Exhibit looks at ’12 New Mexico Artists to Know Now’

Exhibit looks at ’12 New Mexico Artists to Know Now’
“Toiyabi-kahinu (Towards the mountains),” Karma Henry. (Courtesy of 516 Arts)

Karma Henry’s landscape reclaims New Mexico terrain for her Indigenous heritage.

Zuyva Sevilla’s work merges techniques of digital prints inside a light box to contemplate the cosmic.

Jennifer Thoreson’s “Portrait of Caspian” honors a young boy with bowers of flowers.

Open at 516 Arts and sponsored by Southwest Contemporary, “12 New Mexico Artists to Know Now” showcases the juried works of both emerging and established artists across the state. Artists flooded jurors with 382 submissions they pared down to 12.

They engaged with the subtleties of the world, from sound to microscopic to the ephemeral, working in everything from acrylic paint on canvas to mixed-media, digital imagery and found objects. These artists have multiple distinct but overlapping concerns.

Henry’s “Toiyabi-kahinu (Towards the mountains)” pairs the sweep of the local landscape with the symbols and designs of her Paiute heritage, foregrounding Native culture into consciousness, said Lauren Tresp, Southwest Contemporary publisher and editor.

“My current body of work encompasses the ideas of place, perception and pattern,” stated Henry (Paiute/Italian/Portuguese). “Reflections of simple forms and shapes (from basketry designs, architectural elements and geometrical forms) have now become overlays for landscape/skyscape imagery.

12 New Mexico Artists to Know Now
“Hyperlux 38,” Zuyva Sevilla.(Courtesy of 516 Arts)

Pattern is brought to the forefront, literally, of my pieces.”

Sevilla is building an interactive piece with heat sensors to visualize the heat of people in the room through metal panels, Tresp said.

“Through a combination of sculpture, video and digital media, I seek to create new interpretations of the chaos of the universe, while also engaging with concerns around consumption,” Sevilla stated. “My sculptural work dissects the movement of light and heat into active choreographies, often through site-specific installations that activate presentation spaces.”

Thoreson’s portrait is a tribute to a young New Mexico boy suffering from seizures.

In 2021, she created a social media campaign asking people of all faiths and beliefs to contribute one pair of gloves to a collaborative work of art exploring the act of prayer.

“Their task was to sit with a pair of cotton gloves, wear them and mark them with red ink as they form a prayer or an affirmation for one recipient: Caspian, a 5-year-old boy living in New Mexico who suffers from severe seizures,” Thoreson wrote. “Their mark-making process is like a moving meditation.”

Her recent work contemplates acts of communal prayer and ritual, considering how beliefs can forge more empathetic connections.

Benjamin Winans created “Communion” as a commentary on his North Carolina upbringing.

12 New Mexico Artists to Know Now
“Communion,” Benjamin Winans. (Courtesy of 516 Arts)

“A lot of his work is engaged in evangelical Christianity,” Tresp said, “and the intersection between Christian nationalism and a toxic strain of that.”

Winans deconstructs and questions the corrosive impact and its ties to warfare and violence through a found church pew, wood, blood, wine, an LCD screen and one-channel video.

The big picture: Marilyn Monroe unravels in the desert

The big picture: Marilyn Monroe unravels in the desert
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Eve Arnold took this picture of Marilyn Monroe on the set of The Misfits in 1960. Monroe’s husband Arthur Miller had initially written the movie for his wife to star in – opposite her teenage crush, Clark Gable ­­– as a Valentine’s gift, but by the time of the production, Miller and Monroe were close to divorce. Arnold had been invited on set to chronicle the making of the film, but she ended up documenting the end of a marriage.

The photographer had first met Monroe in 1952, and she helped to make her legend, photographing her in an airport bathroom with her skirt hitched up to her waist, and reading the Molly Bloom section of Ulysses in Central Park. This picture is included in a new exhibition of Arnold’s images of women, which takes in fashion shows in 1950s Harlem and her era-defining reportage for the Magnum agency. I interviewed the photographer in 2002, when she was 90, and she reminisced about Monroe, her muse and her friend: “She made me feel as if I were brilliant,” Arnold said, “and I suppose I made her feel as if she were brilliant. Actually we were two young women starting out in this quite male world, so we just played together, had the most fun we could.”

That fun was in fairly short supply on The Misfits, however. The film was shot in the 40C-plus heat of the Nevada desert. The director, John Huston, was drinking and gambling, and Monroe’s prescription drug addiction saw her frequently absent from the set and finally hospitalised for two weeks. “She was being atrocious to Arthur,” Arnold told me. “It began in the heat of the summer and ended in the cold of the desert. It was not a happy set, and it got less happy.”

  • Eve Arnold – To Know About Women is at Newlands House Gallery, Petworth, Sussex, 1 July–7 January

Expressing hope in photographs

Expressing hope in photographs
Matthew Salazar, 13, takes photos of children on a playground near the Albuquerque Museum this past week. Salazar was one of 18 APS students participating in a Pictures of Hope program that lets kids take photos that express their hopes and dreams. One of Matthew’s dreams is to make children happy. (Eddie Moore/Albuquerque Journal)

Daisy Rosales hopes to go to Disneyland one day, get on all the roller-coaster rides and eat all the cotton candy.

Sweet. Even though thinking about that might make your stomach do flip-flops.

Some of her other hopes and dreams, however, will make your heart smile.

She hopes to make money she can share with her sister and brother. She dreams of helping people in need, of giving a house to people who don’t have one.

Daisy, 10, a student this past school year at Sombra del Monte Elementary School, was one of 18 Albuquerque Public School children, kindergarten through 11th grade, who participated in a Pictures of Hope program at the Albuquerque Museum this past week.

Initiated in 2005 by photojournalist Linda Solomon, a former Detroit News staffer, Pictures of Hope helps children express their hopes and dreams through the lens of a camera.

Linda Solomon, right, founder of the Pictures of Hope program, reviews photos taken by APS student Daisy Rosales, 10, left, while Rosales’ mentor, Judy Venczel, looks on. (Eddie Moore/Albuquerque Journal)

Solomon knows all too well that photographs can often say what you mean better than words.

“I want to show you how special it is to be a photographer,” Solomon told the children. “I started taking photos when I was 6 years old, and I have never stopped loving my camera. I never go anywhere without a camera.”

Walgreens donated digital cameras, which were given to the APS students to keep. Solomon instructed the kids on the basics of photography, they were paired off with mentors and sent out to snap a dream.

‘Say when’

The Pictures of Hope program has been to more than 50 cities. The W.K. Kellogg Foundation funded last week’s stop in Albuquerque, the 10th time the program has been here.

“I’ve probably brought it to Albuquerque more than any other city,” Solomon said. “New Mexico is the most wonderful state to take photos.”

The young photographers will get an enlarged set of photos they took. A second set will be auctioned at the Albuquerque Museum to raise money for APS scholarships for the kids participating in the Pictures of Hope program.

Students selected for the photo project are in a summer program at Madison Middle School. They were asked to make a list of their hopes and dreams.

Daisy Rosales, a 10-year-old APS student, took this photo for the Pictures of Hope program. Daisy hopes to be able to give a house to people who need one. (Courtesy of Linda Solomon)

These ranged from getting good grades to starting the world anew, from getting a dog to being an artist. Solomon and her support team selected one hope or dream from each list and assigned students to take a photo that represented it.

Matthew Salazar, 13, a student at Madison Middle School last school year, hopes to make friends and have a family, be a math teacher and end war.

But “My dream,” he wrote, “is for kids to be happy.” That’s the photo he was sent to find.

“Nothing like a playground to make kids happy,” said Matthew’s mentor, Joseph Lynch, a former TV photojournalist who now works for City of Albuquerque Arts and Culture. Lynch took Matthew to the playground at Tiguex Park, just across the street from the museum.

Within a few minutes, Matthew was at work in the playground, clicking off pics of willing young photo subjects.

“Say when,” one of them said as he prepared to do a handstand for Matthew’s camera.

“We got a lot of good shots,” Matthew said.

“The only bad picture is the one you don’t take,” Lynch said.

Looking everywhere

Avery Amaya, 15, of Albuquerque High, hopes to travel.

“I want to see new things, see how they impact my own life,” she said.

She hopes to get into police forensics, even though she realizes that work is not like it is portrayed in the “CSI” TV shows she watches.

One of her dreams, however, is to make a difference. That’s the photo she was assigned. She went looking for that picture in the museum.

“It’s amazing,” she said. “I was very lost in there. I was looking at everything in there.”

Solomon Rimmer, 8, gets some help from mentor Sharrisse Welch in preparing his camera for a Pictures of Hope photography session. (Eddie Moore/Albuquerque Journal)

She found what she was after in an exhibition of religious art, sculptures of wood and clay dating from the 1700s to the 2000s.

“I know that religion is very influential in some people’s lives,” she said. “Sculptures of the Virgin Mary and Jesus on the cross expressed emotions. We were commenting on how long (some of the images) have lasted. If only they could talk.”

Solomon Rimmer, 8, of Inez Elementary School, dreams of designing video games. He brought a stuffed figure of Luigi, from the Mario and Luigi video games, to use as a photo prop.

But his hope is to learn how to read. That was his assignment. To get started, he took a picture of the newspaper reporter interviewing him.

Solomon Rimmer, 8, dreams of reading, a wish aptly expressed in this photo, which he took for the Pictures of Hope program. (Courtesy of Linda Solomon)

Hollyhocks and Daisy

Daisy Rosales and her mentor, Judy Venczel, an employee assistance program therapist with APS, left the museum in search of a photo that conveyed Daisy’s dream of giving people a house.

“It was pretty exciting,” Daisy said. “I liked exploring.” She and Venczel walked from the museum into Old Town. Daisy took pictures of “For Rent” signs and picturesque houses.

“But the best one was the flowers in Old Town,” she said. “I liked the red roses and the orange roses and the one that got my attention – the tall red one (hollyhocks). Flowers belong to homes.”

Arbuckle home named June’s Yard of the Month

Arbuckle home named June’s Yard of the Month
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Submitted photo From left are Kristin Mangham, Garvan Woodland Gardens marketing director, Master Gardener Karen Hill, homeowners Denise and David Arbuckle, and Master Gardeners Mary Tom Taylor and Lin Johnson.

The Garland County Master Gardeners have selected the home of David and Denise Arbuckle on Gold Nugget Loop as the June Residential Yard of the Month.

“As you turn into their driveway, you see multiple flower beds that surround the home as well as seating areas and yard art,” a news release said.

The flower beds “are filled with clematis, banana plant, canna, drift roses, weigela, oxalis, mandevilla, creeping jenny, native fern and pampas grass. Beautiful trees provide shade and interest, including a weeping Japanese maple, weeping willow, holly and a number of large oaks. The stairway and front porch of the home are decorated with hibiscus, columbine, daisies, coreopsis, geraniums, and elephant ear. There are also a number of whimsical decorations including benches and bird baths,” it said.

“Congratulations to David and Denise for being our June Residential Yard of the Month winner,” the release said.

Shortlist: 2023 Australian Geographic Nature Photographer of the Year

Shortlist: 2023 Australian Geographic Nature Photographer of the Year

By AG STAFF

June 11, 2023

Here are some of the shortlisted images for the Australian Geographic Nature Photographer of the Year awards for 2023, showcasing the year’s best wildlife and landscape photos.

Welcome to the Australian Geographic Nature Photographer of the Year collection for 2023.

Our involvement with this competition is very much part of our mission to encourage photography of our region’s landscapes and wildlife. Our region offers so much for any would-be photographer, and not just in our wild and remote areas.The flora and fauna in our backyards and city parks are all worthy subjects too. Photography encourages you to look carefully at the world around you. It increases knowledge and understanding, and raises awareness. Nature photographers are active conservationists, and that is the real power of this competition. Some of us will be looking carefully at the f-stop number or the lens type, but for most, it’s a chance to be inspired by the beauty of nature.

We commend all those who entered (550 amazing photographers) and extend our gratitude to this year’s judges, Mike Langford, Adjunct Professor Wayne Quilliam and Jackie Ranken, who faced an epic task evaluating more than 2000 entries.

And this year it was even harder, with a new category attracting awe-inspiring images. 

“This year we introduced the well-received macro category, with photographers submitting incredible larger-than-life-sized images of nature’s smallest scenes,” says the Museum’s acting director Justine van Mourik.

That meant there were 10 categories this year:

  • Animals in Nature
  • Urban Animals
  • Macro
  • Landscape
  • Threatened Species 
  • Monochrome 
  • Our Impact
  • Junior
  • Portfolio

The South Australian Museum will announce the overall winner, category winners, runners-up and the Portfolio Prize in August. 

Until then, here’s a look at the shortlisted images in the Animals in Nature, Macro and Urban Animals categories. 

Animals in Nature

Estuarine Crocodile by Lewis Burnett.
Weaners. Image creditL Andrew Peacock
Talk to the hand. Image credit: Asher Allison
World’s Deadliest. Image credit: Damien Esquerré
A Bee-eater Rainbow. Image credit: Gary Meredith
Goose Barnacles on the Beach. Image credit: Keith Horton
Somewhere Under the Rainbow. Image credit: David Robinson
Blue Spot. Image credit: Sputnik
The Clown Coral Blennies. Image credit: Pam Osborn
Aftermath. Image credit: Matty Smith
Hang time. Image credit: Nathan Watson
Related: AG Nature Photographer of the Year 2022: Animals in Nature shortlist

Macro

Mellow Gecko. Image credit: Alun Powell
Adolescent Alien. Image credit: Andy Wingate
Nectar of Life. Image credit: Daniel Jones
A Home Among the Polyps. Image credits: Daniel Sly
Turret. Image credit: Garth Travis
Hairy Harry. Image credit: John Magee
Mushroom cyclone. Image credit: Liu Yang
 Blue. Image credit: Mary Gudgeon
Hover flies’ love dance. Image credit: Merrick Bailey
Mr Mohawk. Image credit: Rosa Dunbar
Related: AG Nature Photographer of the Year 2022: Urban Animals shortlist

Urban Animals

Kerb-side snack. Image credit: Douglas Gimesy
Window Shopping. Image credit: Trevor Rix
Emergency exit – run, a giant spider! Image credit: Doug Gimesy
Frog in a Bog. Image credit: Tom Owen Edmunds
Cretaceous Stride. Image credit: Ethan Mann
Galah Play. Image credit: Angela Robertson-Buchanan
Ducks in a Row. Image credit: Hamish Burrell
Anyone for Tennis? Image credit: Natalie Murray
Marching to a Different Drummer. Image credit: Raoul Slater
Related: Shortlist: 2022 Australian Geographic Nature Photographer of the Year awards

From being a cart puller to making ₹25 lakh a year, the inspiring journey of celebrity photographer Munna Thaakur

From being a cart puller to making ₹25 lakh a year, the inspiring journey of celebrity photographer Munna Thaakur
Jun 11, 2023 07:20 AM IST

Munna Thaakur, who has extensively captured all from Salman Khan to Amitabh Bachchan, shares his journey from being a cart puller to a celebrity photographer.

Celebrity photographer Munna Thaakur has worked with almost all the A-listers from Amitabh Bachchan to Salman Khan in his 25-year-long career after starting from almost nothing. Munna used to earn a living as a newspaper hawker by delivering the daily newspaper to houses of film celebrities in Mumbai and eventually went on to capturing them in his lens. He also used to be a cart puller for quite some time in the city of dreams where he now is a prominent name in the world of photography and has all from Tiger Shroff to Taapsee Pannu among his followers on Instagram. “Rotigrapher to photographer” is how he describes his journey as a photographer. Also read: Jaya Bachchan gets shy as Amitabh Bachchan leans on her in throwback pic, Abhishek Bachchan shares post

Munna Thaakur has done several photo shoots with Salman Khan.
Munna Thaakur has done several photo shoots with Salman Khan.

In an interview with Hindustan Times, Munna opened up about how he learnt the ropes of photography as a part time job and all those who met and helped him in his remarkable journey. Munna is 48, unmarried, and a look at his Instagram account is enough to confirm his love for cycling in tough terrains with his camera for company. He was just 15 when he came to Mumbai from Akola, Maharashtra and worked as a newspaper hawker in Lokhandwala.

Arjun Rampal was his first celebrity

Opening up about how Arjun Rampal was his first celebrity, he said, “In my initial days, I also worked as a cart puller for some time. As a newspaper hawker later, I used to do a part time job at a photo studio. I used to bring and deliver pictures and would click passport size pictures. A man named Bilal Khan taught me how to operate the camera. I used to deliver newspapers at Arjun Rampal’s house as well. There, I told his servants that I wanted to shoot and they conveyed it to him. Arjun asked me to show him my previous work but I had none. I told him if the pictures didn’t come out well, I would delete the roll. He gave me a chance and I finally started out in the industry. Having a supermodel in my profile was definitely a boost for me.”

Some are left but I am sure I will get them.

“In my initial days, money was never on my mind, I just wanted to make my profile. My pictures would go to magazines as well which was enough for my requirements. And I continued to get one project after another. I used to visit celebrities and show them my work,” he added.

Sharing the long list of people he has captured through the camera, Munna said, “My first photo shoot with Mukul Dev was my first work which was printed in Zee magazine. I also worked with Mayuri Kango whose pictures were published in Stardust. After Arjun, I approached John Abraham and kept getting one link after another. John’s pictures were put on hoardings and then I shot Bipasha Basu as well. I went on to work with Priyanka Chopra, Lara Dutta, Dia Mirza, Shraddha Kapoor, Sonakshi Sinha. Some are left but I am sure I will get them.”

How did he learn photography?

However, there is still a question about how a class 7 dropout could learn the technicalities of photography without getting any formal knowledge. Ask him and pat comes the reply, “Marta kya na karta (it was a do or die for me). I had to make it work. I kept on learning while doing it and it’s not that hard. Once you decide to do something, things start falling in place automatically. I kept on getting good guidance at every step. You learn from your mistakes and don’t repeat them and that’s how I have learnt. I have learnt about lighting by seeing others’ work.”

“In my case, I have been lucky that whenever I did a photo shoot with a celebrity, I got more opportunities to work with them. Everyone has his comfort zone and you get that vibe at work. And when the pictures are good, everyone likes it. I never faced trouble during any photo shoot. I never had to kill a photo shoot after clicking pictures,” he added.

On being asked about working with Amitabh Bachchan, Munna says, “He is a legend, you can’t even speak in front of him as words don’t come out of your mouth in his presence. He is so experienced that no matter how you click him, the pictures always come out good. I had shot with him for an ad film and a film’s look test.”

My entire life has been an incident: Munna

Munna also has several celebrities who have extensively worked with him like Salman Khan, Suniel Shetty, Sonakshi Sinha, Shilpa Shetty and Taapsee Pannu to count a few. “From where I started my career, every person has only helped me in my endeavour. I have come from rock bottom, climbed one step after another. Those who helped me in the beginning, I wouldn’t have been here. My entire life is an incident in itself. Every shoot was an incident for me but thankfully, all of them were good. After every single shoot, I tried to be better in my next,” he says. The photographer says that he just had around 25 in his pocket when he first came to the city and he now makes around 20-25 lakh a year.

Munna however, refuses to focus on anything other than his profession and continues to remain close to his roots. “I try to be in touch with anyone who helped me in my initial days and throughout my journey. Even those whom I used to deliver the newspaper to, I meet them even today. Only my sense of photography has undergone a change, not me. Mere ko hawa nahi lagi (I haven’t acquired ego). I am very close to my roots, if that is changed, nothing would make sense. Our performance should change for the better, not us as people,” he signs off.

Get more updates from Bollywood, Hollywood, Musicand Web Seriesalong with Latest Entertainment Newsat Hindustan Times.

Ukrainians remember Bakhmut, city of salt and sparkling wine

Ukrainians remember Bakhmut, city of salt and sparkling wine
Leafy square in central BakhmutIt’s A Good Trip / YouTube

The eastern Ukrainian town of Bakhmut is now known across the world as the site of the longest and possibly bloodiest battle in Russia’s war on Ukraine.

It is now almost completely destroyed, and almost all of its ruins are controlled by Russian forces.

Nearly every single resident has now left, and those the BBC has been able to contact describe Bakhmut before the war as extremely well looked-after, cosy and leafy.

They also speak fondly of the two things which had made the town famous: sparkling wine and salt.

Wine

The city was known far beyond Ukraine’s borders for its sparkling wine. The local winery, set up in a huge abandoned gypsum mine in the 1950s, was among the biggest and best producers of the fizzy drink in the USSR and then in independent Ukraine. Its location, about 70 metres below ground, made it easier to achieve the right temperature for the drink to ferment.

It is now owned by a company called ArtWinery, and its marketing director Oleksandra Cherednychenko told the BBC about the first time she visited the vast caves.

“It was an amazing feeling. It is an underground city so vast that they used proper vehicles to get about within it – lorries to transport goods, and people used buggies. There were endless rows of bottles, and you couldn’t see where they ended.

Oleksandra Cherednychenko standing in a wine cellar

Oleksandra Cherednychenko

“It was very nice inside, with classical music playing, and walls painted yellow, green and red. It was mesmerising. Nothing beats wine-testing underground.

“It is one of the main symbols of Bakhmut, and it had a soul. Company workers planted a vineyard right next to the main office, and there was a nice garden with peacocks,” Oleksandra said.

For decades, sparkling wine from Bakhmut was highly sought after in the Soviet Union, and it was popular during celebrations such as weddings or New Year’s Eve.

The winery’s operations were suspended the day Russia invaded Ukraine on 24 February 2022, and most of its employees were evacuated out of Bakhmut.

In May 2023, Yevgeny Prigozhin, the head of the Wagner mercenary group, said all of the winery’s buildings had been destroyed. Wagner has been at the forefront of Russian forces fighting Ukrainian troops in Bakhmut.

Salt

Underground salt mine

United 24

Salt is another product which has made Bakhmut well-known in Ukraine and beyond. Before the war, the salt-mining company Artemsil produced more than 7 million tonnes of salt a year, exporting it to 22 countries from Armenia to Denmark.

“It was a prestigious company to work for. When I got a job there, people were surprised I got hired without powerful friends in high places,” said Anzhelika, who spent almost 20 years working for Artemsil. “It was the best time of my life, we felt secure.”

War changed everything.

Anzhelika told the story of two former colleagues who worked in a lab next door to her office. “One was killed when a missile hit her house in January. It happened on her birthday, actually. The other one has started drinking herself to death. It could be the feeling of helplessness, or the stress of it all,” she said.

Anzhelika remembers Bakhmut as a beautiful, well looked-after city.

“Our government had decided to make a showcase out of such frontline cities – to show those who left Ukraine what they were missing. A lot of money was spent on Bakhmut over the past years,” she said.

Music college

Natalya Putrya, a piano teacher at Bakhmut’s Culture and Arts College, has similar memories of the city.

“It was stunningly beautiful. The local authorities took good care of roads and pavements – this may not be such a big deal for Europe, but for us it was unusual. They had built a marvellous stadium and refurbished our college, lavishly. New, very good musical instruments were bought,” she said.

Her college hosted piano competitions for all of Ukraine and held frequent public concerts to mark occasions such as St Valentine’s Day or New Year’s Eve. “There is no life without culture and art. Bakhmut was always interested in culture,” Natalya said.

Natalya Putrya with her students

Facebook/Natalya Putrya

One of her students, Oleksandra, has fond memories of the college in Bakhmut.

“We went there at dawn and went home at sunset. The night guard would tell us to get out of college at nine in the evening, and I remember that on the way home everything felt just right. It was the right time and place to be. It was our home.”

Oleksandra has vivid memories of the night before Russia’s full-scale invasion last year.

“On 23 February we held a massive concert, and I remember the beautiful sunset that evening. I was walking home, looking at the sky and the stars. And I wondered: ‘How long will the sky above stay peaceful?’ The stars were absolutely amazing that night. The next morning, we were woken up by people shouting that war had started and our cities were being bombed.”

An aerial view shows destruction in the frontline town of Bakhmut, in this handout picture released on May 21, 2023.

Ukrainian Armed Forces

Oleksandra told me how devastated she was to see her college being damaged by fighting.

“I had tears in my eyes when I saw photos of our concert hall after it had been hit – right where our beloved grand piano was. It was every pianist’s dream to take to that stage and play it. When we learnt that all the windows got smashed we knew that was the end of our pianos. All the strings will go rusty because of the damp,” she says.

Life away from home

After the start of the war, the college moved to Kamyanets-Podilsky, a city in western Ukraine.

“This changed the dynamic of our relationship with teachers completely,” says Oleksandra. “We are one big family now, because we’ve all lost our homes. We’ve been through all this together. The support we’re getting from each other is priceless.”

Her teacher Natalya agrees: “Yes, we’re family. We meet after work and we stay in touch, we go out all the time – for a cup of coffee or just for a chat in a cafe. This must be the warmth we’ve brought from Bakhmut. We’re trying hard to preserve it, because it’s tough living without a home.”

But despite the tragedy of Bakhmut’s destruction, Natalya has one dream: to return to her native eastern Ukraine, even if it won’t be Bakhmut.

Students holding a map of Ukraine

Bakhmut Culture and Arts College