Local artist brings rodeo photography to celebrate Strathmore Stampede

Local artist brings rodeo photography to celebrate Strathmore Stampede

Local artist brings rodeo photography to celebrate Strathmore Stampede – StrathmoreNow.com – Local news, Weather, Sports, Free Classifieds, and Job Listings for Strathmore and southern Alberta.

Local News

Written by Tommy Osborne
Monday, Jul 10 2023, 8:00 AM

“Connection” by Logan Armstrong
All photos taken by Logan Armstrong

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To celebrate the upcoming Strathmore Stampede, local photographer Logan Armstrong is bringing his rodeo-themed photography to the Vault Cultural Collective from July 29- August 12.

artLogan Armstrong

An architect by trade, Armstrong explained his architecture experience combined with his love of the rodeo in a very unique way, as architecture is primarily geometric shapes and straight lines while rodeo is very fluid and organic. This gives his work a distinct style.

“It’s really interesting to try to blend those two into a piece of artwork that speaks to something bigger than itself,” Armstrong said.

art“Late Night Flight”

Armstrong married into a rodeo family so it wasn’t a big part of his life early on, but once he got into it he became fully invested in the rodeo style of life and photography. Saying “I took a camera to a rodeo event and it just kind of snowballed from there,” Armstrong explained his work focuses on showing people a different view or perspective of the rodeo. Even if you’ve been involved in rodeo your whole life he’s hoping he can offer something new.

“Rodeo is one of the places where you really can play with a lot of different small details that work with all those different things. There’s so much in rodeo to shoot; most people see rodeo in the same light in the same way, from the grandstands or from a lens far away, and I try to just bring it to you from a different perspective, a closer one, lower one, and just try to find those interesting moments that are kind of unexpected.”

art“Connection”. This photo is of Armstrong’s wife and her horse, and Armstrong said photos like these to capture special memories are what makes photography so special to him.

The above photo “Connection” highlights how Armstrong approaches his work. Not only does it offer a beautiful glimpse into the bond between a horse and its rider for people who may not see this side of rodeo, it also perfectly showcases what rodeo is all about for many who are involved.

“For the people who do rodeo and participate in that lifestyle, the connection to the animal and those type of small moments are what it’s all about.”

“I’d like to highlight those smaller details and intimate moments and the actual art that comes out of rodeo.” 

art
artThese two photos are what kicked off Armstrong’s photography adventure

If you are interested in learning more about Armstrong and viewing more of his work, you can visit his website crowbaitcreative.com. If you are interested in purchasing some prints or commissioning him for a photo shoot or even you can reach out through his Facebook or Instagram. While rodeo and western photography is his main focus, he has experience with many different styles and genres, including portrait work, family photos, and more.

art“Swing Away”

 Send your news tips, story ideas, pictures, and videos to news@strathmorenow.com  

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23 Photographs Of Cats Crossing A Paper Wall By Nils Jacobi

23 Photographs Of Cats Crossing A Paper Wall By Nils Jacobi

Nils Jacobi, self-described as a “catographer”, is back on Bored Panda! He is known for capturing unique and quirky photographs of cats and today we want to share some of his funny pictures of felines crossing a paper wall.

Jacobi began his photography journey in 2011 upon completing his studies in industrial design. After exploring various areas of photography, he made a decision to focus on working with cats due to the increased attention his cat photos received compared to his other work.

Continue scrolling for some playful cat images! If you’re interested in seeing more of Jacobi’s photographs, check out our previous post by clicking here

More info: Instagram | youtube.com | tiktok.com | Facebook | furryfritz.com

Quirky + Colorful Chromablock Resin Faucet Handles

Quirky + Colorful Chromablock Resin Faucet Handles

Add some personality to your sink by ditching chrome and brass in favor of matte poured resin faucet handles. Known for effortlessly cool geometric bath and kitchen fittings, Australian design studio Wood Melbourne has teamed up with design editor Georgina McWhirter for a different spin. The circular and square faucet handles are typically made using concrete and reclaimed timber, but McWirter’s Chromablock collection is playful and full of color… and made of resin.

Both resin faucet shapes in the collection – the cylindrical Kahn and the cube Corbu – borrow their names from high design. Louis Kahn and his love of circular voids, and Le Corbusier’s nickname. Pair a matching set or juxtapose shape and color for bathroom basins, tubs, showers, or kitchen sinks. They can be paired with any of the brand’s faucets and backplates – in brass, concrete, Blackbutt wood, and Carrara marble – or mounted sans backplate, flush to a sink or wall.

selection of colorful geometric faucet handles

Choose between 12 colors that feel slightly off due to their exploration between primary and secondary hues. Inspiration for the palette was found everywhere, from Le Corbusier’s Polychromie Architecturale keycards to Douglas Sirk’s Technicolor cinematography, as well as Frunge eyeshadow by Terry Barber, William Eggleston’s 1970s color photography, and the Memphis Group. Even interiors by Italian studios Dimorestudio and Marcante-Testa, and retro 1950s pastel bathroom tile. Whatever shape and color combination you choose, it’s impossible to go wrong.

rounded olive green sink with lavender faucet handles

wood vanity with black and white faucet handles and cement sink

dark green bathroom sink with black faucet and light pink and light green faucet handles

double vanity with two sinks featuring light pink and light blue faucet handles and two mirrors

rounded mottled terrazzo sink with burnt orange and sky blue faucet handles

bathroom with soaking tub, green and white checkered vanity, black faucet, lavender faucet handles, and square mirror

white bathroom sink with black faucet and light pink faucet handles

freestanding sink and vanity with wall mounted lavender and olive green faucet handles

small white sink with green faucet and blue and red faucet handles

dark green bathroom sink with black faucet and maroon and red faucet handles

white bathroom sink with black faucet and light blue faucet handles

rounded maroon sink with mauve faucet handles

To learn more about Chromablock faucet handles, visit woodmelbourne.com.

Kelly Beall is senior editor at Design Milk. The Pittsburgh-based graphic designer and writer has had a deep love of art and design for as long as she can remember, and enjoys sharing her finds with others. When undistracted by great art and design, she can be found making a mess in the kitchen, consuming as much information as possible, or on the couch with her three pets. Find her @designcrush on social.

The AI Revolution Has Arrived: Shaping the Next Generation of Pharma Marketing

The AI Revolution Has Arrived: Shaping the Next Generation of Pharma Marketing

As we stand on the precipice of an accelerating artificial intelligence (AI) revolution in the pharma industry, the convergence of AI and practical, real-world applications has taken center stage. On June 8, approximately six months after the launch of OpenAI’s ChatGPT, five industry leaders with expertise in leveraging AI to enhance marketing strategies, customer engagement, data analysis, and commercialization of pharma products came together for a robust discussion.

The roundtable, steered by Sharlene Jenner, vice president of engagement strategy for Abelson Taylor and professor, AI and personalization for digital marketers, at Southern Methodist University, dives into the implications of AI’s rapid evolution through an exploration of present-day applications and the associated ethical and regulatory challenges. The participants shed light on the immediate impact and future potential of AI, offering a fleeting glimpse into the present (things are moving very fast) and a speculative look at how these rapidly evolving technologies could reshape pharmaceutical marketing in the years to come.

JENNER:We’re six months into the latest iteration of AI evolution in pharma, and our entire world is abuzz. Let’s skip theory and immediately talk about the concrete practices all of us are implementing. How are you presently harnessing the power of AI to bolster your own marketing technology strategies?

FARUK CAPAN, CHIEF INNOVATION OFFICER, EVERSANA, AND CEO, EVERSANA INTOUCH: The excitement is real, but practicality is more important. We are in the pharmaceutical industry, which is highly regulated, and patient and HCP (healthcare provider) data is very important.

As an organization, we advise our clients about what to do and not to do. With any new technology, pharma is usually accused of being laggard, but those of you [who have] been around the block know that isn’t true—there are very good reasons for it.

We work with an outside legal firm to make sure that everything we do for our clients is completely regulated and legally correct. We also asked our own teams—different departments, creative teams, [and] strategy—how we can use this technology. After we educated and empowered them, they came up with very concrete examples.

The simplest example, that’s already on the market, involves video production. Instead of video, where you write a script, get it approved, and shoot with experts—which takes a lot of time and money—now, we use generative AI.

We’re able to get the script approved and can change the video because we are using “near real people” online in video production. So, we can do the videos in a couple [of] days rather than months.

JEFF HEADD, VICE PRESIDENT, COMMERCIAL DATA SCIENCE, THE JANSSEN PHARMACEUTICAL COMPANIES OF JOHNSON & JOHNSON: In terms of AI and marketing, we’ve been on a journey for some time thinking about our omnichannel efforts. In the past, we’ve used machine learning to improve how we identify [HCPs] and institutional customers and find patients along their journey that will benefit most from our products. That has allowed us to rethink our strategy of when, where, and how we deploy our field forces as well as our marketing efforts across our digital channels.

Now, when we think about generative AI, there are two areas that come to mind. We’ve built many custom tools that require a lot of software. Generative AI code has the potential to greatly speed up our development cycles, testing, unit testing, etc. We’re experimenting with how we can augment our development teams to move more quickly, in an agile way, to adjust to market conditions. That’s a tremendous application of this technology.

The second area is deriving insights out of rich textual data—that can be publicly available data, medical literature, or treasure troves of market research that we all have in our data stores in pharma companies. So, it’s a mix of driving new and different insights out of what we already have. But what I love about foundation models is the ability to combine internal and external data in unique ways that we’ve not been able to do before and take advantage of the power of those large-scale models.

STEPHEN ONIKORO, SENIOR PRINCIPAL, HEAD OF STRATEGY, PHARMAFORCEIQ: When we started PharmaforceIQ, the original idea was to integrate across the marketing ecosystem in pharma—across sales platforms as well as non-personal promotional platforms. We quickly realized that you can’t orchestrate across those platforms without some sort of machine learning tools. So, we pivoted and dove deep into becoming a true, machine-learning AI company.

We needed to do two things. First, to be able to orchestrate intelligently across the ecosystem, you need to understand your customers very well. What are their preferences when it comes to HCP marketing? That requires building HCP profiles for each individual HCP in your ecosystem. We invested in more than 20 AI models to characterize these HCP preferences across many different types of features that got us rolling as an AI marketing company.

The second aspect came from the first—now that we know their preferences, how can we orchestrate across these ecosystems in an intelligent way? Now, we don’t need to set up rules in a system that says, “This physician needs to get this message.” Instead, we can ask AI to do that for us based on their preferences and some other business rules we apply to it.

ANURAG BANERJEE, CEO AND FOUNDER, QUILT.AI:I always think of business in a bidirectional way. It must be accretive to the P&L—so, it has to make us money, make our clients money, save time, and/or create efficiency. In understanding consumers, patients, and HCPs, the ability of large-scale machine-learning tools to do that is brilliant. It’s very fast, and you don’t need focus groups as much—or at all, in my opinion. You don’t need surveys or require less of them. And even if you have survey data, you can analyze it very quickly. So, there is a speed to market that a pharma company can have that wasn’t true even 12 or 18 months ago.

ChatGPT has made massive strides with each model released—and the other models are great. So, we see that as huge in terms of being able to respond to consumers quickly. The other thing is content curation. Now, you can generate so many different pieces of content—and we have MLR approval to think through. But the truth is: to win on the internet with HCPs or with patients, you must have multiple, personalized pieces of content. And AI allows you to do that—not amazingly today, but [it is] much better than it [was] three months ago. We see true personalization at scale finally being possible. It’s been theoretical for a long time, and now the time is here.

Jenner: Let’s talk about intellectual property and content creation. When AI tools came into the marketplace, the content on the internet became the unwitting trainers of generative AI. At this point, there isn’t compensation for the many articles and journals they’ve consumed, or for the myriad of ways that information is being absorbed to enable these powerful AI platforms. What is going to be the cost to some organizations and content creators as AI continues to absorb our market?

CAPAN: It’s an unfortunate and important topic that will change and evolve, but we need to be very practical right now. There’s a potential for big copyright issues in terms of not getting permission before going to train the set. And this happens with our clients, too, as each company has its own proprietary data [and] information. If you happen to share it with the public, what happens? Obviously, we want to protect our copyright knowledge.

However, [this is for] any profession, any expertise area—AI is not going to replace you. People using AI will replace you if you don’t use it, and I encourage people to be careful but do not stay on the sideline.

But if you’re a good writer (or medical writer) [or] if you have good expertise on any topic, it won’t replace you because AI still needs human feedback. We are not 100% efficient, but AI will definitely help us do our jobs better. For copyright issues, it will evolve, and regulation will be needed to make sure we do things right.

ONIKORO: From the perspective of the human creator—as well as all the content that has already been created—AI is a customer of intellectual property just like a human can be a customer of intellectual property. The question then becomes: is AI going to be a paying customer, and do you need to be paid for your content? Or is AI going to be a non-paying customer? This takes me back to the ’90s when Napster disrupted the music industry. You could download music for free online, but that’s someone’s intellectual property. And now the industry has transformed into Spotify, Pandora, [and] Apple Music to still download and stream music—but paying for it using a method that wasn’t available 25 years ago. I see us moving slowly into that kind of format. AI will always be able to consume information that you don’t want it to consume in many instances, but how do we frame it properly in which owners of the IP are getting credit for it in terms of payments? Once your content is online, AI will pick it up, consume it, and get trained on it. A framework around compensating content owners is the key.

BANERJEE: I gently disagree with Faruk and Steve. The whole construct of content creators on the web—”I wrote a blog and that went into ChatGPT; so, ChatGPT should pay me”—I find that logic flawed. I was taught by somebody; I learned art from somebody else; and I’m making a living. I’m not compensating those people. Yes, I pay taxes, and I buy certain things; but it’s not a customer model as such.

As we see with larger models, over a period of time, they’re extremely general. My colleagues here have probably done thousands of prompts [and] tried to play with the models and API access it; but what truly works well—and probably what works in Jeff’s world—are smaller large language models (LLMs) on tight data, like the Bloomberg Large LLM. Some LLMs that have been released are fascinating on tight data. So, your in-house data is managed and interrogated well.

JENNER: There’s so much legislation and regulation coming into AI. On a national and a global scale, we are starting to see some legislation take shape, especially in the European Union—which, when they introduced GDPR, was at the forefront from a privacy perspective and validated their citizens’ concerns. What are going to be the most significant repercussions or changes from a legislative and regulatory perspective for AI?

BANERJEE: Legislation, sadly, is almost always retroactive. It’s like the tobacco industry saying, “Regulate us.” This is how I think about us in the AI industry saying, “Regulate us,” which is a little duplicitous. Regulation should include four key stakeholders:

  • First, content creators. All of us create content in some shape or form. What are the terms and conditions that content platforms should adhere to, and what should they be permitted to provide? What can Instagram or Twitter give or not give that potentially goes into ChatGPT?
  • The second stakeholder is the platforms. What are the platforms going to do with this amount of content, and what can they build or not build? What is the monetization scheme?
  • The third is the buyers of the product. If I am buying an Instagram-based LLM, what will that mean for them?
  • The fourth stakeholder is privacy—that means having a privacy screen around it.

My theory is that legislation is going to come in a very draconian way and target small-use cases. Being GDPR-compliant is very defined, and there are ways to manage and optimize to that. And if we follow the GDPR model, it’s an easy model to execute against. I know we don’t have it in the US; but in Europe, it’s an easy model to understand.

As an industry, we shouldn’t jump and say, “Hey, legislate us,” because that sounds unethical and inappropriate. We should remain at an arm’s distance. And while I’m not worried about legislation, it should occur keeping those four stakeholders in view.

HEADD: As Faruk highlighted earlier, it’s a highly regulated industry. So, in the context of global legislation that governs a dynamically evolving capability, a thoughtful approach is essential to ensure quality and compliance remain inherent in the system—and, therefore, in decision-making.

An example of this dynamism is in the large language model and foundational model world, where there are two camps. There are the folks who will argue that bigger is better, and bigger will win. But that’s where one could quickly run into questions such as: ‘What was it trained on, and are we really being compliant, fair, and ethical?’ And that’s difficult to answer.

Then there’s the other side where smaller, focused models are catching up very quickly and probably will soon meet and potentially surpass functionality on a use-case level that we aim to achieve in our industry or any business.

There’s also a push in the open-source community to be declarative of what a model is trained on, getting appropriate permission to use underlying data sets for clearly specified purposes, and having clear traceability of the model inputs and outputs.

These are important conversations about integrity, provenance, and quality, and there’s not one single answer to the questions and issues raised. I think we can continue to look forward to having a rich set of options to consider depending on what the use case is.

JENNER: What do you think are the biggest challenges as we examine ethical concerns, privacy, and data security? And as marketers, what do you think are the biggest challenges we should be aware of as the legislation starts to come into play?

ONIKORO: In pharma, we tread carefully around the use of patient data and identifiable data and put those into our models. As it gets more competitive, you may want to get an edge on identifying the particular patient who has the rare disease, but how exactly is that done? It may take a while for regulators to catch up, but as an industry, we need to make sure we’re policing what we’re doing in terms of privacy and use of data. As a company, we think about this because on the backside of platforms, we need to protect our risk and manage compliance regardless of what the current regulations are.

CAPAN: I feel like a dinosaur [with] 30+ years in pharma on both the client side and agency side. I’ve been through arguments about the font size and type on a website, and [I’ve] been sued by those claiming, “This is our font.” We want to protect our customers, and we don’t want any of them ever being sued.

Right now, the top two important concerns are privacy and data security. We have clients [who] say, “Do not use my data in any shape or form regarding the ChatGPT environment,” which they have a right to say. And we do have to police ourselves. Do not ever use the final product of a ChatGPT-created content or image. Only use it for ideation.

The No. 1 process regarding content, customization, and personalization from a marketing standpoint is medical regulatory. That pipeline process is hard to solve, but we are working on a project to make our regulatory approval associates more efficient by creating private references and creating client environments. Now, we have the right references and wide checks, and we’re making sure the copy and claims are correct.

What’s most important in a regulatory environment is protecting patient, HCP, and client data; so, I highly suggest being careful. As an innovator, you may be the one [who] makes the first mistake, and everyone else picks on it, resulting in a chilling effect. I have seen this on social media and mobile websites in the past. We must be careful, minimize mistakes, minimize risk, and then we can adopt this technology in a better, faster way.

JENNER: Wonderfully said. We’re similar at AbelsonTaylor, where we look at the ways we can use generative AI, ChatGPT, and machine learning in ways that can expand and increase our efficiency from a client, HCP, and patient perspective. But we’re also focusing on where we are to make sure that we’re staying at the forefront of technology.

We always think about how we can make sure we’re bringing the right tools to our clients at the right time very quickly in order to stay ahead.

JENNER: Where will AI make a big change in pharmacy marketing within the next five to 10 years?

HEADD: In two ways. Applied change, transformative change, and changing things at scale have longer timelines than generally assumed. When you think about big companies adopting internet access, using cloud platforms instead of home servers—that took years. The hype cycle will reach a saturation point, and then we’ll get to actual tactical execution. Five years from now, on the marketing side, we should see increased speed and agility. There will be faster paths to producing new content, new campaigns that are very relevant at the individual level that can be turned around very quickly as market conditions change and external events happen or exciting things happen within a company’s own pipeline.

To Anurag’s comment earlier about finding patients with rare diseases—if you look at where the industry’s headed, there’s a lot of focus on personalized medicine and on rare indications. I think that does marry well with this technology when you think of how we can find those patients in order to initially study the disease in the clinic; and once we get a treatment approved, help find other patients earlier in their disease progression so we can help them on their health journey. That’s where we may see a lot of generative methods in production systems so that we can help those patients at those times.

BANERJEE: When I was 19 years old, my grandfather died of lung cancer. I remember Googling tobacco (as he was a chain smoker) and looking at research papers online as a sophomore in university. The information access and availability to the caregiver or patient were inadequate and not easy to navigate.

Conversely, my 13-year-old daughter had her tonsils taken out last summer, and I started explaining to her what the procedure is like, what’s going to happen, and how she was going to get a little ice cream. She said, “Dad, I got this. I saw two TikTok videos. I know what’s going to happen.” Information availability to a patient is much better today.

I’d love for an environment to exist in which personalized information about my health and my conditions were available to me and (as an empowered patient) I could find that information in an easy-to-access generative AI, personalized format.

ONIKORO:From our perspective of helping pharmaceutical marketers in HCP marketing, we see AI becoming more a part of the transactional aspects of what pharmaceutical marketers do. For example, segmentation. We’re not just looking at huge segments of positions, but we’re looking at micro-segments and tailoring messages specifically to them. And that’s where modular content and truly streamlining the ML processes come into play. I look at it more from a transactional level. It might not be a big change, but it’s also getting us faster and more personalized.

CAPAN: This trend is much more accelerated than the internet, mobile, or social acceleration we’ve seen in the past. In five to 10 years, the way we live and work is going to be much different than it is today. I’ll give you an example. Are we still going to need websites, or will we have personalized AI, personalized education, or [personalized] medicine? Will this expertise be available to us [on an] individual level? It’s going to be more about influencing the AI models than building websites or content. There is talk of tools coming very soon that will offer a personalized AI educator, trainer, doctor, [or] legal expertise—everything will be available to us in a much different way.

And we will likely have to be more specialized [as individuals], and jobs will likely be more specialized to be able to compete with AI. It’s exciting, but it’s kind of scary when you think about the things that can really go wrong in five to 10 years, but I like to stay optimistic. If we put our hearts and minds in the right place, we can overcome these challenges together. It’s essential for individuals with good intentions to join this effort, as there’s a likelihood that those with less altruistic motives are already working against our progress.

JENNER: I take a little bit of a more science-fiction approach to it. Within five or 10 years, because technology is moving so quickly, we’re going to get to a place where wearables—like augmented reality [and] virtual reality—become more common. We’re going to see a huge uptick in wearable technology, which is going to help people understand their health in a new way. I think it will provide a new perspective for healthcare providers and people who are in the industry to be able to understand population health on a more global and robust scale. Everyone is attached to their phones. So, if there is a way to implement augmented reality or virtual reality to meet patients exactly where they are and give them information about critical components of their healthcare—to manage symptoms [and have] early detection—it would be helpful.

And I think we’re going to see some healthcare providers really embracing this technology a lot more in research areas and how HCPs can communicate with their patients in a more free and open way. We already have telemedicine. But in the future, will we start seeing things where your healthcare provider is meeting you in a world [of augmented reality] that you maybe hadn’t thought of before? Much like how gaming has merged into an all-world technology.

Switzerland Bans Photographers ‘Suggestive’ Photos of Gymnasts

Switzerland Bans Photographers ‘Suggestive’ Photos of Gymnasts

gymnast

The Swiss Gymnastics Federation (STV) has banned photographers from taking “suggestive” photos of gymnasts.

The association has imposed the ban in a bid to ensure that gymnasts can only be photographed in a way that focuses on their poses and positions.

The German newspaper BILD reports that the Swiss federation will ban sports photographers from shooting pictures of gymnasts in poses which have them spreading their legs upwards.

‘Ethically Sensitive’ Photography

“To protect gymnasts, the STV strives to ensure that no suggestive or otherwise ethically sensitive photos are published and passed on. Especially photos where gymnasts were photographed in the crotch,” STV states in its updated guidelines.

“The STV is aware that such photos can arise in action photography. However, publication should be avoided. The main concern of the STV is to sensitize the media professionals and to let common sense prevail.”

According to STV’s new guidelines, photographs of gymnasts in a position that sees their legs spread upwards, such as on a balance beam or uneven bars, will be banned.

Meanwhile, photographs of gymnasts in the splits pose being allowed will be dependent on the angle of the picture.

Naomi Kempter, who works in the Ethics Department at STV, says the photography ban is essential and should have been imposed sooner to protect gymnasts from sensitive images.

“We wanted to send a signal that we no longer want such photos. It was high time for something like this,” Kempter tells BILD.

Protecting Athletes

According to the publication, Germany is also taking measures to protect gymnasts and ensure that they are only photographed in certain poses and angles.

The German Gymnastics Federation says it has “adjusted” positions in which photographers can stand in order to prevent photos taken with the gymnast’s legs spread — such as directly in front of an athlete.

If the German Gymnastics Federation discovers sensitive photos of a gymnast being circulated in the media or online, the association says it will also speak directly to the photographer who has taken the images.

In May, Japan also introduced its first nationwide laws to criminalize exploitative “photo voyeurism.” The issue of taking sexually exploitative images of others is particularly serious at sporting events in the country.

Young athletes in sporting attire in Japan are frequently targeted by people engaging in sneak photography of a sexually malicious nature.


Image credits: Header photo licensed via Depositphotos.

Hands On: Vestaboard Flips Out as an Artfully Smart Messaging Display

Hands On: Vestaboard Flips Out as an Artfully Smart Messaging Display

If you’ve ever pined for the romantically anachronistic mechanical sound of a flip board similar to those found notifying travelers at Parisian train stations to quicken their step, look no further than the Vestaboard, a smart messaging system with a surprisingly delightful method of displaying messages, weather reports, news updates, sports scores, quotes, and color block art with an audible flair unlike anything else you might ever consider mounting onto your wall.

Our review unit was installed in a guest house, where the Vestaboard delivers a daily weather forecast and also offers a surprisingly fun option for messaging friends and family staying over in lieu of a typical text message by phone. Photo: Gregory Han

Vestaboard sent us one of their smart messaging displays in white to test out within a residential setting. We had an ideal testing space/case for the unit: a separate guest house frequented by friends and family for overnight stays. Even so, installing a Vestaboard is a commitment, noticeably more demanding of a task than required when wall mounting a television of similar size (a task of which we just finished by installing the similarly sized, but considerably lighter, 43-inch Samsung The Frame).

Weather Report for Altadena, CA displayed upon Vestaboard.

There’s a degree of gimmicky delight trying out the various messaging and color “art” display options, but over time the weather report proved the most useful display. Photo: Gregory Han

Don’t let the modest size of the Vestaboard fool you. The 41-inch wide rectangular display weighs in at hefty 55lbs, and is best handled by a team of two. An extra pair of hands is advisable while installing the unit to ensure level and secure alignment, and you’ll want to measure twice to see whether the included 19.7-inch cord is sufficiently long enough to reach an outlet (a longer cord is available via Vestaboard).

This weighty spec is attributed to the entire unit being composed of a considerable amount of metal parts, housing 132 individual “Bits” modules within. Each of those parts in turn hold 64 die-cut matte-printed characters of letters, symbols, punctuation, numbers, and colors layered into one rotating card display. And the sum of those Bits equals a dizzying total of 8,448 spinning mechanical flaps engineered to coordinate into a choreographed movement when the Vestaboard updates or changes its display.

Close up view of a Vestaboard Bits module removed from the display with blue color block.

132 character modules, or “Bits” in Vestaboard parlance, combine to work in an orchestration of movement, sound, colors, and characters. It’s hard to deny how much audible joy the Vestaboard delivers with its mechanical movement, perhaps reflective of our desire for simplified notifications harkening to simpler times. Photos: Gregory Han

Once installed onto a wall, the Vestaboard becomes an immediate conversation piece. Adults and children alike will find its mechanical design a curiosity, especially when watching the 132 Bits do their thing with lively aplomb before settling in to display whatever it is the user sends via iOS and Android mobile app or a web-based application.

These display options include the ability to text personal messages, “draw” using a visual editor, pair with news and sports sources like CNN and ESPN, connect to Google calendar, and automatically update from a databank of famous quotes. The modest amount of characters available to display are intended as a feature rather than a bug, the equivalent of a succinct Tweet versus a long-winded TD:LR Facebook post.

Sadly, Vestaboard keeps many of its best features behind a membership plan requiring an additional monthly or annual fee to access. Even so, its ability to report the weather on a daily and/or weekly basis proved satisfying enough to warrant its place on our guest house wall.

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One of the more interesting smart home integration options is the ability to pair the Vestaboard with a Sonos system as a “Sonos Now Playing” display board.

Detail of Vestaboard without cover, showing how Bits slide into the board's frame.

Each Bit snaps into place and can be removed by sliding the small metal tab located in the upper left hand corner of each module. Photo: Gregory Han

While it may share the dimensions of a television, the Vestaboard requires significantly less energy than a traditional screen to operate. The difference is somewhat similar to the power-sipping performance of an e-ink display versus that of a light emitting screen. The company also tested the Bits against UV exposure discoloration for an equivalent 10 hours per day in direct sunlight for a year, and backs their product with a (non-transferable) 2-year warranty covering limited parts and labor.

Cropped shot of Vestaboard's color block displays.

Beyond character and numerals, the Vestaboard can also display blocks of color to incorporate into a variety of display types (e.g. yellow for a sunny weather forecast) or to display rudimentary decorative “art.” Photo: Gregory Han

That brings us back to the price. At $2,895 for the display alone, minus the option to pay an extra $95 annually to access additional Vestaboard+ display options, the Vestaboard is a hard sell for the average person where its endearing novelty is outweighed by its significant price tag (Vestaboard told us they’re working on a more affordable version 2.0, one we hope delivers a close degree of the same ASMR-pleasing flippin’ action as this model).

Vestaboard in a chic matte black wall mounted onto a white painted brick wall in a kitchen.

The Vestaboard is also available in a chic matte black. Photo: Vestaboard

The best use cases for the Vestaboard would be in an office/studio environment, within a retail or restaurant space, or as a messaging system inside a short term rental unit permitting owners to message/welcome guests. In each of those instances, the ROI becomes subjectively an argument for the undeniable gratification of operating your very own train depot messaging system from your phone. And what a joy it is.

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Gregory Han is the Managing Editor of Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Barbara Livingston: Renowned Photographer Devoted to Capturing Beauty

Barbara Livingston: Renowned Photographer Devoted to Capturing Beauty

Renowned photographer Barbara Livingston suspects Thoroughbreds view her as an “odd clicking person.”

Humans would more likely describe her as a wonderful clicking person.

Make no mistake, clicking sounds emanate from her almost constantly as she strives to record the magnificence of one horse after another, all the while brightening the dawn at racetracks across the country with her smile.

Livingston is the chief photographer of the Daily Racing Form. As important as that is, it does not begin to describe her impact on the industry. She has set an unthinkable pace in winning five Eclipse Awards, three for photography and two for audio/multi-media. Her itinerant life revolves around securing the next great image.

 “It’s not a passion for me. It’s actually an obsession, and I’m not sure it’s always helped me because it’s such a strong drive,” Livingston said in 2018. “But what are you going to do? When you are obsessed, you just are.”

That obsession led to the publication of seven books, four comprising her popular “Old Friends” series, which depicts the nobility of retired Thoroughbreds. For Livingston, her art is much more about the horse than the array of equipment she uses.

The native of Schenectady, N.Y., became fascinated with Thoroughbreds at a young age. She was 10 when she used an Instamatic to take her first images at the track. She was 13 when she recorded Ruffian’s victory in the Spinaway Stakes at Saratoga Race Course.

What is it about Thoroughbreds that they have maintained a lifelong hold on Livingston?

“I’m never able to explain what it is,” she said. “They are almost mythical creatures.”

Livingston thrives on the opportunity to work one on one with her equine subjects.

“I’ve been seeking an answer that sums up the feeling you have when you are with horses, when you are listening to them, when you are feeling them, when you are smelling them,” she said. “There is something incredibly spiritual about that connection. Even a horse you don’t know will watch you and think of how to work with you.”

Livingston is painstaking in her attention to detail. She has undoubtedly strained the patience of many a staffer as she waits and waits for the one shot that she knows is there, the one shot that she must have.

“She is very meticulous and demanding. She won’t do anything second-rate, ever,” said Michael Blowen, who founded Old Friends at Dream Chase Farm in Georgetown, Ky., in 2003.

Blowen estimates that Livingston’s work helped raise more than $50,000 for retired Thoroughbreds at his farm, which takes its name from her book series. She snaps all of the photos in an annual magazine published by Daily Racing Form that helps to draw attention to Blowen’s cause.

With each image, Livingston conveys the dignity of the horse, its power and, in some delightful instances, its playfulness.

 “They are very rarely static,” said Blowen. “There is always movement, and that is the beauty of these horses.”

Blowen added, “She could have made a ton of money taking photos of celebrities. Thank God she decided she was going to focus on these Thoroughbreds because she’s made a huge difference to the animals and the sport.”

Whether it is a horse or human in need, Livingston wants to help. She has arranged more than her share of horse adoptions. She rallied to the side of horses in desperate need after the 2017 hurricane in Puerto Rico.

Closer to home, Livingston immeasurably brightened the Thanksgiving and Christmas of Jacqueline Holcomb, an avid racing fan and a patient at Pathways Nursing and Rehabilitation in Niskayuna, N.Y., who is unable to speak.

For Thanksgiving 2018, she arranged FaceTime with two of Holcomb’s favorites from the riding world, Edgar Prado and Julie Krone. When she used social media to suggest fans might reach out to Holcomb for Christmas, they responded with almost 100 cards and 15 presents.

 “She was so appreciative,” Livingston said. “You could tell with her eyes.” (Holcomb passed away in 2020.)

In 2017, Livingston also spent time clicking away in a pasture with Boom Towner. She was not on assignment. There was no fee. She has documented his life in pictures every 10 years, and he turned 30 in 2017, graying around his temples and jaw and very much slowing down.

 “A lot of older horses, I definitely initiate those,” Livingston said, “because I like the idea of recording the history of a horse where people might not be doing so as much.”

And so Livingston focuses in, revealing the essence of each Thoroughbred one click at a time.

Note: This profile was written in 2018 and has been updated.


Fun Facts

  • Livingston kept a diary when she was young and wrote of her desire to be a photographer
  • Livingston also aspired to be an artist, but did not feel she had enough ability to pursue that
  • Graduated from Syracuse with degree in experimental photography
  • Estimates that she drives between 30,000 and 40,000 miles annually 
  • Her license plate: Alydar

101 Basics – Straight Verticals, White Balance, & Correct Exposure

101 Basics – Straight Verticals, White Balance, & Correct Exposure
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Post-production

There will always be newbies entering the genre of architecture photography, and along with that inexperience can be unfamiliarity around some core, fundamental principles. If this sounds like you, then I hope the following videos help.

Granted there’s multiple ways to “skin the cat” when it comes to getting your verticals straight, obtaining the correct white balance, and making sure you have an overall properly exposed image. These are just a few easy techniques that I’ve been utilizing over the years.

Enjoy!

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