods with diverse and culturally-inspired public art.

“As the newly appointed mural consultant for the City of Boston, I am thrilled to have the opportunity to develop and administer dynamic and impactful murals and public art projects over the next three years,” said Liza Quiñonez. “I am excited to collaborate with the City, local artists, and community members to create works of art that reflect the diverse and vibrant culture of Boston. I look forward to bringing new life to public spaces throughout the city and leaving a lasting impression on residents and visitors alike.”

Street Theory was identified as the bidder that was most advantageous regarding proposal quality, vendor experience and qualifications, and diversity and inclusion plan. Street Theory is also certified by the City’s Supplier Diversity Program as a Minority Business Enterprise (MBE), Woman Business Enterprise (WBE), and Small Business Enterprise (SBE).

To learn more about public art in Boston, visit boston.gov/public-art.

German photographer refuses prestigious Sony World Photography award 2023. Here’s why

German photographer refuses prestigious Sony World Photography award 2023. Here’s why

A German photographer who won the Sony World Photography Award 2023, has refused to accept the same, stating that he was being a ‘cheeky monkey’ and that he has generated the prize winning image using artificial intelligence (AI) in order to ‘spark a debate’. 

The photographer Boris Eldagsen refused to accept the SONY World Photography 2023 award. He had won the award in the creative open category. 

The winning photograph has two women possibly from two different generation. The black and white photo shows one leaning on the other, while the seemingly younger female in the front looks up. 

In a statement on his website, Eldagsen, who studied photography and visual arts at the Art Academy of Mainz, conceptual art and intermedia at the Academy of Fine Arts in Prague, and fine art at the Sarojini Naidu School of Arts and Communication in Hyderabad, said he “applied as a cheeky monkey” to find out if competitions would be prepared for AI images to enter. “They are not,” he added.

“We, the photo world, need an open discussion,” said Eldagsen. “A discussion about what we want to consider photography and what not. Is the umbrella of photography large enough to invite AI images to enter – or would this be a mistake?

“With my refusal of the award I hope to speed up this debate.”

He said this was a “historic moment” as it was the first time an AI image had won a prestigious international photography competition, adding: “How many of you knew or suspected that it was AI generated? Something about this doesn’t feel right, does it?

“AI images and photography should not compete with each other in an award like this. They are different entities. AI is not photography. Therefore I will not accept the award.”

Eldagsen suggested donating the prize to a photo festival hosted in Odesa, Ukraine.

A spokesperson for the World Photography Organisation said Eldagsen had confirmed the “co-creation” of the image using AI to them before he was announced as the winner.

Images generated with AI tool Midjourney has taken the world by storm, and probably left them in utter confusion. 

From billionaires imagines in poorer settings, to grand-old senior skateboarding with ease, the essentially realistic images sure has taken internet on a rather bumpy ride. 

Freedom fighters taking a selfie to kings and rulers re-imagined, an AI tool has possibly blurred the boundary and rendered creativity ‘limitless’. 

The stunt comes at a time of intense debate over the use and implications of AI with some issuing apocalyptic warnings that the technology is on the brink of irreversibly damaging the human experience.

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