Lauren Fensterstock’s Cosmic Mosaics Map Out the Unknown in Crystal and Gems

Lauren Fensterstock’s Cosmic Mosaics Map Out the Unknown in Crystal and Gems

“Beyond Mind” (2023), vintage crystal, glass, quartz, obsidian, tourmaline, and mixed media, 27 x 26 x 13 inches. Photo by Luc Demers. All images © Lauren Fensterstock, shared with permission

When a massive star dies, it collapses with an enormous explosion that produces a supernova. In some cases, the remains become a black hole, the enigmatic phenomenon that traps everything it comes into contact with—even light itself.

The life cycle of stars informs the most recent works by artist Lauren Fensterstock, who applies the principles of such stellar transformations to human interaction and connection. From her studio in Portland, Maine, she creates dense mosaics of fragmented crystals and stones including quartz, obsidian, and tourmaline that glimmer when hit by light and form shadowy areas of intrigue when not.

Cloaking sculptures and large-scale installations, Fensterstock’s dazzling compositions evoke natural forms like flowers, stars, and clouds and speak to cosmic and terrestrial entanglement. “I have to admit that I agonize over the placement of every single (piece),” the artist shares. “There are days where it flows together like a magical puzzle and other days where I place, rip out, and redo a square inch of surface again and again for hours. Even amidst a huge mass of material, every moment has to have that feeling of effortless perfection.”

 

a massive black orb with spikes and glimmering crystals hangs from the ceiling over a bed of black fringe

“The totality of time lusters the dusk” (2020), mixed media, installation at The Renwick Gallery of the Smithsonian American Art Museum. Photo by Ron Blunt

The gems are sometimes firmly embedded within the surface and at others, appear to explode outward in an energetic eruption. Celestial implosions are apt metaphors for transformation, the artist says, and “pairs of stars speak to the complexities of personal connections… In the newest work—which explores vast sky maps filled with multiple constellations—I attempt to move beyond a single star or an isolated self to show the entanglement of the cosmic whole.”

While beautiful on their own, the precious materials explore broader themes in aggregate.  Just as astrology uses constellations and cosmic machinations to offer insight and meaning into the unknown, Fensterstock’s jeweled sculptures chart relationships between the individual and the universe to draw closer to the divine.

The artist is currently working toward a solo show opening this fall at Claire Oliver Gallery in Harlem. Inspired by her daily meditation practice, she’ll present elaborately mapped creations of lotuses, black holes, fallen stars, and a bow and arrow that appear as offerings to the universe. In addition to that exhibition, the artist is showing in May at the Shelburne Museum and will attend a residency in Italy this September, to work on a book about entanglement and artist muses. Find more about those projects and her multi-faceted practice on her website and Instagram.

 

a detail image of mosaic crystals with a cluster of a spiky crystals

Detail of “Dwelling” (2023), vintage crystal, glass, quartz, and mixed media, 18 x 16 x 13 inches. Photo by Luc Demers

left: a black floral sculpture covered in mosaic tiles and glimmering crystals. right: right: a silver floral sculpture covered in mosaic tiles and glimmering crystals.

Left: “The Undiluted” (2023), vintage crystal, glass, quartz, obsidian, tourmaline, and mixed media. Photo by Luc Demers. Right: “The Unhurt” (2023), vintage crystal, glass, quartz, and mixed media, 22 x 27 x 14 inches. Photo by Luc Demers

string of black beads dangle from black cloud like sculptures covered in beads, mosaic, and crystals

“The totality of time lusters the dusk” (2020), mixed media, installation at The Renwick Gallery of the Smithsonian American Art Museum. Photo by Ron Blunt

left: a floral sculpture with numerous leaves all covered in glimerring stones and crystals. right: a floral wall sculpture with black glimmering stones in the center and silver petals

Left: “The Many” (2023), vintage crystal, glass, quartz, and mixed media, 38 x 38 x 10 inches. Image courtesy of Claire Oliver Gallery. Right: “Heart of Negation” (2022), vintage crystal, glass, quartz, and mixed media, 54 × 54 × 14 inches

a half-orb sculpture with a glimmering black inside and sharp clear crystals around the outside

“Eclipse” (2022), vintage crystal, glass, quartz, obsidian, tourmaline, and mixed media. Photo by Luc Demers

three black cabinets on a wall with black objects and large growths overwhelming the shelves

“The Order of Things” (2016), shells and mixed media

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Lauren Fensterstock’s Cosmic Mosaics Map Out the Unknown in Crystal and Gems appeared first on Colossal.

Mercedes Photographer Angles for Success

Mercedes Photographer Angles for Success
These communities and many others in Texas have been locations for the outdoor photographing work of the Mercedes-based Valdez. Courtesy Image
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By Ric Cavazos / Mercedes EDC

Jackie Valdez’s office is mobile and can be found anywhere from South Padre Island to Mission and upstate to San Marcos.

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These communities and many others in Texas have been locations for the outdoor photographing work of the Mercedes-based Valdez. A look at her stunning portfolio of work features marching bands and high school football players, cows and cowboys at the Livestock Show, and newly engaged couples in love. The visual backdrops are often the natural light and open skies of the Rio Grande Valley and the endless variations of clouds on the move behind those photographed.

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‘My goal is to reach people outdoors,” Valdez said. 

Angles and skies, Valdez says, are among the key elements of her photography. So are the people in her photos, be it a young girl in her quinceanera best or quarterbacks in live game action reaching back to throw a deep pass. The X-ray technician-turned-photographer has shifted a hobby into a full-time job. Valdez’s focus is on improving her already impressive work and becoming a brand in her own right.

“My goal is to be a travel photographer,’’ Valdez said. “I want people to call me from different parts of the country to do work for them.’’

Getting Started

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Before getting a wider recognition, Valdez had to start local even if it meant overcoming suspicions connected to a long-standing football rivalry.

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She recalled some of her initial photo work was coming from Edcouch-Elsa. Clients from the Delta Area admired Valdez’s work in looking at her portfolio, but her being from Mercedes raised some questions.

“When it comes to what I love to do, it doesn’t matter that I’m from Mercedes,’’ she recalled with a chuckle, adding the concerns raised from E-E clients were good natured.

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The scope of her work shows a have-camera-will travel viewpoint. In one of her photos, a teenage boy sits on a park bench at Market Square in Brownsville, appearing to look off into his future. Another photo features a smiling girl standing on a nature park walkway in twilight, holding a sign that says, “Gone to UTRGV.’’ A football player from Mission is featured in another photo holding his football helmet as the sun sets behind the stadium’s bleachers. 

Her hometown is featured in many of her photos, especially when it comes to the city’s signature event, the Rio Grande Valley Livestock Show. One photo shows a teenage girl wearing a cowboy hat kissing her cow at night as a Ferris wheel turns behind her. 

Looking a Valdez’s gallery of photos, it can be hard to believe that in her words she had “no training, no classes.’’ She obviously did possess a great eye and natural talent to frame and visualize images in utilizing natural light and sky to further boost the quality of her photos. 

Valdez’s work has not gone unnoticed. In recent years, the Mercedes Chamber of Commerce recognized Valdez for her contribution to the arts.

Doing More

Valdez cities her faith and expressed a gratitude to God for the talents she been able to develop with her photography.

A mentor and professional photographer in Dallas, Rick Davila, has also been a key element in her progression as a photographer in her own right. Valdez relishes the time flexibility being a full-time photographer gives her. She can set her own schedule in making sure to attend important events relating to her children’s’ school activities. Valdez’s ambitions in photographer are big and she appreciates pursuing those dreams from her hometown.

“I’m going to keep getting my name out there,’’ she said. “I want to do more.’’

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Navigating Art Market Volatility: Estate Planning Strategies for Art Collectors

Navigating Art Market Volatility: Estate Planning Strategies for Art Collectors
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The most recent Art Basel and UBS Global Art Market Report [1] reported that the Global Art Market, while down 4% year-on-year from 2022, has passed the 2019 pre-pandemic levels to $65 Billion on 39.4 million transactions, up 4% over 2022. This strength of the Global Art Market is good news, but it poses a challenge to art collectors and their estate planners. Any volatility can complicate estate planning and volatility in the value of collections in particular, leading to potential tax complications and challenges in asset distribution among heirs. However, sophisticated estate freeze techniques offer effective solutions, allowing collectors to manage and mitigate these risks. Here’s an exploration of the top strategies that art collectors can utilize to safeguard their legacies in the face of market uncertainty.

Understanding the Challenge

Art collections are unique assets not only because of their cultural and personal value but also due to their potential for significant appreciation. However, this value can be highly volatile, influenced by market trends, artists’ reputations and economic factors. This volatility can create estate planning challenges, particularly concerning estate tax liabilities and the equitable distribution of assets.

Estate Freeze Techniques

1. Family Limited Partnerships (FLP) and Limited Liability Companies (LLC)

By transferring art into an FLP or LLC, collectors can manage their collections under a business structure, gifting or selling shares to heirs at current values, and having the artwork treated as an investment rather than as a collectible. This strategy not only keeps the future appreciation of the art out of the collector’s estate, it also preserves control over the collection during the collector’s lifetime, while providing significant income tax advantages for the collector.

2. Grantor Retained Annuity Trust (GRAT)

A GRAT involves transferring art to a trust, where the collector retains the right to receive an annuity for a fixed period. This results in any appreciation above the IRS-approved interest rate passing to the beneficiaries tax-free, effectively freezing the estate value of the art at the time of the initial transfer.

3. Intentionally Defective Grantor Trust (IDGT
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Selling art to an IDGT in exchange for a promissory note can also freeze its current value for estate purposes. The trust pays the seller an interest rate, while any appreciation beyond this rate accrues to the beneficiaries without additional estate or gift tax.

4. Qualified Personal Residence Trust (QPRT)

Not just for real estate, a QPRT can include art displayed in the residence. The trust freezes the value of the art along with the home, with the future appreciation passing to heirs, thereby reducing potential gift and estate taxes.

5. Charitable Lead Annuity Trust (CLAT)

A CLAT allows collectors to support charities while eventually passing the art to heirs. The trust’s initial value is reduced by the present value of the income stream to the charity, lowering the taxable estate.

6. Other Notable Techniques

· **Grantor Retained Income Trust (GRIT)**: Similar to a GRAT but the collector retains the income instead of an annuity. This technique should be combined with a program of leasing artwork through the FLLP or FLLC.

· Dynasty or Purpose Trust: Extends the benefits of a freeze beyond one generation.

· Self-Canceling Installment Note (SCIN) and Private Annuity: Both allow for a transfer of assets in exchange for a financial instrument that provides payments to the collector with significant tax benefits, if the collector passes away before the end of the note’s term.

Benefits of Using Estate Freeze Strategies

These techniques not only help to manage estate tax liabilities but also allow collectors to achieve their legacy goals, such as keeping collections within the family or donating to cultural institutions. By locking in current market values and controlling how collections are handled after their passing, collectors can ensure that their estates are not forced to sell off pieces in a potentially unfavorable market.

Conclusion

The volatile nature of the art market makes it essential for collectors to consider advanced estate planning techniques. Estate freezes are a crucial strategy, allowing collectors to navigate market fluctuations and secure their financial legacies. With proper legal and financial advice, these strategies can be tailored to meet individual needs, ensuring that both financial goals and personal values are maintained for generations to come.

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Oscar Wilde would hate this hideous sculpture of him that’s coming to London

Oscar Wilde would hate this hideous sculpture of him that’s coming to London
On the bright side, there are, it seems, no moral grounds for denying Oscar Wilde a memorial on consecrated ground. A sculpture of his head can now be erected in a former churchyard in Chelsea after a Church of England consistory court overrode objections that it would be offensive. On the downside, the work is by the late Sir Eduardo Paolozzi and it is quite, quite hideous.

The APA Awards | Announcing the 2023 New + Emerging Talent Winners

The APA Awards | Announcing the 2023 New + Emerging Talent Winners

It is always with great excitement that we announce the winners of our emerging talent competition. Not only is it absolutely humbling to see how incredible the up-and-coming new wave of architectural photographers are, but I get to spend time with the winner each year in a one-on-one workshop in order to develop their business skills and photography practice. This year we had an absolute blast with Laura Deus of Portugal – it was one of the most fun weeks of my life, and it’s always great to hang out with other architectural photographers. I’ve said it before and I’ll say it again, this field is filled with genuinely good people and it’s one of my favorite parts of being an architecture photographer.

Our top five winners each get a trophy – but one ‘takes home’ the grand prize. I look forward to following each and every one of your careers, as I am sure you are all destined for incredible success if you keep at it.

-Mike Kelley, Architectural Photography Almanac founder

Grand Prize Winner: Graham Handford

For over 10 years, Vancouver-based Graham Handford has worked as a graphic designer for architects. Recently, he’s shifted his focus to documenting the built environment through photography. With his design background, Graham is able to layer design fundamentals with elements that make for an engaging photograph: scale, depth, lighting, atmospheric conditions, animation, and context.

As the grand prize winner, Graham will receive a trophy and all expenses paid trip to California for a private workshop with AP Almanac founder Mike Kelley.

“These images do a great job at selling the buildings they depict, which is often our team’s main challenge–how do you capture the story of a building with only a single image? I think each of these succeeds in doing just that while also demonstrating how these buildings interact with their physical context and surrounding community.” – Allison Ball

Runner-up: Ekansh Goel

After graduating as an Architect with a mild interest in photography, a stranger on the internet suggested that Ekansh explore architectural photography and in 2020, he began his architecture photography journey. Through my photographs, I try to capture stories that emerge within a space. The interaction of the built with its human inhabitants not only adds scale but also establishes a meaningful connection.

Ekansh will be recognized with a trophy from AP Almanac.

“The ability to capture the built environment under intriguing light and to include people without staging the photography is excellent.” – Silvia Kuhle

Runner-up: Sami Saastamoinen

Sami is a photographer based in Helsinki, Finland who primarily photographs architecture and interiors. He aims to show the buildings as breathing objects in harmony with their users, materials, and light.

Sami will be recognized with a trophy from AP Almanac.

Runner-up: Patrick Martinez

Based in Spokane, Washington, Patrick approaches each project with the intention of blending client expectations with his personal creative aesthetic. Patrick relies heavily on the human form to help convey purpose and scale.

Patrick will be recognized with a trophy from AP Almanac.

“For exterior architectural photography, the timing is paramount. and with image no 1, this photographer has clearly demonstrated their extraordinary ability. The dynamic and captivating impact of this dusk shot stands out, suggesting that, based on this single image alone, the photographer could have easily taken the top prize. The image’s compelling composition and lighting capture the essence of dusk, making it truly arresting and a testament to the photographer’s skillful execution and artistic vision.” – Gerry O’Leary

Runner-up: Kathy Wallace

Kathy Wallace is a Sydney-based paralegal who has taken up architecture photography as a passion project. This set was taken across Australia and New Zealand and focuses on colors in architecture.

Kathy will be recognized with a trophy from AP Almanac.

“Color, composition, and geometry are on point. These photos work beautifully as a triptych. The pictures are vibrant and give me a sense of playfulness.” -Valéry Augustin

New + Emerging Talent | Top 10:

Finding the Right Destination Wedding Photographer

Finding the Right Destination Wedding Photographer

Planning a destination wedding combines the excitement of travel with the joy of celebrating your special day in a unique setting. While the allure of a picturesque location is undeniable, organizing a wedding from afar comes with its challenges. One key aspect is capturing the occasion’s beauty and essence through photography. Here’s how using a platform like Wedissimo can be instrumental in finding the perfect local wedding photographer for your destination wedding.

Understanding Destination Wedding Planning

Destination weddings require meticulous planning and coordination. You’re dealing with remote vendors, unfamiliar local regulations, and perhaps even a language barrier. Among the most crucial vendors for your wedding is the photographer, who will capture the memories you’ll cherish for a lifetime.

Benefits of Hiring a Local Photographer

Hiring a local photographer for your destination wedding offers several advantages:

  • Local Expertise: Local photographers are familiar with the area and can suggest the best spots for stunning photos. They know the lighting, the weather patterns, and the hidden gems that out-of-town photographers might miss.
  • Cost-Effectiveness: By hiring locally, you can avoid the travel and accommodation expenses associated with bringing a photographer from your home location.
  • Ease of Coordination: Working with a local means they’re readily available for meetings and venue walkthroughs and can be flexible with scheduling, especially if weather or other unexpected changes occur.

How Wedissimo Facilitates the Process

Wedissimo streamlines the process of finding and booking a local photographer in several ways:

  • Extensive Directory: Wedissimo offers an extensive list of local photographers. You can search based on their style, price range, and specific location within the destination area.
  • Instant Quotes: The platform allows you to request quotes from multiple photographers simultaneously, making it easy to compare prices and services without needing multiple individual consultations.
  • Secure Booking: Wedissimo provides a secure platform for booking and making payments, which is particularly important when dealing with overseas transactions.
  • Reviews and Portfolios: You can browse portfolios and read reviews from other couples using each photographer. This helps ensure that you choose a photographer whose style matches your vision.

Founded by serial entrepreneurs Andrew Bowker and David Clark as an end-to-end platform for couples to check availability and pricing, browse portfolios and book online. wedissimo is AI-enabled with book-a-call features, and since its launch in September has attracted thousands of bridal couples.