The Photography and Video Show 2024, set to dazzle the Birmingham NEC from March 16-19, is poised to make a triumphant return after an 18-month hiatus. With an enticing blend of fresh attractions and an illustrious roster of speakers, this year’s show promises an unparalleled immersion into the world of photography and videography.
Headlining the event is none other than Canon, the largest exhibitor, who will be offering an unprecedented interactive experience. Attendees will have the opportunity to learn innovative techniques, engage in insightful conversations with Canon experts, and get hands-on experience with the latest Canon cameras and lenses. This immersive encounter aims to empower enthusiasts and professionals alike to harness the full potential of Canon’s state-of-the-art technology.
For the first time, the show will introduce specialist masterclasses, enabling an in-depth exploration of topics ranging from fine-art portraiture to Lightroom Classic updates and newborn photography techniques. Among the distinguished workshops are ‘The Art of Illumination’ by Forough Yavari, an award-winning photographer, and a masterclass by Kelly Brown, an acclaimed newborn photographer.
Julieanne Kost of Adobe will present the latest features in Lightroom Classic, while wildlife photographer Mattias Klum, royal photographer Chris Jackson, and others will grace the speaker lineup. The 2024 event will eliminate the Super Stage to make these esteemed figures more accessible to visitors.
A new stage, ‘Shoot to Inspire,’ will cover various genres, and interactive shoot-sets will allow hands-on practice. Exhibitors such as Panasonic Lumix, Laowa, Sirui, and CaptureOne will showcase their latest offerings. The show will also feature a gallery of AP Awards 2024 winners and images from legendary music photographer Jill Furmanovsky.
To further sweeten the deal, the show offers a 20% discount on standard entry tickets with the code AMPHOTPS24. This is an opportunity not to be missed for those seeking to expand their photographic horizons and engage with the global photography community.
As the countdown to The Photography and Video Show 2024 begins, anticipation builds for an event that promises to captivate, inspire, and educate. With its blend of expert knowledge, hands-on experience, and networking opportunities, the show is set to redefine the boundaries of photographic and videographic artistry.
In the grand tapestry of human expression, The Photography and Video Show 2024 stands as a vibrant thread, weaving together technology, creativity, and the enduring power of the visual narrative. It is more than just an event; it is a testament to the indomitable spirit of artistic exploration and the relentless pursuit of innovation.
“Ice Bed” by Nima Sarikhani, UK. Winner, People’s Choice Award. Location: Off Norway’s Svalbard archipelago, Norway.
“A polar bear carves out a bed from a small iceberg before drifting off to sleep in the far north, off Norway’s Svalbard archipelago. Having spent three days desperately searching for polar bears through thick fog in the far north off Norway’s Svalbard archipelago, the expedition vessel Nima was on decided to change course. It turned and headed to the southeast, where there was still some sea ice. Here, they encountered a younger and an older male and watched the pair over the following eight hours. Just before midnight, the young male clambered onto a small iceberg and, using his strong paws, clawed away at it to carve out a bed for himself before drifting off to sleep.”
A polar bear curled up on an iceberg for a nap has won the Wildlife Photographer of the Year People’s Choice Award. This image, taken by amateur photographer Nima Sarikhani, beat out 24 other images that were in the running. Over 75,000 votes were cast by wildlife photography fans—a record number.
It took three days of searching off Norway’s Svalbard archipelago before Sarikhani happened upon polar bears. After the expedition vessel changed course, he happened upon two polar bears in the water. The male then climbed aboard the sea ice and, using his strong claws, created a bed for the evening.
“I am so honored to have won this year’s People’s Choice award for WPY, the most prestigious wildlife photography competition,” he says. “This photograph has stirred strong emotions in many of those who have seen it. Whilst climate change is the biggest challenge we face, I hope that this photograph also inspires hope; there is still time to fix the mess we have caused.”
Director of the Natural History Museum, Dr. Douglas Gurr, couldn’t agree more. “Nima’s breathtaking and poignant image allows us to see the beauty and fragility of our planet. His thought-provoking image is a stark reminder of the integral bond between an animal and its habitat and serves as a visual representation of the detrimental impacts of climate warming and habitat loss.”
In addition to Sarikhani’s winning image, four other photographs were revealed as top vote-getters with a highly commended status. This includes Tzahi Finkelstein‘s charming photo of a happy turtle balancing a dragonfly on its nose and Daniel Dencescu‘s image of a bird-shaped starling murmuration in Rome.
The five images will be displayed both online and in the accompanying exhibition at the Natural History Museum, London, until June 30, 2024.
“The Happy Turtle” by Tzahi Finkelstein, Israel. Highly Commended, People’s Choice Award. Location: Jezreel Valley, Israel
“A Balkan pond turtle shares a moment of peaceful coexistence with a northern banded groundling dragonfly in Israel’s Jezreel Valley.
Tzahi was positioned in his hide in Israel’s Jezreel Valley, photographing shore birds, when he spotted a Balkan pond turtle walking in the shallow water. At first, he wasn’t interested in it and carried on watching the birds. It wasn’t until a northern banded groundling dragonfly flew past his lens in the direction of the turtle that his focus changed. The dragonfly unexpectedly landed on the turtle’s nose, but instead of snapping up the insect, the turtle appeared to be experiencing pleasure from the interaction as they shared a moment of peaceful coexistence in the midst of the swamp’s murky waters.”
“Shared Parenting” by Mark Boyd, Kenya. Highly Commended, People’s Choice Award. Location: Maasai Mara, Kenya
“A pair of lionesses devotedly groom one of the pride’s five cubs in Kenya’s Maasai Mara. Early in the morning, Mark watched as these lionesses groomed one of their five cubs in their territory in Kenya’s Maasai Mara. The evening before, they’d set off to hunt, leaving the cubs hidden overnight in dense bushes. Returning from their unsuccessful mission, they’d called the cubs out onto the open grassland. Females raise each other’s cubs as their own, sharing parenting duties. Here the youngster was clearly enjoying the moment of affection and attention.”
“Aurora Jellies” by Audun Rikardsen, Norway. Highly Commended, People’s Choice Award. Location: Tromsø, Northern Norway
“Moon jellyfish swarm in the cool autumnal waters of a fjord outside Tromsø in northern Norway illuminated by the aurora borealis. It’s common for this species to gather in their hundreds under the aurora borealis. Sheltering his equipment in a self-made waterproof housing, Audun used a single exposure as well as his own system for adjusting the focus and aperture during the exposure. This enabled him to capture the reflection of the sky’s colors on the surface of the water and, at the same time, light up the jellyfish with flashes. Moon jellyfish are common in all oceans and are easily recognized by their four rings, which are, in fact their genitals.”
“Starling Murmuration” by Daniel Dencescu, Germany/Romania. Highly Commended, People’s Choice Award. Location: Rome, Italy
“A mesmerizing mass of starlings swirl into the shape of a giant bird on their way to communal roosts above the city of Rome, Italy. Daniel was mesmerized by the movements of the starlings as they formed colossal organic shapes in the sky. Each day, as they returned from foraging, they would gather in large numbers and perform spellbinding aerial shows, known as murmurations, on their flight home to their communal roosts. In a bid to locate the best roosting sites at which to capture the spectacle, Daniel spent hours following the starlings around the city and suburbs of Rome. Finally, on this cloudless winter’s day, the flock didn’t disappoint, swirling into the shape of a giant bird.”
Visual Alchemy: National Geographic’s ‘Photographer’ Series Set to Redefine Storytelling
National Geographic, a beacon of exploration and discovery, is poised to unveil its latest offering, a six-part documentary series titled “Photographer,” on March 18th in the United States. This riveting journey into the world of visual storytelling is the brainchild of esteemed documentarians E. Chai Vasarhelyi and Jimmy Chin. The series promises an intimate look into the lives and artistic processes of some of the world’s most extraordinary photographers, including Cristina Mittermeier, Paul Nicklen, Dan Winters, Campbell Addy, Krystle Wright, Muhammed Muheisen, and Anand Varma.
Each hour-long episode, a collaboration between these masters of the lens and leading documentary filmmakers, will delve deep into the photographers’ creative journeys. Viewers will gain a unique insight into their artistic processes, their singular ways of perceiving and experiencing the world, and the extraordinary lengths they go to in their quest for visual perfection.
One of the episodes features Ami Vitale, a renowned National Geographic photographer and documentarian. Vitale’s work is a testament to the power of visual storytelling, exploring themes of wildlife conservation, conflict photography, and ethical issues in photography. In the episode, she discusses the profound impact of social media on photography and the crucial role of storytelling in captivating audiences.
Vitale’s photography is more than just a collection of stunning images; it’s a symphony of stills that narrate compelling stories about our world. Her work is a potent reminder of the responsibility that comes with the power to shape perceptions and influence change.
As we stand on the precipice of a rapidly evolving digital age, the series promises to explore the future of visual storytelling. With the rise of virtual reality, augmented reality, and artificial intelligence, the boundaries of what is possible are being constantly pushed and redefined.
The ‘Photographer’ series is a timely exploration of this exciting new frontier, showcasing the work of visual storytellers who are harnessing these technologies to create immersive, engaging, and impactful narratives. It is a celebration of the human spirit’s unyielding quest to document, understand, and share our world’s stories.
Tom McDonald, executive vice president of Global Factual and Unscripted Content at National Geographic, has hailed the series as a testament to the network’s commitment to delivering groundbreaking narratives that spark curiosity and have a lasting impact. The series will be available for streaming on Disney+ and Hulu the day after its National Geographic channel premiere.
In a world where the deluge of information can often drown out the quieter, more profound stories, National Geographic’s ‘Photographer’ series stands as a beacon of hope. It is a powerful reminder of the importance of visual storytelling in helping us make sense of our world, and a testament to the enduring power of the human spirit.
As we prepare to embark on this enlightening expedition into the world of visual storytelling, one thing is certain: the ‘Photographer’ series is set to redefine the boundaries of what is possible and showcase the extraordinary lengths that photographers go to in their quest for visual perfection.
Apple, the tech titan known for its sleek designs and game-changing innovations, is reportedly venturing into uncharted territory with the development of a foldable iPhone. This new device, still in the prototype stage, promises to redefine mobile photography and videography, offering users a more immersive and versatile experience.
February 8, 2024 – In a world where smartphones have become an extension of our lives, capturing moments and telling stories through photography and videography, Apple is poised to change the narrative once again. According to reliable sources, the tech behemoth is working on a foldable iPhone, a device that could significantly impact how we create and consume visual content.
The foldable iPhone is said to feature a small outer screen that doubles as a viewfinder for the camera, allowing users to take selfies without unfolding the phone or resorting to the less-than-ideal front-facing camera. This innovation alone could revolutionize the way we interact with our devices, making self-portraiture more intuitive and spontaneous.
The foldable iPhone’s clamshell form factor is not just a design choice; it’s a statement. This design provides a more secure grip and portability, enhancing stability during photo and video capture. It’s a nod to the classic flip phones of yore, but with a decidedly modern twist.
Moreover, the flexible OLED display offers a larger canvas for reviewing and editing content, providing a more immersive experience with greater detail. This feature could be a boon for professionals and enthusiasts alike, offering new creative opportunities and redefining the mobile photography and videography landscape.
However, the road to innovation is never without its challenges. Apple’s engineers are reportedly grappling with technical hurdles related to design and components. Despite these obstacles, Apple’s commitment to pushing boundaries suggests that a foldable iPhone could be a future offering, though not necessarily in the immediate product roadmap for 2024 or 2025.
The anticipation surrounding this potential game-changer is palpable. If successful, the foldable iPhone could set a new standard for mobile devices, further solidifying Apple’s position as a leader in technology and design. As we await more developments in this exciting journey, one thing is clear: the foldable revolution is upon us, and Apple is ready to lead the charge.
As we look to the horizon, it’s evident that the foldable iPhone is more than just a device; it’s a testament to human ingenuity and our relentless pursuit of progress. It’s a story of innovation, resilience, and the power of technology to transform our lives. And as always, Apple is at the forefront, shaping the future one fold at a time.
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Lara Croft 3D Render
54 Jill Croft Stock Photos, High-Res Pictures, and Images – Getty
Lara croft hi-res stock photography and images – Alamy
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Lara Croft Tomb Raider Cosplay Costume Stock Photo 1889409880
Lara croft lookalike hi-res stock photography and images – Alamy
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54 Jill Croft Stock Photos, High-Res Pictures, and Images – Getty
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2,748 Lara Croft Photos & High Res Pictures – Getty Images
There are lots of photographers who aren’t talked about as much as they should be these days despite the incredible work that they’ve done. And one of those is Matthew Jordan Smith. Smith is a photographer who did incredible work before the Instagram and Facebook algorithms started to dominate everything. Many of his images are timeless, which is evident in his work on his website. There’s no emphasis on the clothes or anything like this that makes it seem like the image was shot during the 90s or those trends have come back. Instead, it puts the beauty of who people are front and center. There are other great tips you can learn from him, though.
Lead image by Matthew Jordan Smith and used with permission in our interview with him. Check out his website and follow @matthewjordansmith for more.
“I think I’ve always seen images like this in my head. It feels so natural to me. I’m not sure when the idea first hit me to bring the image to life because these images have been in my head for decades. I can tell you this, however. I began working on the first Still…Motion images in 2014. I’ve been going to visit parts of Japan since 2008, and at times I would see images of someone being still in the midst of a sea of movement.”
Matthew Jordan Smith
Matthew shares one big tip with us: the idea of looking vs seeing. When you look at a scene, all you’re doing is documenting it. But you see a creative vision — and then you work to make that manifest in a still image. That’s a quote from an interview we did with him a while back.
He often goes about scouting for the location, looking for the right light, and
Smith has never been a big fan of fixing a photograph in post-production. Sure, you can do so yourself if you wish. But truly realizing an image and making it stand out from others is much more effective when you do it in-camera. Any algorithm or AI imagery generator can try making the same image you did. However, they can’t quite mimic your creative vision. I’m specifically saying “they” in that sentence because it’s a process between a human and AI making the image. That’s all done via compositing and setting up exact shading, etc. But getting that photo in camera? That requires so much more effort and pre-planning.
For the record, he doesn’t really use post-production for the work that he does for fun. But for his commercial work, it’s a different story.
An organic moment and mood can’t be mimicked in post-production. It’s something that has to happen in front of the camera. You, as a photographer, have to be part of that and not just shoot it at 20 frames a second.
One of Matthew Jordan Smith’s most famous images is a photograph he did of Tyra Banks several years ago using Ring Flash. To make the image, he went all out using lighting flags, a ring flash, giving her breaks, etc. Most of the process wasn’t done in post-production — which means that he was far more creative in real life.
He talks about the image being timeless because there are no clothes or hairstyles in the image that take center stage. Instead, it’s just a shot of Tyra lit by a ring flash and blending into the background.
Nancy Blum. Photo by Cathy Carver. All images © the artists, courtesy of Phaidon, shared with permission
British artist David Hockney famously quipped, “Art has to move you and design does not, unless it’s a good design for a bus.” Contemporary Art Underground, a forthcoming book from Phaidon posits that these two facets of visual culture are a match made to move us indeed.
Authored by Sandra Bloodworth, who has directed MTA Art & Design for over 30 years, along with deputy director Cheryl Hageman, the volume showcases more than 100 permanent installations undertaken between 2015 and 2023.
Part catalogue and part field guide, Contemporary Art Underground emphasizes the power of visual art in the places we transit through every day, highlighting how works by greats like Alex Katz, Derrick Adams, Katherine Bradford, and many more, create a more pleasant and thought-provoking civic experience, transforming the network of subway stations into a highly accessible, one-of-a-kind museum.
Some of the most recent additions to the MTA collection are two mosaics by Yayoi Kusama and Kiki Smith in Manhattan’s brand new Grand Central Madison station. In 2022, Nick Cave completed an immense mosaic and video installation at the Times Sq-42 St. subway titled “Each One, Every One, Equal All,” which features dancing figures evocative of the artist’s Soundsuits. And in the busiest entrance of the Grand Central-42 St. station, commuters reflect on a colorful, mirrored glass piece by Jim Hodges titled “I dreamed a world and called it Love,” which spans the width of the hall.
Contemporary Art Underground is slated for release on April 24. Pre-order your copy now on Bookshop.
Kiki Smith. Photo by Anthony Verde Photography
Derrick Adams. Photo by Emil Horowitz
Damien Davis. Photo by Etienne Frossard
Katherine Bradford. Photo by Jason Mandella
Alex Katz. Photo by Etienne Frossard
Nick Cave. Photo by Photo by Trent Reeves
Jim Hodges. Photo by Felipe Fontecilla
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article ‘Contemporary Art Underground’ Celebrates How MTA Art & Design Builds a Modern Museum for New York City appeared first on Colossal.
A “crackpot eccentric Yankee” from Massachusetts, he revived the careers of long-forgotten Southern artists during the blues boom of the 1960s.
Dick Waterman, a beacon in the world of blues who as a promoter, talent manager and photographer helped revive the careers of a generation of storied purveyors of that bedrock American art form while lyrically documenting their journeys with his camera, died on Jan. 26 in Oxford, Miss. He was 88.
His niece Theodora Saal said the cause was heart failure. A native of Massachusetts, he had lived in Oxford for nearly four decades.
Through his company, Avalon Productions, which was considered the first management and booking agency devoted primarily to Black blues artists, Mr. Waterman provided overdue exposure — and income — to early blues luminaries like Mississippi John Hurt, Son House and Skip James.
He also shepherded the careers of a younger blues cohort, including Buddy Guy and Otis Rush, as well as one young white artist, the singer-songwriter and future Grammy Award winner Bonnie Raitt.
“Dick Waterman just may be the most knowledgeable man on the history of blues,” the music writer Don Wilcock wrote in 2019 on the website American Blues Scene. Mr. Waterman, he added, “sought out the originators of the genre, pulled them out of ‘retirement’ and presented them to a folk audience that to that point considered blues to be a footnote in the American musical history.”
