Today’s Photo from Ted Grussing Photography: Remembering Cool

Today’s Photo from Ted Grussing Photography: Remembering Cool

… a terrific weekend … mostly indoors and reviewing many photos taken during cooler times than we are currently experiencing.

The shot above was taken looking to the NNW from over the Village of Oak Creek … Courthouse Rock is in the lower left , Cathedral Rock above that and Airport Mesa Above that and Thunder Mountain above it … Wilson Mountain is on the right side partially in the clouds and Oak Creek Canyon behind it … it was a beautiful day and cool.

Below is a photo of the rim and wilderness area between Sedona and the Village of Oak Creek looking ENE … the snow looks so good now … on that day the warm days of summer were looking pretty good!

Been listening to some neat music and a few that are very cool are Forever Young by Rod Stewart singing with his daughter at a festival in Chili and it has a fabulous drum solo in the middle of it. I’ve also been listening to more music from India and have become hooked on the sounds and melody … do not understand the words, but with good music that is not essential … just swept along with the music, like this one Ranjha and who can resist Wonderful World by Louis Armstrong ?

We’re into a new week and the build of my new computer is going well … looking for a finish and having it ready to go by next weekend. Thankful for a nice dining room table to do the work on 🙂

Have a beautiful day, keep breathing and smile!

Ted

You are not poor if you
love something, someone,
humanity maybe, and have faith
that you will somewhere,
sometime be satisfied, though you
know not how.

excerpt from Love and Faith by Max Ehrmann

###

photo_tedgrussingThe easiest way to reach Mr. Grussing is by email: ted@tedgrussing.com

In addition to sales of photographs already taken Ted does special shoots for patrons on request and also does air-to-air photography for those who want photographs of their airplanes in flight. All special photographic sessions are billed on an hourly basis.

Ted also does one-on-one workshops for those interested in learning the techniques he uses.  By special arrangement Ted will do one-on-one aerial photography workshops which will include actual photo sessions in the air.

More about Ted Grussing


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Photography Dealer Pleads Guilty to $1.5M Fraud and Embezzling Scheme

Photography Dealer Pleads Guilty to $1.5M Fraud and Embezzling Scheme

Ansel Adams

A photography dealer from Michigan has pleaded guilty to one count of wire fraud related to a scheme involving more than 10 clients and about $1.5 million in art, including Ansel Adams photographs.

Former Birmingham, Michigan art dealer Wendy Halstead Beard was arrested by the FBI in October 2022 for what prosecutors alleged was a scheme to defraud her customers and embezzle the proceeds over the course of the previous two years.

The United States Attorney’s Office for the Eastern District of Michigan says that Beard, 58, pleaded guilty to one count of wire fraud that arose from that multi-year FBI investigation in which Beard received fine art photography prints on consignment, sold the artwork without the knowledge of the owners, kept the profits for herself, and regularly deceived the owners about the status of the photos including claiming she was in two prolongs comas, one for multiple months, and received a lung transplant. Beard also tried to pass off cheap copies of Ansel Adams prints she bought from the photographer’s gift shop as original, signed photographs.

“Throughout the scheme, Beard attempted to lull her victims into a false sense of security by offering excuses for her unwillingness or inability to promptly return the victims’ photographs after the expiration of the operative consignment agreements,” the Attorney’s Office says.

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“These excuses consisted of, among other things, exaggerating the severity of her own health problems, including claiming (1) to have recently been in a coma and (2) to have received a double-lung transplant. In other instances, Beard told her victims that there was a lack of interest among potential purchasers—despite having already sold the photographs in question. Beard also created fake ’employee’ identities which she used to correspond with her victims in a further effort to deceive them.”

Beard has acknowledged defrauding more than 10 victims over the course of her two-year scheme and further admitted that at least one was selected due to their vulnerability: they were at an “advanced age,” the plea agreement says.

“This defendant swindled numerous families out of valuable artwork and lied to them repeatedly in order to keep her fraud scheme afloat,” United States Attorney Dawn N. Ison says. “She did this for no reason other than to line her own pockets at the expense of her victims. There is no place for this kind of criminal deceit in our community, and today’s conviction holds this defendant accountable for her conduct.”

“With today’s plea, Ms. Beard has taken a first step towards accepting responsibility for her criminal behavior,” Devin J. Kowalski, Acting Special Agent in Charge of the FBI’s Detroit Field Office, says. “The FBI remains committed to investigating art fraud and to seeking justice for those affected by this type of scheme.”

Beard’s sentencing is expected to take place on December 20, Art News reports.


Image credits: Photo by Ansel Adams/Public Domain.

Annual PAVA art show at the Coliseum this weekend

Annual PAVA art show at the Coliseum this weekend
The Professional Association of Visual Artists, better known as PAVA, returns to the St. Petersburg Coliseum Saturday and for its 34th annual “Cool Art Show.” More than 60 fine artists, most of whom call Tampa Bay home, will participate. The “cool” in the event name refers to air conditioning. Formed in 1988, the nonprofit organization

Photographer Shoots Mirror Selfies With His Barber Over 50 Years

Photographer Shoots Mirror Selfies With His Barber Over 50 Years
Photographer Sam Farr getting his haircut with the same barber over 50 years.
Photographer Sam Farr has been taking a selfie with his barber Joe for half a century.

A photographer who has visited the same barbershop for over 50 years has been taking selfies with his barber since 1973.

Sam Farr, 78, first took a photo of himself and his barber Joe in the early 1970s with a Rolleiflex camera. The most recent photo was taken with an iPhone and he’s also shot a photo of them with a Fujifilm X100F.

But sadly the former newspaper photographer is not well and the most recent photo could be his last as his daughter says he is in poor health because of Parkinson’s disease.

Photographer Sam Farr getting his haircut with the same barber over 50 years.
All five selfies of barber and client together.

Farr has been seeing Joe for a haircut at his shop, Giuseppe’s of Bath, in the U.K. for 50 years. He has a collection of five photos with Joe, each time with a new camera.

“The first time I took the photo I had just bought a Rolleiflex camera for about £100 ($130), a lot of money back then, and I wanted to see what I looked like,” says Farr.

“I used to take photos for so many people back then but never took pictures of myself, so I decided to snap one and started a tradition.

“He’s been cutting my hair for so long that he’s changed locations three times. When we hit 50 years, we thought it would be special to celebrate it. He even gave me a free haircut.”

Photographer Sam Farr getting his haircut with the same barber over 50 years.
The first photo was taken with a Rolleiflex camera. He’s also used a Fujifilm X100F.

Joe cutting Farr's hair.

Farr has been getting the same haircut from Joe for half a century which he describes as the “aging Beatle” haircut.

The most recent photo was taken on an iPhone attached to a stand and that’s because Farr now has a difficult time keeping the camera steady.

Sam Farr with his barber Joe.
Sam and Joe.

“Unfortunately due to dad’s health issues I think this picture will probably be his final one,” says his daughter Nicky Higby.

“Due to his battle with Parkinson’s and other conditions, it’s hard for him to hold a camera anymore. Last time in 2015 we just about managed to do it, but this time we went for an iPhone instead.”

Sam Farr with his barber Joe.

Higby says the tradition is much cherished in her family and Joe has always been a close friend.

“I recently saw a post about dad’s selfies on Reddit which had thousands of comments,” she adds. “The lovely thing is they always comment on how happy he looks.”


Image credits: Photos courtesy of SWNS.

Immense Biomorphic Sculptures Snake from Floor to Ceiling at Hamburger Bahnhof in Eva Fàbregas’ ‘Devouring Lovers’

Immense Biomorphic Sculptures Snake from Floor to Ceiling at Hamburger Bahnhof in Eva Fàbregas’ ‘Devouring Lovers’

All photos by Jacopo La Forgia, courtesy of Eva Fàbregas, National Museums in Berlin, and Hamburger Bahnhof–National Gallery of the Present

Bulbous, biomorphic sculptures in lavender, tangerine, and blush pink rove throughout the airy Hamburger Bahnhof in Berlin. The largest solo exhibition to date of Barcelona-born artist Eva Fàbregas, Devouring Lovers brings massive, bulging works to the industrial hall, juxtaposing the cold iron structures with soft, pudgy forms. Inviting in color and grotesque in shape, the organic, monstrous sculptures appear alive, as if they could grow and swallow up the remaining space, viewers and all.

In a recent interview, Fàbregas shares that the interactions between space and the body continually inform her thinking and how she conceptualizes a piece. “It’s about the architecture. It’s about those masses that you put inside the architecture. It’s about the humans moving around the architecture,” she says. “For me, my sculptures are not just themselves, it’s all the things that happen in the same space that affect that installation.”

Devouring Lovers is on view through January 14, 2024. You can find more from Fàbregas on Instagram.

 

Bulging pink and purple forms appear to crawl up the industrial hall and grow across the floor

Bulging pink, purple, and orange forms appear to crawl up the industrial hall and grow across the floor

Bulging pink orms appear to crawl up the industrial hall ceiling

Bulging pink forms appear to crawl up the industrial hall ceiling

Bulging pink and purple forms appear to crawl up the industrial hall and grow across the floor

Bulging pink forms appear to crawl up the industrial hall and grow across the floor

Bulging pink forms appear to crawl up the industrial hall ceiling

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Immense Biomorphic Sculptures Snake from Floor to Ceiling at Hamburger Bahnhof in Eva Fàbregas’ ‘Devouring Lovers’ appeared first on Colossal.

Imagination takes flight: Inside Hermès’s LA theatre production

Imagination takes flight: Inside Hermès’s LA theatre production

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Hermès, which famously claims it doesn’t do marketing, is conducting a masterclass in understated luxury brand building in Los Angeles this week. Presenting a theatrical production as “a poetic and cinematic performance”, the Parisian luxury giant is applying the same rules to this artistic event that it does to its products — beauty and whimsy backed up by a healthy dose of scarcity.

There were no billboards lining LA streets of the sort that Celine used to promote its rock-n-roll show at the Wiltern Theatre last December. Yet, On the Wings of Hermès — an hour-long theatrical production by the Belgian film director Jaco Van Dormael and his partner, the choreographer Michèle Anne de Mey — appeared to be fully booked before the first showing.

The first sign that this is no typical theatrical performance is the price, which is measured in access, not cash. The roughly 5,000 tickets are free of charge, but can only be obtained by invitation, or by those who knew to go to Hermès.com/Wings. General admission guests were mainly clients who learned about it from the stores they frequent in Los Angeles, or others who learned by word of mouth, the company says.

Hermès is all about the discretely unavailable. The Parisian luxury giant, which reported €11.6 billion in 2022 revenues, up 29 per cent over 2021, keeps consumers hungry by never fully sating their desires. It claims, for instance, that it is unable to increase production of its famous Birkin bags, possibly the most coveted products in its vast lines (and likely to become even more so following the death of the actress that inspired them, Jane Birkin).

Its strategy to sell Birkins famously hangs on a manner of pricing that far exceeds the amount printed on the price tag. Though Hermès routinely denies this is a strategy, its customers are keenly aware that obtaining a rare Birkin often requires that they make a multitude of prior purchases of silk scarves, enamel bangles and other Hermès products.

Tickets to watch the theatre production were free but could only be obtained by invitation or by clients who knew either through word of mouth or from frequenting the brand’s LA stores to go to Hermès.com/Wings. 

Photo: Nacása & Partners Inc / Courtesy of Hermès

Wiregrass Gallery hosts exhibit of photographer Marci Oldenburg

Wiregrass Gallery hosts exhibit of photographer Marci Oldenburg

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THOMASVILLE- The Wiregrass Gallery: Artist Co-Op welcomed Marci Oldenburg and her nature-inspired photography to the fold, exhibiting her art until July 31.

Oldenburg said that she has been drawn to art since she was young and doodling, but it was when she was going to high school in Germany at 17 that she found her first camera.

“This is something I’ve been doing since I was 17,” she said. “Before, I used to doodle a lot and then I found camera. There, things took off.”

Oldenburg said that she began with film, noting how expensive it was for a single roll of film, when it usually would only take an average of 10 good pictures out of the 35. She later began taking classes at the University of Maine after returning to the U.S, where she was able to use a dark room to develop film.

“I started with a film camera and then it was just taking pictures,” Oldenburg said. “As I went along, I found a photography class for developing, so I started working in the dark room to develop my own film.”

Learning about development, both the technical facets of photography alongside composition, she said that those classes taught her a lot about her craft.

“I learned a lot about the craft of photography during that time,” Oldenburg said.

Picking up a digital camera in 2001 changed everything.

“I went, ‘oh my goodness, this is amazing,’” she said. “So, from there it was digital. Since that time, I’ve maybe shot three rolls of film.”

Easily able to look back at pictures and see how they turned out while out in the field, Oldenburg said that programs like photoshop became her new dark room, although she said she tended to let her photography speak for itself without much editing.

“I want the original picture to speak so I don’t do a lot,” she said. “I do enough to enhance and make it visually appealing to myself and then from there, hopefully, someone else will find it appealing.”

Nature, she said, was her muse throughout her journey, from the woods and flowers to the slow retaking of the world by nature.

“I am inspired by a lot of different things,” Oldenburg said. “Nature is my muse; the woods, the flower popping up through concrete, it’s a lot of different things. Just what captivates me that day.”

A lot of her day-to-day hobbies and routines, she added, also make it into her photography and are reflections of her interests.

“I enjoy florals,” she said. “I grow orchids, I meditate, there’s a lot of different things I do besides that and I think it is reflected in my work.”

Having moved to Tallahassee recently from central Florida, she said that now that she has retired it was time for her flex her creative muscles.

“We moved here in December,” Oldenburg said. “I kind’ve retired and really work at my passion, which is photography, art, I’ve done beading in the past, I’ve always stayed busy creatively.”

Getting back into her old creative passions and new ones, Oldenburg said, has been wonderful.

“It’s wonderful,” she said. “I have a very supportive partner so that makes everything so much, much better. I’m delving into some water color and beading again, which is something I did years ago, but the photography is my main focus.”

Getting involved with the Wiregrass Gallery through a call for photographers was an honor for Oldenburg, and she hopes everyone will see the time and effort put into the works on display.

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Amplifying Rising Voices: Muskegon Museum of Art

Amplifying Rising Voices: Muskegon Museum of Art
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Established in 2018, the biannual Bennett Prize fosters the artistic careers of women figurative artists by providing winners $50,000 and the opportunity to create, over the next two years, a solo exhibition, which afterward tours. The prize is intended as both recognition and empowerment; a carving out of space, in other words, ordinarily taken up by men.

After an open call, four jurors selected 10 finalists: the best of the best. Although all represent points on the spectrum of figurative realism, those points lie some distance from each other; on one end are Ruth Dealy’s semi-abstract figures, and on the other Ronna Harris’ contemporary channeling of the old masters.

On May 18, Shiqing Deng was announced as this year’s winner. Deng’s paintings demonstrate both technical mastery and a controlled but questing imagination. They imply secrets, obscure narratives; dreamy, they might, if pushed, tilt into the nightmarish. In addition, the Dr. Elaine Melotti Schmidt Prize for Achievement in Figurative Realism, a related prize, was given for the first time. The $10,000 prize was awarded to Ruth Dealy.

The finalists’ work can be seen at the Muskegon Museum of Art. Rising Voices 3: The Bennet Prize runs there through September 10th. In addition to the artists mentioned above, the work on displays includes striking pieces by Haley Hasler, Laura Karetsky, and Kyla Zoe Rafert, among others. 

Also running through September 10 is The Lessons I Leave You: Paintings by Ayana Ross. Ross, the 2021 Bennett Prize winner, depicts scenes we might have seen outside our own windows or inside our own houses: a woman (a mother, we assume) speaks earnestly with a boy; a white-bearded man is teaching a boy how to golf. Through judicious use of light and color, Ross grants them a retrospective quality; they’re everyday moments as seen in memory, when we finally understand how important they were. It’s remarkable work.

Kristina Broughton, Muskegon Museum of Art’s marketing director, said that the prize allowed Ross to quit her job. “Before that, painting was her side hobby. She’s said that the prize was absolutely life-changing.”

Running through August 27 is another exhibition devoted to realism, although not exclusively of the figurative variety, is American Realism: Visions of America, 1900-1950. It’s a collaboration between four museums: the Detroit Institute of Art, the Flint Institute of Art, the Kalamazoo Institute of Art, and the Muskegon Museum of  Art.

“It’s about America defining itself,” Broughton said. “About it shaking free of the influence of western European art. Or of keeping those influences, in some cases, but with homegrown subjects.”

The exhibition consists of paintings, drawings, and prints, and includes the work of major artists, among them Edward Hopper, Alexander Calder, George Bellows, and others.

Broughton urges people to come see the work in person. “It’s a different experience in person. It’s not until you get in front of it that you can see the fine details, the brushstrokes. Or scale: something that might look small on your screen might be enormous in person.” 

In the end, she concluded, it’s about intimacy. In person, nothing stands between you and a painting’s secrets. 

Muskegon Museum of Art 

296 W. Webster Ave., Muskegon 

muskegonartmuseum.org

The Bennett Prize: Rising Voices,
Through Sept. 10

The Lessons I Leave You,
Through Sept. 10

American Realism: Visions of America, Through Aug. 27