Photographer Turns the Lens on Amateur Astronomers Who Contribute to Science

Photographer Turns the Lens on Amateur Astronomers Who Contribute to Science

Amateur astronomy project

A photographer spent five years traveling the world to turn the lens on amateur astronomers who have contributed to science.

Dan Homer visited stargazers across four different continents to take gorgeous black and white photos that document the environment of amateur astronomers as well as the citizen scientists themselves.

“The people I photographed are people who have contributed to research in some way,” Homer tells PetaPixel.

British Astronomical Association Deep Sky Meeting.
British Astronomical Association Deep Sky Meeting.
L'Observatoire de Haute-Provence, France.
Spectro Star Party at the L’Observatoire de Haute-Provence, France.
Hankasalmi Observatory
Hankasalmi Observatory in Finland.

During the course of his project, which is currently crowdfunding on Kickstarter, he met Jack Newton whose research on supernova 2010O in Arp 299 led to him being granted time as an investigator on the Hubble Space Telescope.

“It’s all these people who are connected all over the world who contribute to research,” he says.

“Where they are [on Earth] is important because if they’re in South Africa or India or wherever, and a NASA telescope on the ground is on the opposite side of the Earth, these astronomers have a view of the object NASA wants to look at.

“The billion-dollar telescope is useless and these people who might have a $500 or a $1,000 telescope become valuable just because of their geography.”

Astronomy photo project
Nilay Mokashi in India.
Astronomy photo project
Home of Michael Mattiazzo in Swan Hill, Australia.
Astronomy photo project
The observatory B&B of Jack Newton in Osoyoos, Canada.

Homer is from the U.K. but traveled to Canada, Australia, India, The Netherlands, Germany, Belgium, and France for the project he calls Route de la Belle Etoile (Route of the Beautiful Star).

“Some of them live in the middle of nowhere [for the dark skies],” he explains.

“Trevor Barry in Australia lives in Broken Hill which is a frontier town; the last town before nothingness in the middle of Australia.

“You can drive to the end of the town in about 30 seconds but when you get there it just turns into desert.”

amateur astronomy photo project
Trevor Barry’s home observatory in Broken Hill, Australia.
amateur astronomy photo project
Spectro Star Party in France.
amateur astronomy photo project
Nyrölä Observatory in Finland.

Homer says a lot of the people he met were of retriment age and had been inspired by the Apollo missions in the 1960s and 1970s which caused people to “look up.”

“To me, space is magic. It’s slightly surreal to think we’re sitting on this rock looking out into the cosmos and experiencing meaning as a result,” he says.

“That’s why I approached it in black and white, the various geographies I visited all over the world all look very different.

“The general background and the colors, the houses, or what people were wearing was so at odds.

“I think the black and white eliminated that a little bit which decontextualizes it and knits all these geographies together without them looking too different.”

Astronomy photo project
Oliver Gorde in France.
Astronomy photo project
Home of Peter Anderson in Brisbane, Australia.
Astronomy photo project
Christian Buil and Valeri Desnoux.

Homer, who does not partake in astrophotography himself, says that he has spoken to scientists who confirmed that amateur astronomers make a “small but significant contribution” and have helped astrophysics meaningfully.

“They’re unpaid and they do it in their free time,” he adds.

Homer is crowdfunding to release the project as a book entitled Route de la Belle Etoile (Route of the Beautiful Star). His Instagram can be found here.


Image credits: Dan Homer

Disclaimer: Make sure you do your own research into any crowdfunding project you’re considering backing. While we aim to only share legitimate and trustworthy campaigns, there’s always a real chance that you can lose your money when backing any crowdfunded project.

from vast landscapes to riveting portraits: a glimpse at sony world photography awards 2024

from vast landscapes to riveting portraits: a glimpse at sony world photography awards 2024

A Look at the 2024 Sony World Photography Awards

This year’s Sony World Photography Awards attracted 395,000 submissions from over 220 countries, highlighting a variety of subjects and locations. The winning photographs, spanning from lush landscapes to poignant portraits, offer diverse perspectives from various corners of the world. Among the entries were captivating images: endless horizons merging with the sky, towering buildings reaching toward the moon, and serene faces evoking childhood nostalgia. These snapshots provide a glimpse into the varied array of photographs featured in the competition. Through this visual exploration, buildings take on distinct personalities, and human subjects find a seamless connection with the natural world.

from vast landscapes to riveting portraits: a glimpse at sony world photography awards 2024
image © Tran Tuan Viet, National Awards 1st Place, Vietnam, 2024 Sony World Photography Awards

Rewards and Exhibitions for Award Recipients

All recipients of the National and Regional Awards will receive Sony digital imaging equipment and will be featured in the Sony World Photography Awards exhibition and book. The overall winners across the Student, Youth, Open, and Professional categories of the Sony World Photography Awards 2024 will be unveiled on April 18, 2024, and their works will be showcased in the exhibition at Somerset House, London, from April 19 to May 6, 2024.

Discover the full list of winning photographers on the World Photography Organisation’s website here.

from vast landscapes to riveting portraits: a glimpse at sony world photography awards 2024
image © Lim Chien Ting, National Awards 1st Place, Malaysia

from vast landscapes to riveting portraits: a glimpse at sony world photography awards 2024
image © Ana Skobe, Croatia, Slovenia, Serbia, Montenegro, Kosovo, Bosnia & Herzegovina Regional Award 1st Place, Slovenia

from vast landscapes to riveting portraits: a glimpse at sony world photography awards 2024
image © Yasser Alomari, National Awards 1st Place, Saudi Arabia

from vast landscapes to riveting portraits: a glimpse at sony world photography awards 2024
image © Ieva Lozuraityte, European Regional Awards Shortlist, Lithuania

Four generations celebrate The George Morrison Center for Indigenous Arts

Four generations celebrate The George Morrison Center for Indigenous Arts

The George Morrison Center for Indigenous Arts is a collaborative space and collective, located at the University of Minnesota, Twin Cities, that brings together Native artists from across the creative arts spectrum—from visual arts to music and literature.
On February 2nd and 3rd, the Center welcomed the community in for two days of special events, including the opening of a traveling art exhibition called “Dreaming our Futures.” WTIP was there, and spoke to four generations of the Morrison and Belvo family, about the legacy of George Morrison and the significance of this historic moment.

We hear from “Dreaming our Futures” co-curator and visionary behind the new Center, Dr. Brenda Child. We also hear directly from George’s son Briand Morrison and his partner Roxann Berglund, Briand’s daughter Elizabeth and her husband Brandon Deschampe Morrison, Briand’s mother Hazel Belvo and her partner Marcia Cushmore and George’s great-granddaughters Maya and Myenna. (Family is pictured, above)

Oscar Howe, Yanktonai Dakota, “Creation of Weotanica,”1975 Casein on paper, 19 × 28 in. Collection of the University of South Dakota. Purchase of Oscar Howe Art Committee. The paintings of Oscar Howe are provided with permission from the Oscar Howe Family

Prof. Brenda Child shared how the work of George Morrison, Oscar Howe and Patrick DesJarlait influenced the next two generations of contemporary, modern Native artists, including many of the 29 artists in the exhibition.

Frank Big Bear, White Earth Band of Ojibwe, “Indian Bar,” 1972 Oil on canvas, 24 × 36¼ in. (61 × 92.1 cm) Collection of Walker Art Center, Minneapolis. Gift of Kirk Nelson, 2021 © Frank Big Bear

According to Hazel Belvo, artist and professor of art, (and Briand Morrison’s mother), Frank Big Bear and Jim Denomie were George’s close friends. Both artists are represented by works in the exhibit.

Jim Denomie, Lac Courte Oreilles Band of Ojibwe, “Medicine Bear,” 2018 Oil on canvas, 35 × 49 in. (88.9 × 124.5 cm) The Jane Fluegel Collection. Courtesy of Bockley Gallery. © Jim Denomie Estate

With thanks to Howard Oransky, co-curator of “Dreaming our Futures” and director of the Katherine E. Nash Gallery, and Roxann Berglund, who shared images from the gallery opening to accompany this story.

Arts and culture reporting on WTIP is sponsored in part by the Minnesota Arts and Cultural Heritage Fund and the Blandin Foundation.

Crafting Your Path in Photography: Lessons from a Year of Growth |

Crafting Your Path in Photography: Lessons from a Year of Growth |

Photography is a journey marked by constant learning and growth, where success is as diverse as the individuals behind the lens. Understanding how to accelerate this path to success while embracing the challenges is crucial for both aspiring and seasoned photographers.

Coming to you from Joshua Peg, this enlightening video shares Peg’s personal insights and experiences over the past year to illustrate key strategies for advancing in photography. Peg emphasizes the importance of relentless practice, having taken tens of thousands of photos to refine his skill set. Most of these images, he admits, did not meet his standards, highlighting a critical lesson: the journey to capturing those few exceptional shots is paved with countless attempts and failures. This process is vital for photographers to understand what works and what doesn’t in their craft. Peg’s approach underscores the significance of persistence and the willingness to experiment, even when doubts about the outcome exist.

Furthermore, Peg explores the concept of simplicity in photography, stressing the power of focusing on what to exclude from the frame as much as what to include. This principle has guided him to produce more impactful and focused images. Peg also discusses the evolution of his inspiration sources, shifting from tutorials to studying the work of other photographers to foster his creativity and define his unique style. This transition from emulation to innovation is a pivotal stage in a creative’s development, where finding one’s voice becomes the foundation of true success. Check out the video above for the full rundown from Peg.

Grace Gillespie’s Vibrant Linocut Prints of Flowers and Foliage Tap Into Her Artistic Roots

Grace Gillespie’s Vibrant Linocut Prints of Flowers and Foliage Tap Into Her Artistic Roots

All images © Grace Gillespie, shared with permission

Grace Gillespie grew up in an artistic household, but she resisted pursuing visual art at first, especially printmaking, because it was something both of her parents excelled at. “I guess I wanted my own ‘thing,’” she tells Colossal, which for most of her twenties was music. Then, during the pandemic, she found herself furloughed, disillusioned with the music industry, and back at her parents’ home in Devon, England.

During her six-month stay, Gillespie had access to a large etching press belonging to her mother, artist Sarah Gillespie. “I decided to try my hand at linocut and was immediately very addicted!” the artist says. “I was also just incredibly lucky that (my parents) had a lot of old lino and tools lying around—a bit ancient and rusty, but they did the trick.”

Gillespie was initially drawn to flowers because at the height of the summer, they exploded in her parents’ garden. She found solace and energy in their variety of colors and textures. “I think that both this newly found love of gardens and plant life, plus the new world of printing, really saved me through some quite tricky times around the pandemic,” she says. “I had left music mostly behind, moved house, and realised I had an anxiety disorder all in the space of a few months, and printing really helped to pull me through and keep my brain inspired to create.”

Reduction printing, the technique of carving away at the surface of linoleum or wood to create surfaces that can be layered, inspired Gillespie to play with color and complexity. “I absolutely love the surprise of when you lift the paper and reveal a print… sometimes a surprise mistake!” she says. “It’s a funny process and a lot can go wrong…. But it does make it all the more satisfying when you peel back the paper to reveal something really juicy and satisfying.”

See more on Gillespie’s Instagram, and check out her shop on Etsy to purchase prints.

 

A colorful linocut print of flowers.

A linocut print of green flowers.

A series of linocut prints of chrysanthemum's strung up to dry on a studio wall.

A linocut print of blue flowers.   Linocut prints of a vase with flowers hung up with clothes line clips.

A linocut print of a dahlia.

Two images side-by-side showing the process of making a linocut print. On the left, red ink is rolled over a piece of lino. On the right, prints dry on a rack.

A linocut print of three flowers.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Grace Gillespie’s Vibrant Linocut Prints of Flowers and Foliage Tap Into Her Artistic Roots appeared first on Colossal.

Documentary-style photography coming to Gallery@501

Documentary-style photography coming to Gallery@501

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Capturing different perspectives of waking up has gotten a lot more interesting. 

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Marie-Pierre Castonguay, a local documentary family photographer, will showcase her Through Life in a Morning art collection on Saturday, Feb. 10 from 2 to 4 p.m. at Gallery@501 in Sherwood Park (Unit 120 501 Festival Avenue). With the goal of capturing multiple day in the life morning routines from various people, Castonguay was intrigued about capturing different perspectives.

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“I started this project in 2021 where I photographed different girls and women from zero to 102 years old,” she said. “The goal of this project was to try to represent the morning of what life could be like. In my art, you can see the progression from a baby’s morning routine to an older lady’s. It’s to see how people are doing their routine to determine what differences and similarities are from one age to the other.”

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Gallery@501
Photo courtesy of Marie-Pierre Castonguay

With already having documentary-style family photography experience, Castonguay wanted to start her own personal project to elevate her craft.

“I photograph people all the time and wanted to do something different,” she said. “I came up with the idea of doing almost a reverse day in the life. I’m used to photographing people without telling them what to do, so I thought, how could I do something like this, but with more of a project in mind instead of photographing one family at a time.”

The idea for each portrait is to illustrate a person’s morning reality with the only rule of being genuine and not altering their morning routine. This project is a discovery of each person’s differences and similarities between people depending on their age, status and occupation. 

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“It’s good that people can see that we’re all similar but different in our own ways,” Castonguay said. “Even though we are all different, there are always aspects of life, like our morning routine, that bring us together. This gallery is a way to get people together and to have an exhibit showcasing people’s real life.”

Photo courtesy of Marie-Pierre Castonguay
Photo courtesy of Marie-Pierre Castonguay

Bringing people together was also a root intention for this project, in addition to dissecting differences in girls’ routines.

“It was nice to see that it wasn’t staged,” she said. “Because we’re used to seeing many images that are often curated or only showing people’s best images, this is a way of showing a more human side of people just waking up so that we can all relate to each other.”

Castonguay’s art will be showcased alongside Saskatchewan artist Carol Wylie’s painted portraits in the Reflections exhibition. With admission being free to the public, visitors can peruse the gallery, engage with the artists and engage in interactive self-portrait activities.

To learn more about Marie-Pierre Castonguay, go to mariepierrephotography.com.

hdhooma@postmedia.com

X: @dunkindhooma

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