Alex Delotch Davis named executive director of SCAD FASH Museum of Fashion + Film

Alex Delotch Davis named executive director of SCAD FASH Museum of Fashion + Film
Alex Delotch Davis

Savannah College of Art and Design (SCAD) has named Alex Delotch Davis as executive director for the university’s SCAD FASH Museum of Fashion + Film in Atlanta and Lacoste, France.

A SCAD alumnus with an M.A. in luxury & fashion management, Delotch Davis brings more than 15 years of experience as an arts marketer, strategist, and connector in Atlanta’s arts and cultural scene. 

In the role, Delotch Davis will lead exhibition development, marketing, fundraising, and overall strategic vision and direction for SCAD FASH, SCAD FASH Lacoste, and SCAD Atlanta exhibitions.

Additionally, Delotch Davis will serve as a university ambassador to the local arts community, museum patrons, and fashion and film industries. Delotch Davis’s efforts will support SCAD FASH’s mission to serve as a creative resource for students of all ages, providing inspiration to visitors through exhibitions, films and programming.  

“I’m excited and humbled by the opportunity to be part of this diverse and innovative organization,” said Delotch Davis said in a press release. “I’m energized by what is on the horizon for SCAD FASH, the museum is a treasure for the community and it is an honor to amplify the outstanding exhibitions and programming. As an alumnus of SCAD Atlanta, I’m also thrilled to be part of an institution that supports the development of artists and cultivates opportunities in creative industries, which aligns very much with my personal and professional values.” 

Delotch Davis previously oversaw marketing and partnership strategy for the High Museum of Art, managing all special initiatives for the museum as well as directing the museum’s digital, print, broadcast, and social media campaigns.  

Kari Herrin, SCAD’s Senior Vice President of Brand Experience said, “Alex Delotch Davis is an incredibly talented force in Atlanta’s dynamic arts and cultural scene. Her keen sense of creative strategy, vision, and a connective spirit to champion love and appreciation for artists and designers throughout the community will be a tremendous asset to SCAD FASH. We are fortunate to have her leading SCAD FASH forward with inspiring exhibitions, programming and activations to enhance the bond between the university and community, and reinforcing the museum’s renown on an international scale.” 

Prior to joining the High Museum, Delotch Davis led experiential marketing programs and branded activations for Cadillac throughout the southeast, expanding the luxury car brand’s footprint at global arts events including Art Basel Miami. Previously, Delotch Davis also held senior marketing and public relations roles at Bloomingdales, Bill Lowe Gallery, and the City of Atlanta Mayor’s Office of Cultural Affairs.

Delotch Davis currently serves on the board of Atlanta Celebrates Photography and was recently appointed to Mayor Andre Dickens’ Atlanta Arts Advisory Committee. 

To learn more about SCAD FASH, visit scadfash.org.  

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Andy Warhol piloting John Denver’s experimental bi-plane: Christopher Makos’s best photograph

Andy Warhol piloting John Denver’s experimental bi-plane: Christopher Makos’s best photograph

In the summer of 1977, Andy Warhol and I took a trip to his house in Aspen, Colorado. He loved that part of the world, partly because he loved pretending he could ski, but also because a number of his greatest collectors were based around there, many of whom were friends, too.

On this occasion, we went to visit the singer John Denver, who had a bunch of airplanes, from small private jets to this experimental bi-plane. When I saw it, I told Andy to jump in. But those things are actually pretty small and difficult to enter – it’s not like you can just hop in. Andy couldn’t manage it, so I told him to stand on the other side of the cockpit instead, and angled the lens to make it look as though he was inside the thing.

It felt right shooting him in this strange old plane, because so much of our time together was spent travelling. It feels fitting, too, because even though Andy was a quintessentially American artist who never really looked to Europe for inspiration – from the Campbell’s soup cans to the Brillo pads, he was American to the core – his work is now so global, there’s almost nowhere in the world that his work hasn’t travelled.

His facial expression was a trademark in the photographs that he made public. It’s this perfect neutrality: I’m not happy, but I’m not unhappy either. There was always an ambiguity he wanted to convey – almost as if it was up to the viewer to decide what he was doing, how was feeling, which “Andy” he was being on that particular day.

He was the same in interviews. He would almost never go into detail. Answers were yes, no, or at most a few words here and there. He never wanted to let on what he actually thought. I think he sensed, before his time, the importance of never giving too much away, always keeping something back, out of the public gaze.

It’s funny because in private, he was just so different. He could talk about anything, all day long. He was a fantastic conversationalist, especially at a dinner party. There was a sophistication to the way he interacted with the world that I always admired. One thing I treasured about him was his naivety in the face of new things. He and I were the same in that respect: we were never too cool to be amazed by something. Maybe it was a new place, or new food – but he had an innocent enjoyment of new things that was always so pure.

I think we became close because we had so much in common, beyond just our love of art and photography. We were both Catholic boys. We went to similar schools. We shared the same values. And we both had the same work ethic: when we worked, we worked hard; and when we played, we played really hard.

Over the course of our friendship, I took more photos of him than I can count. There are a few where he had no idea he was being photographed: it was him without his “Andy” suit on if you like, but I don’t find them more interesting than the others. I like my subjects to know they’re being photographed, to pose a little, because it’s a form of interaction with the photographer that can kind of go anywhere. It’s so much more fascinating to me.

I’ve always loved portraiture, whether in a studio or out in the world. So many images are about the surface, but in a portrait, I want to get inside, to understand and express something deeper than an appearance.

The first 15 minutes of any portrait session is about waiting until the person reveals themself. I’m clicking the shutter, but I’m usually not taking pictures. I’m talking, asking questions, trying to understand who they are. Only then am I actually capturing that person: no matter what they’re wearing, whether it’s nothing or something really fabulous, it’s only then you truly get to see someone. When that person allows themselves to be vulnerable with you, you can get a great photograph.

People often ask me if I miss Andy. But there’s really no time to miss him, because I’m always involved with my photographs of him that I took, looking back at them, arranging them for exhibition, interacting with them and my memory of him.

Christopher Makos’s CV

Christopher Makos

Born: Lowell, Massachusetts.
Trained: Self-taught.
Influences: Man Ray, Andy Warhol, Paul Solberg.
High point: “Moving to New York City.”
Low point: “Leaving Los Angeles.”
Top tip: “Consistency.”

A Custom 3D Printer Weaves Two Colors of Clay into Elaborately Textured Sculptures

A Custom 3D Printer Weaves Two Colors of Clay into Elaborately Textured Sculptures

All photos by Matt Dayak, © Brian Peters, shared with permission

Through his innovative Dyadic Series, artist and designer Brian Peters defies the limits of clay and technologies. The collection is comprised of cylindrical sculptures that expertly weave soft blue and green with the natural color of ceramic, all created with a custom 3D printer.

Rather than achieve the two-toned compositions through glazes or paints, Peters coded the machine to fabricate each sculpture with both the pigmented and raw materials—most 3D printers add layers from a single body of wet clay—and the resulting forms elegantly entwine unique, textured patterns.

Born out of more than a decade of research into ceramics and the fabrication process, the series is proof that more variations in this technology are possible. Peters shares:

The idea of printing in two (or more) colors simultaneously has been something that has intrigued me for a while, and I finally developed the expertise in building 3D printers to pursue the idea. This new field of exploration is very exciting because you are able to directly print with color, rather than glazing the color afterwards, and will allow me to explore different patterns and textures (such as the woven-like texture created with this first collection).

Based in Pittsburgh, Peters frequently works on large-scale architectural works and wall sculptures, which you can find on his site. He’s currently in the midst of several commissions and building another 3D printer with new capabilities, so follow him on Instagram for updates. (via Design Milk)

 

A detail of a 3d-printed sculptures in green and beige with a unique textured pattern

A 3d-printed sculpture in blue and beige with unique textured patterns

A detail of a 3d-printed sculpture in blue and beige with a unique textured pattern

A 3d-printed sculpture in green and beige with unique textured patterns

A detail of a 3d-printed sculpture in blue and beige with a unique textured pattern

A detail of a 3d-printed sculpture in green and beige with a unique textured pattern

Two 3d-printed sculptures in green and beige with unique textured patterns

A detail of a 3d-printed sculpture in green and beige with a unique textured pattern

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A Custom 3D Printer Weaves Two Colors of Clay into Elaborately Textured Sculptures appeared first on Colossal.

TFM Planter Collection Unites Traditional + Modern in More Ways Than One

TFM Planter Collection Unites Traditional + Modern in More Ways Than One

Art and design gallery Tuleste Factory and exterior design firm Manscapers recently collaborated on their first project. TFM is a collection of indoor/outdoor planters that bring together traditional and contemporary shapes for some eye-catching results. Available in a selection of both tame and bold colors, the planters are handcrafted by artisans in Mexico using fluted fiberglass. The combination of traditional fluting and high design silhouettes creates a modern moment whether in the garden or the family room. Create an interesting grouping using both standard and oversized planters in different shapes and colors or go completely monotone.

styled interior exhibit with an array of modern fluted planters surrounded by greenery

styled interior exhibit with an array of modern fluted planters surrounded by greenery

modern black fluted urn on white background

modern cobalt blue fluted urn on white background

modern ivory fluted urn on white background

modern stacked fluted cobalt blue planter on white background

modern stacked fluted orange planter on white background

modern stacked fluted black planter on white background

modern cobalt blue fluted urn on white background

modern ivory fluted urn on white background

modern black fluted urn on white background

modern tall rectangular fluted orange planter on white background

modern tall rectangular fluted black planter on white background

modern wide rectangular fluted cobalt blue planter on white background

modern wide rectangular fluted orange planter on white background

modern wide rectangular fluted black planter on white background

To learn more about the TFM planter collection, visit tulestefactory.com.

Kelly Beall is senior editor at Design Milk. The Pittsburgh-based graphic designer and writer has had a deep love of art and design for as long as she can remember, and enjoys sharing her finds with others. When undistracted by great art and design, she can be found making a mess in the kitchen, consuming as much information as possible, or on the couch with her three pets. Find her @designcrush on social.

Patrick Fisher’s road from rock shows to Greater Pittsburgh Arts Council CEO

Patrick Fisher’s road from rock shows to Greater Pittsburgh Arts Council CEO

Patrick Fisher’s route to his new position as CEO of Greater Pittsburgh Arts Council has followed an indirect but always arts-tethered path.

After earning an associate’s degree in sports entertainment promotional management from Northwood University in Midland, Michigan, and a bachelor’s degree in business administration and management from Penn State Erie, the 38-year-old native of Cochranton, Crawford County worked for two regional airlines and a private equity group in Alaska. He then joined an arts council in Jacksonville, Florida, which led to a five-year stint as executive director of Erie Arts & Culture.

However, the journey’s true point of origin began in his teens. 

“When I was 15, I started going up to Erie from my small town to attend punk and rock concerts,” he recalls. “Truthfully, that was when I started to develop as a person. Through that scene, I first was exposed to a community in a real sense. A lot of the bands I was watching had a substance about them. They were talking about global issues I had not known about. That exposure to the DIY community really taught me about supporting the community that you’re a part of. And that small efforts can go a long way.”

During his post-university travels, Fisher found himself helping his community by writing foundation grants for musician friends or recording local artist videos in his cabin outside of Fairbanks, Alaska. 

Two immersive years as a community collaboration manager for the Cultural Council of Greater Jacksonville provided solid training in arts administration.

His leadership at Erie Arts & Culture from 2018-2023 received numerous accolades for boosting the city’s arts community. He established an artist residency program that paired visiting artists with local industry, secured more than $1 million in grant funding, oversaw the creation and installation of more than 65 new public art assets, and developed a five-year strategic plan focused on capacity building, lifelong learning and placemaking and placekeeping.

NEXTpittsburgh caught up with Fisher as he readied the moving van for Pittsburgh.

* * *

Fisher gives his dogs Opal (front) and Bronson treats in his Strip District apartment. Both dogs are three-legged rescues. Photo by Sebastian Foltz.

NEXTpittsburgh: You mentioned that, though you don’t personally identify as an exhibiting artist, you’re never without a camera.

Patrick Fisher: I have my camera with me all the time. Pretty much every photo we ever used over the last five years through Erie Arts & Culture’s marketing collateral is a photo I took. It’s important for artists and arts organizations to tell the story of their impact. That is why I always have my camera, because photos often support impact storytelling better than just text alone. 

NEXTpittsburgh: GPAC’s retiring CEO Mitch Swain has helped shape the organization into a comprehensive support resource for Pittsburgh artists. Do you envision other service areas the Council might explore?

Fisher: Even before applying for this position, I was very familiar with the Council and the staff. There’s a great team in place, and I’m really excited to be joining them. I’m very much aware of the history that Pittsburgh has around the arts and producing strong arts organizations, but also producing really impactful artists that have either had a very significant impact at a regional level or a national and international level. 

Mind you, we have to do a lot of active listening and strategic planning. But I think that as I move into Pittsburgh, the question I’m going to continue to come back to is: What does the Arts Council specifically have to lead the charge on in order to make Pittsburgh one of the best Tier 2 cities for an artist to live and work? To me, that means not solely focusing on the commerce activity of the arts but the artistic process as well. 

“When I was 15, I started going up to Erie from my small town to attend punk and rock concerts,” Fisher recalls. “Truthfully, that was when I started to develop as a person.” Photo by Sebastian Foltz.

NEXTpittsburgh: Has GPAC done an assessment of the post-pandemic status of the region’s artists and arts organizations? Assessing what the impact of that disruption has been? 

Fisher: I’ve been reading about the number of artists living in poverty and some of the great concerns that artists have in Pittsburgh around housing and studio space and access to healthcare. If we want to be a great city for an artist to live and work, collectively we’re going to have to resolve those issues. 

We want Pittsburgh to be a place where artists can thrive. Artists invest sweat equity into the communities where they’re living. They also contribute to a positive impact on the quality of life for everybody else as well. 

NEXTpittsburgh: Funding for the arts, especially grassroots or community-based arts, is always an uphill climb. Are there new approaches you’re thinking GPAC might develop?

Fisher: I think there are. There are opportunities to go after more private capital and venture capital, but with that, you have to be really cautious about what you commit yourself to as an organization. Because at the end of the day, we should be focusing on those donors that want to give to us because they’re aligned with our mission and the work that we do. 

NEXTpittsburgh: Do you have ideas as to how culture and creativity can be a bigger part of everyday life here in Pittsburgh?

Fisher: One of the things that really attracts me to Pittsburgh is that there is a breadth of cultural identities. The arts, and creativity as a whole, are a spectrum — a range of disciplines and processes and identities and purposes and everything else that falls into that spectrum. And if you’re only prioritizing a small portion of that spectrum, then that means you’re not going to be able to successfully weave it into the fabric of everyday life. 

It’s important to recognize the talent that exists at a community and neighborhood level. It’s often easy to think about the institutions and the talent that is present in institutions, but there is also great talent present at the neighborhood level. 

If you are embracing that full spectrum of the arts in your community, then you’ll make sure you are not perpetuating any idea around a dominant culture. Recognizing and valuing that spectrum in every stage of the process is really important.

For me, it’s a question of how do we make the Arts Council mission resonate with as much of our population as possible. You do that by telling the story of your impact. 

NEXTpittsburgh: Which is why you always have your camera at the ready. 

Fisher: I think that through impact storytelling we’ll certainly be able to continue to tell a great story around the Arts Council and the folks that we serve and how our work impacts the community at large. 

People in Public Service: Lee Wojnar, Action-Oriented Visionary

People in Public Service: Lee Wojnar, Action-Oriented Visionary

Lee Wojnar maintains his vision on community resilience with an eye to future generations. As president of the board of the Olympia Tumwater Foundation he continues to cultivate meaningful connections with the people who live, work, and visit Thurston County, and specifically Tumwater. During the day, he’s the Chief Marketing Officer at OBEE Credit Union. Artist, photographer, hiker, husband, and father of five, now adult, girls, Lee shares the richness of his life with others.

Lee Wojnar’s Path to Washington and Volunteering

Lee grew up on the east coast. “I put myself through school,” he recalls, He graduated from the University of the Arts in Philadelphia. He owned his own production company for 18 years until he was recruited by Intel. He and his young family settled in the Pacific Northwest. Lee was on the forefront of digital imaging and became a senior marketing manager.

Lee reflects on his various volunteer activities. “I didn’t think I would ever do this kind of work,” he shares. “My family didn’t do this. Giving back and helping others is part of me now. It’s important.”

Lee and Anne Wojnar attending the Saint Martin’s Gala Fundraiser, which supports student scholarships. Photo courtesy: Lee Wojnar

His early volunteering was with the Tumwater Youth Program (TYP), through the City of Tumwater. It’s an after-school program for students. “I hung out with the kids,” smiles Lee, as he remembers the various events and conversations with students.

Lee served on the United Way of Thurston County Board for nine years including time as president. “I learned more about the community,” he says of his experiences with this agency. He still volunteers with Capital Soccer Fields and works to support maintenance of the complex.

Large group of people dressed up and posing for a photo inside a banquet hall behind a table
Lee served with the United Way board, including time as president. The organization thoroughly supports our community by investing in local nonprofits doing important work. Photo courtesy: Lee Wojnar

Leadership at OBEE

Lee brings his community spirit into his work at the OBEE. For example, the credit union supports the Thurston Asset Building Coalition, which partners with community organizations to help people with limited incomes to broaden and stabilize their resources such as housing, income, education or food. One project provided no-cost tax preparation. OBEE also supports the Thurston County Food Bank and United Way.

Lee has overseen growth in OBEE’s business from $98 million to over a half billion in assets. Originally OBEE served only the brewery workers, but is has expanded to include anyone who lives, works or worships in the state of Washington. Out of state Pabst employees can also join.

The Olympia Tumwater Foundation

As president of the Olympia Tuwmater Foundation, Lee works hard to support their mission, which honors the legacy of the Schmidt family by maintaining and providing Brewery Park at Tumwater Falls for use by the public. It awards annual scholarships to graduating seniors. It also preserves the historic Schmidt House and records of the Olympia Brewing Company, a Northwest iconic brewery.

Brewery Park hosts 250,000 visitors each year. People come to see the salmon hatchery, walk the trails, breathe in nature, and take a break. The expansion of the Washington Department of Fish and Wildlife salmon hatchery and construction of the Deschutes Valley Trail (ADA-compliant walking and bicycling trail sponsored by the City of Tumwater) happened with generous easements from the Foundation. “It’s a special unique space,” says Lee. “I don’t want it to go commercial.” Future generation will continue to enjoy the park, which is free to visitors.

Many people are surprised to learn the oft visited and local favorite park in Tumwater is privately owned. The 15-acre park is known for photography-inspiring waterfalls, impressive rock formations, scenic walking path, picnic areas and play areas. Plans for the History & Nature Center are well underway, with the first $2 million secured. Major fundraising efforts are moving forward to build a multi-use facility that will serve as a learning center and display space. As board president, Lee is leading the campaign.

“I work with Lee on the Olympia Tumwater Foundation board, and he approaches nonprofit work with excitement, energy and passion thus creating meaningful assets in Thurston County,” notes Dan Jones, CEO ThurstonTalk.com.

President Lee Wojnar presents a scholarship to Meridee Hill.
The Olympia Tumwater Foundation awards scholarships to local high school seniors. Pictured: President Lee Wojnar presents a scholarship to Meridee Hill. Photo courtesy: Lee Wojnar

People may also be unaware of the generous scholarships awarded annually to graduating seniors. It’s another way the Foundation believes in investing in the future. You might want to visit the Schmidt House, which is registered on the National Register of Historic Places. The well-tended grounds feature statues from Europe brought here by Leopold Schmidt. Walk around native gardens and see the reflecting pool.

Enjoying the Pacific Northwest

Lee’s days are full. However, he manages time to smoke his own salmon “I have my own smoker,” he says. He also likes to get his hands dirty, rebuilding engines or with a carpentry project.  “My dad was an electrician,” he adds.

log cabin in grass
Lee and his father built this lovely log cabin.
Photo courtesy: Lee Wojnar

He enjoys being a good neighbor. You can ask him about rescuing a friend’s cat in the middle of the night. He and his wife also have fun with neighbor Bill Carter. In winter, you might find Lee blowing snow off driveways. “I am a firm believer that you help when you can,” says Lee. He and his wife Ann like to hike and ride bikes together.

Volunteering in Thurston County

There are more volunteer opportunities in our community than one might imagine. Whether you can support financially or with your time and talents, there is surely something that aligns with your interests: children, animals, land preservation, elder care, art, education. “If everyone does a little, it makes a difference,” says Lee, adding, “And, it’s highly appreciated.”

Thank you, Lee, for your continued involvement in our community.

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