Galaxy S24 ProVisual Engine: Experience the power of AI-enhanced photography with new features

Galaxy S24 ProVisual Engine: Experience the power of AI-enhanced photography with new features

Samsung has just revealed its newest Galaxy S24 series, and it’s turning heads, particularly with its remarkable photography capabilities. It’s not just about the impressive camera setup on the Galaxy S24 Ultra, which now boasts a 50MP 5x telephoto camera; it’s also about the array of new photography AI features that are stealing the spotlight.The photography features get a boost with the introduction of the new ProVisual Engine. It is touted to enhance various aspects, including night photography, noise performance, zoom quality, color reproduction, and HDR (High Dynamic Range) imaging.

The ProVisual Engine of the Galaxy S24 series stands out as a comprehensive suite of AI-powered tools. These tools not only elevate image-capturing capabilities but also enhance creative freedom throughout the entire process, from setting up a shot to sharing it on social media.

The upgraded Nightography capabilities of the Galaxy S24 series ensure that photos and videos captured with Space Zoom shine in any lighting condition, even when zoomed in. The Galaxy S24 Ultra, in particular, features a larger pixel size compared to the Galaxy S23 Ultra, now at 1.4 μm, which is 60% bigger. This improvement allows for capturing more light in dim conditions, enhancing overall low-light performance.

The Galaxy S24 Ultra tackles blur with a broader optical image stabilizer (OIS) range and improved hand-shake compensation. Video recording sees enhancements as both front and rear cameras feature a Dedicated ISP Block for noise reduction.

The Galaxy S24 employs gyro information analysis to differentiate between the filmmaker’s movement and the subject’s, enabling more efficient noise removal. This results in clearer videos even in low-light conditions and from a considerable distance.

The ProVisual Engine not only assists in capturing the perfect shot but also streamlines the photo editing process. With the Galaxy S24 series, Galaxy AI automatically suggests editing options for photos in your gallery. For example, you can eliminate reflections from the image with a single button press.

Additionally, you have the option to fill out a photo. If the photo is tilted, the AI will automatically fill in the borders. It’s also possible to move a person or object within the frame and have the background seamlessly filled in.

The Edit Suggestion feature leverages Galaxy AI to recommend appropriate adjustments for each photo. To provide transparency, whenever the Galaxy S24 employs generative AI to enhance an image, a watermark will appear on the image and in the metadata. This ensures you’re aware that AI has been used, promoting transparency in the editing process.

Moving on. If you have a fast-paced video that needs to be slowed down, the new Instant Slow-mo feature can generate additional frames based on movements. This results in a smoother slowdown of action-packed moments, providing a more detailed and visually engaging look.

HDR shooting has seen significant improvements, too, and the SuperHDR feature now comes with an HDR preview. This allows you to preview how the photo will look before you actually capture it. Additionally, there is support for HDR shooting in third-party apps like Instagram and Snapchat, as well as enhancements to the HDR gallery for a better viewing experience.

Clearly, AI takes center stage in the new photography features of the Galaxy S24 series. Whether it is through on-device capabilities or cloud-based features, these smartphones are heavily infused with AI in multiple aspects.

Sheridan photographer library guest

Sheridan photographer library guest
image

SHERIDAN — The Friends of the Sheridan Public Library will host a reception for local photographer Dan Rose from 3 to 5 p.m. Sunday at the Sheridan Library. Rose is the library’s featured artist for January, and his exhibit is the first since the pandemic.

Rose is a local delivery driver and resident of the Ruby Valley who has turned the many hours he spends on the roads and byways of Madison County into a series of striking photographs of landscapes, animals and artifacts. His newspaper photographs may be familiar as may the cover and interior photos of the winter edition of The Loop Magazine.

For more details, call William Talbott at the Sheridan Library at 406-842-5887.

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Photography of World War I vet Ray Weaver captured everyday life

Photography of World War I vet Ray Weaver captured everyday life

Raymond “Ray” Weaver returned to Kalispell from World War I in 1919 with permanent lung damage from a mustard gas attack in the trenches of France.

On returning home, he picked up a camera and seemingly never put it down. Capturing photos of everyday life in a midcentury American town —  swimmers at Woodland Park, shoppers bustling along Main Street, a downtown auto accident — Weaver’s sharp eye and strong sense of composition come through each image.

Weaver was born in 1892 and died in 1964. 

A dozen of Weaver’s images will be on display through the winter months at the Northwest Montana History Museum, 124 Second Ave. E., Kalispell, thanks to Rand and Linda Robbin and museum volunteer Jane Renfrow. 

The museum is open from 10 a.m. to 5 p.m. Mondays through Fridays. 

For more information visit nwmthistory.org or call 756-8381.

Photographer Chuck Haney holds annual benefit show

Photographer Chuck Haney holds annual benefit show

Acclaimed Whitefish photographer Chuck Haney will present his annual benefit show on Friday, Jan. 26 at 7 p.m. at the O’Shaughnessy Center in downtown Whitefish. 

The multimedia show will feature still photography and time-lapse cinematography in several presentations. Subjects include ocean coasts, Iceland, Portugal and the past year of travel across Montana and the U.S. 

Haney is well known for his spectacular landscape work, but also captures interesting people, the local music scene, wildlife, birds, cityscapes and outdoor sports images. 

Haneys’ work has been published in 16 coffee-table books (many solo) and numerous calendars and magazines including over 300 cover images in a 30-year career as a professional photographer.

The price of admission will be a cash donation. All proceeds go to benefit the local North Valley Food Bank and Whitefish Theater Company.

Chinese PE teacher doubles as photographer, capturing vibrant snapshots of childhood

Chinese PE teacher doubles as photographer, capturing vibrant snapshots of childhood

Zhang Yu, a physical education (PE) teacher at an elementary school in Kecheng district, Quzhou city, east China’s Zhejiang Province, doubles as an unofficial photographer, capturing and preserving his students’ childhood memories.

(Photo/Voice of China)

His journey as a photographer began in October 2014, shortly after he started working at the school. He captured a spontaneous moment of six children playing with sycamore leaves in front of a mottled wall on a sunny day. He has been photographing his students for nearly a decade, creating a vast archive.

The first picture of the six children, some using sycamore leaves to shield themselves from the sun while others peer through the leaves at the sky, received widespread praise. This encouraged Zhang to continue capturing everyday moments of his students’ school life, using his mobile phone.

(Photo/Voice of China)

So far, Zhang has amassed a collection of over 100,000 photos, documenting the unguarded moments of his students — their joy, messiness during meals, moments of shyness or upset, and concentration on schoolwork.

Zhang’s images have become a cherished part of the students’ experiences, often referenced in their diaries and writing assignments.

“We were all lying in the grass with dappled sunlight across our faces,” recalled Mei Zijie, a student, about his favorite photo.

“I was crouching under a maple tree when my teacher took the picture. The light was bright, and the maple leaves were beautifully yellow and green. The picture is so lovely. It makes me feel like someone was recording my childhood,” said Zheng Jiale, now an eighth-grader.

(Photo/Voice of China)

According to Zhang, photography has helped him connect with the children. Initially, students found him a bit intimidating due to his serious demeanor. However, as the students saw themselves captured in cute and humorous moments, they warmed up to Zhang and became more enthusiastic in PE classes, the teacher noted.

Zhang’s photos have also caught his colleagues’ attention, motivating them to capture memorable moments of children during festivals, sports, and other major events.

“What left the deepest impression on me was a group photo of children with their arms around each other’s shoulders. In Zhang’s pictures, I saw a different side of the kids,” said Chen Meiling, a colleague of Zhang.

(Photo/Voice of China)

Zhang often shares photography tips and discusses the concept of “happy education” with his colleagues. He believes that childhood should be fun, happy, and innocent.

“I hope to publish a photo album someday or hold a photography exhibition. I want the photos to remind students who have graduated from our school of the happy moments from their childhoods and to help more people recall their own golden years as children,” Zhang said.

(Photo/Voice of China)

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Vincennes Camera Club discusses eclipse photography tips

Vincennes Camera Club discusses eclipse photography tips

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A crowd of more than 15 camera enthusiasts gathered Wednesday evening at the Pantheon to hear advice and experiences from photographers with experience photographing eclipses.

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Go East: Singapore in the spotlight

Go East: Singapore in the spotlight

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The international art market moves to the Indo-Pacific this week for the second edition of ART SG in Singapore (January 19-21, Marina Bay Sands Expo and Convention Centre). Coinciding with Singapore Art Week and notable museum show openings, the fair has generated a “step up of activity in town” this year, according to its co-founder Magnus Renfrew.

Support from the region’s individual collectors bolsters many events, including at the so-called Private Museum, which is in fact a hybrid non-profit charity founded by the real estate developer Daniel Teo and his daughter Rachel Teo in 2010. Shows here include works from 15 members of “Art Addicts Anonymous” — an informal WhatsApp group that has become a thriving collectors circle — and of art owned by Pierre Lorinet, a financier-turned-philanthropist who is a member of ART SG’s 26-person advisory group. Elsewhere, the British curator Zoé Whitley organises an exhibition of 100 artists from Africa and Asia at Gillman Barracks for The Institutum, founded by the international collector Andreas Teoh.

Renfrew notes the acceleration of money flowing into Singapore, including through its thriving biotech and tech sectors. This year’s edition of the fair is however nearly a third smaller than its inaugural edition — with about 110 galleries versus 160 in 2023 — which, Renfrew says, reflects that galleries are “having to make short-term, pragmatic decisions” in a softer market. But, he says, “given the wider context of the ascent of Singapore’s relevance geopolitically and geo-economically, ART SG has the potential to play a role in building a key cultural and art market hub over the coming years.”


‘Disastres’ (2024) by Marco Fusinato © Courtesy the artist and Palas, Sydney

Two Australians who forged their careers in London have moved back and will open a new gallery in Sydney on February 24. Tania Doropoulos, previously artistic director of Frieze London and Frieze Studios, and Matt Glenn, a former director at Sadie Coles gallery, have identified a “generational shift” among gallerists and collectors in Australia and believe that now is a good time to begin catering to the widening demand. The art market’s move towards Asia is among the dynamics helping to put Australia on the map, they say. 

The gallery will be called “Palas”, to invoke a sense of palatial hospitality, and so spelt after “an accident between an artist and an artificial intelligence”, Doropoulos says. The two-story space is in the city’s fast-developing Zetland area, and opens with a show of new silkscreen paintings by Marco Fusinato (US$35,000-$45,000). Fusinato represented Australia in the 2022 Venice Biennale, participating every day in a performance that ran for the event’s 200-day run. 

The Palas founders plan to join the international art fair circuit, they say. “Artists here want to engage more internationally but it can be a very difficult leap, without physically relocating to the northern hemisphere, which can take years out of their practice,” Glenn says. Doropoulos adds that there is also demand from artists outside of Australia to build their profile there. “The biennial and museum sectors are showing a much better exchange but the gallery sector is not as participatory overseas,” she says. Other shows in the pipeline include those of the Irish artist Eva Rothschild, who also recently represented her country at Venice, and Canada’s Tamara Henderson. 


A painting of a man’s face with a  small skull superimposed over one side of the face
‘Glen and Gibraltar 1 in Perugino’ (2023) by Glen Pudvine

Experimenting with a new business model is Matt Carey-Williams, who left Victoria Miro gallery in London last year and is now setting up solo. His venture will have a physical space — at 12 Porchester Place near Marble Arch — where he will hang about 10 small and short shows a year, each a “close up” of one artist. The first of these “Scenes” runs February 6-March 2 with work by Glen Pudvine (b1989, £3,500-£11,000), whom Carey-Williams first encountered at Pudvine’s Royal Academy Schools’ graduate show. It’s at this level that Carey-Williams feels he can really make a difference, offering exhibitions without demanding official representation. “There is a real thirst for artists who haven’t even graduated yet, which is risky for everyone, especially the artist,” he says.

He will supplement the Scene showings with “Episodes”, larger-scale group exhibitions based on a theme, which will run in different venues around the world. The first of these, Bump, will be at Frieze’s 9 Cork Street building, March 7-23, and will comprise 21 artists including Marc Dennis, Clare Woods and Flora Yukhnovich (prices up to $140,000). Carey-Williams says he is likely to go to Seoul for a future Episode in the autumn.


A silkscreen of red triangles on a black background
‘Black Dada (A)’ (2023) by Adam Pendleton

Hot on the heels of his Blackness, White, and Light exhibition that closed this month at the Mumok museum in Vienna, American artist Adam Pendleton gets his first solo gallery show in New York for more than 10 years at Pace from May 3. The show, including 20 recent paintings and works on paper, is an extension of the Vienna exhibition — which itself was a continuation of his best-known series, Black Dada and introduced colour for the first timeThe Pace works will be priced between $65,000 and $450,000.

The artist’s “nearly continuous institutional exhibitions over the past 10 years”, including also at New York’s Museum of Modern Art and the KW Institute of Contemporary Art in Berlin, are a reason why it has taken so long for him to have a commercial show in his home town, says Samanthe Rubell, president of Pace, which has represented the artist since 2012. The artist, who explores the relationship between blackness and abstraction, is “one of the most relevant working today” and “reflects how we experience the world in the 21st century through its palpable feeling of everything happening at once”, she says.

Institutional demand has not exactly cooled — also in the planning is a large-scale, site-specific commission for the Hirshhorn Museum and Sculpture Garden in Washington DC, slated for Spring 2025.

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