Washington man sentenced for selling fake Native art in Alaska

Washington man sentenced for selling fake Native art in Alaska

JUNEAU, Alaska. — Hundreds who were sold authentic Native art in Alaska over a five-and-a-half-year period from April 2016 to December 2021, were duped by a man from Washington State.

It turns out the art was produced overseas. Each piece was sold for upwards of $1,000 dollars, likely grossing millions. He even involved Alaskan Natives in his scheme, adding a bit of theater to make the fraud more convincing.

This week in Alaskan District Court in Juneau, 59-year-old Cristobal “Cris” Magno Rodrigo was sentenced to two years in federal prison for selling overseas-produced items as authentic Alaska Native artwork. After his sentence, he will be required to serve three years of supervised release.

He is also required to make a $60,000 donation to the Tlingit and Haida Central Counsel Vocational Program and write a letter of apology to be published in the Ketchikan Daily Newspaper.

From April 2016 to December 2021, while residing in Washington State, Rodrigo and his family owned and operated Alaska Stone Arts LLC. and Rail Creek LLC. in Ketchikan, Alaska. Alaska Stone Arts LLC. primarily sold stone carvings, and Rail Creek LLC. primarily sold wooden totem poles.

The art was all made in the Philippines, by a company owned by Rodrigo’s wife.

Rodrigo’s deception went even further. Prosecutors say he hired Alaska Natives in both of his stores to misrepresent the products as art they and their families had made themselves.

“This deceptive business practice cheated customers and undermined the economic livelihood of Alaska Native artists,” said Edward Grace, Assistant Director of the U.S. Fish and Wildlife Service Office of Law Enforcement.

Rodrigo violated the Indian Arts and Crafts Act. His sentence is by far the longest ever handed down on that charge.

The Indian Arts and Crafts Act makes it unlawful to offer, display for sale, or sell any good in a manner that falsely suggests that it was Indian-produced, an Indian product, or the product of a particular Indian tribe, resident in the United States.

“Fakes and counterfeits, such as those marketed for huge sums of money by the Rodrigos, tear at the very fabric of Alaska Native culture, Native livelihoods, and Native communities,” said Indian Arts and Crafts Board Director Meridith Stanton.

Co-conspirators in this case include Glenda Tiglao Rodrigo, 46, and Christian Ryan Tiglao Rodrigo, 24. Their cases are ongoing.

If you suspect potential Indian Arts and Crafts Act violations are being committed, a complaint may be submitted through the Indian Arts and Crafts Board’s online complaint form, www.doi.gov/iacb/should-i-report-potential-violation, by emailing iacb@ios.doi.gov, or by calling 888-278-3253.

5 things I learned as a photography intern this summer

5 things I learned as a photography intern this summer

For the past decade, I have spent at least one week per summer at a summer camp in Northern Kentucky. When I got older, I became a member of the staff and spent two summers as a counselor for longer stretches of time. This past summer, I was lucky enough to be a part of the leadership team as the Social Media Intern. It was an entirely different experience from any I’d had at camp, but it was incredibly valuable and one of the most rewarding experiences of my life. 

My job consisted of creating a schedule for my junior interns to photograph campers during the day while helping run the social media accounts and taking pictures myself. Although I learned countless lessons over the 11 weeks I spent there, I’ve narrowed it down to a list of five key takeaways: 

How to frame shots and capture a moment 

At the bare minimum, I walked away from this summer with a better understanding of how to use a camera. Not only did my understanding of camera settings grow, but I also learned how to look at a moment, recognize it as a photo opportunity and get to it fast enough. The point of my job was to give the campers something to look back on, as well as assure their parents that their children were enjoying their week away from home and providing photos that could be used for marketing throughout the year. This goal gave me something concrete to work toward and made me a more efficient photographer. 

The value of taking opportunities 

One of the biggest lessons I learned this summer is that being someone who will accept opportunities makes you invaluable. By saying “yes” to odd jobs around camp, I turned into a reliable coworker and a helpful employee, and I grew my own skill set. Just accepting my main job was an opportunity to expand my skills as a journalist outside the newsroom. The skills I gained as a leader, photographer, social media director and coworker are ones that I will carry with me into the future of my field of study. 

Speaking up for yourself  

In any job, but particularly internships, it can be easy to slip into the rhythm of doing what you’re told and shying away from presenting ideas. However, proposing ideas and alternative ways of doing things makes you a unique part of a team, as long as it is done in a respectful and timely manner. 

Be content with being in the background 

On the flip side of the above point, it can also be important to get used to working in the background. A majority of my job was executed behind the scenes, which made me an unidentifiable force on the team, but nevertheless a valuable one. This grants the freedom to be helpful in other ways, and it helps assure the people in charge that your work is being done free of distraction. 

Knowing there’s a place for you at the table 

Finally, I learned not to doubt myself. I worked hard and was a consistent member of the staff, and it took some mindset adjusting to remember that I had a place at the table. I learned how to work through my anxieties and care for myself while keeping up with my duties and continuing to produce quality work. If you are pursuing an internship or entry-level job, remember you are there for a reason and your capabilities make you a valuable member of a team. 

sr320421@ohio.edu 

@sophiarooks_


Bloomington Photography Club’s 32nd Annual Juried Exhibition @ Waldron Arts Center, 122 S Walnut St, Bloomington (2023-09-01)

Bloomington Photography Club’s 32nd Annual Juried Exhibition @ Waldron Arts Center, 122 S Walnut St, Bloomington (2023-09-01)

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NEW FUNDING AND TRAINING OPPORTUNITY TO HELP NATIVE CRAFT ARTISTS DEVELOP SUSTAINABLE BUSINESSES

NEW FUNDING AND TRAINING OPPORTUNITY TO HELP NATIVE CRAFT ARTISTS DEVELOP SUSTAINABLE BUSINESSES

OKLAHOMA CITY, OK – The Association of Tribal Archives, Libraries and Museums (ATALM), in partnership with Craft Emergency Relief Fund (CERF+), today announced the launch of the Native Craft Artist Readiness Program (NCARP), a six-month program that provides training, resources, and financial support to build sustainable craft art business practices.

Funding from CERF+, and the Ford and Windgate Foundations will support up to 20 Native Craft Artists. Craft artists are defined as people who produce hand-crafted objects such as pottery, baskets, jewelry, beadwork, quilts, and other items.

Participating artists, selected through a national application process, will receive online training and access to a network of coaches, peers, and resources. Artists completing the program will receive up to $10,000 to implement the skills and strategies gained through the program.

To support the craft artists, up to five artists with successful careers will serve as coaches or mentors. The coaches will receive national recognition for their leadership and generosity.

Applications are due by September 30, 2023. Selected Artists and Coaches will be notified by October 16, 2023. More information is available at https://www.atalm.org/node/628.

ABOUT THE ASSOCIATION OF TRIBAL ARCHIVES, LIBRARIES, AND MUSEUMS

The Association of Tribal Archives, Libraries, and Museums (ATALM) is an international association dedicated to preserving and advancing the language, history, culture, and lifeways of Indigenous peoples. Founded in 2010, ATALM maintains a network of support for Indigenous cultural programs, provides professional development training, enables collaboration among tribal and non-tribal cultural institutions, and advocates for programs and funding to sustain the cultural sovereignty of Native Nations. To learn more, visit http://www.atalm.org

ABOUT CERF+ — THE ARTISTS SAFETY NET

Since 1985, CERF+ has assisted thousands of professional artists working in craft disciplines with emergency financial assistance as well as resources and educational programs for any studio-based artist designed to strengthen and sustain their careers. CERF+ has endeavored to assure the well-being and success of individual artists, but also, through research and advocacy, to advance the needs and status of the craft field in general. CERF+ has developed the expertise and reputation as the “go to” organization for artists working in craft disciplines. Over this time, CERF+ has become a respected leader on the national arts scene, advocating for improving the overall safety net for U.S. artists before, during, and after disasters through its leadership of the National Coalition for Artists Preparedness and Emergency Response (NCAPER).

ABOUT THE FORD FOUNDATION

The Ford Foundation is an independent, nonprofit grant-making organization with assets currently valued at $16 billion. For more than 85 years it has worked with courageous people on the frontlines of social change worldwide, guided by its mission to strengthen democratic values, reduce poverty and injustice, promote international cooperation, and advance human achievement. With headquarters in New York, the foundation has offices in Latin America, Africa, the Middle East, and Asia.